main Episode #207 Nov 1, 2014 01:07:54

Transcript

[0:00] Tonight we watched 301 Dalmatians.
[0:06] Now, Stuart, it was 300 Rise of an Empire.
[0:10] And boy did it ever.
[0:30] Hey, everyone, and welcome to The Flophouse.
[0:41] I'm Dan McCoy.
[0:42] I'm Stuart Wellington.
[0:44] And I'm Elliot Kalin, with a little bit of a stuffed nose.
[0:47] All right.
[0:48] Well, right off the bat, I just want to say there's been a lot of controversy.
[0:51] What is that?
[0:52] Whoa.
[0:53] Hey, buddy, let us settle into this.
[0:54] Settle in a little bit.
[0:55] You don't just dive into a hot bath.
[0:57] There's no time.
[0:58] Right off the bat, there's been a little controversy.
[1:00] Is this about Mosember or whatever?
[1:02] No, no, it's about...
[1:03] Look.
[1:04] Escape, parentheses, the Pina Colada song.
[1:07] Not a Jimmy Buffett song.
[1:08] No, I told you it wasn't a Jimmy Buffett song.
[1:10] But here's the thing.
[1:11] In my mind, as far as I'm concerned, all tropical songs become Jimmy Buffett songs over time.
[1:17] I've got three syllables for you, dude.
[1:19] Kokomo.
[1:20] Kokomo.
[1:21] Not a Jimmy Buffett song.
[1:22] Kokomo is just two years away from becoming a Jimmy Buffett song.
[1:25] Any song that could conceivably be played at a Jimmy Buffett, Margaritaville restaurant is a Jimmy Buffett song.
[1:31] That's not how that works.
[1:32] It's the way that Xerox was a product.
[1:35] So you're saying Jimmy Buffett has now become a genre.
[1:39] Jimmy Buffett is no longer a brand name, but in fact a common word like Q-tip, Xerox, Kleenex.
[1:45] Yeah, aspirin, all these things.
[1:47] Yeah.
[1:48] So I'm guessing you've got a lot of letters about this.
[1:50] I'm guessing aspirin is some kind of wife's butt magazine you get.
[1:53] Like it's your ass princess.
[1:55] Princess, yeah.
[1:57] Yeah, it's ass princess with the sass ripped off.
[2:00] That sounds pretty good.
[2:01] Now, yeah, did you get – there was some chatter about this.
[2:04] There was a lot of chatter on the Facebook page.
[2:06] But, hey, you know what else there was chatter about before we get into the show?
[2:08] What's that?
[2:09] Our Yonkers show was a smashing success.
[2:11] Yeah, smashing.
[2:12] Let's thank all of our fans who came out to Yonkers from all over the country and other countries to see us perform.
[2:17] Yeah.
[2:18] They were really great.
[2:19] It was a great audience.
[2:20] In the armpit of America, they came to see us.
[2:22] And, guys, I just want to – I know I might get some flack for this, but I also want to thank all those fans who couldn't make it out because they aren't able to make it to Yonkers.
[2:30] Hey, yeah.
[2:31] You guys are great too.
[2:32] Because they're ghosts?
[2:33] You're all heroes in your own way.
[2:34] Because you're all ghosts.
[2:37] So let's –
[2:38] I mean a lot of people made it a point to come to Yonkers.
[2:40] It seems like the only reason you wouldn't come is you're dead.
[2:42] So that concludes the –
[2:43] Oh, okay.
[2:44] That concludes the old business.
[2:46] We covered that.
[2:47] Thanks for coming to Yonkers.
[2:48] It was a great show.
[2:49] And we hope to see you at our January show.
[2:51] We're glad you made it to Yonkers.
[2:53] Dan explained his bizarre theory that every song is a Jimmy Buffett song.
[2:58] I guess we didn't start the fire as a Jimmy Buffett song.
[3:01] So, like, the Tiki Bird song is then a Jimmy Buffett song?
[3:04] The Tiki Bird song is a genre.
[3:07] I refuse to live in that world.
[3:08] I refuse to live in that world.
[3:10] Tell me genre is what I'm saying.
[3:11] Once he gets his, like, pineapple juice and gross ketchup-stained fingers all over the place.
[3:17] Is that for the cheeseburger of paradise?
[3:21] So this is a podcast where we watch a bad movie and then we talk about it.
[3:26] Tonight we watched a sequel.
[3:29] A squeakquel, if you will.
[3:31] No, we won't because it was not a squeakquel.
[3:33] There was no squeaking.
[3:34] It was called 300 Colon Rise of an Empire.
[3:39] You probably already know that, though, because when you download the episode on your talking box or whatever.
[3:44] Yeah, and then I say it in the introduction, too.
[3:47] Yeah, it's never a shock.
[3:48] It's not a big...
[3:49] This is not when people find out for the first time.
[3:50] This is for people who have not been paying attention, honestly.
[3:52] Okay.
[3:53] So, you and Stuart, basically.
[3:54] I'll tell you three times.
[3:55] Shame on you.
[3:57] What?
[3:58] So, this was a sequel to 300, a movie that Stuart and I both really like, genuinely.
[4:03] And I thought was, eh, all right.
[4:05] And I'm not the biggest Zack Snyder fan, but I'll admit, 300 is a lot.
[4:08] Visionary directors to Zack Snyder, you don't like?
[4:10] He's a visionary, that's true.
[4:11] Jack Snyder?
[4:12] Jack Snyder.
[4:14] Jump in Jack Snyder.
[4:16] He was Jack Snyder before the change.
[4:19] Wait, did we change his name to Zack?
[4:21] Yeah.
[4:23] Now, wait, Snyder's Pretzels.
[4:25] Yeah.
[4:26] Now, he's the son of Tom Snyder.
[4:27] Yeah.
[4:28] As far as I'm concerned, Zack Snyder, the best thing that Zack Snyder has done is the pre-credit sequence.
[4:36] No, pre-credit.
[4:37] Whatever, baby Huey.
[4:38] The pre-credit sequence.
[4:41] I'm not a huge fan of Zack Snyder, but the watchmen credit sequence is very good.
[4:46] I was going to say the pre-credit sequence to the Dawn of the Dead remake.
[4:49] Oh, okay.
[4:51] Yeah, your baby voice lost it near the end there.
[4:53] Yeah, that's okay.
[4:55] It was the zombie baby from Dawn of the Dead.
[4:57] Wait, from?
[4:58] The baby was in the opening?
[5:00] No, no, that Dan was doing the voice.
[5:01] Oh, okay.
[5:02] I mean, every baby is in an opening at some point.
[5:05] It's how you get them out of there.
[5:08] You show me a baby.
[5:09] I'll show you one who's been through an opening.
[5:10] It's an exit for the baby.
[5:12] It's really an exit for the baby.
[5:16] It opens, doesn't it?
[5:17] Yes, it does open.
[5:18] Yeah, because it's closed.
[5:20] That's how a baby gets out of it.
[5:21] Because you know what about exits?
[5:22] They don't open.
[5:23] You're right.
[5:25] I'm going to just go.
[5:26] Please do.
[5:27] Walk.
[5:28] Walk away.
[5:29] Walking.
[5:30] Gone.
[5:31] Dan gone.
[5:32] Chain rattle, chain rattle, door closed.
[5:34] Yeah, boogans, etc.
[5:35] Thunder sound.
[5:36] So, 300.
[5:37] It's a stupid movie, but I find it pretty fun.
[5:40] It is high operatic cornball.
[5:43] It looks like a movie made out of heavy metal covers just tossed together.
[5:48] And for the most part, the people acting in it understand this and are way over the top.
[5:54] They're at the right pitch of like, yeah, goofy, over-the-top spectacle.
[5:58] Whereas, just spoiler alert, 300 Rise of an Empire, instead of having Gerard Butler in
[6:04] what's still his best role by far, right?
[6:07] Better than Bad Soccer Dad.
[6:09] Soccer Dad, Bad Dad.
[6:10] The ugly truth.
[6:11] Come on.
[6:12] Yeah, so he's been bad in everything except 300.
[6:15] He is replaced here with some guy whose name I don't even know who is –
[6:20] From Strike Back.
[6:21] The guy from Strike Back.
[6:22] Is he the guy in Strike Back who catches the nuclear weapon like a football?
[6:26] Well, I don't know what a nuclear weapon is.
[6:28] It's a nuclear weapon.
[6:29] I've heard of a nuclear weapon.
[6:31] Identic.
[6:32] I've never seen it.
[6:33] What was his name in this?
[6:34] Missed a lot of knees.
[6:35] No, he's the Mystic Knees, which is a real person.
[6:38] The Mystic Knees.
[6:39] No, the Mystic Knees.
[6:41] The Mystic Knees, the old blues song.
[6:44] Oh, the Mystic Knees.
[6:46] Yep.
[6:47] They're Mystic Knees.
[6:48] They're Mystic Knees.
[6:49] They sure got me.
[6:51] They're Mystic Knees.
[6:53] I'm old Jack Sparta.
[6:57] Mississippi Delta blues man who sings about ancient Greece.
[7:01] I play down at the hot gates.
[7:05] Sing a little bit of the Thermopylae blues.
[7:08] Just 300 of us here.
[7:11] And Xerxes coming round.
[7:13] Oh, there's 300 of us here.
[7:15] And Xerxes coming round.
[7:17] You make a good point.
[7:18] Better tell my woman.
[7:21] There's some bad stuff to be found.
[7:24] Every blues song.
[7:25] You make a good point.
[7:26] Why is that blues song so terrible?
[7:27] The blues is bad.
[7:29] It's bad for liking it.
[7:30] If you enjoy it, you're wrong.
[7:32] That's a little far.
[7:33] That's a little too far.
[7:34] You're a bad person.
[7:35] Because out of the blues came something great.
[7:36] Zydeco.
[7:38] We all love Zydeco.
[7:39] With it's accordions and it's whatever it does.
[7:42] Whatever else it does.
[7:43] You know, and the Knuckles.
[7:44] You play your Knuckles.
[7:45] Yeah, Sonic and Knuckles.
[7:46] Classic Zydeco duo.
[7:48] And Tails.
[7:49] Tails broke up with the group.
[7:51] Tails died.
[7:52] Tails died.
[7:53] Go to DeviantArt.
[7:54] There's probably a shitload of pictures of it.
[7:56] Of dead Tails.
[7:59] Sonic was weeping.
[8:00] Sonic in mourning.
[8:01] Sonic's all in black.
[8:02] Black veil.
[8:03] Yeah.
[8:04] Sure.
[8:05] Because he was Tails' wife.
[8:06] Anyway, let's talk about it.
[8:07] So this is a sequel to 300.
[8:08] But it happens both before and concurrently and after 300.
[8:12] So it's like the Godfather Part 2 of 300 movies.
[8:15] Where it's bouncing around in time.
[8:17] We open.
[8:18] Okay.
[8:19] It's a parallel sequel.
[8:20] In the last movie, it was the Battle of Thermopylae.
[8:23] 300 Spartans and about a ton of other Greek guys.
[8:25] But let's not talk about them.
[8:26] Yeah.
[8:27] 300 Spartans versus the army of Xerxes.
[8:28] The Persian emperor.
[8:29] And he has monster gang.
[8:30] Who is a monster man.
[8:31] He's got an army of monster people.
[8:32] He does have a monster squad.
[8:33] He does have a monster squad.
[8:34] And here's one of the things I love about 300.
[8:35] The first movie.
[8:36] Okay.
[8:37] It is bonkers crazy 8 myth stuff.
[8:38] They are fighting an army of monsters.
[8:39] Xerxes is like 18 feet tall.
[8:40] And talks in this like low core of the earth voice.
[8:41] Like everything about it is totally ridiculous.
[8:42] A guy.
[8:43] A rhinoceros is charging at them.
[8:44] And a guy throws his sword at them.
[8:45] And he's like.
[8:46] And he's like.
[8:47] And he's like.
[8:48] And he's like.
[8:49] And he's like.
[8:50] And he's like.
[8:51] additional 300, cuz.
[8:52] I don't.
[8:53] And I'll tell you why.
[8:54] They're kind of gay monsters.
[8:55] Well, yes.
[8:56] There is a.
[8:57] Well, I don't know if it's gay so much as sexually decadent.
[8:58] Yeah.
[8:59] Coz imply that.
[9:00] They're gay..
[9:01] They're having that..
[9:21] Yeah.
[9:22] You have amputees and scarred women.
[9:23] Yeah.
[9:24] And things like that.
[9:25] I mean, let's get one thing straight.
[9:26] These are a racist bunch of movies.
[9:27] Yeah.
[9:28] It's a xenophobic series.
[9:29] These are movies about white, English-accented Greeks with relatively light hair versus monsters.
[9:36] Versus Persian monsters.
[9:37] Or attacking the homeland.
[9:39] But here's the thing.
[9:40] At its heart, it is about a bunch of he-men.
[9:43] It's about love.
[9:44] It's the closest we're gonna get to it.
[9:46] No.
[9:47] It's a tale.
[9:48] At its heart.
[9:49] It's a tale of a boy and his dog.
[9:50] It's a tale as old as time.
[9:51] Well, a couple thousand years old.
[9:53] It's about..
[9:54] It's the closest you're gonna get to a he-man movie.
[9:55] It's these buff guys fighting monster men.
[9:58] Who would be Ram Man then?
[10:00] The Orko unfortunately is not in it and as we said watching this movie, it could have
[10:05] used a kind of wisecracking wizard because here's the problem with 300, Rise of an Empire,
[10:11] they cut out most of the monsters and I think they tried to tack more towards real history
[10:16] to a point but then they did it in a stupid way.
[10:19] So let's talk about what's going on.
[10:20] The movie opens with Lena Headey's character Queen Gorgo of Sparta and I wish she was Gorgo
[10:25] the British Godzilla who you may remember from the movie Gorgo.
[10:28] It was the British knockoff of Godzilla and he's basically Godzilla but he's got fins
[10:35] for ears.
[10:36] There's baby Gorgo and there's mama Gorgo but we don't need to get into that.
[10:39] Then there's Gorgonzola which of course is a Greek cheese that fought the Persians.
[10:45] So she's like, hey, you guys remember that King Leonidas and all his men died?
[10:52] Let me give you some backstory.
[10:53] It seems 10 years ago we had the Battle of Marathon and this guy Themistocles killed
[10:58] King Darius of Persia but he should have killed King Darius' son Xerxes because his eyes had
[11:03] the stink of fate about them or whatever it is they say.
[11:07] Now historically –
[11:08] A common phrase, his eyes had the stink of fate.
[11:10] But at this point in this opening monologue and we get a battle sequence and this is not
[11:17] terrible.
[11:18] It's shot okay.
[11:19] I mean –
[11:20] It's a 300 style dumb battle sequence with lots of slow-mo and blood flying everywhere.
[11:26] It was like fake CGI blood and the colors were all way overblown and everything.
[11:30] Like you said, it's Mortal Kombat blood.
[11:32] Yeah.
[11:33] The blood in this gets seemingly faker and faker as it goes on and there are parts where
[11:36] it does –
[11:37] I don't know if that's because of the 3D.
[11:41] Like they wanted to make it shinier so it would pick up the 3D but I don't know how
[11:44] that shit works.
[11:45] It could be.
[11:46] Someone mentioned on the Facebook page about Dracula 3D when we watched last episode that
[11:49] it was lit so brightly to compensate for the light you lose when you do it in 3D.
[11:53] Which made sense.
[11:54] I'm surprised we didn't think about it.
[11:56] It still looked like shit.
[11:57] Here it's like they need more stuff to throw at you because it's 3D and much like the
[12:00] Hercules movie we watched, in ancient times apparently there was always like pollen and
[12:04] cinders and feather and shit just flying around in the air all the time.
[12:08] Yeah, stuff that gives you a sense of depth.
[12:11] Just happens to be in the air.
[12:12] But also like ancient people must have had terrible lungs.
[12:16] Like they're just breathing in crap all the time.
[12:18] Apparently industrialization was the best thing that ever happened when it came to clean
[12:22] air.
[12:23] Because ancient air was dirty.
[12:24] All of Greece that we see is like black lava rocks.
[12:28] Like why does Persia want it so bad, dude?
[12:31] It just blasted cliffs against an unrelenting, unsympathetic sea.
[12:36] Because it's a crucible for forging warriors?
[12:37] I guess so.
[12:38] But anyway, she tells the tale still about how Xerxes now became emperor and he took
[12:44] on Darius's top commander, Artemisia.
[12:48] Darius Artentos.
[12:49] Top commander.
[12:50] Thank God not.
[12:52] So Artemisia, Eva Green's character, is your classic story in these movies.
[12:57] She is a little girl who was sold into slavery, repeatedly raped, left for dead, picked up
[13:03] by a Persian general and trained to be the world's greatest badass warrior queen.
[13:09] She's basically like Gamora from Guardians of the Galaxy or like, you know, Xena or Mara
[13:15] Jade.
[13:16] Mara Jade from the Star Wars Extended Universe.
[13:18] I don't know.
[13:19] Mara Jade?
[13:20] Mara Jade.
[13:21] Mara Jade.
[13:22] She married Luke Snowwalker eventually.
[13:23] What?
[13:24] She's the most popular addition to the Star Wars canon made by Timothy Zahn.
[13:29] Sorry.
[13:30] Call Timothy Zahn real quick.
[13:31] Hello.
[13:32] Timothy Zahn?
[13:33] Oh no, sorry.
[13:34] It's your brother Steve.
[13:35] Steve Zahn.
[13:36] Tell your brother Timothy you wrote the Star Wars books.
[13:37] Dan doesn't know what he's talking about.
[13:38] You're getting an angry letter from Steve Zahn.
[13:40] I mean, as far as I'm concerned, the Star Wars canon consists of the Star Wars movies.
[13:44] No, the Star Wars canon is a canon that shoots Star Wars DVDs of people.
[13:49] Very ineffective in a siege situation, but Leonardo da Vinci invented it.
[13:53] People are really disappointed when they get episode one.
[13:56] Yeah, it's terrible for Mirai.
[13:59] It's like throwing the heads of your enemies at them.
[14:02] Yeah.
[14:03] So anyway, Artemisia is the, let's just say it, the best character in the whole movie.
[14:07] She's great.
[14:08] The only interesting character.
[14:09] And Eva Green has that type of performance you were talking about.
[14:11] She's got it.
[14:12] She is.
[14:13] She has got it.
[14:14] And by it, it is scenery-chewing ham-boneness.
[14:16] Just total ham.
[14:17] And the willingness to have a fight-slash-sex scene topless.
[14:20] Yeah.
[14:21] Both of those things make her pop off the screen.
[14:24] Because it's 3-D boobs, is that what you're saying?
[14:26] That's exactly what it is.
[14:27] Yeah.
[14:28] Make it, all right.
[14:29] Sergei Popov.
[14:30] There's something, there's just something ineffable about her.
[14:33] It could be the fact that she's fighting topless.
[14:36] It could be.
[14:37] Who knows?
[14:38] But anyway.
[14:39] Science will tell us.
[14:40] And now this is, this sequence is the best part of the movie as far as I'm concerned.
[14:43] It tells the backstory of Artemisia goading Xerxes into going through a mystical rite
[14:48] in the cave of a hermit in the desert, where he walks into a pool of magic gold liquid
[14:53] and walks out as the 18-foot-tall, chain-covered, totally hairless, androgynous monster king
[15:00] that we know from the first movie.
[15:01] And the hermit says, gold!
[15:02] You're taking my gold!
[15:03] It's all over your body!
[15:04] Give me back my gold!
[15:05] There's gold in them there, Xerxes!
[15:06] Why am I a hermit if I have all the gold?
[15:07] Rich!
[15:08] Rich, I tells you!
[15:09] Rich!
[15:10] Rich!
[15:11] He's ancient Persian!
[15:13] He-he-he!
[15:14] Ho-ho-ho!
[15:15] Da-da-le-loo-loo-loo-loo-loo!
[15:16] What a great character.
[15:17] You had the Persian gold prospecting hermit?
[15:18] I wanna see that.
[15:19] 303.
[15:20] Hermit.
[15:21] A hermit's tale.
[15:22] A hermit's tale.
[15:23] So is it the tale of how he became a hermit or is it how he stops becoming a hermit?
[15:38] Or is it just him in his cave just eating his own scabs for sustenance?
[15:42] Telling stories.
[15:43] Him in his cave occasionally shooting a shotgun above the heads of people who come close to
[15:48] his cave.
[15:49] Stay away from a cave!
[15:50] Xerxes!
[15:51] A traveler shows up and the hermit delights him with erotic adventures and tales.
[15:56] A thousand and one of them.
[15:59] What are you talking about?
[16:01] The Red Hermit Diaries.
[16:06] Dear Hermit.
[16:07] Nobody's reading it out loud.
[16:08] Dear Hermit, I have a story to tell you.
[16:11] Well, I don't know how this guy got my address, but I'll read it.
[16:14] I live in a cave.
[16:18] I guess I'll read it in a state of undress.
[16:22] While touching myself.
[16:23] No one can see me.
[16:24] I'm a hermit.
[16:25] I'm a hermit.
[16:26] Get those cameras out of here.
[16:29] Call us Showtime.
[16:32] Zalman Hobo King's The Red Hermit Diaries.
[16:36] Not even Zalman God King, I think, would be more appropriate.
[16:39] No, no.
[16:40] Xerxes is the god king in this one.
[16:42] So basically, at that point, the movie then shifts and it becomes concurrent with the
[16:50] Battle of Thermopylae.
[16:51] Themistocles is fighting a bunch of battles.
[16:55] After Marathon, when he kills Darius, he fights battles against Xerxes.
[16:59] They fight the Battle of Artemisium, which is this big naval battle.
[17:03] They fight the Battle of Salamis later on.
[17:06] The Battle of Salamis.
[17:08] They're hitting each other with big salamis.
[17:10] Oh, yeah.
[17:11] I remember that from our old Three Stooges.
[17:13] And at this point, it kind of becomes like a classics illustrated shitty history of the
[17:20] Persian Wars.
[17:21] It's just battle after battle, speech after speech.
[17:23] The characters are cardboard as all get out.
[17:26] Occasionally, even Green will show up and liven things up.
[17:28] But there aren't even any monster men for most of it.
[17:31] It's like the last half hour, they're like, oh, yeah.
[17:34] Were there monsters in this thing?
[17:36] You're saying that if TNT's Monster Vision was interested in this movie, they would have
[17:41] to pass it over.
[17:42] Yeah, entirely.
[17:43] Well, I mean, Monster Vision showed a lot of movies without monsters in them.
[17:46] What?
[17:47] They've gone way off message.
[17:48] Uh-oh.
[17:49] You better talk to Joe Bob Briggs.
[17:51] This wasn't in your remit, Joe Bob.
[17:53] You have to send it to his hermit's cave.
[17:58] JBB.
[17:59] Hermit Joe Bob Briggs, today we've got lonely foo, solitary foo, talking to nobody foo, no boobs.
[18:08] Hermit Joe Bob is giving the ratings for that day's nothing.
[18:17] Yeah, he's telling it to the picked over skull of a cow that he has in his cave.
[18:24] Artemisia and Themistocles, because this is a movie, they have a sort of romantic savage rivalry,
[18:31] which comes to a head when they come to a head and have sex with each other while fighting.
[18:36] She offers to have him join her because he's a brilliant general who's been outwitting her,
[18:41] and she is a brilliant generaless who is a hellcat in the sack.
[18:45] He says no.
[18:46] And a little rough sex, which does not get consummated because he denies her.
[18:51] Well, I mean, sex is the consummation, right?
[18:53] I mean, clearly the sex does not continue to either of theirs.
[18:58] To completion.
[18:59] To completion.
[19:00] Oh, yeah, sure.
[19:01] Well, we don't know that about him.
[19:02] I guess that's true.
[19:04] As soon as he pulled out, he might have been like, oh, oh, oh.
[19:06] Anybody got a Band-Aid?
[19:09] We see him clutching it.
[19:11] Yeah, how do you guys do it?
[19:13] Urethra?
[19:14] Yeah.
[19:15] I don't like when he does it.
[19:16] Stop it from coming out.
[19:17] I don't understand.
[19:18] Just dodge the flow.
[19:20] He's never had sex before, so he's like, I've got a leak.
[19:23] My soul essence is leaking out.
[19:25] I'm bleeding white, gooey blood.
[19:27] Okay, stop.
[19:28] Stop, please.
[19:29] Stop right there.
[19:31] Please stop.
[19:32] But we do see him clutching a cape to his crotch, so maybe he's just kind of trying to mop up.
[19:36] Yeah.
[19:39] There's like more and more fighting.
[19:41] And at a certain point, we're like, so did they forget that Lena Headey was telling this story?
[19:45] Because then we get to the Battle of Salamis where they're fighting on a bunch of ships, and it just becomes a video game.
[19:51] You're just behind a CGI Themistocles on a horse as he rides around across ships slashing guys and going through fire.
[19:57] And then he's having a…
[20:00] complete with like shots of zooming in on uh
[20:03] artemisia across the sea and then cutting back to him
[20:07] and then he decides to go on a different route it's garbage yeah
[20:10] and uh it looks like you're watching someone play shenmue remember that game
[20:13] yeah yeah dream dream cast that was for yeah
[20:17] uh anyway remember uh remember mario kart guys
[20:21] remember that one yeah yeah this was a lot like mario kart yeah yeah because he kept
[20:24] throwing shells at people yeah shells those bananas banana peels
[20:29] oh tons of banana peels dan all right is dan okay
[20:33] just trying to relate i think he's having a stroke
[20:36] trying to relate to us to the young people yeah banana peels
[20:41] joust you guys remember i don't like where this
[20:44] again this is just old video games now okay so there's a big battle there's a
[20:48] big battle and they're fighting and then you hear lena heady
[20:51] you haven't heard her narration oh there's also a part in the middle where
[20:54] where one of the characters starts telling themistically is artemisia's
[20:57] backstory so it's a nice nested flashback where
[21:00] you're like all right so what is going on here now
[21:03] after this point i feel like you need a diagram this movie
[21:06] off camera the bat the battle of thermopylae happened now this is after
[21:09] the battle of thermopylae artemisia and thomastocles have met up
[21:12] for their final duel and they got swords to each other's necks
[21:15] and you hear lena heady a wind rustled caressed her hair like a
[21:20] lover's hand blah blah blah and you see that lena
[21:23] heady is standing on an approaching ship with a bunch of spartan soldiers
[21:26] she's the queen of sparta and whatever and it's like wait so the whole movie
[21:30] was her telling them a story as they got to
[21:32] this battle but she was narrating the battle that was happening that they
[21:36] hadn't gotten to yet and then they seems like it dude
[21:39] artemisia forces the mystically's hand he kills her after offering to let her go
[21:43] and the smart star groans of consternation because she's the best
[21:47] character and then the and the spartans come and
[21:49] attack everybody and that's the end in western civilization to save from the
[21:52] evil monster persians but here's the thing i would have liked
[21:55] this movie more if lena if uh artemisia had killed the
[21:58] mystically's oh totally killed everybody else then got into a
[22:02] spaceship and like had a bunch of space adventures yeah i mean
[22:05] as i said while we were watching it you could easily do a crossover between 300
[22:08] and stargate and it wouldn't be weird it would look
[22:11] totally normal because they both have the same villain too yeah
[22:14] yeah because xerxes looks like a uh a guawul is what they're called
[22:18] dan now i really like it now i really want to see this movie
[22:21] though where like there's just like awesome assassin
[22:24] persian princess and i would feel like she's actually greek she just works for
[22:28] the person oh yeah you know but she's this she's this
[22:30] awesome assassin and if it was a crossover a stargate she could have sex
[22:33] with james spader it would be really rough in a car crash
[22:38] yeah what are these stargate 300 crash
[22:42] star crash no star crash is a different movie whoa that doesn't have any
[22:47] very disappointed and then she's james spader's secretary and he spanks her
[22:50] when she gets the the don't be creepy what just i'm doing
[22:54] other oh but i thought it would be creepy and
[22:58] then he'll part of me is just tough and then he'll blacklist everybody
[23:01] he'll blacklist everyone yeah fedora around
[23:04] and be puffy on the cover of magazines yeah
[23:08] so here's the thing this is a very boring movie for a lot of it
[23:12] but it's got this one performance in it that's really exciting
[23:17] you wonder like why didn't they make this just about her why did they have to
[23:20] make the greeks the heroes why couldn't they made her the hero i
[23:24] mean she loses in the end but but i mean that says that like
[23:27] you write a movie and you don't necessarily know what's going to go on
[23:30] with the casting like the thing is like they got lucky with
[23:34] the casting of her and apparently did not know how to cast anyone else i guess
[23:38] but her character is even written more interestingly than
[23:41] the other ones like instead it's this it's the old
[23:44] villain has more fun thing like yeah the hero gives a lot of speeches about
[23:48] we need to be free men democracy the united greece to have freedom and
[23:52] liberty but he never really seems to believe any of it he's just kind of like
[23:56] yelling things at his men to get them to fight all oiled up and shirtless
[23:59] meanwhile she seemed she's written in a way that it's like
[24:02] yeah okay she has a motivation like she was thrown away by the greeks
[24:06] now she wants to get revenge but also she has a lust for power and she likes to
[24:10] use people and she had the and she in a way like rose
[24:13] xerxes the power and he even has the opportunity to like
[24:17] go against his wishes which is cool like is she
[24:20] she is a more interesting character everything about her is more interesting
[24:24] than this guy who is just battle after battle speech after speech
[24:28] but he we don't give a shit about him you know
[24:30] he has no nothing to interest us other than in theory he's
[24:33] the hero no i'm totally with you and telling it from her perspective
[24:40] would tie it closer to the original 300 with the idea of the hero dies at the
[24:46] yeah but it felt so much like when you take
[24:51] the 300 story and you change well we i mean you're not taking the
[24:55] exact story but when you're taking that that era of time and then you just
[24:59] change all the things that would conveniently make a more positive movie
[25:03] like instead of having them sacrifice their lives
[25:07] you know for no appreciable effect instead they have the uh
[25:13] they have the good guys winning at the end at the end of the day i mean they
[25:15] did the greeks did win that battle in real life no i know but if uh and
[25:20] there's even like a like a boss fight at the end yeah well
[25:24] that's 300 never had that moment of like it's not like release i guess
[25:28] xerxes and and gerard butler didn't have like a
[25:30] hand-to-hand combat scene which aside from that they never would
[25:34] have been fucked because xerxes has that giant magic axe that he's carrying in
[25:37] this movie that he just cuts people's heads off with
[25:40] where did he get a horse big enough to carry him around because he's so huge
[25:44] well he must have bred it it's like a destroyer or you know some kind of
[25:46] dreadnought horse or something one of those horses that they used to
[25:49] breed in medieval times that were strong enough to carry a man on in armor
[25:53] but they were so expensive you never actually rode him into battle was that
[25:56] the medieval times in new jersey or yeah yeah
[25:59] the medieval times of bayon yeah but here's the thing they took a movie
[26:04] that was goofy as i'll get out yes removed the stuff that made it fun
[26:07] and goofy most of the stuff for a little bit
[26:09] except for a little bit uh and then took it for granted that the audience was
[26:12] just along for the ride there was a lot of like
[26:15] goodwill fumes from 300 that this movie used up yeah i hate to say that like
[26:19] basing the original 300 on frank miller's graphic novel
[26:23] in some ways was a benefit because it they managed to throw in a ton of extra
[26:26] shit like the like the weird uh temple of the
[26:30] oracles and all that other weird stuff that at least added flavor and
[26:34] character like hermit caves but also that's the
[26:38] first the best part of it is in the beginning
[26:39] they have the hermit cave and stuff but it felt like while we watched the movie
[26:42] i said this feels like we're watching if ancient
[26:44] greeks had had movies and they made a movie about this this is
[26:48] the movie they would make heroic bare-chested greeks fighting
[26:51] monster men who use evil magic and then the movie like forgot about
[26:55] all that stuff what would you say dan i said this while
[26:58] we're watching the movie but also too i feel like
[27:01] this movie actually suffered from um not being a adaptation of a
[27:07] and adaptation and adaptation of a comic in that
[27:10] the first 300 um kind of took advantage of its fakeness
[27:15] um in the backdrops to really mirror the uh panels of a comic strip like it
[27:21] had a certain two-dimensional quality like
[27:24] and all the action progressed along a two-dimensional
[27:27] line that made it very easy to follow whereas this movie
[27:31] had the fakeness of the cgi backgrounds but it was untethered by that kind of
[27:35] like comic panel look that's what you meant
[27:38] when you were saying it's two 3d yes it's it's like that third dimension was
[27:43] not time by the way no no yeah i mean like it when i say it's
[27:48] two 3d it doesn't make it mean it makes it look more realistic i just mean that
[27:51] the stylization is worse yeah like it's not as clear
[27:58] you know i mean it also doesn't help that like the visuals were really murky
[28:01] and dark and somebody would turn from a human to a
[28:04] cgi figure back to a human within a back and forth within a couple seconds and
[28:08] the camera's always spinning around ah you know these young kids with their
[28:11] movies with the cameras moving around and the people jumping all over them
[28:14] they're like wooshu and whatnot kind of like that last hercules movie we
[28:18] watched that where they seem to just hit the bullet time button at random
[28:21] points yeah like you're watching your friend play max pain and you're like
[28:25] dude you're doing it totally wrong but it's i really wanted to like this
[28:30] movie because i liked the first one and i had heard that even green had a
[28:33] nude sex scene in it so i said okay sure i'm on board maybe a bunch of monsters
[28:37] cut people's heads off but alas the monsters were missing
[28:41] yeah we're we're we're there already but let's do final judgments
[28:45] uh this is a good bad movie a bad bad movie or a movie you kind of liked i say
[28:49] it's a bad bad movie i was bored by it almost more than
[28:54] like this is in the like 80th or 90th percentile of flop house movies i was
[28:58] bored by i don't know what that number means yeah
[29:02] you know uh you have a calculator where's the yeah
[29:06] is more board or less board running the numbers i need silver over in here
[29:10] no more board this is one of them more door yeah more door more door more dork
[29:14] it looks like i want to throw it in the disc world books
[29:18] and more door because that's the only way we can rescue the move
[29:21] the world from the evil of this film okay yeah
[29:25] well you better be ready to have golem bite your finger off because i'm not
[29:27] ready to do it why don't they just have the eagles drop
[29:30] for us yeah there's a lot of questions in those luthering stories
[29:34] why doesn't they when the old the old one why don't they just hand the ring to
[29:37] tom bombadil and let him lose it in his couch somewhere
[29:40] no one will ever find it in his magic hermit cabin
[29:44] because that's not what he's for dude
[29:48] he's too busy banging goldberry and hanging out with fatty lumpkin
[29:52] my favorite part of the books is when they're like why don't we just give the
[29:55] ring to tom bombadil he's like eh he'll just forget it somewhere
[29:58] like that tolkien introduced
[30:00] this god-like character and then you have to realize like uh... i guess i'll
[30:03] make him like a real do you think so that they can trust him
[30:06] because otherwise he solves every problem in the whole thing
[30:10] uh... but you know it's uh... it's a bad man it was it was really boring and
[30:14] disappointing
[30:16] and i have to say that like
[30:17] there's a good movie like there's a good straightforward history movie to be made
[30:20] about
[30:21] the persian wars
[30:22] and there's a good over-the-top crazy movie as was neither of them
[30:26] and it just makes me wonder when they finally make the movie about the battle
[30:30] of canada i want them to make so badly
[30:32] how is it going to be
[30:34] or bad
[30:35] hollywood choice as you want that to be over the top and crazy months i mean
[30:39] either way either over the top or loved ever realistic version of it is that
[30:43] that will have to see what it is super over the top like waterloo would like
[30:47] mhm monster friends
[30:49] uh...
[30:50] and the polio not a drag it
[30:53] napoleon is twelve feet tall
[30:56] and in a group of respiring room non-plussed wellington drug is a sign
[31:01] here is your son
[31:04] so like waterloo two point out the house uh...
[31:07] i mean that they don't know is once once things are a certain amount of time in
[31:10] the past it you know it's ok just make stuff up
[31:13] you know
[31:14] so they there is a uh...
[31:16] there's a bunch of
[31:17] movie ideas that my old writing partner brock and i used to have that like
[31:20] sure is that the end
[31:21] just send the idea of the really cool whatever to send the idea of
[31:25] the past
[31:26] like as long as it was a long time ago you could throw it in
[31:28] ends and i feel like there's movies that could do that type of thing that don't
[31:33] uh... before move on to letters
[31:35] uh... we should do
[31:37] plugs
[31:38] okay or up like i don't know that there's more
[31:41] they supplied in this one thing but it is
[31:44] the one thing that we should plug is we've got
[31:47] another live show coming up not
[31:50] right away but in january but it's gonna sell out so buy your tickets
[31:54] and it's at the bell house in brooklyn
[31:57] it's uh... the opening night of podfest twenty fifteen here in new york city
[32:01] it's january ninth
[32:03] yeah ten p m yeah the doors open nine thirty shows a ten
[32:07] uh... cost is ten dollars if you buy ahead of time twelve dollars at the door
[32:12] buy it ahead of time save two bucks
[32:14] uh... give that money to us
[32:16] put it in our tip cups
[32:19] in our tin cups? in our tin cups? in our dvd copy of tin cup?
[32:23] uh... that's
[32:25] about all there is to say about that
[32:27] we're also going to plug
[32:29] a uh... something for comic book fans out there
[32:33] you should hustle down to your local comic book retailer
[32:36] bang on the counter
[32:39] and say shopkeep
[32:40] i would like to pre-order
[32:42] a copy of the flash gordon holiday special available from dynamite comics
[32:47] now why would they want to do that? because it features three stories for
[32:51] the price of one and each story is written by... three stories? there's three of us
[32:56] seems like a weird coincidence that's the thing dan we each wrote a story
[33:00] what i did? each focusing on a different holiday
[33:04] uh... so it's gonna be it's really great it's uh... it's a special one-shot issue
[33:09] you don't need to have read anything beforehand but you should because that
[33:12] the flash gordon series is really good
[33:14] uh... and if
[33:16] you do not have a local comic book shop which is sad i feel bad for you
[33:20] you should instead go on to the internet which is everywhere
[33:24] and even in your house even in that pocket computer open your mouth that's internet in there
[33:31] uh... and go on and pre-order from the dynamite website
[33:35] so that's the flash gordon holiday special number one
[33:39] and get tickets now for the january ninth show
[33:42] the flop house live
[33:44] new york city podfest 2015 at the bell house in brooklyn new york
[33:49] you gonna plug your twitter account? i just remembered there's another thing i should mention
[33:55] i had a brief
[33:57] guest spot on wham bam pow one of our fellow
[34:00] max fun network shows
[34:03] uh... talking about something that i've talked about many times but on this show
[34:08] uh... return of the living dead
[34:10] merkins then i guess
[34:13] so you probably heard me talk about it already if you're a fan of this show but if you
[34:16] want to know what it sounds like when i'm talking when i'm not being interrupted by elliot and stew
[34:21] check out wham bam pow that was a little pointed sounds great do you have anything else to plug elliot?
[34:27] i plugged that book that i had an essay in last episode
[34:31] never can say goodbye
[34:33] plug up your fucking pie hole
[34:35] wow but since slate even plugged it for you
[34:40] slate ran an excerpt
[34:42] uh... so dan
[34:44] how did you feel about uh...
[34:47] three hundred rise of an empire
[34:48] i already said i didn't like it
[34:50] well was it a scarily spook-a-nying or a snorkely stupefying or was it a giddily good groke?
[34:57] giddily good groke?
[34:59] that's the classification
[35:02] so he's gotcha, what kind of a groke is it? is it a phazzleberry?
[35:07] no it's a noidvember
[35:10] the month we celebrate the noids or rather the avoidance of him
[35:15] those fucking pizzas
[35:16] he ruins them
[35:19] excuse me i am a hunter of pizzas
[35:23] the pizza will hide
[35:26] the hawk looks where the hawk would hide he looks in the attic he looks in the
[35:30] belfry
[35:32] i look where the pizza would hide in the basement in the cellar
[35:36] in the wooden pizza oven
[35:38] i mean i'm eric
[35:41] i would not call myself a pizza hunter
[35:45] we've done a very good job of avoiding the noid over the past decade
[35:49] or fifteen years or twenty years
[35:53] you gotta thank the national security state for that yeah enjoy your surveillance dude if it's worth being
[35:57] noid free to have all your emails read by the NSA have a fucking drone watching you every day
[36:01] brushing your teeth through the bathroom window yeah enjoy your pizza dude
[36:05] keywords pepperoni
[36:07] pizza
[36:09] it comes in thirty minutes or less where your pizza is not free
[36:13] just like you
[36:14] look actually guys look wow that was a stretch but i like it
[36:18] it's just like george orwell said in nineteen eighty four big brother is feeding you
[36:22] pizza
[36:24] two plus two equals noid
[36:29] uh... hey man
[36:30] and then they put your face in a cage where noids eat it all
[36:34] they just ruin it
[36:35] hey wake up pizzas
[36:39] she pizzas
[36:42] she pizza? she pizza that's when pizza's cousin got a transfusion from him and became
[36:47] she pizza
[36:49] i'm just saying it's time for occupy pizza
[36:53] sounds good
[36:54] uh... so does the noid even exist has anyone ever seen this noid
[36:58] and yet
[36:59] i've gotta take my pizza off when i go to the airport
[37:02] yeah it's a false flag
[37:04] yeah noid
[37:06] uh... so it's time to read a few letters
[37:10] from you
[37:11] the listeners
[37:12] to write letters
[37:13] to us the hosts
[37:15] seems like a weirdly stilted introduction as if you were expecting something no i'm just gonna
[37:20] just gonna go right in dive right in
[37:21] so this first letter is from brian last name
[37:26] withheld brian wrote us a letter
[37:29] letter number one's from brian today hey brian
[37:33] quit frying
[37:34] in your hate
[37:36] for guys who don't read your letters cause dan's gonna
[37:38] right now
[37:40] read the letter
[37:41] and how
[37:42] it's your letter brian hey stop crying
[37:45] brian
[37:46] this day's for you
[37:49] letter number one
[37:51] maybe it'll be fun maybe it'll be done soon but let's make it last forever
[37:59] this letter
[38:00] together
[38:02] those are three words that don't really rhyme but i pretended they did for brian
[38:07] p.s.
[38:09] brian was filmed in front of a live studio audience
[38:12] so this letter goes whatever happened to predictability the milkman the letters
[38:17] page
[38:19] brian's thing
[38:20] for us everywhere you read there's a letter
[38:25] i reached
[38:28] never met brian before
[38:30] who cares
[38:32] letter from brian
[38:35] night court
[38:39] it's night court
[38:42] so uh...
[38:43] brian's letter
[38:46] do do do do do do brian's letter
[38:50] okay so the podcast just sang a bunch of
[38:53] old t.v. themes thank you for writing a letter unsubscribe sitting at your
[38:59] computer and write a letter
[39:01] your fandom's true you're a pal and you wrote a letter
[39:06] and if you sent a letter
[39:10] invited everyone you knew
[39:13] what we want to see your letter would be for us without letters
[39:18] what would we do? brian's letter reads well there's a time for brian and a time for letters
[39:23] i like when you guys get right to the point don't bullshit around with silly songs so this letter goes like this
[39:29] show me that letter again
[39:31] show me that letter don't waste another minute on this song bit
[39:37] okay so it goes like this i recently acquired
[39:40] a role as a monster in a major motion picture well i wanted to hear about that why did you wait so long
[39:45] i hope it's the next three hundred movie
[39:46] three hundred rise of monsters
[39:48] i'm concerned slash excited it may eventually get viewed
[39:52] hermit's tale greeks versus dracula's
[39:55] i'm concerned slash excited that it may eventually get viewed for the show
[39:59] i don't want to specify
[40:00] think about the movie but I know that I but know that I personally have no
[40:03] acting chops despite me being six foot seven and a hundred and seventy pounds
[40:08] is unfortunately not a movie about slender man anyway hopefully I'll have a
[40:12] reason to contact you guys once the movie comes out and you make fun of the
[40:16] stupid monster in it Ryan last name without not come on I don't know what
[40:19] the movie is confident about yourself the stupid monster in it that's you
[40:22] that's you man yeah yeah yeah no he might be playing a stupid monster yeah
[40:29] no like a like what I mean like a monster I'm a monster door door door the
[40:37] Beastmaster Mark Singer everybody like a king Kong like a big ape King Kong is
[40:45] pretty smart for a monster yeah before I mean more like Gilman Gilman is dumb as
[40:49] a bag of rocks yeah all right don't let me start on the metal Luna mutant he's
[40:55] got a big brain but he's stupid as hammers but this guy is more hammer man
[41:02] though super smart and not a monster he's a heroic rapper with magic shoes
[41:06] this guy's taller than six and a half feet okay yes is he is he weighs less
[41:14] than I do yeah he's real skinny so let's he must be playing like a pumpkin
[41:18] he's like a Skeletor that's saying yeah I mean he's writing an essay yeah maybe
[41:25] he's like a like a ant or something like a real yeah yeah an intern ant or a
[41:30] spindly monster yeah like an insect monster pumpkin head as Elliot said yeah
[41:35] it's a kind of spindly monster I know do you look like that what what a daddy
[41:39] longlegs monster yeah yeah sure yeah that's not a spider that's an insect
[41:43] yeah I didn't say it was a spider the implication was clear and I was pretty
[41:49] offended by it sorry guys not Danny long legs to the
[41:53] daddy long legs and his children they lost their mommy like long legs in an
[41:58] accident he's a single dad just like on a full house whatever happened to
[42:03] predictability the milkman the baby boy the evening TV ah what a weird song it
[42:10] doesn't make sense what they're really angry about why don't they just throw a
[42:14] fucking Beach Boys song probably Kokomo my favorite though is still the Perfect
[42:20] Strangers song which is so grandiose for that show standing tall on the wings of
[42:27] my dreams which is a lot for a show about a goofy guy with a funny accent to
[42:31] live up to yeah all right well and then it's got that plaintive harmonica at the
[42:35] end really touches your heart as they run up to the cub stadium right yeah
[42:40] Wrigley Wrigley Wrigley Field so Wrigley Wrigley Field
[42:47] rounded by Barnabas Wriglesby this next letter okay talk slower this oh it's
[43:00] from Finn last name withheld who writes last night I had a dream in which I was
[43:05] a shark man I had a dream in which I was visiting an elderly relative Dan
[43:10] Stewart and Elliot were hanging out in her kitchen Dan explained that the three
[43:14] of you had started a private detective slash mercenary business together called
[43:18] NYU M which stands for not your usual mayhem it's really good it's pretty
[43:24] fantastic goal and it said you say it yum because it's delicious the goal in
[43:30] Stewart's words was to make some money kick some ass and maybe get to ride in
[43:35] a helicopter Dan explained that things were quote off to a slow start and the
[43:43] current gig was organizing my aunt's utensils it seems like a small job for
[43:49] mercenaries New York utensil manipulators other yum jobs get a repair
[43:57] and walking someone's dog Stewart and I talked about really count as mercenaries
[44:02] we're more handyman Stewart and I talked about gene wolf novels and it was only
[44:07] after I woke up that I realized Elliot had been wearing a flak jacket and
[44:11] aviator shades the entire time he looked pretty cool thank you that's from Finn
[44:16] last name withheld yeah you'd be our you'd be like we call you specs or
[44:22] something well what's the brains or something I'd be brains but straight or
[44:25] like nerd nerd a bottom or something I'm the only one of us who's been in
[44:30] like a real military combat situation which is weird you don't know anything
[44:34] about me do you know I did not shoot anybody I shot a lot of bullets though
[44:38] yeah at targets mm-hmm and I was very worried at least those guns were bears
[44:44] those targets yeah we're famous superstore you know that guy who's
[44:50] shooting up all those target superstores shh wink all right Stewart I
[44:55] don't know anything about you is that part of your record has been redacted
[44:59] expunged by an order of the president sure okay so this next letter is all I
[45:05] know is you have that plaque that says from a grateful universe exactly yeah I
[45:10] haven't shot as many bullets as you cuz knives aren't bullets dude I shoot them
[45:15] by throwing you're a regular Drex so I'm looking at this as a three it's a
[45:20] three page long letter I would like to discourage people from writing three
[45:24] page long letters well don't read them then well this is a pretty good one okay
[45:27] so it goes like this should settle in or dear Stuart Dan and Elliot in the order
[45:33] I imagine you standing on an imaginary staircase after listening to your recent
[45:37] episode on gangster squad I was surprised that you made no mention of
[45:41] the fact that the movie was based albeit loosely on a comic book property
[45:44] especially since your entire podcast seems to reference that comic book and
[45:48] its characters using catchphrases animal sidekicks names etc I refer of course to
[45:54] the old FC publications characters the peerless pranking peaches I'm attaching
[46:01] a scan of the cover image from issue 32 of the flop cat comics title prankster
[46:05] squad one of the many FC titles which fear featured the peerless pranking
[46:09] peaches by that time simply known as the original peaches also below is an excerpt
[46:14] from Hal Finkelstein's chapter on the peaches from his book floozies flop cats
[46:18] and fedoras the best forgotten age of comics which is now unfortunately out of
[46:22] print it goes quote it was in 1952 that flop cat comics editor-in-chief Mort
[46:28] Flegel decided to team up three of his poor selling characters into one team
[46:32] Duke Wellington the dapper detective had been a moderately successful crime
[46:37] strip featuring the adventures of a blue-blooded cravat wearing sleuth and
[46:42] his trusty feline sidekick Sir Minton's Mewington the third laughing boy Stan
[46:48] McCoy Hoover's happiest g-man took a more slapstick slant with the lead
[46:53] character who employed an arsenal of gags jokes and light-hearted hijinks to
[46:56] capture criminals and Quentin Elliott Devereaux Kaelin or QED Kaelin boy
[47:02] investigator was a backup feature that even at the time was seen as a cheap
[47:06] Encyclopedia Brown knockoff despite the fact it predated Encyclopedia Brown by
[47:10] 19 years in teaming these three characters together first as the
[47:15] peerless pranking peaches then after a threatened legal action from pranking
[47:19] Pete's perfectly peerless peach soda a popular soft drink and hair oil the day
[47:23] simply as the original pages popular soft drink and hell hair oh yeah words
[47:28] okay legal would give FC had interrupted you in a while so I decided legal would
[47:34] give FC publishing its most successful franchise soon the original peaches were
[47:38] featuring in over 15 flop cat comics titles from the crime themed prankster
[47:43] squad the whore title fiendish tales from the flop house of horror title Oh
[47:48] horror sorry yeah Jesus Christ use context clues use
[47:53] contact crayons guys it seemed readers of the trio's mix of intrigue humor and
[48:04] educational adventure in his autobiography that was something I did
[48:08] more flea remembers in those days the original peaches were everywhere you
[48:12] couldn't pass a street corner or school playground without hearing a group of
[48:16] kids argue over which of them had to pretend to be QED Kaelin in which of
[48:20] them got to be QED Kaelin at the height of their popularity the peaches would go
[48:24] up against gangster Mickey Cohen open a house painting business with
[48:28] Frankenstein fight over star the monster wait what do you say about maybe
[48:33] mentor fight over starlet maybe Van Doren and famously sock Fidel Castro in
[48:37] the kisser but their success could not last public taste was changing and by
[48:41] the early 60s the current trend was for spandex clad superheroes despite legals
[48:46] attempt to cash in on the craze by having a magical leprechaun genie named
[48:49] Shazam O'Neill bestows superpowers and outlandish costumes on the trio it seemed
[48:54] the peaches days were numbered in 1963 Rotherford then a day later the day
[49:01] after that who persuaded Duke Wellington on the original peaches pelican
[49:05] patrolling an excitement hour shot himself in the head 17 times and the
[49:09] show is canceled no and how do you do that and the peaches were explicitly
[49:16] cited in dr. Herbert Wormstrong's seduction of the civil-minded for
[49:20] leading lifestyles which were according to Wormstrong in opposition to all
[49:23] things decent and completely convicted or contradictory to wholesome living
[49:27] that's okay fair suddenly parents were asking if the original peaches were
[49:31] indeed suitable role models for the impressionable offspring after all
[49:34] despite many references to girlfriends fiance's and eventually even wives none
[49:39] ever appeared in the peaches many adventures and the three men always
[49:42] seemed happiest in their own company the original peaches were all but forgotten
[49:50] when only their spin-off character the reformed jewel thief and feline from
[49:54] philanderer Franklin Leopold Oscar Prentiss cat better known as the flop
[49:59] cat
[50:00] remained in the public eye thanks to a national advertising campaign for a topical hemorrhoid cream
[50:05] which used the flop cat as a mascot. Although this proved to be a blow to the character's cult
[50:10] credibility, the original party animal was cited by Robert Crumb as a major inspiration for his
[50:15] character Fritz. Crumb said, I was originally going to call it Fritz the dog and then I saw
[50:20] this ad for hemorrhoid cream. In the late 80s, visionary British comic scribe Adam Moorcock,
[50:26] a self-confessed Peaches fan, penned the 12-part deluxe limited maxi series How Peels the Peaches,
[50:34] a dark reimagining of the characters which proved extremely controversial with fans.
[50:38] Wellington, once a suave and cultured man about town, was now a beer and boobs obsessed
[50:43] blue-collar everyman. The always upbeat McCoy, the upbeat McCoy, is revealed to suffer from
[50:51] Jim Belushi type. Crippling depression, his trademark quips and little laughs were placed
[50:57] with mournful sighs and nihilistic fatalism. And as for QED Kaelin, the boy with a computer brain,
[51:02] traits that once seemed endearing were now simply insufferable. Instead of a sharp-witted
[51:08] repository of useful facts and figures, it became a trivia-obsessed bore, constantly quoting obscure
[51:14] data, referencing long-forgotten movies, bursting into song in inopportune moments,
[51:18] and trying the patience of all but the most indulgent of fans.
[51:49] You almost killed Dan. If he had read that in a normal state, his tongue would have
[51:54] jumped down his esophagus and strangled himself. He would have choked on his own vocal cords.
[52:19] That was bullshit. Let me just tell you that. That was like if he slipped $20 into your underpants
[52:26] while you were wearing them. And he was like, pretty nice, right? I gave you $20. No, but you
[52:30] put your hand in my underpants. CDs cost $20 now? Thanks, Obama. Seems like you get two benefits
[52:38] there. $20 and a hand on your pants. I don't want Bono's hand. No, it's not a good place, though.
[52:44] Oh, okay. You're talking the butt.
[52:49] Look, let's leave it up to the listener's imagination. Whatever you're part of your
[52:52] bathing suit area you least like having touched by Bono. So when you stick a hand between somebody's
[52:57] butt cheeks, it's called a wedgie, I think. Yeah. No, no, it's called Bono.
[53:00] Do your flabbity flabbity. We established this last time.
[53:05] I didn't like it then, and I don't like it now.
[53:07] I want to apologize to all the listeners on regards of decency.
[53:14] I thought you were going to get a pot apology. You jumped all over.
[53:16] Wow, wow. Hoist on my own batard.
[53:26] Dan, are you okay? I don't know. That was the point.
[53:29] You seem to be descending into madness. And I don't mean the good madness, the English ska band.
[53:35] No. I looked upon something out of a Lovecraft tale, and now...
[53:40] But you couldn't come up with a specific reference, could you?
[53:42] No, I couldn't. I don't know.
[53:44] Couldn't even say Necromanticon. The Dunwitch core, I don't know.
[53:46] The Dunwitch core. There's some kind of lurker on the doorstep.
[53:49] I'm done with this witch. Dunwitch.
[53:51] It's about a tan witch. She's dun colored.
[53:54] Dun colored, yeah.
[53:56] Yeah, I'll take a Dunwitch. It's a sandwich, but it's a fish man.
[54:02] Yeah, it's all tentacle based.
[54:05] That's the Innsmouth look.
[54:06] All right, so what are we doing? We recommend a movie that we actually
[54:12] liked in opposition to the movie that we watched tonight.
[54:15] Wait, here on the podcast?
[54:16] Yeah, that's...
[54:17] We recommend a movie we liked.
[54:18] Yeah, this is a recommendation segment.
[54:19] Do we like movies?
[54:21] Sometimes.
[54:22] We love them.
[54:22] Elliot, why don't you recommend something?
[54:23] Don't we hate movies, just like the title of our podcast?
[54:26] No, that's a different podcast.
[54:27] Oh, how did this get made?
[54:30] Hold on.
[54:31] The Dissolve Podcast?
[54:34] Slate Culture Crabs? What's your podcast called?
[54:37] Yeah, WTF.
[54:38] Slate Culture Crab Festival.
[54:41] So that was, yeah, WTF dudes.
[54:43] Hey, who charted?
[54:44] Hey, welcome to Night Vale, you know? Am I right?
[54:49] Doug loves movies.
[54:51] Keith and the girl.
[54:52] And my brother, your brother, and him.
[54:55] Well, that's a...
[54:56] That's not...
[54:57] Wait, what?
[54:58] Podcast that's on our network.
[55:00] Well, I mean, we're not talking...
[55:01] Oh, sorry, I didn't mean to step on anyone's toes.
[55:06] We're not tarring anything.
[55:07] We're just naming things.
[55:10] We're naming things and doing make-em-ups.
[55:13] Well, so, this is...
[55:14] Listicles.
[55:15] Dan's got...
[55:15] Yeah, we're doing an audio...
[55:17] It's an audio listicle.
[55:19] We're buzzing.
[55:20] We're buzzing and we're feeding, you know, in the buzz house.
[55:23] Okay, we can still salvage this podcast.
[55:25] I don't think so.
[55:26] Let's just talk about our...
[55:27] Let's give it a...
[55:28] Let's give her a chance.
[55:29] An edit mark and here.
[55:31] So I'll start.
[55:33] Here's a movie I like.
[55:35] And I saw recently, it's a movie called The Plumber.
[55:39] And it's a movie that Peter Weir made for Australian television.
[55:42] Christopher Plumber.
[55:42] Yeah, it's the story of Christopher Plumber.
[55:44] And it's how he started as a plumber.
[55:48] I was actually talking about Peter Weir movies yesterday.
[55:51] And I didn't realize he directed Picnic at Hanging Rock.
[55:54] Yeah, yeah.
[55:55] That's one of his...
[55:56] That's my favorite of his.
[55:57] Top films.
[55:58] And Master and Commander.
[56:00] Yeah.
[56:01] He's...
[56:01] And other shit.
[56:02] Directed many...
[56:03] I mean, directed those roughly 35 years apart.
[56:05] And Master at Hanging Rock.
[56:07] And Picnic and Commander.
[56:09] No, but I'm saying he's had a really long...
[56:10] Commander's Picnic at the Edge of the World.
[56:11] He's had a really long career, but you don't...
[56:13] I don't know, you don't hear about him a lot.
[56:14] He's not someone you think of as like,
[56:16] like, oh, the new Peter Weir movie is out.
[56:18] Yeah, exactly.
[56:18] But he's been making movies, you know, consistently for many years.
[56:22] But this is one he made after...
[56:24] Green Card.
[56:25] He directed Green Card, right?
[56:27] I think he did, yeah.
[56:28] Yeah, that's a weird one.
[56:29] Yeah, the movie that introduced Gerard Depardieu to America.
[56:32] So that he could become our father, the hero.
[56:35] And eventually bogus.
[56:36] It was sad when America realized that Gerard Depardieu was bogus.
[56:40] Totally bogus, in fact.
[56:42] And they said, and like Frankenstein's monster from Monster Squad,
[56:46] they said, bogus, and threw him away.
[56:50] And they said, they kicked him in the nuts and said,
[56:52] Gerard Depardieu has nads?
[56:54] Just like in Monster Squad.
[56:56] Wine-soaked pouch hanging between his legs.
[57:00] Oh, that's too descriptive.
[57:02] That's where he keeps his wine.
[57:03] Too descriptive.
[57:04] His scrotum.
[57:05] It's a wine skin, yeah.
[57:08] Oh, man.
[57:10] Of course, his name means Gerard of Pardieu.
[57:15] Now...
[57:16] Pardieu.
[57:18] So the movie is called The Plumber.
[57:19] It's a movie that Peter Weir made after Picnic at Hanging Rock for Australian television.
[57:23] And the thing about it is, it's ostensibly a thriller.
[57:29] This guy is a professor at an Australian college in Sydney, I think.
[57:34] And his wife is an anthropology grad student who's working on her master's.
[57:38] Maybe it's a doctorate.
[57:40] And one day, this guy who says he's the plumber for their university housing
[57:44] comes in and he's like, oh, you've got a problem in the bathroom.
[57:47] I got to go in there and fix it.
[57:48] And the wife is like, we never called you.
[57:50] I didn't call the plumber.
[57:51] He goes, you've got a big problem.
[57:52] This place is going to flood.
[57:53] It's these old buildings.
[57:54] And the plumber is this very talkative, very overbearing blue-collar guy
[57:59] who wears on his sleeve the hates elites, hates intellectuals.
[58:02] He considers himself like a folk singer, man of the people.
[58:06] And there's something very creepy and overbearing about him.
[58:09] And without him ever doing too much that's openly threatening,
[58:13] you get this very creepy vibe from him.
[58:15] And so does the wife.
[58:16] And nobody will listen to her that this guy is dangerous
[58:19] as he continues to come in every day, screw up their bathroom more and more,
[58:23] and kind of impose himself on her life more and more
[58:26] until she's forced to do what she can to get him out of her life.
[58:30] And it's one of these movies where, like, looking back on it,
[58:32] there's no scenes that are, like, scare scenes.
[58:34] But there's this level of thriller paranoia that lasts
[58:37] throughout the whole thing that Peter Weir does.
[58:40] And it's almost like if he said, I'm going to take a similar feel
[58:43] to Picnic at Hanging Rock.
[58:44] And I'm going to make a sitcom about a woman and a crazy plumber.
[58:48] But I'm going to treat it like it's this suspense thriller
[58:51] with an almost eerie overtone to it.
[58:53] And I really liked it a lot.
[58:54] So The Plumber, directed by Peter Weir,
[58:57] and starring a number of Australian soap opera actors of the time.
[59:01] Natalie Imbruglia?
[59:02] Nope.
[59:04] That is the one Australian soap opera actor.
[59:06] This is not it.
[59:07] Keith Ledger?
[59:08] One of those Hemsworths.
[59:10] There aren't soap operas, too?
[59:12] And Thor?
[59:13] I feel like there's the one that no one talks about.
[59:16] There's, like, the third one no one talks about.
[59:18] I feel like he's a soap opera guy.
[59:19] They have a sister that's going to be female Thor, right?
[59:22] Yeah, Lady Thor.
[59:24] Her name is Lady Thor Hemsworth.
[59:26] Low Thor of the Thor people.
[59:28] She Thor.
[59:29] Okay.
[59:30] So The Plumber.
[59:33] So I'm going to recommend a movie that needs no recommendation.
[59:37] So don't recommend it.
[59:38] But it's a movie that I watched, re-watched recently.
[59:40] Eraserhead.
[59:42] It's about a guy who has a baby.
[59:45] That's pretty much what it's about, yeah.
[59:46] It's a bunch of yucks.
[59:47] And, uh...
[59:48] When you just, really?
[59:49] Eraserhead and Three Men and a Baby have the same synopsis.
[59:52] A man who's unprepared to take care of a child has a baby.
[59:55] There's a ghost in the background of Eraserhead?
[59:58] You didn't notice?
[59:58] There's a ton of weird shit.
[1:00:00] around in the back of that movie yeah there's the angel with the big cheeks
[1:00:03] and the radiator who sings that weird song yeah and then the sperm fall on her
[1:00:07] and she's stomping on him with her high-heeled shoes no it's a weird dream
[1:00:11] of a movie that is both unpleasant and unforgettable hilarious in another way
[1:00:18] oh it's really funny scary and gross so if you want to have a real nightmare of
[1:00:24] an experience watch racer head and the most recent Criterion DVD release has a
[1:00:31] bunch of short David Lynch films I have not been able to watch all of them yet
[1:00:36] mostly because the granny is like half an hour long which to me is pretty long
[1:00:41] well the granny but or the grandmother I think it's but that's the length of a
[1:00:47] television show I know I just haven't had time let me half-hour shows do watch
[1:00:51] the I was watching it on the same I was trying to watch on the same night I
[1:00:53] watched racer head so I didn't I could not get well that's a fool's errand but
[1:00:57] um I did watch the alphabet was a great five-minute short that's creepy and
[1:01:07] inexplicable it's also a great way to form words yeah you know for
[1:01:11] communication whether speaking or writing yeah and the alphabet tried
[1:01:15] today for math I recommend numbers oh yeah you can't go wrong that's your top
[1:01:20] choice recommending the TV show numbers numb the three years murder by numbers
[1:01:27] with Sandra Bullock or just the police song murder by numbers yeah that was
[1:01:33] based on that was it's weird that that police department decided to release an
[1:01:37] album but I guess after Ferguson they had to do something to get their
[1:01:41] popularity back so a racer head okay erase her head what's she gonna eat with
[1:01:50] this is my secret message to kill somebody erase her head you know I'm
[1:01:56] talking about Barry wink wink Barry wink wink baby Barry wink wink one of the
[1:02:10] top babies in the country but anyway you're saying Stuart you had a movie to
[1:02:13] recommend so I'm gonna recommend the movie I'm gonna recommend a movie called
[1:02:16] witching and bitching I think that's the English title the Spanish title is
[1:02:23] I believe los brujas day is a guru Mooney I'm gonna fuck this shit up you
[1:02:29] already did so this is a this is a the most recent movie by Spanish director
[1:02:34] Alex de la Iglesia I've had the glacier yep I've seen a couple of this guy's
[1:02:43] movies but I I'm not a big crazy fan he's one of the Spanish directors from
[1:02:51] the same school as in your ritu and quad on and my brain is totally so long takes
[1:03:01] but he's uh he's made a lot of movies he made his early he got a fair amount of
[1:03:10] notoriety for movies his debut axiom utante and the day of the beast and then
[1:03:16] kind of more recently I saw 800 bullets which was quite good and his movies are
[1:03:22] and witching and bitching is similar to a lot of his movies and that it's it
[1:03:27] manages to balance the intended tone of the movie in this case kind of like a
[1:03:32] horror movie with a lot of silliness the plot is a couple of guys a couple of
[1:03:39] desperate guys steal jewelry from a pawn shop and in their escape attempt
[1:03:45] they end up in a famous witch town in Spain near the border of France and of
[1:03:54] course they run afoul of a coven of cannibal witches and they there's some
[1:04:02] obvious horror beats that come up and they get wrapped up in this big they get
[1:04:07] wrapped up in and the detectives that are following them get wrapped up in a
[1:04:11] big ritual to find some chosen one but it manages to be a fairly effective
[1:04:18] horror comedy and it there the conclusion ends up running a little bit
[1:04:25] long and not every single beat hits but it manages to be charming enough that it
[1:04:30] works and of course like like a lot of his other movies it manages to feature a
[1:04:36] conclusion where both like the the villains have lost and the good guys
[1:04:41] have won but they're all kind of happy at the end and it has a very it has a
[1:04:46] very jovial tone so yeah yeah check it out
[1:04:52] all right guys interrupt me at all we were both riveted both riveted by it
[1:04:58] riveted with exhaustion that too and very tired and yet somehow I seem to
[1:05:03] find energy to interrupt Dan I don't know what it is yeah it's weird it's
[1:05:07] like you know like if a car was on your child you'd have the strength to lift it
[1:05:11] up you've got ever joke about that boy is a treasure and to joy yeah you can
[1:05:17] threatening him what like the tire is on him or like you see any part of the car
[1:05:22] it's crushing him no okay like it's just kind of touching him he's in a car
[1:05:29] crawl under the car maybe go get him yeah like a baby's day out officers we
[1:05:38] got a classic baby's day out scenario there's a baby on the loose he's
[1:05:42] causing hijinks almost getting hurt but then not yeah he's like a real mr.
[1:05:47] magoo of babies I said I'd never deal with something like this since the
[1:05:50] jungle to jungle scandal all right well thank you for listening yet again who
[1:05:58] knows why you keep tuning in but we appreciate certainly don't for the flop
[1:06:03] out 300 rise of Empire rise of an Empire rise of the Empire back I've been Dan
[1:06:14] McCoy you I am Stuart Wellington and I will always be Elliot Kalin to my
[1:06:21] eternal shame never forget it hi and Lois hi hi and Lois oh yeah Trixie is
[1:06:37] sitting in the Sunbeam I am Lois because people wanted to know what's
[1:06:43] beetle Bailey is a sister up to I forgot that was a spinoff yeah wait which one
[1:06:49] was beetle Bailey's sister Lois Lois okay is high a person high is the
[1:06:56] husband yeah okay it's like short for Highland or something is there is there
[1:07:01] a high and low is where they get a letter about beetle Bailey being killed
[1:07:05] in the war yes there is still alive he the Bailey's
[1:07:10] serves at Camp Swampy which is back on American soil no no no no all those
[1:07:15] stories are from before he shipped off and died okay yeah I thought he got
[1:07:19] killed from friendly fire in Camp Swampy no because he couldn't peel potatoes
[1:07:23] fast enough the general general half-track was too busy chasing miss
[1:07:28] Buxley around the desk and his gun went off and shot beetle Bailey through a
[1:07:31] window it was actually Sarge's dog who did it he was killed for treason he was
[1:07:42] stealing secrets for the Chinese actually much like Jacob's Ladder all
[1:07:47] the beetle Bailey comes trip is happening in beetle Bailey's mind in
[1:07:50] the moment he's killed it's like an incident in Isle Creek Bridge exactly
[1:07:53] yeah

Description

Thus  we enter November, the month known for having "No" theme. And, appropriately, we watched one of the most generic of modern action sequels, 300: Rise of an Empire. Meanwhile, Elliott lectures on Noid avoidance, Dan makes a public apology relating to one type of music and attacks another, and Stu makes an exciting announcement for enjoyers of comical books.

Happy MaxFunDrive! Right now is the best time to start a membership to support your favorite shows. Learn more and join at https://maximumfun.org/joinflop