FH Mini 113 - Missed That Movie! - Perfect

[0:00] Hey, this is Stuart Wellington of the Flophouse podcast.

Stuart Wellington

[0:08] This is a Flophouse mini.

[0:10] So on the off weeks, when we don't release a full episode,

[0:12] we do a mini episode, and that's what you're listening to right now.

[0:16] I'm Stuart Wellington, one of the hosts,

[0:17] and I'm joined by my other hosts, Dan McCoy and Elliot Kalin.

[0:21] We have an extra...

[0:22] Elliot's just establishing that he's the cool guy of the podcast.

Dan McCoy

[0:26] Yeah, that goes double for me.

[0:28] Double yo.

Stuart Wellington

[0:28] Oh, wow. We got two cool guys on this podcast.

[0:31] Yo-yo, less cool than yo. I hate to break it to you down.

[0:33] So we got two cool guys and one baby face.

[0:36] That's me, Stuart.

[0:37] But we also have an extra guest, and that's not just a regular guest.

[0:39] We have a guest host because she's going to be doing a lot of the driving on this mini episode.

[0:44] Let me introduce my wife, Charlene Wellington.

[0:47] Hello, Charlene.

S2

[0:48] Hello. Yo-yo-yo.

Stuart Wellington

[0:50] Oh, wow. We have three cool dudes on this podcast.

[0:53] Now, Charlene is here for a number of reasons,

[0:56] but one of the key reasons is that she is promoting a new business,

[1:00] a new business venture called Jiggle Studios,

[1:03] a new fitness studio in Parks...

[1:04] Not Park Slope.

[1:05] In Sunset Park, Brooklyn.

[1:08] It'll be Park Slope soon enough.

Elliott Kalan

[1:09] Just let the real estate people have their way.

Stuart Wellington

[1:11] In a few years, it'll be Park Slope.

[1:12] Yeah.

S2

[1:13] You know, this just came to me that we did an episode before where we were opening a joke business.

[1:19] Yes.

[1:20] And it sounded almost exactly the same.

[1:22] Oh, no.

[1:22] So how will we let the people know this is actually not a joke business?

Elliott Kalan

[1:26] I mean, maybe you should have given your real business such a silly name.

Dan McCoy

[1:30] I think the level of concern you have about the confusion will let people know that it's a real business.

[1:35] Yeah, no, that's actually...

S2

[1:36] I think we need your level of concern, Dan, and then maybe...

[1:39] Oh, my God.

[1:39] What are we going to do?

Stuart Wellington

[1:44] Yeah, yeah.

[1:45] He's got to keep me up at night.

[1:46] Yeah, when Professor Xavier reads Dan's mind, he's like,

[1:49] Oh, fuck.

[1:50] Bad guy.

[1:52] He is worried.

[1:56] Like, whoa.

[1:56] He's like, time to step away from Cerebro for a little bit.

[2:00] It's weird.

Dan McCoy

[2:00] His life seems pretty good, but he can't seem to calm down.

Stuart Wellington

[2:04] It's a cool mutant power you got there.

[2:07] So, and also...

[2:09] We'll call you low self-esteem-o.

[2:12] On that joke business episode, I kept insisting that it was not a joke over and over, right?

[2:17] Yeah, I could take your word out.

[2:18] Oh, boy.

[2:19] You're going to be a nice food yourself.

[2:20] Yeah.

Elliott Kalan

[2:21] So, I guess for people to know that this is not a joke, you'll have to keep talking about what a joke it is, I guess.

[2:27] Yeah.

[2:27] Oh, yeah.

Stuart Wellington

[2:28] That's the full loop.

[2:30] So, we'll talk more about Jiggle Studios, which I'm sure you would love to.

Dan McCoy

[2:39] It sounds so fake.

[2:40] Well, no, I mean, it's like a gym, but to me, I'm like, oh, this sounds like a low rent.

[2:45] Like, they would do movies for Showtime.

[2:48] Jiggle Studios would do.

Elliott Kalan

[2:50] Yeah, it's just Jiggle Studios.

[2:52] It's not Studio.

[2:53] It's just one studio.

[2:53] Two guys have inherited their grandpa's gym, and they need to make it profitable, so they

[2:58] make it a nude lady gym called Jiggle Studios.

[3:01] Yeah.

[3:01] Oh, man.

[3:02] Do you want to say that?

[3:02] You want to say that?

S2

[3:03] So, I've chosen the wrong name.

[3:04] Oh, God.

[3:06] Okay.

[3:07] Let's change this to critique my new business endeavor podcast.

Stuart Wellington

[3:12] Just trying to offload some of my anxiety onto you, Shirley.

S2

[3:14] Thank you.

[3:15] Appreciate it.

Stuart Wellington

[3:15] We'll talk more in depth about Jiggle Studio and your upcoming crowdfunding campaign.

[3:23] Yes.

[3:23] But can you give a quick summary of what Jiggle Studio is all about?

S2

[3:27] So, Jiggle Studio is a real fitness studio in Sunset Park, Brooklyn.

[3:33] Not a joke, everybody.

[3:34] Next to Minis.

[3:36] I am renting the space next to Minis.

[3:39] Oh, Minis.

Elliott Kalan

[3:39] That's that really cool bar that I've heard about.

S2

[3:41] It's a very cool bar.

[3:42] And it's a class-based studio where we focus on movement for joy and never for weight loss.

[3:53] So, we like to say, move the body you have.

Stuart Wellington

[3:56] Okay.

[3:57] And that sounds great.

[3:58] So, to go along with that, we are going to do a special mini episode where we normally on

[4:03] mini episodes, we just talk about whatever.

[4:05] But today, we're going to do just that thing.

[4:08] We are going to talk about whatever.

[4:09] We're going to do an episode of the classic.

[4:14] I think the original mini format, we are going to do a missed that movie.

[4:19] Charlene and I watched the John Travolta, Jamie Lee Curtis vehicle, Perfect, which is based

[4:27] on a true article in Rolling Stone magazine.

S2

[4:32] Yes.

Stuart Wellington

[4:33] There really was an article.

S2

[4:34] I don't know if the article was true, but it was based on an actual article.

Stuart Wellington

[4:38] So, Charlene, and this is also fun because this is going to be Charlene's time to get

[4:43] to do a summary.

[4:45] The thing that she would make fun of me for, and she's like, you do it so, like, Dan and

[4:49] Elliot and Stuart do such bad jobs summarizing movies.

[4:52] Now, she has to try.

S2

[4:54] I mean, I say that in my sleep, so it's not on purpose.

[4:59] Yeah, yeah, yeah.

[5:00] Okay.

[5:01] That's the secrets that she keeps.

[5:03] So, you let me know when to start, and then...

[5:06] Yeah, yeah.

Stuart Wellington

[5:07] Now it's the time you start.

[5:08] Now?

Stuart Wellington

[5:08] Okay.

[5:08] Yeah, yeah.

[5:09] Time to get to go.

[5:09] All right.

S2

[5:10] So, perfect.

[5:13] We open to Jersey City.

[5:15] Here it happens.

[5:17] Here we go.

[5:18] Jersey City, 1985, newspaper office.

[5:22] Adam, played by John Travolta.

[5:25] Oh, boy.

[5:26] He's an unhappy obituary writer.

[5:29] Yeah.

[5:30] Cut to New York City five years later.

Dan McCoy

[5:33] Uh-huh.

[5:34] Keeping it tight.

[5:35] I love it.

[5:35] Yeah.

[5:35] Yeah, Stuart, you passed along my request to keep it short today.

[5:39] This was a thing that happened.

[5:40] Oh, I thought we were still goofing.

Stuart Wellington

[5:42] I thought that was a goof, Dan.

[5:44] You put it in italics with a little crying laughing emoji.

[5:47] I just cut five years out of it.

[5:48] Okay, that's good.

[5:49] Guys, just to pull back the curtain, in the Flophouse group chat, Dan is the emoji king.

[5:55] He is constantly throwing emojis.

[5:58] He loves them.

[5:59] Elliot's dropping GIFs on everything.

[6:01] Me, I'm a sticker boy.

[6:02] I use stickers, mainly pictures of myself that I've turned into stickers.

[6:05] Yeah, yeah.

[6:07] Okay, go, go, Charlotte.

S2

[6:09] Okay.

[6:10] So, New York City, now he's working for Rolling Stone magazine.

[6:14] We know that because there are pictures of a lot of famous celebrities.

[6:19] Yeah, Rolling Stone performers.

Stuart Wellington

[6:21] They even do, like, pictures of Mick Jagger.

[6:24] Yeah, they're pictures of Mick Jagger.

S2

[6:26] And then his editor, I guess, sends him to California to cover two very important stories.

Elliott Kalan

[6:34] So, he's been in three different states already by the time of the movie.

Stuart Wellington

[6:38] Yes.

[6:38] And Charlene completely, I mean, she's keeping it tight.

[6:40] She glossed over the fact that Carly Simon shows up and throws what looks like a glass of tomato juice that is in a coop glass into John Travolta's face.

[6:49] We didn't get up to that yet, but yeah.

S2

[6:51] Okay.

[6:52] But Carly Simon was actually in it, which is really as herself.

[6:55] And he was like, oh, no, it's Carly Simon.

[6:57] And, yeah.

[6:58] You're so vain.

[6:59] Yeah.

[6:59] Oh.

[7:00] That song was about him.

[7:02] Yeah.

[7:04] So, yeah.

[7:05] So, he has to cover these two very important stories.

[7:08] One, they never really make it clear what it's about, but it's very important, and somebody has to testify.

Stuart Wellington

[7:14] Somebody's on trial for selling microchips to another country or something.

[7:18] Okay.

S2

[7:18] Something like that.

[7:19] All right.

[7:19] It's never clear.

[7:20] And then the more important story are health clubs, the new singles bars.

Stuart Wellington

[7:25] Oh, okay.

[7:26] And it's kind of like a take, like, meant to be like a takedown hit piece, right?

[7:30] Yes.

[7:30] Because that's his specialty.

[7:31] He writes, he writes like hit pieces.

[7:34] That's why Carly Simon threw that tomato juice into it.

[7:36] Yes.

Dan McCoy

[7:37] You know, I was, you know, I was young in the 80s, but I did, I did live through it.

[7:40] And I recall back then, it was sort of treated as an amazing thing that people might want to exercise.

[7:48] Yeah.

Elliott Kalan

[7:49] Yeah.

[7:49] It was.

[7:50] So, you have to remember that we had just been through the 70s, which was the decade of self-destruction.

[7:55] It was really cool to do a lot of drugs and just be filthy and sweaty all the time.

[8:01] And the 80s was when people were like, we got to get back into shape.

[8:04] Come on, America.

[8:04] This is bonkers.

[8:06] It's morning, I heard.

Stuart Wellington

[8:07] Yeah, in the 80s, it's like, if you're going to do drugs, do ones that at least make you very energetic.

[8:12] Yeah.

Elliott Kalan

[8:12] I mean, the 70s was all about cocaine as opposed to the 80s, which were all about cocaine, I guess.

[8:18] People were so tired that in the 90s, they needed heroin to just kind of get them some sleep, you know?

[8:22] And also cocaine.

[8:23] The 70s were quaaludes, man.

Dan McCoy

[8:24] Quaaludes.

Stuart Wellington

[8:26] Don't be naive, Dan.

[8:27] Come on.

[8:28] I think you're correct.

[8:29] Do they make quaaludes out of quails?

[8:33] Yes.

Elliott Kalan

[8:34] That's why they don't exist anymore.

[8:36] They're extinct.

[8:36] Oh, wait, they're not extinct.

[8:37] Just like when people used to smoke passenger pigeons.

[8:40] That's why we don't have those anymore.

S2

[8:44] Okay.

[8:46] So, John Travolta shows up at this giant sports and racket club.

[8:52] And I feel like gyms were way bigger in the 80s and they always had racquetball.

Stuart Wellington

[8:57] And it's called like the Sports Connection or something?

S2

[9:00] Oh, yeah.

[9:01] I deleted what the name was.

[9:02] I think it's called Sports Connection.

[9:03] Yeah, it's something like that.

[9:04] But it's a health and racket club.

Stuart Wellington

[9:07] Okay.

[9:07] So, tell me about this club.

[9:08] What's it like?

S2

[9:10] So, we got racquetball.

[9:12] We got a bunch of people dressed in amazing bodysuits and tights, headbands, leg warmers.

Stuart Wellington

[9:20] Guys, I know that – I know I'm a firm believer in the concept that nobody cares about your boner.

[9:25] But, like, I love 80s workouts.

Dan McCoy

[9:28] I do, too.

[9:28] But I'm confused by leg warmers because that was big in the 80s.

[9:32] You don't see them at all since the 80s.

[9:35] And I was like, is it a problem?

[9:36] Like, were legs cold?

[9:38] Like, I feel like when –

[9:39] Again, legs were colder in the 80s.

Elliott Kalan

[9:40] From the 70s, the oil crisis, there was less heat to go around.

[9:44] Right.

[9:45] And people were still dealing with that.

[9:46] So, people's legs, because that's the lower part.

[9:48] Hot air rises.

[9:49] The top half of your body is going to be warm.

[9:51] Cold air settles around your tootsies.

[9:54] And so, you need leg warmers to keep those warm.

[9:55] Yeah.

Dan McCoy

[9:56] Based on the amount of sweating I do at my yoga class, a relatively low-impact thing.

[10:03] Also, my yoga class.

[10:04] Yeah.

[10:04] Charlene has begun to – now we're yoga buddies.

[10:07] We go to yoga together.

[10:09] It's true.

[10:10] This is actually – this is another true thing and not a joke.

[10:12] Real quick, who farts more?

Elliott Kalan

[10:15] I mean, it's a whole class of people.

[10:16] Real quick, one more thing.

S2

[10:18] This is Stuart from Rolling Stone magazine.

Stuart Wellington

[10:18] What happens in yoga stays in yoga?

Elliott Kalan

[10:21] Just one more question, Carly Simon.

[10:23] How much do you fart?

Dan McCoy

[10:25] I'm just saying, I've never been like, oh, I want to put, like, a layer of wool on my legs doing this.

S2

[10:31] So, the 80s was all about, like, dance culture, right?

[10:35] Yes.

[10:35] And all of the popular movies were about dancing.

[10:37] And leg warmers –

[10:38] Flash dance.

Stuart Wellington

[10:39] Dance flash.

S2

[10:40] Flash flash.

[10:41] Flash dance fucking rules.

[10:42] Like, that is a movie where –

Stuart Wellington

[10:44] Loose flash.

[10:44] Steel town has nothing else going on but this, like, fucking kind of strip club that's mainly just, like, women dancing.

[10:53] Like, it is packed all the time.

[10:55] Yeah.

[10:55] Because they're amazing.

[10:57] Yeah.

S2

[10:58] I mean, how long does it take to set up that – the water on the top of the stage?

[11:03] And then she pulls it.

[11:05] And then they have to take a break.

[11:05] And they have to mop it up.

[11:06] And they got to dry the stage.

Elliott Kalan

[11:07] And there was that one time where they accidentally got buckets mixed up and they ended with the bucket from Carrie.

[11:12] And she pulled it.

[11:13] She had pig's blood all over.

[11:15] That's not easy to clean.

Stuart Wellington

[11:17] And she gets magic powers.

[11:18] And that's how Carrie got her magic powers, right?

[11:20] Yeah, yeah.

[11:21] The telekinetic power that all pigs have.

[11:24] I kind of skim the book and movie.

[11:26] Yeah.

S2

[11:28] So, yeah.

[11:29] So, they're wearing body suits.

[11:30] They're wearing the body suits with the belt that, like, goes inside the body suit and comes out the other side.

Stuart Wellington

[11:37] We get a couple of famous faces in there, too, right?

S2

[11:39] We got Mary Lou Henner.

[11:41] We got Lorraine Newman.

Stuart Wellington

[11:42] What?

[11:43] What?

[11:43] Hold on.

[11:44] Yeah.

[11:44] What?

Elliott Kalan

[11:45] We're holding on.

[11:46] Oh, I –

[11:46] Can I say something about Lorraine Newman?

[11:47] Yeah.

[11:48] I just needed time to process Lorraine Newman being there.

[11:50] Okay.

[11:50] I'm ready.

[11:50] Okay.

S2

[11:52] And then we have Jamie Lee Curtis, who is teaching the most popular aerobics class in the world.

[11:59] Less of a surprise that she's there because she's one of the stars in the movie.

Stuart Wellington

[12:02] Yes.

[12:03] Yes.

[12:04] Yeah.

[12:04] She teaches aerobics.

[12:06] It's also – I think they call it slimmer size.

Elliott Kalan

[12:09] Sure.

[12:09] Of course.

[12:09] It's mostly – if the footage I've seen is any indication, it's mostly a lot of hip thrusting.

Dan McCoy

[12:14] Oh, my God.

[12:15] It's all hip thrusting.

[12:16] I have never seen the movie Perfect, but I've seen the clip of them gyrating their hips at least 20 times.

S2

[12:24] It's so much worse than you think it is.

[12:27] And so much longer.

[12:28] We're not there yet, but I'll – but we can skip around.

[12:30] I'm not a stickler like this guy, Stickler McCoy over here.

[12:35] Oh, man.

[12:39] So, maybe I am.

[12:41] All right.

[12:41] Let's go back.

[12:42] So, I take it back.

[12:43] I take it back.

Elliott Kalan

[12:44] So, Jersey City, 1985.

[12:46] We laughed ourselves.

[12:48] We're writing obituaries.

S2

[12:51] So, Jamie Lee Curtis is teaching an aerobics class, and this classroom is two levels of people taking the class.

[12:59] There's, like, you know, people upstairs, downstairs.

[13:03] They're all – anyway.

[13:04] So, he is immediately, John Travolta, enamored by her because she's amazing, and he wants to use her in his article.

[13:13] But she won't do it.

[13:14] Something in her past.

[13:16] Something bad.

[13:17] She was hurt by an article.

[13:18] She was hurt by an article.

[13:19] Yeah, yeah.

[13:19] She doesn't want Michael Myers to find her.

Elliott Kalan

[13:21] She's living under a same name now.

S2

[13:24] This is pre-Michael Myers, no?

Elliott Kalan

[13:26] I don't know.

[13:27] I think this is –

Dan McCoy

[13:28] It's 77?

[13:28] It's got to be after.

[13:28] No, this is about nine years after, right?

[13:30] Really?

[13:31] Or 79?

Stuart Wellington

[13:33] Like 76.

Dan McCoy

[13:34] You're thinking of Mike Myers.

[13:36] Look it up.

Elliott Kalan

[13:36] He was on Saturday Night Live after this.

[13:38] Oh, yes.

[13:39] With Murray Newman?

[13:40] It's 1978.

[13:41] Yeah.

[13:42] Yeah.

[13:42] So, Halloween, the movie is 1978.

[13:43] That's Michael Myers, the killer.

[13:44] Yeah.

[13:44] Mike Myers, the comedian, he won't be around for a little while.

Stuart Wellington

[13:49] You might know him as Shrek.

[13:51] I do know him.

[13:52] Hey, Dan, can you drop your famous Shrek impression?

Dan McCoy

[13:56] Hey, donkey.

[13:57] Nailed it.

[13:58] Stop being the fool.

[13:59] Stop.

[13:59] I'm going to laugh too much.

Stuart Wellington

[14:01] Now, Dan, do you love the impression?

[14:01] Charlene, you should probably continue before I crack it.

S2

[14:03] I'm so confused.

[14:05] Do I make you horny?

[14:06] Your job is so much harder than I thought it was.

Elliott Kalan

[14:10] Okay, now, Dan, do his Jewish mom cat in the hat that he does.

Dan McCoy

[14:15] Does he just do Linda Richman for the cat in the hat?

Stuart Wellington

[14:17] It's pretty much Linda Richman, yeah.

[14:19] That's actually kind of – I got to watch cat in the hat.

Elliott Kalan

[14:23] How amazing – what an amazing piece of stunt casting would it be if the new Halloween movies,

[14:26] he had pulled off his mask and it was Mike Myers underneath.

Dan McCoy

[14:29] Oh, I mean, A plus, four stars.

[14:32] Yeah.

[14:34] All right.

[14:34] Are you still doing the Linda Richman voice?

S2

[14:37] Perfect.

[14:38] So, Adam wants Jamie Lee Curtis.

[14:40] I'm going to go back and forth.

[14:42] Joe Travolta wants Jamie Lee Curtis for his article.

[14:44] She can't do it.

[14:45] She was once hurt by an article.

[14:46] Then we cut to Adam goes to a strip club for – we have no idea why.

[14:51] It turns out it has to do with the other story.

Elliott Kalan

[14:53] Oh, I mean, I don't – a lot of guys don't need an extra reason to do that.

S2

[14:57] No, he was there to see a specific stripper.

[15:00] Okay.

[15:00] Oh, I see.

[15:00] And it had to do with this other story that, again –

Dan McCoy

[15:03] I was going to say a lot of movies from the 80s didn't need to have a reason to go to a strip club.

S2

[15:07] No, I guess this had a thinly veiled reason.

[15:12] Then we cut back to the gym, and he's still trying to pester Jamie Lee Curtis to do the article.

[15:18] Yep.

[15:18] And she goes to work in her bodysuit, which is what I noticed.

[15:22] She doesn't, like, change when she gets there.

[15:25] L.A. weather, baby.

[15:26] Then what else?

[15:26] There's something about shrimp cocktail, aerobics by Piper.

[15:31] You're doing a good job.

[15:33] I've got good notes.

[15:33] Yeah, you're good.

[15:34] No, I love it.

Stuart Wellington

[15:34] It makes me wonder.

S2

[15:38] But he asks her to go to lunch with him.

[15:40] And they go to lunch, and she tells him her story about how she doesn't trust reporters and this and that.

[15:49] And then they have sex, and he promises that – not at lunch.

[15:53] They go back to his hotel room and have sex, and he promises he's not going to use her in his article.

[15:57] It would have been unsanitary if he did it at the restaurant.

Dan McCoy

[16:00] It would seem to be an ethical breach at that point since he took her home to have sex.

Elliott Kalan

[16:05] I mean, it's entirely – no matter what the location, it's an ethical breach, right?

Dan McCoy

[16:09] Yes.

[16:10] Well, I'm just saying that if you then used her in the article, it's all the more so.

[16:15] Oh, I see.

[16:15] Not if it's, like, in the bathroom of a bar.

[16:17] Yeah.

Stuart Wellington

[16:18] That's not an ethical breach.

S2

[16:19] Yeah, but that's a bar breach because then they break the sink.

[16:22] Yeah, they break the sink every time.

[16:24] Don't have sex on the bar sink.

[16:26] You've got to clean the place.

[16:27] Use the power of your own legs if you're going to have sex in the bathroom.

[16:30] But there is a perfectly good sink right there.

Elliott Kalan

[16:32] It would save a lot of energy.

S2

[16:33] But the thing is, it's not perfectly good.

[16:36] Yeah.

[16:36] It's not meant to hold that much weight.

Elliott Kalan

[16:37] I think you're overestimating how well that sink is attached to the wall.

S2

[16:40] Yeah, it's true.

Elliott Kalan

[16:43] So what you're really saying is when you're having sex in a bar bathroom, take a moment.

[16:47] Test the strength of the sink with little increments so you can make sure you're not overloading it.

[16:53] Yeah, slowly.

Dan McCoy

[16:54] Just add people to it.

[16:55] Until there's a critical failure, how are you going to know, though?

[16:59] I don't understand.

Elliott Kalan

[17:00] Well, no, you just start seeing when it starts to show you failure.

[17:04] Oh, okay.

[17:05] It starts creaking.

[17:06] The same way.

[17:07] They don't test the weight limit on a bridge by just putting heavier things on the bridge until it breaks and then rebuilding it again and putting up a sign that says not this much.

Stuart Wellington

[17:14] Charlene, when we were watching the Gilded Age, you kept saying that's how they tested the structural integrity of the Brooklyn Bridge, right?

[17:21] I mean—

[17:22] They put elephants on it until it collapsed.

S2

[17:24] The way they proved that there was structural integrity was the elephants went across.

Elliott Kalan

[17:30] Because they had a couple have sex on the bridge and people were like, oh, it's fine.

[17:32] Yeah.

S2

[17:33] And they kept adding people to the couple.

Elliott Kalan

[17:36] Mm-hmm.

[17:36] Oh, wow.

[17:37] Yeah, exactly.

S2

[17:38] It was a thruple.

[17:39] All right, now I'm interested in history.

Elliott Kalan

[17:40] Yeah, the great bridge orgy of 1877.

[17:44] Dan's like, they had poly people back then?

[17:47] What?

S2

[17:48] So, they have sex.

[17:51] Then she convinces him to take her class.

[17:53] And then the class is—it's like 20 minutes or it felt like 20 full minutes of them just thrusting and looking at each other.

[18:02] Eye contact and thrusting.

[18:04] And sweating.

Stuart Wellington

[18:04] And I will say I'm very impressed by the fact that every time she teaches a class, everybody knows the fucking move.

[18:10] She does not call out a single move.

[18:12] She doesn't call out a move.

Stuart Wellington

[18:12] They all know them already.

[18:13] And everybody's like, yeah, I guess I have committed to this hour-long hip thrusting class.

S2

[18:17] But it's totally thrusting.

[18:19] And it just goes from Jamie Lee Curtis to John Travolta in his tiny shorts and his floppy dick.

[18:26] And he's just like thrust, thrust.

[18:27] A lot of balls.

Stuart Wellington

[18:29] I feel like there's a lot of balls action going on.

[18:31] It was the 80s.

[18:32] People were into that in the 80s.

S2

[18:33] And then at one point, they get on the floor and do more hip thrusting, but just from a different position.

[18:38] Sounds like a lot of core strength to me.

[18:40] It's a lot of—yeah.

[18:40] Just that one part of the core.

[18:42] It's a total core hip thrust workout.

[18:45] Yeah.

[18:46] It goes on and on and on.

Stuart Wellington

[18:47] So what Charlene's trying to say is—I think this is a perfect segue.

[18:51] That Jiggle Studio is going to feature a weekly hip thrust class.

Elliott Kalan

[18:55] Just hip thrust class.

[18:57] It's just an hour of hip thrust and eye contact.

[19:00] You have to be maintaining eye contact the entire time.

[19:02] You must have the eye contact.

[19:03] That's the real work.

[19:04] That's the real exercise work.

Stuart Wellington

[19:05] No sunglasses indoors, Dan McCoy.

[19:09] How will people know I'm cool?

S2

[19:13] Is this really when we're going to take the time to talk about Jiggle Studio?

[19:16] No, keep going.

[19:17] Okay.

[19:18] We didn't come up with a signal.

[19:21] So, all right.

[19:22] Let me open my notes again.

[19:23] A struggle thrust his hips.

[19:24] Notes again?

[19:24] His hips.

[19:25] When it's time to do it, yeah.

[19:26] So, pelvic thrust, then they go back to her house.

Stuart Wellington

[19:32] Yeah, Charlene's notes has a lot of pictures of John Travolta hip thrust.

S2

[19:37] Those are called GIFs.

[19:38] Yeah.

[19:39] They are a gift.

Stuart Wellington

[19:41] Yeah, John Travolta's gift to the world, yeah.

[19:43] Yeah.

S2

[19:43] They go back to her house.

[19:46] I think her mother's there.

[19:48] Yep.

[19:48] She tells him the real story of how a reporter did an expose on her when she was a swimmer

[19:55] in high school.

[19:56] She was supposed to go to the Olympics.

[19:58] She had an affair with her coach.

[20:00] Uh-huh.

[20:02] And then they go skiing.

[20:05] And then they're laying on a table.

[20:08] Go on.

[20:08] She's outside.

[20:09] And she's wearing a tank top and sweatpants.

[20:12] But there's snow on the ground.

[20:13] Kind of getting in the weeds here, but that's okay.

[20:15] I just, I didn't understand that part.

[20:17] Anyway.

[20:17] No, no.

Elliott Kalan

[20:18] This is the quicker version.

[20:19] Tell us what the weather is like in all the scenes.

S2

[20:23] I don't know where they were skiing.

Stuart Wellington

[20:24] People like the refreshing sort of feel of that.

[20:27] Yeah.

[20:27] It felt like maybe Palm Springs based on where they're driving, but you know.

S2

[20:31] Then they're driving back and she's telling him more of her, you know, backstory.

[20:36] And she looks over and she realizes he's recording their conversation.

[20:40] And she threw him out of the car.

Stuart Wellington

[20:42] But like when you start dating somebody, you record all the conversations you have, right?

[20:47] Yeah.

[20:47] So you have receipts.

[20:48] Yeah.

[20:48] You can throw things back in their face later on.

[20:52] Yeah.

[20:52] That's why I started this podcast.

[20:54] So that I could have ammunition against Dan and Elliot.

S2

[20:58] So now she's mad at him.

[21:00] She's not talking to him.

[21:01] He goes back to his hotel room.

[21:03] There's a Boy George convention.

[21:05] What is the perfect thing?

[21:06] That's true.

[21:06] That happens.

Elliott Kalan

[21:06] So what's the perfect thing?

[21:08] So far I'm confused about the title.

[21:10] We're, we're actually, we are getting there.

Stuart Wellington

[21:12] We're getting there.

[21:13] We're getting there.

[21:13] This movie was two hours long.

[21:16] So there's a Boy George convention, which means there's a lot of people dressed up in one specific Boy George outfit.

[21:22] I see.

[21:23] Hanging around a pool, chanting boy over and over.

Elliott Kalan

[21:27] Are there like academic papers being presented on Boy George?

[21:31] That kind of thing?

[21:32] Yeah, yeah, yeah.

Stuart Wellington

[21:33] They keep saying boy a lot.

[21:35] And at first I'm like, are they, is this a phantasm convention?

[21:38] Yeah.

[21:39] You play a good record, Boy George.

[21:42] You spun me right round.

Elliott Kalan

[21:44] I don't think that's a Boy George.

[21:45] Oh, that's not Boy George.

S2

[21:48] Karma Chameleon.

Elliott Kalan

[21:49] Yes.

[21:49] Yeah, but it's not, it doesn't sound as much like that.

[21:51] You've made a real Karma Chameleon out of me, boy.

[21:54] It doesn't sound as good as this.

Dan McCoy

[21:55] Do you really want to hurt me, boy?

[21:57] Oh, there you go.

[21:58] That's fair.

[21:59] So speaking of Karma Chameleon.

[22:01] Walk like an Egyptian, boy.

[22:03] No, that's the angles.

S2

[22:04] When I was in camp, I feel like Elliot will like this.

[22:07] When I was in camp and we would make songs up to other, you know, pop songs.

[22:13] So there was a song, Kosher Chameleon.

[22:16] Oh, nice.

[22:16] That somebody made up.

[22:17] That's good.

[22:17] And it went, kosher, kosher, kosher, kosher, kosher chameleon.

[22:21] Eats food that's trefe when it is safe.

[22:26] Oh, nice.

Stuart Wellington

[22:28] That's great.

[22:28] Only when it's safe.

S2

[22:29] Really?

[22:30] Really?

[22:31] Yeah, man.

[22:31] We're really softballing our fucking horse belt audience.

[22:35] Not some kosher chameleon.

[22:37] No, it's good stuff.

[22:39] So they're mad at each other.

[22:42] He's going to do the article about everybody else.

[22:45] He goes to a party at Mary Lou Henner's house.

[22:47] She's dating a Chippendale dancer.

[22:50] Oh, yeah.

Elliott Kalan

[22:50] There's a long Chippendales dance scene.

S2

[22:52] Yeah.

Elliott Kalan

[22:53] Also big in the 80s.

[22:55] This movie's all about 80s stuff.

[22:56] Yeah.

S2

[22:57] He takes all these notes.

[22:58] Somebody refers to Lorraine Newman as the most used piece of equipment in the gym.

[23:07] Wow.

[23:08] Yes.

Dan McCoy

[23:09] Don't treat Lorraine Newman like that.

[23:11] No, exactly.

Stuart Wellington

[23:12] Not okay.

[23:13] And he's talking to them, and they're all speaking kind of relaxed, almost as if it's off the record.

[23:21] They're all getting drunk.

[23:22] It's a party.

[23:23] But he's recording this whole conversation.

[23:26] Lorraine Newman's character reveals why she likes Jim so much, yeah?

[23:31] Which is this whole idea of she wants – she's like, there's nothing wrong wanting to be perfect.

[23:36] That's why she goes to the gym.

[23:37] Oh, I see.

[23:38] That's why she wants to have plastic surgery, et cetera, et cetera.

[23:41] And this is the moral of the movie.

[23:44] Yes.

[23:44] You should do all this stuff.

[23:46] Yeah, yeah.

[23:46] Okay.

S2

[23:47] So Adam has a change of heart.

Stuart Wellington

[23:49] Mm-hmm.

[23:50] And this, I think, this change of heart, I think, also signals a brief change in the podcast where I will pivot to a thing called promoting Flop TV.

[24:00] Oh.

[24:00] Oh, okay.

[24:00] I don't know if you know about – yeah.

[24:02] Everybody else got very nervous because they're like, fuck, is this another one of Stuart's wacky episodes?

[24:07] No, this is a normal episode.

[24:09] So right now we are in the middle of Flop TV season two.

[24:16] We did a season last year.

[24:18] That was six months, one episode a month where we do a really fun live show.

[24:23] They're a little truncated, trimmed down versions of our normal live shows.

[24:28] But we get to watch some movies that we're very excited to do.

[24:32] And this time we are watching and talking about sequels, number twos.

[24:36] Are they number twos or are they number ones?

[24:38] We'll find out.

[24:41] We've already done one on RoboCop 2 and it was so much fun.

[24:44] It was really cool to get to do the show with you guys.

[24:46] And it also gives us an opportunity to throw little bits of extra bits and bobs, some prerecorded stuff.

[24:53] And it's a really cool thing that we get to do.

[24:56] And you can watch it at home live or you can watch it in wherever you want to watch it, wherever you have an internet signal.

Elliott Kalan

[25:03] You do need an internet connection, but otherwise the world is your oyster.

[25:08] As long as that oyster has an internet connection.

[25:11] Yes, an internet connection.

Stuart Wellington

[25:12] Watch it on the toilet.

[25:13] I mean, that's where I'm assuming most people watch it.

[25:17] You can watch it on a boat.

Elliott Kalan

[25:18] You can watch it with a goat.

[25:20] You can watch it in a box.

[25:20] You can watch it with a stoat.

[25:21] You can watch it with a fox.

[25:23] Yeah, stoat too.

[25:25] Stoat is kind of like a fox.

[25:26] I will watch TV.

[25:29] Yeah, it's kind of like a weasel.

Stuart Wellington

[25:30] I will watch it, Sam-I-B.

[25:32] So you're probably like,

[25:33] What's the next?

[25:34] Flop TV sounds super fun.

[25:35] I can't wait to watch it.

[25:37] What's the next one?

[25:37] Well, of course, we are watching Breaking 2 Electric Boogaloo.

Elliott Kalan

[25:41] Tonight, the night that this episode is released, we'll be talking Breaking 2 Electric Boogaloo.

Stuart Wellington

[25:46] About Breaking 2 Electric Boogaloo.

[25:47] And I'm very excited because Charlene was a big fan of Breaking.

[25:51] Us.

[25:52] And Breaking Away, as well as Breaking 2 Electric Boogaloo.

Elliott Kalan

[25:57] There's going to be not as much Breaking Away content.

Stuart Wellington

[26:02] Okay.

[26:02] And just to let you guys know, if you want to get tickets and join in on the fun,

[26:06] it is go to theflophouse.simpleticks.com.

[26:11] You can get tickets to individual shows or you can get a season pass.

[26:14] And that gives you access to not only the shows that are coming up,

[26:18] but also every show that we've done so far this season.

[26:21] It's going to be a lot of fun and I like doing it.

[26:24] Also, I think this is a really good time for Charlene to explain.

[26:27] Now that we've heard a little bit about what the gyms are like in the movie Perfect,

[26:31] what's Jiggle Studio all about?

S2

[26:33] So, unlike the movie Perfect,

[26:37] Jiggle Studio does not want you to strive to be perfect.

[26:41] Okay.

[26:42] At Jiggle Studio, you can be exactly who you are.

[26:47] It's a place where you can take all kinds of classes.

[26:50] We're going to have yoga.

[26:51] We're going to have burlesque.

[26:53] We're going to have theatrical fighting classes.

Stuart Wellington

[26:58] One of my favorite ones is the Hangover Helper class.

S2

[27:00] Yes, Hangover Helper where it's 20 minutes of light cardio followed by 20 minutes of stretching in a dark room with low music followed by a cup of warm vegetable soup.

[27:14] That is for real.

[27:17] It's always been my dream to have a fitness studio that focuses on just moving your body and having fun as opposed to the drudgery of trying to get thinner, trying to get bigger, trying to change your body.

[27:32] And the opportunity came because I have the space next to it.

[27:38] I have minis.

[27:38] It's the same landlord.

[27:40] So hopefully we'll have some cool crossover events.

[27:44] And we're going to be doing a Kickstarter to raise money to build it.

[27:47] I have to put in a new floor.

[27:49] We have to put in new bathrooms.

[27:51] We're going to have merch.

Stuart Wellington

[27:53] But you also need curtains to cover the mirrors.

S2

[27:56] Curtains, yes.

[27:57] So there will be merch and you can follow our progress on Instagram at jiggle underscore studio BK.

[28:07] Great.

[28:07] And hopefully the Kickstarter will be launched by the time this episode is up.

[28:14] But if not, just follow us.

[28:16] We're on Facebook.

[28:17] You can follow.

[28:18] We'll be putting updates in the Flophouse social media.

[28:23] Or my personal.

[28:25] Or Stuart's personal.

[28:27] But yeah.

[28:28] So keep posted.

[28:30] This is for real.

[28:32] And jiggle studio.

Stuart Wellington

[28:33] I like this episode is all not like, no, this is all for real.

[28:36] This is for real, you guys.

Dan McCoy

[28:37] This is for real.

[28:38] Also good news, guys.

[28:39] A stoat is a type of ermine.

[28:42] Oh, okay.

[28:43] So that's also late breaking news.

[28:45] Okay.

S2

[28:46] And ermine.

[28:46] Is that breaking news?

Dan McCoy

[28:49] Yeah.

S2

[28:49] And ermine is an animal that they used to make fur coats out of.

[28:53] Yeah, yeah.

[28:54] From the Frank Sinatra song.

[28:56] Yeah.

[28:56] Oh, great.

[28:59] Yeah.

Elliott Kalan

[29:00] So I guess this is how stuff works now or an hour.

[29:03] Things you should know.

[29:04] Stuff you should know.

Stuart Wellington

[29:05] It's a very popular podcast.

[29:07] If only.

[29:09] Is there like a, is there a true crime podcast called like, how stuff dies?

[29:16] Probably.

S2

[29:18] There's at least a gardening podcast.

[29:20] Yeah.

Stuart Wellington

[29:20] Hi, I'm Alexis.

S2

[29:27] And I'm Ella.

[29:28] And we're the hosts of Comfort Creatures.

[29:29] We could spend the next 28 seconds telling you why you should listen.

[29:32] But instead, here's what our listeners have said about our show.

[29:35] Because really, they do know best.

[29:36] The show is filled with stories and poems and science and friendship and laughter and tears sometimes.

[29:41] But tears that are from your heart being so filled up with love.

S5

[29:44] A cozy show about enthusiasm for animals of all kinds, real and unreal.

[29:47] If you greet the dog before the person walking them or wander around the party looking for the host's cat, this podcast is for you.

S2

[29:53] So come for the comfort and stay for Alexis's wild story about waking up to her cat giving birth on top of her.

[29:59] So if that sounds like your cup of tea.

[30:01] Or coffee, Ella.

[30:01] We're not all Brits.

[30:02] Then join us.

[30:04] Every Thursday at MaximumFun.org.

Elliott Kalan

[30:08] Hey, this is Mike Cavillan.

[30:09] Ify Wadiwe.

S5

[30:10] And Sierra Cotto.

Elliott Kalan

[30:11] The hosts of TV Chef Fantasy League.

S5

[30:14] Where we are currently using fantasy sports rules to watch Great British Bake Off.

Dan McCoy

[30:18] Or the Great British Baking Show, as it's known here in America.

S5

[30:22] We've drafted the bakers onto our teams, and now those bakers are earning us points based on how they're doing on the show.

Dan McCoy

[30:27] And at the end of the season, one of us will win the prestigious TV Chef Fantasy League trophy crown.

[30:34] What is the?

Elliott Kalan

[30:35] I keep forgetting to order something.

[30:36] Probably just dinner.

[30:37] Anyway, subscribe to TV Chef Fantasy League and play along with us at home.

S5

[30:40] Or just listen in as we cry over our bakers' soggy bombs.

Dan McCoy

[30:44] On MaximumFun.org or wherever you get your podcasts.

[30:52] We have a couple of late-breaking Jumbotrons for you.

[30:56] This message is for Brendan Berber.

[31:00] And it's from Denise, your berb.

[31:04] Happy birthday, Brendan.

[31:06] I hope this message from your favorite original peaches makes your day.

[31:10] Rawr!

[31:11] I'm sorry for taking that from Stuart.

[31:15] I will pay you for your intellectual property, Stu.

[31:18] You're an amazing double doctor and a more amazing spouse and double dog dad.

[31:25] There's no one I would rather make up stream of consciousness songs about.

[31:29] I love you.

[31:30] Love, Denise, Cassidy, and Rufio.

[31:34] A very sweet message for Brendan.

[31:38] Happy birthday.

[31:39] And one more.

[31:41] This message is for Haley.

[31:43] It is from the Dan Brown Tattoos.

[31:46] And it goes like this.

[31:48] Congrats to Haley from your fellow Dan Brown Tattoos on the occasion of your PhD defense.

[31:55] We are writing this before said defense, which we hope slash assume was successful due to how you've been practicing your crane kicks.

[32:03] Thanks for being our quiz time scorekeeper slash curator of data, even if you refuse to curate all of the data we clearly need.

[32:11] So, congratulations on your PhD in, I guess, crane kicking.

[32:18] And that is it for the Jumbotrons.

S2

[32:23] All right.

[32:23] So, our main character, Adam, has a change of heart.

[32:31] And he does not write the scathing article that he took notes about.

[32:35] He writes some kind of not really good article, sends it in, and his editor is like, what the hell is this?

[32:42] This article sucks.

[32:43] And he has somebody in his office rewrite the article.

[32:48] Using the notes.

[32:49] Using the notes, making it even more scathing.

[32:53] And they put Jamie Lee Curtis's character in it.

[32:57] Uh-oh.

[32:58] Name her.

[32:59] Yeah, they were able to do something.

[33:00] They referenced the former article.

[33:02] It's so much worse than it could ever be.

[33:05] Oh, and it's still got his name on it.

[33:07] They used his byline, which that's got to be a crime of some kind.

[33:12] He's already moved on.

[33:13] He's in Morocco.

[33:15] And he calls—

Elliott Kalan

[33:16] Reporting on the exercise scene there.

S2

[33:20] And he calls Jamie Lee Curtis because he's like, hey, the article came out.

[33:25] You're going to see.

[33:25] It's going to be awesome.

[33:26] But it's not awesome.

[33:28] So, he flies back to New York, takes a baseball bat, and smashes up the Rolling Stones office.

[33:36] Okay.

[33:37] Rolling Stone office.

Dan McCoy

[33:38] Yeah.

[33:38] Another office.

[33:39] Not the office of the Rolling Stones, the band.

[33:42] Yeah.

[33:43] Got confused.

[33:44] Yeah.

[33:45] Uh-huh.

[33:46] Thanks, Keith.

Elliott Kalan

[33:46] And Jamie's like, why are you smashing up our office, mate?

[33:49] You know?

Stuart Wellington

[33:49] Yeah.

[33:50] And they're like, we're rock stars.

[33:53] Aren't we the ones who smash stuff up?

[33:57] Get some wild horses in here to drag them away.

[33:59] Yeah.

S2

[34:00] It's funny that you say wild horses because we cut to Jamie Lee Curtis teaching an aerobics class.

[34:06] To some horses.

[34:07] To—what is it?

[34:11] Yeah, man.

[34:12] The William Tell Overture, right?

Elliott Kalan

[34:14] Yeah.

[34:14] Yes.

[34:14] Yeah, yeah.

[34:15] Which is hilarious.

[34:16] More hip-trusting.

[34:17] Dun-dun-dun-dun-dun-dun-dun-dun-dun.

[34:19] That one.

S2

[34:20] So, he smashes the office.

[34:24] He calls her and tells her that he didn't do it.

[34:28] And then she doesn't believe him.

[34:31] And then he has to—he subpoenaed for the other case that we don't really understand what that's about.

Stuart Wellington

[34:38] Yeah, he didn't surrender the interview he did with this guy into—he didn't give it to the magazine.

[34:46] And the—I don't know, like the government demands it.

[34:50] Okay, well, thank God they rested so much in the plot on this thing they didn't release.

S2

[34:54] Yeah, and then they hold him in contempt.

[34:57] And he was like, I won't give these up because I gave my word.

[35:02] And Jamie Lee Curtis is in the courtroom audience and sees him say that.

[35:07] And then I guess she realizes that he didn't write the article.

[35:10] And then they kiss.

[35:12] Movie over.

Dan McCoy

[35:13] So, things are finally perfect for them at the end.

[35:16] Perfect.

[35:16] Yeah.

[35:16] Everything is perfect.

[35:18] And that muck-raking rag, Rolling Stone, known for taking down aerobics as a thing, I guess.

[35:24] And aerobics and General Stanley McChrystal.

Elliott Kalan

[35:26] It's just—

[35:27] It's the two things Rolling Stone took down.

[35:29] Yeah.

Dan McCoy

[35:31] Well, should we—

[35:32] Any questions?

[35:32] Well, I mean, what's your final judgment?

[35:34] We usually do final judgments.

[35:35] Yeah.

[35:35] What's your final judgment on this, Charlene?

Stuart Wellington

[35:36] So, real quick, the final judgments for Miss That Movie are—

[35:41] Wait.

[35:44] Wait.

[35:44] Glad we missed it?

[35:46] Sad.

[35:47] Sad we missed it?

[35:48] Or had to not miss it?

[35:51] We're going to go back and watch it now.

[35:52] Yeah.

[35:53] But I didn't miss it.

Dan McCoy

[35:54] Well, I think it's for us, I guess.

[35:56] For the others.

[35:57] For the others who did miss that movie.

[35:58] Yeah.

[36:00] I mean, I've always been curious about this movie.

[36:02] I guess I'm—

[36:03] I had to not miss it.

[36:05] Someday I'll watch Perfect, probably.

Elliott Kalan

[36:07] I feel like I'm glad I missed it.

[36:09] I feel like there's enough in it that it sounds bad, but it's not—

[36:12] Your description would make me be like, I gotta see this thing.

[36:15] Yeah.

[36:15] This sounds nuts, you know.

Dan McCoy

[36:17] Yeah.

[36:17] It's—

[36:18] I've seen the hip thrusting scene.

[36:19] That's pretty much—

S2

[36:20] Yeah, I feel like that's all you need to see is the hip thrusting scene.

[36:22] Yeah.

Dan McCoy

[36:22] What do you guys say about it?

[36:23] You watched it.

Stuart Wellington

[36:25] Is this—

[36:26] I'm—

[36:26] I'm glad we missed it.

[36:28] I'm saying I'm glad we did not watch it for the podcast for a normal episode.

[36:33] I don't necessarily think it would have been the most fun.

[36:37] Is it as good of a John Travolta movie as something like Blown Away or Look Who's Talking?

[36:44] Probably not.

[36:47] But it's somewhere in between.

Dan McCoy

[36:49] Blown Away?

Stuart Wellington

[36:50] You mean Blow Out?

[36:51] Blow Out.

[36:51] God damn it.

Dan McCoy

[36:53] I get confused, guys.

[36:55] I drink too much.

[36:55] You're just thinking of that Nicole Eggert movie?

Stuart Wellington

[36:57] We're the one with Tommy Lee Jones.

[36:59] There's two Blown Aways.

[37:00] No, I'm thinking of the Nicole Eggert one, Elliot, of course.

[37:03] Yeah, sorry.

[37:03] I was trying to give you some covers, too.

[37:05] No, it's the one with the Corys and Nicole Eggert.

[37:08] I don't know that one.

[37:09] Oh, okay.

[37:10] You were not a 12-year-old boy at some point with Casey.

S2

[37:13] I was never a 12-year-old boy.

[37:17] Yeah, I think that movie was way too long.

[37:21] And the whole idea of these people that want to be perfect and that, like, what's so wrong with trying to be perfect?

[37:29] And that whole, like, 80s kind of, you know, you have to look a certain way or, like, you can't go.

[37:37] The 80s.

[37:38] Yeah, yeah.

[37:39] With the Go-Go's.

[37:40] But, yeah, I'm glad that we're kind of moving away from that.

Stuart Wellington

[37:44] And do you think the movie needed the extra plot lines involving other stories and cases?

S2

[37:50] Yeah, I don't think it needed that.

[37:52] I don't think so either.

[37:52] I think the movie thought, didn't know they needed it because they didn't really flesh it out.

Stuart Wellington

[37:57] But they needed a two-hour runtime.

[37:59] Why?

[38:00] Because movie theaters want tons of people to come and sit for longer.

Elliott Kalan

[38:04] Because they've already finished their popcorn.

[38:06] This is my guess.

[38:07] This is my guess.

[38:08] Saturday Night Fever, huge hit based on an article.

[38:11] That article, it turned out, was not really true.

[38:14] But huge movie based on an article about a fad that was going on.

[38:18] These people getting together and going to these discos.

[38:21] My guess, and that is a serious movie, even though people mostly remember the dancing from it.

[38:25] Yeah, yeah, no, it's very serious.

[38:27] My guess is they were like, this is John Travolta's Saturday Night Fever for the 80s.

[38:31] We're going to do for the 80s what that did for the 70s.

[38:33] Yeah.

[38:34] Which they tried to like Tom Wolf it and make it like this thing that is tied to all sorts of other stuff going on in the 1980s.

[38:40] Yeah.

[38:41] Yeah, except the story.

S2

[38:42] There was no story there.

[38:44] And Saturday Night Fever had, yeah, definitely had a story.

Elliott Kalan

[38:46] Story, characters, you know, stuff that you need for a movie.

S2

[38:50] Yeah, he didn't wear a shirt when he ate a spaghetti.

[38:52] I mean, that's a movie.

Elliott Kalan

[38:54] He's interested in how much, whether the shoes on display fit him.

[38:59] That's what you need for a movie.

[39:00] Carrying paint around.

[39:01] Carrying paint around.

Dan McCoy

[39:02] Well, we missed that movie.

[39:05] We missed that movie.

[39:05] Do you want to land this plane, Stuart?

Stuart Wellington

[39:07] Yeah, so I want to thank our producer, Alex Smith, and I would love to thank Charlene for being our guest.

[39:14] Do you want to give one final plug for Jiggle Studio?

S2

[39:17] Jiggle Studio, support us.

Stuart Wellington

[39:19] Okay, nailed it.

[39:22] So for The Flophouse, I am Stuart Wellington.

[39:25] I've been Dan McCoy.

S2

[39:27] I've been Ellie Kaelin.

[39:28] And I'm Charlene Wellington.

Stuart Wellington

[39:30] Okay, bye.

[39:31] Bye.

FH Mini 113 - Missed That Movie! - Perfect

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