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The Flop House Movie Minute #14 - McShane-McCain
Transcript
[0:00]
And now the Flophouse movie minute
[0:10]
So Elliot you
[0:13]
You did a
[0:15]
Hold on. No, that was perfect. Fuck it up. We gotta do it again. Stop fucking it up. Take two
[0:21]
So Elliot you did the John McCain video for the Daily Show's convention cover
[0:27]
It's called the John McCain biofilm. Yeah
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That was narrated by a big Hollywood star. Was it not it was a transatlantic Hollywood star. Mr. Ian McShane
[0:39]
Let me tell you well for anyone who's not familiar with the name Ian McShane is best known in England for his character Lovejoy
[0:45]
who he the
[0:47]
Roguish antiques dealer who solves crimes but here in the United States
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He's best known as Al Swearengin on Deadwood the best character on that show
[0:55]
One of the best characters on television in the past couple years. He was also in the death race. He's in death race
[1:01]
He was in scoop
[1:02]
He was the voice of the evil polar bear in golden compass, and he's a voice in something else coming up, too
[1:08]
He was he was in hot rod the Andy Samberg film hot rod. He was yeah, I didn't know that's disappointing
[1:15]
He's it while he's really good and I
[1:17]
Regret completely that I missed the recent run of Harold Pinter's the homecoming that he was in on Broadway
[1:23]
But I was doing this McCain biofilm and it was all about how McCain's a tough guy and a maverick and there was a lot
[1:28]
Of cowboy imagery in it and I said the guy I'd really want to work with is Ian McShane
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So I went to our guest booker and I said I let me know if this is realistic
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I'd like to get Ian McShane and she said yeah, we can do that
[1:41]
And then told me that it's a common request for her to get Leonardo DiCaprio to work on pieces and things like that
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So she said Ian McShane is a big name, but I think he is more doable than Leonardo DiCaprio
[1:52]
So and then that's a little trick little look behind the scenes of how the Daily Show works
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We put off recording his voice track as long as possible so that we get the script in shape
[2:01]
So it was about a month almost between when I suggested him and when we actually recorded and we had to reschedule with him a couple
[2:07]
Times because it was just not ready for him, but he was very nice and very politely kept
[2:13]
Rescheduling he recorded in Los Angeles and I was in st. Paul, Minnesota at the time
[2:18]
So it was all over the phone and then here's another look behind the curtain the way they do this
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They record it in LA then they upload it to the internet on an FTP site and we download it very exciting
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We'd like satellites and stuff. No more like just the Internet
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Those might be involved it depends on their connection maybe there's DSL lines. I don't know
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Nope, not at all. Do we get it from the Egyptians? No, they didn't know about this. No
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Stargates were not from the Egyptians. They were from the ancient alien civilization that inspired the Egyptians
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One of the things that bugs me about Stargate is you'll read descriptions where it's like
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Aliens who imitated ancient Egypt and are now and it's like no that you're supposed to get that the Egyptians imitated the aliens
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They built the pyramids because they wanted to have things that looked like spaceships
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Like the Netflix sleeve
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That's what I don't know what says. Hey, they have a TV show based on Stargate now. That's really weird
[3:15]
Anyway, I'll finish this story. It was it was one of the coolest experiences
[3:20]
I've had working at the Daily Show aside from fist-pounding Barack Obama
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When my hands had Dorito crumbs all over them and I couldn't shake his hand, but that's another name-dropping story
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Unrelated to movies at all. He was very polite
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He was ready to go through the script any number of times as much as he needed to and it was
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And he has he's English
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So he has an English accent and then he like turns on the Al Swearengin
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American accent and it's really cool and I would do an impression of it, but I can't do it justice
[3:48]
We had been working with of scratch track that I was recording
[3:51]
So we had my voice reading this stuff in my approximation of what it would sound like
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So the first line was he was a Mavericks would be like he was a Maverick
[4:00]
My exactly sounding like that and then we would replace it with Ian McShane's voice and suddenly the whole thing would come alive and not
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Sound shitty because I was completely wrong for that part. You're not wrong for any part
[4:12]
Thank you for that
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This is awkward, we're being recorded right now
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Ian McShane what it was just amazing and exciting to work with him someone I'd seen on TV a lot and
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Was a huge fan of and he was very it was the kind of thing where you are involved with someone
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you're a fan of and you find out that they're very nice and
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are a pleasure to work with and so it's
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Exciting and you know
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The only time that I was ever happy to learn that someone I was a fan of was not the nicest guy was when I met
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Kurt Vonnegut and
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We had been told ahead of time we could go down and talk to Kurt Vonnegut and he would sign a book for us
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And we go down and he sees us walk in the room. He goes ah
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Do we have to and it was like Oh Kurt Vonnegut that was perfect
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That's exactly what I would imagine you were like a crusty old man
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so but this was the exact opposite that he was really nice to work with and
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Did it I think just as a favor for us very exciting. So that has been the first episode of
[5:09]
Name-dropping with the flop house
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Next time I'll tell you the exciting story of how I went to high school with a famous movie star. Who was it and
[5:19]
You won't watch her topless
Description
In the first edition of Name Droppin', Elliott talks about working with Ian McShane.
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