main Episode #243 Feb 6, 2016 01:26:15
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Elliott Kalan
[0:00] On this episode, we discuss Seventh Son.
[0:03] Dan, I didn't see Sons 1 through 6.
[0:05] Will I understand what happens in the movie?
[0:07] You will not.
[0:09] Son 5's the best.
[0:30] Hey everyone, and welcome to the Flophouse.
Dan McCoy
[0:39] I'm Dan McCoy.
[0:40] And I'm Stuart Wellington.
Elliott Kalan
[0:42] Trademark sound effect.
[0:43] I'm Elliot Kalin.
Dan McCoy
[0:45] We're all here together.
[0:47] It's been a little while.
[0:48] It's been like two weeks.
[0:50] I don't know.
[0:51] Same amount of time between the and I.
[0:52] You know why it feels like it's been a long time?
[0:54] Because you're drunk.
[0:56] Well, possibly.
[0:57] But we did those two live shows, and then we did an episode right afterwards.
[1:01] And I got used to having you pals around me all the time.
[1:04] Oh, yeah.
[1:04] That's nice.
Stuart Wellington
[1:05] Yeah, you know, even though I'm kind of under the weather.
[1:09] I have two, man.
[1:09] Yeah, we got...
[1:10] Hey, up top.
[1:12] No, no.
[1:12] Under.
[1:12] Down below.
[1:14] But when you guys called me up today to say, hey, do I want to come back and podcast?
[1:19] I'm like, fuck it, man.
[1:20] Let's do this.
Elliott Kalan
[1:21] Well, what happens is we put up...
Stuart Wellington
[1:23] I'm trying to build this kind of story around it.
Elliott Kalan
[1:25] We put up the stew signal, which is a big silhouette of a can of beer with Angus Scrimm, you know,
[1:31] pouring it.
[1:32] It's a pretty elaborate silhouette.
Dan McCoy
[1:35] Oh, and he's also...
[1:36] I'm amazed at...
[1:36] And also he's ripping his own ding dong off.
[1:38] It's all silhouette.
[1:39] When we project that onto clouds, I'm amazed that it still reads.
Elliott Kalan
[1:43] It had to be a very cloudy night.
[1:45] Yeah.
[1:46] Then we set out the beer and open it and the smell carries stew over.
Dan McCoy
[1:52] Yeah.
[1:52] I set out the beer and we put a box with a stick propping that box up.
Stuart Wellington
[1:58] And I floated along the smell waves like Monterey Jack.
[2:01] That's right.
[2:03] And the cheese character.
[2:05] He's named after the object of his desires.
[2:07] The cheese character.
Elliott Kalan
[2:09] He's a mouse.
Stuart Wellington
[2:11] From Disney's Rescue Rangers.
[2:12] No, but it's crazy that he's called Monterey Jack since he just wants to eat cheese all
[2:16] the time.
[2:17] Like, they don't call you Chicken Kalen.
Elliott Kalan
[2:20] Maybe they should.
[2:21] Okay.
[2:22] No, every time someone calls me Chicken, I have to fight them in a drag race.
[2:25] Yeah.
[2:25] Just like my grandfather and my great-grandfather.
[2:28] Eventually you'll learn.
Dan McCoy
[2:29] But only after some adventures of the past.
Elliott Kalan
[2:32] Yeah.
[2:32] And the future.
[2:34] Anyway, Biff stole a sports almanac.
[2:37] Do I care about that?
[2:38] Because I don't really care about sports.
[2:41] It was a Oscars predictions.
Dan McCoy
[2:44] We've got to go back and stop him.
[2:47] So, for this show, we watched...
Elliott Kalan
[2:49] Wait, so what do we do on this show normally for the newbies?
Dan McCoy
[2:52] For the newbos, we watch a bad movie.
[2:56] Sounds like a racial slur, but it's not.
[2:59] That's our M.O., Bodus Operandi.
[3:04] That's our monster opera.
[3:07] So, for this episode...
[3:08] That's our Mamie Ozenhauer.
[3:11] Our Mr. Octopus.
[3:14] Yep.
Stuart Wellington
[3:15] Our Malted Ocelot.
[3:19] Mo Money starring Damon Wayans.
Dan McCoy
[3:21] No.
[3:23] Stacey Dash.
[3:24] No.
[3:28] So, we watched a movie tonight called...
[3:32] Stretch it out.
[3:33] We've got to fill the time.
[3:36] Seventh Son.
[3:37] Seventh Son.
[3:37] It starred Jeff Bridges and some guy.
[3:41] Some guy.
[3:42] And a...
[3:42] Generic guy.
[3:43] And a guy.
[3:46] Andrew Guy.
Stuart Wellington
[3:47] Julianne Moore.
[3:48] Plays a morphing, bedreadlocked dragon lady.
[3:51] Dragon Queen, witch.
Elliott Kalan
[3:52] And Kit Harington.
[3:54] Is in it.
[3:55] And ex-macamah herself.
[3:56] It's killed very early.
[3:56] Robo Girl.
Dan McCoy
[3:57] Yeah, Robo Girl's in it, too.
[3:58] What's her name?
[3:59] Alicia Vikander.
[4:01] Yep.
Elliott Kalan
[4:02] And Olivia Williams is in it.
[4:03] Yeah, that's right.
[4:04] And in the role of guy who's in science fiction and fantasy movies, Jimon Honsu.
[4:08] Yeah.
[4:09] Yeah.
[4:10] Now, here's something I'm going to say about this movie before we get into the plot.
[4:14] When I saw that star Jeff Bridges and some dude, I assumed Jeff Bridges would be in like
[4:19] the first 15 minutes.
[4:21] Yeah.
[4:21] Die.
[4:21] Like a cash grab.
Dan McCoy
[4:22] Yeah.
[4:22] Like an outcast.
[4:24] He's going to be a whole Nicolas Cage outcast situation.
[4:26] Yeah.
Elliott Kalan
[4:26] Like he'd be in the beginning and then get kidnapped or something.
[4:28] And then show up maybe 10, 15 minutes before the ending.
[4:32] No.
[4:32] You get Jeff Bridges all through this film.
Dan McCoy
[4:34] Yeah.
[4:34] This is...
[4:35] Yeah.
[4:35] If anything, it's Jeff Bridges' vehicle.
[4:37] Yeah.
[4:37] Jeff Bridges is the star.
[4:38] Except for like the love scenes.
[4:39] And those should have been for Jeff Bridges.
Stuart Wellington
[4:41] I agree with you.
[4:42] But yeah.
[4:43] Except for those, you got him like mugging about the whole movie, man.
[4:47] Yeah.
Elliott Kalan
[4:47] With his...
[4:48] Mugging about.
[4:49] With his Volstagg, the fluminous beard, and his just general thick, weird accent that
[4:54] he can't quite understand.
Dan McCoy
[4:55] This is a post...
[4:56] Apocalyptic.
[4:58] Post...
[4:58] True grit Jeff Bridges where he seems to think that acting means just a real incomprehensible
[5:05] voice.
Stuart Wellington
[5:05] Do you think it's him or do you think that's the directors now are like, no, do that true
[5:10] grit thing.
[5:11] Yeah.
[5:11] Maybe.
[5:11] I mean, he sounds...
[5:12] He's like, I was planning on talking like this the whole time.
Elliott Kalan
[5:14] I was going to enunciate all my lines ultra clearly.
[5:20] The witches are a powerful force.
[5:23] A proper cup of coffee from a proper copper coffee pot.
[5:28] I am a drunken witch finder.
[5:32] Let us go burn the witches.
Stuart Wellington
[5:34] You're getting into Queen Amidala territory.
Elliott Kalan
[5:37] I will not watch my people suffer.
[5:40] You're getting into like Liam Neeson character.
[5:42] This is how democracy dies.
[5:45] Liam Neeson?
[5:47] Yeah.
Dan McCoy
[5:47] Sounds like a sign that is just repeating.
[5:50] That was a bit on Jordan Jesse Goh where Jordan was always talking about how when Liam Neeson
[5:54] played an American, he would overenunciate.
[5:57] Oh, well that's...
[5:57] I have a very particular set of skills.
Elliott Kalan
[6:00] When you see, when you watch old Monty Python episodes, whenever they do an American voice,
[6:04] they do that too.
[6:04] Like to an Englishman or whatever, is Liam Neeson's what?
[6:07] Irish, I guess?
[6:08] Mm-hmm.
[6:09] To people from the UK, Americans are people who overenunciate the R's at the end of words.
[6:15] So in Monty Python, they'd be like, well, over here, I'm going to show you the thing because
[6:23] I'm from America.
[6:24] That's like, is that what we sound like?
[6:27] Oh, horrible.
[6:27] It's weird that they put an R in a word that doesn't even have it.
[6:30] I mean, some people do.
[6:31] That's the...
[6:32] Yeah.
[6:32] Yeah.
[6:33] Pennsylvaniaans.
[6:33] Looks more like snow than snow.
[6:35] You know, tell me, what do you think about my idea?
[6:38] Maybe it stinks.
[6:39] You know, these are real lines from Monty Python and the Sketches.
[6:41] So Seventh Son.
[6:43] Okay.
[6:44] Smash cut.
[6:44] Smash cut to the movie we watched.
[6:47] It's set in a...
[6:48] Legendary logo.
[6:50] It is...
[6:51] Moving on.
[6:54] Now, this is the pre-purchasing of Legendary Pictures by a Chinese media conglomerate.
[6:58] Okay.
[6:58] So this is a totally Western civilization film.
Stuart Wellington
[7:02] Yeah.
[7:03] Although, I would say that it had a pretty nice variety of ethnicities represented in this
[7:10] movie.
[7:10] You got dragons.
[7:11] You got non-dragons.
[7:12] That's right.
[7:13] I mean, all the non-white people were villains?
[7:16] Not necessarily.
[7:17] What about that...
[7:17] What about Tusk?
[7:19] What about the...
[7:19] The mammoth man?
[7:20] What about...
[7:21] We'll get to Tusk in a second.
[7:22] What about the guy whose boat that they jump on and then gets capsized?
[7:26] You're right.
[7:26] You're right.
[7:26] That is a guy who's in for a second.
[7:28] He assumed drowned.
[7:29] I assume he survived and is now thriving with his wife and, I don't know, 17 children.
[7:34] How many kids do people have in this universe?
Elliott Kalan
[7:36] Well, at least seven if you're the seventh son of a seventh son.
Stuart Wellington
[7:39] Yeah, and that's average, I guess.
Elliott Kalan
[7:40] Now, that was...
[7:41] He's like, did you only have seven children?
[7:44] Because that's very small in this time.
[7:46] So, it's in some kind of made-up bullshit fantasy medieval time.
[7:50] Yeah.
[7:50] That could have used a map.
[7:52] Stuart would have really liked a map.
[7:54] I was okay without a map.
Stuart Wellington
[7:55] At least put it on the back of the DVD box.
[7:58] So I know what I'm getting into.
Dan McCoy
[7:59] With a bunch of little triangles that say that they're mountains, man.
Stuart Wellington
[8:03] Yeah, I need to...
[8:03] If there's a marsh, I gotta know what I'm gonna have to pack before I get into this movie.
Dan McCoy
[8:07] I don't think you know how movies work.
Elliott Kalan
[8:10] I went to see that movie, The Martian.
[8:12] It was very expensive to build my own space suit.
[8:15] And all the marshes.
[8:18] Again.
[8:19] It's about a guy who lives in a marsh.
[8:20] We lost Matt Damon in a marsh.
[8:22] He's in a bog somewhere.
Dan McCoy
[8:24] Stuart, when he goes through...
[8:26] Hanging out with my pal John Carter.
[8:29] He's like, I'm gonna go Martian this weekend.
[8:32] I don't even know if that's a thing.
[8:34] I've never heard anyone say that.
Stuart Wellington
[8:36] Where you go out into a field with a couple of buckets filled with mosquito eggs.
[8:40] Okay.
[8:40] Okay, follow me.
[8:42] Mosquito eggs.
[8:42] What do you do with them?
[8:44] Well, you gotta wear a diaper.
[8:47] That's number one.
[8:48] I have more questions now.
[8:50] And a big floppy hat.
[8:52] Everything else is totally optional.
Elliott Kalan
[8:54] Okay, I don't know what everything else, what.
[8:57] You mean clothes?
[8:58] Or do you mean like a beach ball?
Stuart Wellington
[9:00] Have you been bathing?
[9:01] It means activities.
Dan McCoy
[9:03] Yeah, because if you've been bathing...
[9:04] You don't have to do the salsa dancing.
[9:05] That's enough.
Stuart Wellington
[9:07] That's certainly optional.
[9:08] Look, you can balance...
[9:08] Otherwise, they force you to do it with other couples, and you're like, this is weird.
Elliott Kalan
[9:12] This is not what I wanted or signed up for.
[9:14] I'm wearing a floppy hat.
[9:15] I'm not good at this part.
[9:18] So if you've been bathing, you need to cut that out.
[9:20] We're not gonna have to play that game where we move an orange from one of our necks to another person's neck.
[9:24] Are we?
[9:24] I don't want to do that.
Stuart Wellington
[9:25] Or burst a balloon on somebody's lap.
Elliott Kalan
[9:27] Yeah.
[9:28] I don't like resort games is what it comes down to.
[9:30] Why not?
[9:31] I'm on vacation.
[9:32] Just let me do what I want to do.
Stuart Wellington
[9:33] And what you want to do is not...
[9:35] Just sit in a chair.
[9:35] Yeah, kind of.
[9:36] Like, inflate a balloon with your lover and awkwardly pop it in front of a crowd of other people that you've never...
[9:41] Exactly.
[9:42] One thing I do is I call her my wife, not my lover.
Elliott Kalan
[9:45] That's weird.
[9:45] You're on a fucking cruise for lovers.
[9:47] Come on, man.
[9:48] Just look, when we booked this trip to Temptation Island, I assumed it was named after St. Temptatious because it had been settled by the Portuguese in the 16th century.
[9:58] I didn't realize that it was an island for people to bring their mistresses and lovers.
Stuart Wellington
[10:02] Yeah, because it's like you and your wife and then a whole bunch of models and you're like...
[10:07] Yeah, and Joan Severance.
[10:08] And Joan Severance, of course.
[10:09] And Billy Zane is the narrator, I would imagine.
[10:12] Yeah.
[10:12] Probably.
Elliott Kalan
[10:13] I don't see how he couldn't be.
Dan McCoy
[10:15] Joan Severance, the black scorpion.
[10:17] David Duchovny is reading a letter about it.
[10:19] They got sent to him.
Elliott Kalan
[10:20] Do you think Joan Severance was ever fired from someplace?
[10:23] And they were like, yeah, here's your severance package.
Dan McCoy
[10:26] She's like, hilarious.
[10:27] Just give me the fucking money.
[10:29] Who's sending all those letters to David Duchovny, by the way?
[10:32] The people who wrote them.
Elliott Kalan
[10:33] Yeah, but how are they going to do this?
[10:34] Who sends us our letters?
[10:36] Oh, well, he...
[10:37] In newspapers across the country, he just advertises in a little box, have sex?
[10:40] Send me a letter about it.
[10:42] To David Duchovny, care of Red Shoe Factory, you know.
[10:47] Yeah.
[10:48] Care of, guy who reads sex letters next to his dog.
Stuart Wellington
[10:52] I thought he was always like walking the streets in like a coat, like a slicker.
Elliott Kalan
[10:57] Often.
[10:57] I mean, it was different than in...
[10:59] What was that show where it always opened with a woman?
Dan McCoy
[11:02] Taxicab Confessions.
[11:03] No.
[11:03] Self-stalkings.
[11:04] No.
[11:04] It was a...
[11:05] Hot Lime something?
[11:06] No.
Elliott Kalan
[11:07] It was one of these Cinemax shows where it always opened with a woman like...
[11:09] Cash cab.
[11:10] Taking a shower or sunbathing nude, and then she'd get a letter and read it, and then that
[11:14] was the story for the episode.
[11:15] And that, I always wondered why.
[11:17] So is she just some kind of like sex collector who like just is nude all the time and collects
[11:21] people's sex stories?
Dan McCoy
[11:22] I like to think of that like sex chain letters where it's like, break the chain of this letter
Elliott Kalan
[11:28] and you will have...
[11:29] Seven years bad luck.
[11:30] A friend of mine's cousin broke this chain and had sex and then had to describe it in
[11:36] a letter.
[11:37] Oh, so it's a punishment.
[11:38] Yeah.
[11:39] Okay.
[11:39] Dear Penthouse Forum, I never thought this would happen to me, but I had bad luck.
[11:43] Don't break this chain.
[11:45] Mm-hmm.
[11:46] Here's a letter about it.
[11:48] Dear David Duchovny.
[11:49] So Seventh Son.
[11:50] House of D, what was that all about?
[11:52] Love, Red Shoe Diaries.
[11:53] Was that before or after playing God?
Stuart Wellington
[11:56] It was after, I believe.
[11:57] Because playing God was the moment when I was like, ooh, this David Duchovny guy is
[12:00] not as great as I thought he was.
[12:01] Playing God was his attempt at feature film stardom, yeah.
Dan McCoy
[12:05] Dear David Duchovny, why are you spelling California with a K?
[12:08] Love me.
[12:09] But then he changes it back.
[12:11] Love me.
[12:13] David Duchovny, why won't you love me?
[12:16] That's a song.
[12:18] That's the song?
[12:19] Yeah, that was a song.
[12:20] That had those lyrics.
[12:21] Okay.
[12:23] Back in the height of David Duchovny mania.
Elliott Kalan
[12:25] Remember when that swept the nation?
[12:27] Yeah, Duchovny fever.
[12:28] Catch it.
[12:29] Everyone was coming down with a case of.
Stuart Wellington
[12:31] Who sang it like the Moody Blues or somebody?
[12:33] That's right.
[12:34] Yeah, the Moody Blues.
Elliott Kalan
[12:36] David Duchovny.
[12:38] That's why they were so moody.
Dan McCoy
[12:40] Yeah.
[12:40] They were upset that David Duchovny was not.
Elliott Kalan
[12:42] Silken and brass.
[12:44] Yep.
[12:45] Sunday nights on the X-Files.
[12:48] Yep.
Stuart Wellington
[12:49] Fox Mulder, A Night in White Satin.
[12:52] A Night in a Trenchcoat with a big heavy flashlight.
Dan McCoy
[12:54] We really have not talked about the movie at all.
Elliott Kalan
[12:56] Now, what if there's that opening in the X-Files where they walked in with huge flashlights in their hands?
[13:00] Yeah.
[13:01] What if they misplaced them and they had used flashlights?
[13:04] I think it'd go a little something like this.
[13:06] These don't provide light.
[13:08] I can't see anything.
Stuart Wellington
[13:09] Wait, is this...
[13:10] Are you just pitching like Red Shoe Diaries?
Elliott Kalan
[13:12] This is from my pornographic sketch comedy show.
[13:17] It's called the XXX Files.
[13:19] It's super easy to do.
[13:20] I'm pitching it to...
Dan McCoy
[13:21] It's your pornographic 90s sketch comedy show.
Elliott Kalan
[13:24] We only do porno parodies of 90s stuff.
[13:26] It's for FXXX, the new spinoff of FXX.
Stuart Wellington
[13:30] It's all porn, but it's mostly Simpsons reruns.
[13:33] And wait, what would be your porn parody for Married with Children?
Elliott Kalan
[13:37] It would be called Married Having Sex with the Children.
[13:40] Oh, no, that's terrible sounding.
[13:42] Okay.
[13:42] Well, what about a Frasier parody called Fucker?
Dan McCoy
[13:46] It's called Toss Salad and Toss Salad.
Elliott Kalan
[13:51] What would your Millennium parody be?
[13:53] It would be called Milena Butt.
[13:56] Okay, Lone Gunman?
[13:58] Lone Gunman would be called Bone Gunman.
[13:59] Okay, that makes sense.
[14:01] Now, on Millennium, it would be...
[14:04] It would still be Lance Erikson.
[14:06] What about a Harsh Realm?
[14:08] He'd be like, women find me irresistible.
[14:10] It's my gift and my curse.
Dan McCoy
[14:12] Harsh Realm would be called Harsh Sex.
Elliott Kalan
[14:16] Okay.
[14:17] It is not for me.
[14:18] That is too rough for me.
[14:19] I don't like it.
[14:20] But hey, look, I'm just the president of the network.
[14:22] I don't have to like everything.
[14:23] Yeah, you don't have to like everything.
[14:23] We're programming for a wide spectrum of viewers, you know?
[14:26] There's no judgments here.
[14:27] Now, Viper, what would be the porn parody of that?
[14:30] That's the thing.
[14:32] It's like a fancy car you have sex with?
[14:34] That makes sense.
[14:34] Well, we have a lot of time on this podcast,
[14:36] so let's just explore all these different things.
[14:38] What about space above and beyond?
[14:39] Let's just keep you happy.
[14:40] Yep.
[14:41] So, Seventh Son.
[14:42] So, it's a fantasy era.
[14:44] And there's a witch dragon woman played by Julianne Moore named Mother Malkin.
Stuart Wellington
[14:50] Instead of Sequest, it'll be Seabrest.
Elliott Kalan
[14:54] You know what?
[14:55] I think keep working on it.
[14:56] There's potentially a D of a Sequest thing.
[14:59] Yeah.
[14:59] Because I can totally see a scene where someone has sex with a dolphin.
[15:02] Yeah.
[15:02] But let's keep working on the title.
Dan McCoy
[15:05] I mean, Seaman's right there.
[15:07] So, if you could work with that.
Elliott Kalan
[15:09] Yeah, Seaman Quest would be better.
[15:11] But instead of Sequest DSV, it's Seaman Quest DP, I guess.
Stuart Wellington
[15:16] Yeah.
[15:16] I mean, I guess it does keep the quest part as the important part, right?
[15:19] You want to...
[15:20] Yeah.
Elliott Kalan
[15:20] Well, we're not going to be able to book Questlove to be in it if we don't have Quest in the title.
[15:23] That's true.
[15:25] So, Seventh Son.
[15:26] Seventh Son.
[15:27] I get...
[15:27] Look, here's the thing.
[15:28] I'm just going to come out and say it.
[15:29] I have less to say about this movie than I normally would because I had a lot of fun watching it.
[15:35] Yeah.
[15:35] Oh.
[15:36] So, let's talk about what it was about.
[15:37] Let's...
Dan McCoy
[15:38] I mean, yeah.
[15:39] For once, let's go through the synopsis really fast, maybe.
Elliott Kalan
[15:42] There's a witch dragon lady named Mother Malkin, played by Julianne Moore, and a witch hunter named a spook in a term I did not feel comfortable with every time someone said it on screen.
Dan McCoy
[15:52] Yeah, it's very...
Elliott Kalan
[15:54] There's a lot of white faces saying that.
[15:56] And so, there's a witch hunter.
[15:58] Let's just call him a witch hunter.
[15:59] There's a witch hunter who has imprisoned her.
Stuart Wellington
[16:00] He's not the...
[16:01] Well, he's not the last witch hunter.
[16:03] He is the last witch hunter.
[16:04] But that's IP protected.
Elliott Kalan
[16:07] He's the penultimate witch hunter.
[16:09] Yeah.
[16:10] He can...
[16:11] He imprisoned her, but the rise of the next blood moon, which happens one every hundred years...
[16:15] Moon blood good.
[16:16] The rise of moon blood good.
[16:17] That is money on the floor.
Stuart Wellington
[16:19] Why didn't they put moon blood good in this movie?
[16:21] I don't know.
[16:21] I don't know.
[16:22] They're always talking about blood moons.
[16:24] Now...
[16:24] She's the world's only werewolf actress.
Elliott Kalan
[16:26] Moon blood good.
[16:29] Actress.
[16:31] Boy, she's whack.
Dan McCoy
[16:32] I'll keep workshopping that.
[16:33] You know what?
Elliott Kalan
[16:34] You keep working on seabreasts.
[16:35] I got this whiteboard over here.
[16:36] I'm just writing down words.
[16:37] So, this witch hunter has imprisoned her.
[16:39] She escapes.
[16:41] The witch hunter is played by Jeffrey...
[16:42] Jeffrey Daniels.
[16:44] Jeffrey Tamar.
[16:44] By Jeff Bridges.
[16:47] He's played by Jeffrey Bridges.
[16:48] You may remember from The Last Picture Show.
[16:51] Sure.
[16:51] And maybe Fat City.
[16:53] And what has he done since then?
[16:54] Not that much.
[16:55] No, that's right.
[16:56] But he's kind of playing Rooster Cogburn slash big dude Lebowski as a witch hunter.
[17:01] He's always drinking.
[17:02] He's a great fighter, but he's like...
Dan McCoy
[17:04] Everything he says is kind of like this, but it's more British.
Elliott Kalan
[17:09] And it's a little more Bain-y.
[17:11] Yep.
[17:12] We'll have to fight a dragon, Batman.
[17:14] Mr. Wayne, the Blood Moon.
[17:17] So, he's hard to understand at times, but he's got so much charisma.
[17:20] Yeah.
[17:21] And he is, aside from his accent being thick, he is putting a lot of energy into this.
[17:25] Like...
[17:25] He seems to have a lot of fun.
[17:27] Yeah.
[17:27] He is not walking through this role.
[17:29] I mean, come on.
Dan McCoy
[17:30] Like, if you were a guy, and you are a guy.
[17:34] Okay.
[17:34] You got me.
[17:35] I'm with you on this one.
[17:36] Okay.
[17:36] Hold on.
Elliott Kalan
[17:37] Okay, there.
[17:38] I got it.
[17:38] Imagine you're a guy.
[17:39] Okay.
Stuart Wellington
[17:39] I bought a ticket for this ride.
[17:40] I want to see the rest of it.
Elliott Kalan
[17:41] I mean, I did a several minute bit where I was talking about porn parodies of 90 shows,
[17:44] so I'm pretty sure I'm a guy.
[17:46] You've lived a full life.
[17:48] Nope.
[17:48] Just a young man.
Dan McCoy
[17:50] But you've never gotten to wield a sword and fight witches.
[17:55] Once you get that chance, you're going to put your whole heart and soul into that.
[17:59] Who knew it?
[17:59] But like, if you're going to be like a dragon fighter, you're going to be like, fuck yeah,
[18:03] I'm just going to put on a crazy voice, and I'm going to put my whole heart into this thing.
Elliott Kalan
[18:08] There's a scene in it where Jeff Bridges is with his apprentice, and they've just beaten up a witch.
[18:15] He's really a warlock.
[18:16] A warlock who can turn into a mean demon bear.
[18:19] Copyright Marvel Comics, I guess, the demon bear.
[18:21] And he's like, we have to light him on fire and burn him alive to kill him.
[18:25] And the guy's like, I can't do it.
[18:26] I'm not like you.
[18:28] And Jeff Bridges goes, not yet.
[18:29] And then lights the witch on fire and turns around and goes, but you will be.
Dan McCoy
[18:34] And there's this.
[18:34] He might as well just like cackle at that point.
[18:36] He might as well just be like.
Elliott Kalan
[18:37] There's this look in his eyes of just such total happiness.
[18:41] Like, I can't believe I get to say this shit.
[18:44] And I swear there was one part where he complains about, he's talking about witches,
[18:47] and then he's just walking away and goes, fucking witches.
[18:50] Like, he's totally into this part.
[18:52] And Julianne is more interested than I would think she would be.
Stuart Wellington
[18:56] Is that a great scene where she offers Alicia Vikander a blood cake?
[19:00] And it's got a bunch of worms crawling in it?
[19:01] Oh, man, that's hilarious.
[19:02] And then she delivers a monologue about the blood moon and all that stuff.
Elliott Kalan
[19:05] Yeah, who knows?
[19:05] That stuff's not so interesting.
[19:07] But so he and his apprentice, Kit Harington, who you may know as Jon Snow from the hit TV
[19:13] show Game of Bones on my channel.
Stuart Wellington
[19:16] What was he in that Pompeii movie we watched?
[19:20] It was called Pompeii.
[19:22] He was Pompeii.
Elliott Kalan
[19:24] It was called Pompeii Iron.
[19:25] It was called Pompeii, and it was about John Wayne's sidekick from the man who shot Liberty
[19:29] Valance, played by Woody Strode, right?
[19:31] That was Woody Strode in that role, wasn't it?
[19:32] Yeah, I think so.
[19:33] Anyway, they track down Mother Malkin, the evil witch dragon.
[19:38] But, uh-oh, she manages to kill Kit Harington, thus depriving...
Dan McCoy
[19:43] Kit Harington, girl detective, is dead.
Elliott Kalan
[19:46] Depriving Jeff Bridges of his apprentice.
[19:48] And so he goes to find a seventh son of a seventh son.
[19:51] Now, I was always under the understanding that in Legends, the seventh son of a seventh son
[19:55] was a wizard.
[19:56] But here the implication is that the seventh of a seventh is kind of super strong and
[20:00] super tough and has some kind of magical destiny.
[20:03] He's just a real cool dude.
[20:04] Just a super cool dude.
[20:06] Just a great guy.
[20:07] A real Destiny's Child.
[20:08] A real...
Dan McCoy
[20:09] A real Lisa Left Eye Lopez.
[20:12] A real TLC.
Elliott Kalan
[20:15] I don't care.
[20:16] A real En Vogue.
[20:18] In that you're never gonna get it, never gonna get it, never gonna get it, never gonna get
[20:22] it.
[20:22] What are you never gonna get, Dan?
[20:24] Uh...
[20:25] Salt or pepper?
[20:26] The correct answer was my lovin'.
[20:28] Oh, okay.
[20:29] Now, he goes to this farm...
[20:31] Wait, hold on.
Dan McCoy
[20:32] I'm never gonna get your lovin'?
Elliott Kalan
[20:33] No, you'll get it.
[20:35] Oh.
[20:35] Yeah.
[20:36] But you gotta work harder for it.
[20:37] Okay.
[20:38] Free your mind and the rest will follow, Dan.
Stuart Wellington
[20:40] Man, you know a lot of En Vogue songs.
[20:41] Color Fly.
[20:41] I know two En Vogue songs.
[20:43] Don't be so shallow.
Elliott Kalan
[20:44] I know exactly the same number of En Vogue songs as the number of Blues Traveler songs
[20:48] I know.
[20:48] Oh, okay.
[20:49] Which is that one about Don't Give Me the Runaround and the one about The Hook Brings You Back.
Dan McCoy
[20:54] All right.
[20:54] Oh, yeah.
[20:55] Those are different songs.
[20:56] Did he sing...
[20:57] I know that might be the same song, but that's just because Blues Traveler songs have the
[21:00] same...
Stuart Wellington
[21:00] Did the Blues Traveler sing those songs when he traveled into the movie King King?
[21:03] The Blues Traveler.
Elliott Kalan
[21:04] The Blues...
[21:06] Legend tells of the Blues Traveler.
[21:07] Legend tells of a Blues Traveler.
[21:09] Who rides the rails.
[21:11] And you can still hear him saying, I'm blue.
[21:14] Da-boo-dee, da-boo-die.
[21:15] Da-boo-dee, da-boo-die.
[21:18] Da-boo-dee, da-boo-die.
[21:19] Da-boo-die, da-boo-die.
[21:19] Da-boo-die, da-boo-die.
[21:20] Da-boo-die, da-boo-die.
[21:20] Da-boo-die, da-boo-die.
[21:22] The weird thing about summoning the I'm blue guy is you don't even have to say it.
[21:25] Yep.
[21:26] It just appears.
[21:28] He's like Mr. Mixipidlic that way.
[21:30] Anyway, back to Seventh Son.
[21:32] He goes to a farm where Olivia Williams is the mom, and she has a son who is the seventh
[21:36] son of a seventh son who is busy tending the pigs, but he has dreams.
[21:40] Luke Skywalker on Tatooine-style dreams of something bigger.
[21:44] Dreams are getting some power converters.
[21:45] Jeff Bridges comes by.
Stuart Wellington
[21:46] Now, already they've kind of established a little more color in this movie than most
[21:51] of the grim fantasy adventures we've watched.
[21:54] The grim fandangos we're used to.
[21:55] Yep.
[21:56] Was that on black and white?
[21:58] The salmon axis in color.
[21:59] Hit the roads.
Elliott Kalan
[22:00] Yep, the full throttle.
[22:03] The maniac's mansion.
[22:07] So, yeah, there was already like, it felt like people were just-
[22:11] Day of the tentacle.
[22:12] There you go.
[22:13] It felt like people were just putting more effort into this than they really needed to
[22:18] because it's a pretty generic fantasy movie, but like the performers are a little bit
[22:23] better.
[22:23] There's just like that much more of a feeling of energy and like design to things.
[22:28] I'd say for the most part the effects are better.
[22:30] It's not all desaturated.
[22:30] Yeah.
[22:31] Or at least they're interesting to look at.
[22:33] Yeah.
[22:33] And there's literally, like you're saying, there's literally color on screen.
[22:36] Like people wear the colors blue and red and yellow in their clothes.
[22:39] It's not just all dark greens and dark browns and like mush.
Dan McCoy
[22:42] The editing is not hyperkinetic.
[22:46] You can see what's happening most of the time.
[22:48] Mm-hmm.
[22:49] Like there's a basic level of filmmaking skill, let's say, on display in this movie.
Elliott Kalan
[22:54] Now, so Jeff Bridges picks up this kid, who's not really a kid.
[22:58] He's like 20 or something.
[22:59] Yeah.
[22:59] And makes him his new apprentice.
[23:02] And they just kind of go around trying to track down Julianne Moore.
[23:07] Meanwhile, she's like rallying her troops.
[23:10] And the kid's mom gave him like a magic amulet to bring.
Stuart Wellington
[23:13] That's going to be important probably.
Elliott Kalan
[23:14] Yeah.
[23:15] Julianne Moore's rallying her troops.
[23:16] And she's got a pretty good armory of crazy henchmen.
[23:18] There's the God of Swords, who's kind of like a.
[23:21] Good best dude.
[23:22] Who's like a Hindu deity type looking guy.
[23:26] Or in that he's got four arms and he's blue.
[23:29] Abu Dibu, da-bu-dai.
[23:30] Da-bu-dee, da-bu-dai.
[23:32] And there's a cheetah woman.
[23:34] There's a snake man.
[23:36] Or he's more of a gecko man, as you made clear.
[23:38] Yeah.
[23:38] And there's Juman Honshu, who either turns into a dragon or his horse turns into a dragon.
[23:42] This is not super clear.
[23:44] It's kind of a mix, yeah.
[23:44] And everybody has bone chains that they can throw out like Scorpion in Mortal Kombat.
[23:51] Or the bad guy at the end of Brotherhood of the Wolf.
[23:53] Yeah.
[23:53] Everybody has these like throwing chains with blades at the end of them.
[23:58] And there's just a bunch of adventures.
[24:00] It's, they're trying to, she's trying to cause trouble before the blood moon while he's trying to get the, they're trying to stop her.
[24:08] And they encounter a couple different types of monsters.
[24:10] They fight a bear guy.
[24:12] They fight a bear man.
[24:13] They fight a big like kind of, a thing that looks a little bit like the Cyclops from Seventh Voyage of Sinbad.
[24:19] He falls, he starts falling in love with a witch.
[24:21] Like a Boggins or something?
[24:22] Yeah.
[24:23] Yeah, Baggins.
[24:24] Like a Boogins.
[24:25] Like a, like a, it was a, it was a Booger.
Dan McCoy
[24:29] Oh.
[24:30] Yep.
[24:30] From Revenge of the Nerds?
Elliott Kalan
[24:31] Uh, sure.
Dan McCoy
[24:33] Okay.
[24:34] Uh, and.
[24:35] That would be great.
[24:36] The Apprentice.
[24:36] Honestly, if they were fighting Booger from Revenge of the Nerds.
[24:39] Yeah.
[24:40] That, this would be a five star movie.
Elliott Kalan
[24:42] Oh, it would be amazing.
[24:43] Yeah.
[24:44] Uh, cause he, he elevates everything that he's in.
[24:46] He really does.
[24:48] Uh, no.
[24:49] They, uh, they have, meanwhile, the, Julianne Moore's sister has a daughter who's a witch.
[24:55] She's played by Ex Machina.
[24:57] Mm-hmm.
[24:57] And she starts falling in love with the hero because as she tells him.
[25:02] A blandy guy.
Stuart Wellington
[25:03] After it happens.
[25:04] Or is she just trying to trick him so that she, he'll free her and she'll leave him down in that, like, fancy mansion to, like, starve to death, I'm assuming.
[25:12] And then she'll go off and live amongst humans.
[25:15] Maniac mansion.
Elliott Kalan
[25:17] Uh, so anyway.
[25:18] And we're, and forget, we're forgetting the most, the best character in the whole movie.
[25:22] A little guy, and by that I mean a big guy.
[25:25] Mm-hmm.
[25:25] Named Tusk.
[25:26] Now, Tusk is.
[25:27] He's as loyal as he is ugly.
[25:29] He's best described as a leftover latex mask from some other movie that has been applied to a tall actor so that he looks a little bit like if Robert Davi had just, like, weird giant vampire tusks.
Stuart Wellington
[25:41] Yeah.
[25:41] Or if, like, Tom Waits, after morphing into Ron Perlman, just kept on morphing.
Elliott Kalan
[25:46] Just keep, kept morphing, huh?
[25:48] Yeah.
[25:49] Dan, what's your joke analogy for what he looks like?
Dan McCoy
[25:52] Um, he's like a goblin mixed with a toothpaste tube.
Elliott Kalan
[25:57] That doesn't really, that doesn't really help me.
[26:00] That makes sense.
[26:01] But he, and there's a couple times when Jeff Bridges is like, oh, he's as loyal as he is ugly.
[26:05] And it gets to a point where it feels like he's, looks, shaming him.
Stuart Wellington
[26:11] Notoriously, uh, a notorious Hollywood hunk, Jeff Bridges.
Elliott Kalan
[26:15] It feels like, yeah.
[26:16] For a long time.
[26:18] Tusk.
[26:18] Yeah, yeah, yeah.
[26:19] He's got that amazing beard.
[26:20] He's a very handsome man.
[26:21] He's just older now.
[26:23] Tusk, like.
[26:24] Go see any movie he made from the 70s through, like, the year 2000.
[26:27] Yeah, crazy art.
[26:28] Yeah, no, he's a super handsome.
[26:30] I'm crazy for him.
[26:30] What are you talking?
[26:31] He's a very handsome man.
Dan McCoy
[26:33] It does feel like, maybe like Tusk, like, stole a lady from him at some point.
[26:38] And now he just feels like he just needs to rub in, like, at any point.
[26:41] He's like, no, but you're ugly.
[26:42] But you're ugly.
Elliott Kalan
[26:43] Stupid.
[26:44] I know you're my most loyal friend, but you're ugly.
[26:47] Now.
Stuart Wellington
[26:47] Yeah, and Tusk is like, well, I may be ugly, but, you know, sometimes a girl likes a strong,
[26:52] silent type.
Elliott Kalan
[26:53] Yeah.
[26:53] Not always talking in an inconferensible accent.
Dan McCoy
[26:55] And a good eater, I'm assuming.
[26:56] I'm sexy ugly.
[26:57] You know what I'm saying.
[26:58] You know, I've got, like, this quiet conference.
Stuart Wellington
[27:01] Yeah, and we've indicated that he can at least pee a large volume of water onto a fire.
[27:06] Right.
[27:06] Which is what women love.
[27:08] Yeah.
Dan McCoy
[27:08] You know what they say about it.
[27:10] That's what they talk about in the locker room.
[27:11] Women are like, that don't impress me much.
[27:14] Can you put out a fire with your.
Elliott Kalan
[27:17] That don't impress me much.
[27:19] Hey.
Stuart Wellington
[27:20] Leonardo's wife should not.
Dan McCoy
[27:21] Why don't you put out a fire with your impressive urine stream, huh?
Elliott Kalan
[27:26] So you and Brad Pitt are that don't impress me much.
[27:29] Up, up, up, up.
[27:30] No, that's not the song we're singing.
[27:33] So there's a lot of adventures.
[27:36] We can go through all of them in detail, but we're not going to.
[27:38] They fight some dragons.
[27:40] They fight a big monster.
[27:41] They fight another monster.
[27:43] Eventually, Jeff Bridges takes his apprentice to his, like, secret steampunk hideout cave
[27:50] where he has swords and things.
[27:51] And here's the thing I liked about the movie.
[27:52] Aside from the throwing chains, which the bad guys use, so I'll just say they're magic,
[27:58] the hero does not have a bunch of, like, steampunk inventions.
[28:02] They're just swords and axes.
[28:03] Yeah, he's got, like, a magic staff.
[28:05] And he's got, like, powders that have magical properties.
Dan McCoy
[28:07] And the training montage had, like, a bunch of good jokes in it.
[28:10] I can't.
[28:11] I, like, I just remember that they existed.
[28:13] I can't really remember what they were.
[28:14] Well, there's a bunch of good jokes in it.
Elliott Kalan
[28:15] And there's one particularly good joke later on where he's always got this magic flask.
[28:20] Yeah.
[28:20] And I assume it's magic because it's never.
[28:21] Well, I mean, well, that was the one joke I remember.
Dan McCoy
[28:24] I mean, like, your joke is later on.
[28:26] But, like, the one joke I do remember from the montage is where it's, like, he has the flask.
[28:32] And he's, like, this is a magic potion.
[28:33] He's, like, what does it give you?
[28:34] He's, like, courage.
[28:35] But it's just, like, alcohol.
[28:37] And then later on.
[28:37] He says, what does this kill?
[28:39] Cowardice.
Elliott Kalan
[28:39] Yeah, exactly.
[28:40] But later on, he gives him a taste from the flask.
[28:43] And he takes a sip, the younger guy.
[28:46] And the younger guy's about to take another sip.
[28:47] And Jeffrey goes, no, you must only take one sip a day.
[28:51] He goes, why is that?
[28:52] Because it's mine.
Dan McCoy
[28:53] I was, like, that's a solid joke.
Elliott Kalan
[28:55] Yeah.
[28:56] And delivers very well.
[28:58] Eventually, they all catch up with each other at, there's a town that the witches go to for whatever.
[29:05] I don't remember why they went to that town.
[29:07] Because another witch was burned there or something.
[29:09] Yeah, it's where the bear guy got burned.
[29:11] It's where they burned Mr. Bear.
[29:12] Yeah.
[29:13] And we're Paddington the witch.
[29:14] That's the noise the bear makes.
[29:16] It's just the song the bear sings.
[29:20] That's a flashback.
[29:21] That's an old Flop House episode.
[29:23] That's just the song.
[29:23] Flop House.
[29:24] The song the bear plays.
[29:25] Back, back, back.
[29:26] Go find it.
[29:27] I'm not going to tell you what episode it's from, because I don't remember.
[29:30] One missed call.
[29:31] Oh, it was one missed call.
[29:33] Spoiler alert.
[29:35] Spoiler alert.
Stuart Wellington
[29:35] That's the song the bear makes.
[29:38] So the witches all are mad, and they're like, we're going to make an example of these jerks.
[29:44] So they go in force and blow stuff up, and they all transform and use all their powers.
[29:50] And this is actually a kind of fun little scene, because there's a fair amount of motion to the sequence.
[29:56] It's not like the fucking Avengers montage at the end of the first Avengers movie.
[30:01] But it's still pretty good.
Elliott Kalan
[30:03] There's, I mean, there are actions.
[30:04] There's like a dragon monster bursting through walls.
[30:06] Most of the action sequences in this movie I enjoyed.
[30:09] The last one at the end is a little sloppy.
[30:11] Yeah, the last couple.
[30:11] It's a little sloppy.
[30:12] It does fall under the problem that a lot of movies have where it's like, these are the toughest, toughest, roughest bad guys in the world.
[30:20] Oh, wow.
[30:21] We're running out of time.
[30:22] Let's just kill these guys quick, okay?
[30:24] Two hits, and you're done.
[30:25] God of Swords, you're going to get lit on fire pretty quick.
[30:29] Snake Man, you died already a long time ago.
[30:32] You, I guess you'll get stabbed in the gut, and you're dead now.
Stuart Wellington
[30:34] And most of the time, the bad guy just like totally underestimates the other person, and then they get stabbed and they die.
[30:41] It's not like they're like fighting.
[30:43] They're just like standing there for a second that they're dead.
Elliott Kalan
[30:45] And there's no brilliant stratagem that the hero, it's not like, I discovered the one weakness, and now I'll exploit it.
[30:51] It's being set on fire.
[30:52] They don't like that.
[30:54] These witches' weaknesses is everything that would kill a person.
[30:57] So fire, stabbing, I assume a gunshot wound, maybe just a heart attack.
[31:02] My only weakness is my own mortality.
[31:06] It's a step away from one of the bad guys just clutching his chest and dropping dead of a heart attack.
[31:11] Or like, if the God of Swords was swinging his swords at you and then had a brain aneurysm and died.
[31:15] Yep, sometimes happens.
[31:17] It's not quite as sloppy as that, but it's a little bit.
[31:19] But anyway, Olivia Williams, it turns out, the amulet she gave to her son is a special secret blood rock stone thing that gives Mother Malkin extra superpower badness.
[31:31] She wants that thing.
[31:33] Yeah, and so Olivia Williams.
Dan McCoy
[31:35] She's gotta have it, in the words of the movie.
[31:37] She's gotta have it.
Elliott Kalan
[31:37] Yeah, she's gotta have that MacGuffin.
[31:41] It was weird when I was watching She's Gotta Have It, and I was like, this is a really good just kind of look at a couple people's lives.
[31:47] Well, now they're fighting over a magic amulet.
[31:50] It's weird.
[31:51] I thought what she had to have was love and sex, but I guess it was that magic amulet.
Stuart Wellington
[31:55] Yeah.
[31:55] And if she finds that amulet, will it become She's All That?
[31:59] Oh.
[32:00] I was just an amulet to you?
[32:02] Yep.
[32:03] A stupid amulet?
[32:04] Mm-hmm.
Dan McCoy
[32:06] Freddie Prinze Jr.
Elliott Kalan
[32:08] Truly a prince among men.
Dan McCoy
[32:10] Yep.
[32:11] Take that, wing commander.
Elliott Kalan
[32:14] Take that, guy who wanted to play Spider-Man but didn't get the part.
Dan McCoy
[32:19] Take that, Mr. Sarah Michelle Gellar.
[32:22] Are they married?
[32:24] They at least were.
[32:26] I don't know if that's still happening.
Elliott Kalan
[32:27] Write in to, are they married?
Dan McCoy
[32:29] Care of Dan McCoy.
[32:31] One, two, three, flop street.
[32:32] Freddie Prinze Jr.
Elliott Kalan
[32:33] Write in and tell me whether you're still married to Sarah Michelle Gellar.
[32:37] SMG, you can write in, too.
[32:38] Tell us if you're still married to the Prinze.
[32:40] She's probably pretty busy, though.
[32:42] With what?
[32:43] What?
[32:45] Is she Clarissa?
Stuart Wellington
[32:46] That's right.
Elliott Kalan
[32:49] Is she Sabrina?
[32:51] Even Clarissa isn't Clarissa anymore.
[32:54] Or Sabrina.
Dan McCoy
[32:57] In the movie Sabrina.
[32:58] I'm surprised that Clarissa isn't Clarissa anymore because she had to explain it all.
[33:02] She had to explain all of it.
[33:04] She can't be done by now.
[33:07] No, she explained it all.
[33:08] No, I mean, that would take infinite amount of time.
Elliott Kalan
[33:12] Merely a drop of water in an ocean of knowledge.
[33:14] Yeah.
[33:16] But that's the thing about a drop of water.
[33:17] The entire ocean is in that drop.
[33:18] If you look close to that.
[33:19] It's like the waiting in a whale is six bites.
[33:22] Small bites at all.
[33:23] That's what I'm saying.
Stuart Wellington
[33:23] I need the whole thing.
[33:24] And patience.
[33:24] Small bites?
[33:26] Grains of sand is what I'm saying, Elliot.
Elliott Kalan
[33:28] I hate sand.
[33:29] It's so rough.
[33:30] It gets everywhere.
[33:31] It gets in your butt.
[33:31] Not like Natalie Portman's skin.
[33:35] Wait, where does it get?
[33:37] Wait, where does her skin get?
[33:39] It just gets on her.
[33:40] Oh, okay.
[33:40] Look, I don't remember what Hayden Panetary.
[33:43] Hayden Panetary.
[33:44] That's Hayden Panetary.
[33:45] I don't remember what Anakin said in that movie, okay?
[33:47] All I remember is that he was touching her back.
Dan McCoy
[33:49] If Hayden Panetary was played the Hayden Christensen and the free balls.
Elliott Kalan
[33:52] Played the Hayden Christensen.
Dan McCoy
[33:54] She'd actually be pretty good, I think.
Stuart Wellington
[33:56] That's the Hayden Christensen.
[33:59] If she played the Hayden Christensen in Shattered Glass.
[34:02] I'm amazing.
[34:05] I love it all.
Elliott Kalan
[34:06] She's in a movie called Shattered Hayden, which is about the making of Shattered Glass.
[34:10] Guys, sure.
Stuart Wellington
[34:11] A real hero is tapped to play Hayden Christensen.
[34:14] All right, this is your job, Flophouse fans.
Dan McCoy
[34:17] This is your job?
[34:18] Are you paying?
[34:19] It's called Hayden.
[34:20] Yeah.
[34:21] What are the benefits?
[34:22] It's called Hayden Switch 2016.
[34:26] Switch out Hayden Christensen for Hayden Panetary.
[34:29] In both of their projects.
[34:31] Yeah, in any project.
Elliott Kalan
[34:32] Then show it to your grandparent who's going to be like, I don't know who these people are.
[34:37] But I appreciate the attention.
Stuart Wellington
[34:40] But thank you for visiting me.
Elliott Kalan
[34:45] Yeah.
[34:46] So there's a big fight on this amulet.
[34:48] The daughter who the hero is falling in love with runs off with it.
[34:52] After he saved her life from the witch hunter.
[34:56] Yeah.
[34:56] There's a big fight at the ruined.
[34:58] Witch hunter, Daryl.
[34:58] At the legends of the hidden temple that Julianne Moore lives in.
[35:03] They fight, fight, fight, fight.
[35:04] They fight, they fight.
[35:05] They fight and fight and fight.
[35:06] A bunch of witches turn into flaming paper.
[35:10] They turn into flaming paper when they die.
[35:12] And the good guys win in the end.
[35:14] And it turns out that Jeff Bridges had once loved Mother Malkin.
[35:17] They were in love together.
[35:19] And it was only because she loved him that he was able to trick her into being imprisoned so many years before.
[35:25] And he's about to stab her.
[35:27] But then she fights him.
[35:28] And then the apprentice just kind of throws a knife right into her gut.
[35:32] Yeah.
[35:32] And then burns her up.
[35:33] It's a callback.
Dan McCoy
[35:34] Goodbye, Michelle Malkin.
Elliott Kalan
[35:35] That's why he was training him to throw knives so well.
Dan McCoy
[35:38] Yeah.
[35:38] So that he would show up at the end and throw that knife.
Elliott Kalan
[35:41] It is the only training he gets.
[35:42] He gets magic powder, education, and knife throwing.
[35:45] And that's about it.
[35:46] Oh, and he sword fights with some kind of possessed suit of armor.
[35:50] Poorly.
[35:51] Yes.
[35:52] Yeah.
[35:52] And so, and then.
[35:54] You have fought in poorly.
[35:56] What?
[35:57] You have fought in?
[35:58] Yeah.
[35:58] I was supposed to say you had chosen poorly, but I made it fought in instead.
[36:02] Charles Foughton, the actor and director of Night of the Funcher.
[36:04] Right.
[36:04] Night of the Funcher.
Dan McCoy
[36:05] He made that one movie.
[36:06] Yeah.
[36:07] Oh, man.
[36:08] He should have made more movies.
Stuart Wellington
[36:11] And in the end, we have our hero, whose name I don't remember.
[36:17] Yeah.
[36:17] Let's just call him Seventh Son.
[36:18] Seventh Son.
[36:19] He kisses Alicia Vikander.
[36:21] Who then turns into the wind.
[36:22] Yeah, she witches away.
[36:23] Like women do.
[36:24] Yep.
[36:24] Just like a woman.
[36:25] And for a second, you think that he's going to go riding off into adventure, but nope.
Elliott Kalan
[36:30] He gets a tattoo on his hand.
[36:33] That means he's a witch hunter now.
[36:34] You mean a brand from a hot piece of metal.
[36:36] Yeah, whatever.
[36:37] He gets branded.
[36:38] And now he is, now that witch cave is his, and he gets to stay there with Tusk.
[36:45] Because Tusk, I guess, owed Jeff Bridges a life debt and is now going to be passed on to whoever.
[36:49] And Jeff Bridges rides off to, I guess, seek his fortune.
[36:53] Yeah.
[36:53] And a bell tolls, and that's what tells them that there's a witch to be about.
[36:59] And he puts his hoodie up and is on his way.
[37:04] The apprentice, that is.
[37:05] Yeah.
[37:06] Because he wears, much like it irritated Stuart that Eddie Murphy and the Golden Child wore like a white hoodie with the hood half cut off.
[37:13] It bothered me that the apprentice in this is basically just wearing a white champion brand hoodie through the entire movie.
[37:19] It really threw me off.
[37:21] And the only.
[37:22] Well, it's a classic white hat trope, Elliot.
Stuart Wellington
[37:24] Well, if it was a white hoodie.
[37:26] Yeah.
Elliott Kalan
[37:27] It wasn't even like a cloak.
Stuart Wellington
[37:28] Yeah.
[37:29] I mean, he looked kind of like.
Elliott Kalan
[37:30] He even had a drawstring for the hood.
Stuart Wellington
[37:32] If he went to a comic book convention and he was like, yeah, this is my costume.
[37:36] I'm the guy from Assassin's Creed.
[37:37] People would be like, you look terrible.
[37:39] Fourth place.
[37:41] Fourth place is pretty good.
[37:43] Yeah.
[37:43] It's a small comic book convention.
Dan McCoy
[37:44] I mean, it's just outside of placing.
[37:47] What?
[37:47] It's just outside of placing, though.
[37:49] Like, it's kind of insulting.
[37:50] Just to be like.
[37:51] Just outside.
[37:51] Yeah.
Elliott Kalan
[37:52] I mean, they're giving it to him because he's like got magic powers.
[37:54] You still work.
[37:55] Fourth place, you still win a $15 gift certificate.
[37:57] Like, come on.
[37:58] Yeah, to see him goody.
[37:59] Which closed years ago.
[38:02] Now you can only go to Sam Batty.
[38:04] No.
[38:04] Oh.
[38:05] Now, let me say this.
[38:08] My description was pretty lackluster.
Dan McCoy
[38:10] No, it's fine.
Elliott Kalan
[38:11] But I feel like it's because.
[38:13] I feel like it's because.
Dan McCoy
[38:14] No, LA, you did a great job.
[38:15] You're super.
Elliott Kalan
[38:15] For some reason, when it's a bad movie, the details are burned into my brain and I want
[38:20] to discuss them.
[38:21] But I genuinely really had fun watching this movie.
[38:24] Yeah, I mean, we're skipping to Final Judgment.
[38:25] Let's just do it now.
[38:26] It's by no means a great movie or even a particularly good movie.
[38:29] But I would like enjoyed it so much that I kind of didn't remember it that well afterwards.
Dan McCoy
[38:34] Yeah, I'm.
[38:35] Which is why this is the worst Flophouse episode.
[38:37] In.
[38:38] Oh, man.
[38:39] In the.
[38:40] You can still save it.
[38:41] Okay.
[38:42] No, in the Flophouse categories of good, bad movie, bad, bad movie, movie, kind of liked.
[38:47] I got to say, I definitely kind of like this movie.
[38:50] Yeah, me too.
[38:51] Every.
[38:52] Look, I think that our nominal hero for this movie, Blandy Blanderson, like you can kind
[38:58] of fast forward through all of his scenes.
[39:00] What's his name?
[39:01] Like Todd or something?
[39:03] What's the character's name?
Stuart Wellington
[39:04] The character's name is Tom.
[39:07] Anytime that he's.
Elliott Kalan
[39:08] So close.
[39:09] I'll give you 55% credit.
Stuart Wellington
[39:12] Okay.
[39:12] Can I redeem that at Sam Goody?
Elliott Kalan
[39:14] Yes.
[39:15] You can get one third of a mobile fidelity gold disc.
[39:18] It sounds better because it's gold.
[39:20] So pay me $100 for this CD.
Dan McCoy
[39:22] Anytime that guy's on screen without Jeff Bridges, you can pretty much ignore.
[39:28] Just skip it.
[39:29] Ignore the movie.
[39:30] Luckily, Jeff Bridges isn't in like most of the film.
[39:34] So.
Elliott Kalan
[39:34] I mean, this is a movie that by all rights, Jeff Bridges should have been in three scenes
[39:38] and Julianne Moore should have been in two scenes.
[39:40] And yet they have really consistent presences throughout the movie.
[39:44] Yeah.
[39:44] And are really fun to watch.
[39:46] And Julianne Moore gets to wear some really crazy costumes.
[39:50] Jeff Bridges gets.
Dan McCoy
[39:50] He's got like a clog glove that she scrapes people up with.
Elliott Kalan
[39:54] If Jeff Bridges had brought this level to RIPD.
[39:58] Yeah.
[39:59] That could have elevated that movie.
[40:00] Like it shows you how much he makes a movie.
Stuart Wellington
[40:03] Yeah.
[40:03] It really.
[40:04] And.
[40:05] But he has the same kind of mumbly performance.
[40:08] But yeah, he's just so much more fun.
[40:10] And I don't know if it's because the supporting cast seems a little better than RIPD.
[40:13] Like Alicia Vikander seems pretty good.
Elliott Kalan
[40:16] Mm-hmm.
[40:17] Also, there's.
[40:19] I felt like with RIPD, they were really convinced that that was like an amazing premise.
[40:25] Yeah.
[40:25] And they were like, people are going to love this premise.
Stuart Wellington
[40:27] People love Men in Black.
[40:28] And that's way crazier than this.
Elliott Kalan
[40:29] What if instead of aliens, it was ghosts?
[40:31] Like this is.
[40:32] I feel like they know the premise is not that original.
[40:36] Yeah.
[40:36] It's just a guy trying to hunt down a big bad magic monster.
[40:39] Yeah.
[40:39] And so.
[40:41] I don't know.
[40:41] It felt like.
[40:42] It felt like they put a little bit more effort into just like.
[40:45] What would be a fun thing for them to do here?
[40:47] Or like.
[40:48] If here's a monster that has bad eyesight.
[40:50] Let's have it like.
[40:51] Just barging through things.
[40:53] And slamming into mountains and stuff like that.
[40:55] Yeah.
Stuart Wellington
[40:55] And the effects for that one were pretty cool.
[40:56] The.
[40:57] I wish they.
[40:58] They did less with the.
[40:59] The like.
[41:01] Julianne Moore tail attack that she used on everybody.
[41:04] Yeah.
[41:04] I got kind of bored of that attack.
[41:05] Which was a little crappy.
[41:07] And a lot.
Elliott Kalan
[41:07] All the morphing effects were.
[41:09] I guess all right.
[41:09] But.
[41:10] There was a.
[41:10] One character turns into a white dragon.
[41:12] And that effect never looked very good.
Stuart Wellington
[41:14] Yeah.
[41:14] And.
[41:15] I feel like with.
[41:16] With that sort of shit.
[41:18] Like less is more dude.
[41:19] Just do.
[41:20] Like it's probably cheaper to do less of it.
Elliott Kalan
[41:23] There's a part at the end where.
[41:25] Juman Hanshu's character.
[41:26] Is a dragon.
[41:27] He's fighting Jeff Bridges.
[41:28] Jeff Bridges goes.
[41:29] You fight me as a dragon.
[41:30] Have you no honor.
[41:31] And it's.
[41:32] And Juman Hanshu turns into a person again.
[41:34] And it's almost like.
[41:34] He's like.
[41:35] We're running out of money for the effects budget.
Stuart Wellington
[41:38] Just be a man for the rest of this.
[41:39] We got a black dragon and a white dragon.
[41:41] Circling each other like a really cool yin yang up there.
[41:45] We can't afford a third dragon.
[41:47] That.
[41:47] I don't know.
[41:48] Is that yin yang and what else?
[41:50] I don't know.
Elliott Kalan
[41:50] We only have money for a double dragon for this final fight.
[41:54] For the NES.
[41:56] Hello Internet.
S4
[42:07] I'm Travis McElroy.
S5
[42:09] And I'm Teresa McElroy.
S4
[42:11] She is my wife.
S5
[42:12] And he's my husband.
S4
[42:13] And it is our pleasure to introduce to you a brand new podcast.
S5
[42:17] Schmanners.
[42:18] It's extraordinary etiquette.
S4
[42:20] For ordinary occasions.
[42:21] Teresa let me ask you this.
[42:22] Can you teach me how to write a thank you note?
S5
[42:25] Yes, I can.
S4
[42:26] How about tips to improve my table manners?
[42:28] I'll do my best.
[42:30] And will you finally explain to me the difference between casual and business casual and cocktail and formal and black tie and all that stuff?
S5
[42:38] If anybody can't, I can.
S4
[42:40] But like it's going to be funny, right?
S5
[42:42] Of course.
[42:42] I'm going to give historical origins and how those manners fit into our everyday lives.
[42:49] How could it not be funny?
S4
[42:50] But also sometimes we'll talk about burps and farts, right?
S5
[42:54] Yeah, when not to.
S4
[42:55] But we'll still talk about it.
[42:57] Yes.
[42:57] Great.
[42:58] So come join us for our new hilarious show.
S5
[43:01] No RSVP required.
S4
[43:03] Coming to you soon every Friday on MaximumFun.org.
[43:06] It's Schmanners.
S5
[43:08] Schmanners.
[43:09] Schmanners.
[43:09] Get it?
Dan McCoy
[43:12] Just a note from our sponsor for the show this week.
[43:16] Yes.
[43:17] The Flophouse is supported by Squarespace.
Elliott Kalan
[43:20] You bet it is.
[43:21] Squarespace.
Dan McCoy
[43:23] Build it beautiful.
[43:26] Squarespace is the simplest way to create a compelling website.
[43:29] From the strange to the downright bizarre, great stories define us.
[43:34] You should tell yours.
[43:35] With simple tools and templates, Squarespace helps you capture your story with a captivating website.
[43:41] You can start your free trial today.
[43:44] Visit squarespace.com slash flop.
[43:48] You should.
[43:49] Squarespace.
Elliott Kalan
[43:50] Now, here's the thing.
[43:52] You said bizarre stories, right?
[43:53] Because I have an idea for a website and I wanted to run it by you guys.
[43:56] I thought maybe Squarespace could help.
[43:57] It's called www.sewerbath.com.
[44:00] Okay.
[44:01] And here's something that I've never mentioned to you guys, but it might explain.
[44:04] It sounds great.
[44:04] The smell.
[44:05] I have a fear of clean water.
[44:07] Okay.
[44:07] And so when I bathe, I go into the sewers, much like a Ninja Turtle or a Chud.
[44:12] Yeah.
[44:12] Or, you know, any, you know.
[44:14] I get the picture.
[44:15] Or like an Orson Welles and the Third Man or a Dark Man.
[44:18] Yep.
[44:18] That's what he's doing down there.
[44:19] He's bathing.
[44:20] Oh, man.
[44:21] A, a, a, a, a, you know, Phantomos, you know, one of those types.
[44:27] So I take a lot of baths in sewage.
[44:30] And as a result, I see a lot of interesting things.
[44:33] As a result, I have hepatitis C.
[44:35] I mean, that's another thing.
[44:36] Do you guys know a cure for cholera?
[44:38] But, so I wanted to start this website called www.sewerbath.com.
[44:42] It's just pictures.
[44:43] Okay.
[44:43] Abu Dhabi Dhabi Dhabi Dhabi Dhabi.
[44:46] Robert Dhabi Dhabi Dhabi.
[44:46] Abu Dhabi Dhabi Dhabi.
[44:48] Sewerbath Dhabi Dhabi.
[44:48] Because I'm sitting normal there.
[44:50] And so do you think Squarespace would be able to help me?
[44:53] Because I've got to put up a lot of pictures.
[44:55] And also I like to write stories about the objects I find in the sewer.
[44:58] Okay.
Stuart Wellington
[44:58] So do you think I can put text?
[45:00] So there's a whole section.
[45:01] I'm assuming you can put text in this website that you're.
[45:03] I hope so.
[45:04] Because here's the thing.
[45:04] I don't know anything about coding.
Elliott Kalan
[45:06] I do have a slick coating of grease from my sewer baths.
[45:11] Yep.
[45:11] But I don't know about anything about computer coding.
[45:13] But you think Squarespace could even help me?
[45:15] A guy who doesn't know.
[45:16] Only Squarespace.
[45:17] Could Squarespace help me?
[45:19] A guy who doesn't know anything about websites?
[45:20] I'm pretty sure.
[45:21] Dan, you want to check the notes?
Dan McCoy
[45:23] Squarespace helps you capture a story with a captivating website, says the notes.
[45:27] So what website should I go to?
[45:30] You should go to squarespace.com slash flop.
[45:34] How do you spell flop?
[45:35] F-L-O-P.
Elliott Kalan
[45:37] How do you spell square?
[45:39] S-Q-A-R-E.
[45:41] Wait, S-Q-U-A-R-E.
[45:46] Here's the bit I was going to do.
[45:47] I was going to ask you to spell square and then space.
[45:49] And after you aced those, I was going to ask you to spell a really complicated word.
[45:53] But I'm just going to skip that bit since you stumbled over the word square.
Dan McCoy
[45:57] I'm distracted by the next bit, which is in my hand.
[46:03] Oh, we got to prepare.
Stuart Wellington
[46:05] Squarespace.com.
[46:06] I took the wind out of my sails on that one, Dan.
Dan McCoy
[46:10] Well, squarespace.com.
[46:11] Well, thanks, Squarespace.
[46:12] Build it, Squarespace.
[46:16] Yeah.
[46:16] No, we've received a lot of gifts from listeners.
[46:21] And I wanted to thank people.
Elliott Kalan
[46:23] The Flophouse mailbag is bursting at the seams.
Dan McCoy
[46:25] Yeah.
[46:26] The physical mailbag is bursting in a way that it hasn't ever.
[46:32] First, I want to read this letter from Nathan.
[46:37] Last name with Harold.
[46:39] Dear Flop Easts.
[46:40] Hey, guys.
[46:41] I'm a huge fan of the Flophouse.
[46:42] And I just wanted to give you guys this gift.
[46:45] I worked at a used record shop in Detroit.
[46:49] And amazingly ran across this 45 RPM single of Robbie Buchanan performing The Chosen One from the soundtrack of The Golden Child.
[46:57] Whoa.
[46:59] Now, he says that Elliot should have this because he specifically mentioned liking the music.
[47:05] But anyone who has a turntable could take it.
[47:09] Alas, I do not have one.
[47:11] Yeah.
[47:11] I think I'm the only one with a record player, right?
[47:15] Yeah, that checks out.
Elliott Kalan
[47:18] I'll allow it.
[47:19] There's nothing in the rule book that says you can't own a record player.
Dan McCoy
[47:23] In any event, consider it a token of my appreciation for what you guys do.
[47:27] It's kept me laughing since the classic Oogie Loves episode.
[47:31] So I appreciate it.
[47:32] Now, there was a movie worth flopping.
[47:34] Yeah.
[47:34] So this is a single of Robbie Buchanan, The Chosen One.
[47:41] Are you going to put it on there?
[47:42] From the Golden Child soundtrack.
[47:45] No, I don't think I'm going to put it on there.
[47:47] Although, this does remind me that John Biegun, John Biegun, I assume John Biegun did a version of Elliot's That's How It Works song that will be put on this episode.
Elliott Kalan
[48:05] Please do, because that was a masterpiece, what he put together there.
[48:08] Yeah.
[48:08] I feel like he both made me sound better than I actually do, and by putting music behind it,
[48:15] showed me how totally off-key I am all the time.
Dan McCoy
[48:18] So stay tuned after the episode to listen to the single version of That's How It Works.
Stuart Wellington
[48:25] That's not the album cut.
Elliott Kalan
[48:26] Assuredly, the song of the winner.
[48:29] The album version has a lot more production elements on it.
Dan McCoy
[48:33] The song of the winner.
[48:34] Sure, it's meant for radio play.
[48:35] The song of the winner, definitely.
[48:36] But thank you to Nathan for the chosen one from the soundtrack to The Golden Child.
[48:42] But moving on.
[48:43] That's great.
[48:44] Also, in the physical mailbox this week.
[48:51] What?
Elliott Kalan
[48:52] I'm just, look, I'm doing my best not to make fun of your mispronunciations.
Dan McCoy
[48:58] Michelle, last name with hell, sent out these zines that she made.
[49:03] Whoa.
[49:04] We love zines.
[49:06] Peaches Beat.
[49:07] The magazine for Purpzoids and Purpzettes.
[49:11] The Tiger Beat for fans of the Flophouse.
[49:14] Oh, wow.
[49:15] With a lot of great photos of us sent to ourselves.
[49:20] That's just what teens like.
[49:23] Quotes.
[49:25] Quizzes.
Stuart Wellington
[49:26] Here's at least one picture that compares your beard to Riker's beard, Dan.
[49:30] It is a very Rikerish beard.
Dan McCoy
[49:34] So thank you, Michelle, for that.
[49:35] Thank you very much.
[49:36] Oh, this is lovely.
[49:38] You guys vamp for a second while I go vamping it up.
[49:41] Bleh, bleh.
Elliott Kalan
[49:42] I want to suck your blood.
[49:46] Yep.
[49:46] But I barely know you.
[49:48] Let's talk.
[49:49] Oh, yeah.
[49:50] Let's.
[49:50] Batman.
Stuart Wellington
[49:52] In our little town of Anateka.
[49:54] I live in Gotham.
[49:55] I'm a billionaire, I suppose.
[49:57] Ah, fascinating.
[49:58] Fascinating.
[49:59] I'm a vampire.
[50:00] Sure.
[50:01] How's your relationship with your parents?
[50:03] Mine is weird, too.
[50:04] Not great.
Elliott Kalan
[50:05] Do you mean my real parents or my vampire father who turned me into a creature of the night?
[50:11] My relationship to both is not good.
Stuart Wellington
[50:14] So, yeah.
[50:15] I mean, biological.
[50:16] I don't quite understand.
Elliott Kalan
[50:18] They're both biology related.
[50:20] And you, what do you do in your spare time?
[50:24] Do you have hobbies?
[50:25] It's kind of like parkour.
[50:28] Interesting.
[50:29] But it's gadget based.
[50:30] I do a lot of jumping off of buildings and landing in a three-point style with my legs and one arm down on the ground.
[50:37] Do you?
[50:38] It's weird.
[50:39] I distinctly remember making my ad an M4W ad and yet you responded.
Stuart Wellington
[50:45] You're getting closer to a murdering song.
Elliott Kalan
[50:48] You know, my film, Fitzgerald.
[50:51] I'm a vampire, by the way.
[50:54] There's something I should tell you about myself.
Dan McCoy
[50:58] I'm not actually a vampire.
[51:00] You really don't need a vamp anymore.
[51:01] We're moving on.
[51:03] Oh, thank goodness.
[51:04] Back to the Flophouse housework.
[51:05] So, from...
[51:07] It's hard to read his signature, but I'm going to say from D. Gary.
[51:15] That's what I'm going to go with.
[51:17] We have...
Stuart Wellington
[51:18] We'll have to get our Flophouse handwriting expert in here.
Dan McCoy
[51:21] Which is Dan, unfortunately.
[51:23] Oh, no.
[51:23] He donated a little to the Flophouse.
[51:26] And also, he sent us DVDs of The Stuff.
[51:31] Oh, that's a fun movie.
[51:32] Jim Cotta.
[51:33] That's a great, stupid movie.
[51:34] That's an amazing movie.
[51:35] And some Ziggy Valentines.
[51:37] Oh, wow.
Elliott Kalan
[51:38] When Ziggy doesn't know love, he's lonely.
Dan McCoy
[51:40] So, we'll split...
Stuart Wellington
[51:40] We'll have to crack that box open and find out the contents.
[51:43] We'll argue over who gets what after the show.
Elliott Kalan
[51:46] Yeah, because we're going to be fighting over those Ziggy Valentines.
[51:49] Yeah.
[51:51] But lastly...
[51:52] Because I have to go back to second grade tomorrow.
[51:55] Just kidding.
[51:56] Thanks for sending them.
[51:57] They're great.
[51:58] Oh, sorry.
Stuart Wellington
[52:00] Dan, what are you breaking?
Elliott Kalan
[52:00] That was some radio effects where Dan dropped a thing.
Stuart Wellington
[52:02] Dan is literally sitting next to a pile of things.
[52:05] Yeah.
Dan McCoy
[52:06] Yeah, sorry.
[52:07] Lastly, great thanks to Ashley Shannon, who sent in a bunch of...
Elliott Kalan
[52:15] Oh, not going to withhold that last name, huh?
Dan McCoy
[52:17] Yeah, sorry.
[52:18] She sent in a bunch of...
[52:19] I know she's just in the witness protection program, but that's okay.
[52:22] A bunch of late Cajmas gifts.
[52:25] And she said, it would be great if you could open them on air.
[52:29] And I said, hey, why not?
[52:32] So, I have no idea what these things are.
[52:34] What if they're really offensive?
[52:35] Impossible.
[52:36] Yeah.
[52:36] But...
Stuart Wellington
[52:36] And we can't edit this out.
Dan McCoy
[52:39] No.
[52:40] We're going out live right now.
Stuart Wellington
[52:41] This is like undateable.
Dan McCoy
[52:43] These are giant packages, honestly.
[52:48] These are large packages.
[52:49] I had to take a cab home from work.
[52:51] Well, the flop-outs...
[52:51] Stop bragging about your package.
Elliott Kalan
[52:52] Flop-outs are known for their large packages.
Dan McCoy
[52:54] So, I'm going to...
[52:55] Wow, that is a lot of stuff.
[52:57] ...distribute these out here, and we get...
Elliott Kalan
[52:58] Are they 21 in particular?
Dan McCoy
[53:01] I guess we'll open them on.
[53:02] There's no indication of who gets what, so we can just open these.
Elliott Kalan
[53:07] Okay, that's...
[53:07] You're listening to the sound of us opening things.
Dan McCoy
[53:09] These are late Cajmas gifts.
[53:10] Riveting audio.
Stuart Wellington
[53:11] So, Cajmas is the annual holiday every December where we watch Nicholas Cage movies.
[53:16] Yeah, it comes right after Sadler-vember.
[53:19] When we watch...
[53:20] Sandler-vember.
[53:20] Sandler-vember.
Elliott Kalan
[53:21] Well, no, Sadler.
[53:21] When we watch William Sadler movies.
Stuart Wellington
[53:23] Oh, that would be great.
[53:26] Oh, this one's to Stuart, it says.
[53:28] Okay.
[53:28] Oh, okay.
[53:30] This one is...
[53:31] So, trade it up.
[53:31] To Dan.
[53:32] Should I just keep it?
[53:34] I think so, yeah.
Dan McCoy
[53:36] And this one also says to Dan.
Elliott Kalan
[53:37] Okay, so I guess nothing for me.
[53:39] That's fine.
[53:39] Okay.
[53:40] No, no.
[53:41] My life is full of blessings.
[53:42] I need for nothing.
Dan McCoy
[53:43] This one over here, I assume, is then for you.
[53:44] Oh, okay.
[53:45] Thanks.
[53:46] It's the largest one.
[53:48] Yeah.
Elliott Kalan
[53:48] For the smallest guy.
Dan McCoy
[53:50] All right.
[53:51] So, we can all open.
[53:52] We're going to keep opening.
Elliott Kalan
[53:54] Keep opening.
[53:55] On air.
[53:55] Stay with us, audience.
[53:57] Stay with us.
[53:59] Dan, you could have at least taken the plastic wrap off.
Dan McCoy
[54:02] You love more than the sound of presents being opened.
Elliott Kalan
[54:04] The only way this could be...
[54:05] There could be more layers is if you had put these in the trunk of a car.
[54:09] You're opening the car.
[54:12] Maybe the car had been wrapped in...
[54:15] Oh, wow.
[54:15] Like greased saran wrap.
Stuart Wellington
[54:22] Yeah, this is to Ellen.
[54:23] So, mine is totally unwrapped, so I'll describe it.
Elliott Kalan
[54:26] I am looking at a lovely...
[54:28] Totally unwrapped sounds like the name of a reality show about a wrapping paper company.
Stuart Wellington
[54:35] That is run by hip-hop artists.
[54:37] Yo.
[54:39] So, I'm...
[54:40] I'm bravo.
[54:41] So, this is a lovely...
[54:43] It looks like a print of a map of Tolkien's Middle Earth that has been lovingly framed.
Dan McCoy
[54:49] And some nice greens and golds.
Stuart Wellington
[54:52] That's perfect for the elven theme in my living room.
[54:57] Yeah, you do call your living room Livindale.
[55:00] Yep, where we only speak Quennyans and Daren, depending on the time of year.
Elliott Kalan
[55:07] Whoa.
[55:09] This is...
[55:10] And this is also framed over here.
[55:11] It's huge.
[55:12] And this is...
[55:13] It looks like one of the...
[55:16] It's one of the posters for the Taking of Pelham 1, 2, 3.
[55:23] My favorite movie of all time.
[55:24] The original version.
[55:26] Not the remake.
[55:27] Not the remake.
[55:28] Okay.
Dan McCoy
[55:29] And also in a lovely frame.
[55:31] And I got...
[55:33] So, I've got this smaller frame, which is a...
[55:38] This looks to have been taken from, I think, maybe an Instagram I did or something where
[55:44] I turned a plastic knife into a shark.
[55:51] That's all right.
[55:53] And I'm showing it to Elliot right now.
[55:55] Oh, that's adorable.
Elliott Kalan
[55:56] You really don't have a lot to do at work, huh?
[55:59] Well, and...
Stuart Wellington
[56:01] But sort of the larger gift here is a...
[56:06] I hope it's a framed picture of me and Elliot.
Dan McCoy
[56:08] No, it's a framed...
[56:10] It's a framed cover of the Flash Gordon special that he all did.
[56:15] Oh, that's great.
[56:16] That's very lovely.
Stuart Wellington
[56:17] Is it the Doc Shainer cover or is it the...
Dan McCoy
[56:20] It's definitely the Doc Shainer cover.
Stuart Wellington
[56:22] The superior cover.
[56:23] Wow.
Elliott Kalan
[56:24] Whoa.
[56:25] I don't want to...
[56:25] Whoa, burn some bridges, why don't you?
[56:27] Just light Jeff Bridges on fire.
Dan McCoy
[56:29] It almost happens in Seven Sun.
[56:31] Look, I'm not saying that, like...
[56:33] I'm not saying something against the artist who did the other cover.
[56:35] I'm just...
[56:36] The other cover was a little too cutesy for me, is all.
[56:38] Oh, okay.
[56:39] This is a delight.
[56:40] Sure.
[56:41] Thank you very much.
Elliott Kalan
[56:42] Yeah, thank you very much.
[56:43] We don't deserve any of this stuff.
[56:45] No, it's wonderful.
Stuart Wellington
[56:47] Quite a...
[56:48] Though we're not going to open it on air, I'd also like to thank Lewis Michael Powell,
[56:55] who sent along a grab bag of stuff, a collection of DVDs, Buffy the Vampire Slayer collectible
[57:02] card games, a baseball mitt that I'm assuming is for David Lastname Withheld, Elliot's brother,
[57:09] et cetera, et cetera.
[57:11] Yeah, for when he gets back to the majors.
[57:12] Yeah.
[57:13] Yeah.
[57:15] So thank you very much for that, Lewis.
[57:18] I'm sure you'll see pictures of all this stuff on the internet soon.
Dan McCoy
[57:22] That's a lot of gift stuff.
[57:24] This was a lot of stuff.
Elliott Kalan
[57:25] Thank you very much.
[57:26] Thank you, everybody.
[57:28] Just so you know, we don't do it for the gifts.
[57:30] We do it for the laughs.
[57:31] But cha-ching.
[57:33] Don't tell that to Squarespace.
[57:35] And Squarespace.
[57:36] We do it to Squarespace.
Dan McCoy
[57:39] Surprisingly enough, though, that was...
[57:40] Do you have more things we can unwrap on air?
[57:42] No.
[57:43] Surprisingly enough, that was not our official letter section.
Elliott Kalan
[57:46] What?
[57:48] Glad I didn't sing a song.
Dan McCoy
[57:49] This is our official letter section.
Elliott Kalan
[57:54] Also, what that taught me is that if you have special instructions for your thing, just tell
[57:59] Dan to do it that way, because he'll do it.
[58:01] Mm-hmm.
[58:01] If you're like, now for this gift...
[58:03] I want you to read this letter backwards.
[58:05] When you open this, take off all your clothes at your workplace of work.
[58:08] All right.
[58:09] I have to do it, I guess.
[58:10] Mm-hmm.
[58:10] Law of letters.
Dan McCoy
[58:12] Letter law has spoken.
[58:14] Mm-hmm.
[58:14] I want to say...
[58:16] So this is the first letter.
[58:18] And it's a bit of a serious letter.
[58:20] I mean, it's actually quite a serious letter.
[58:22] So I'm just warning people now.
[58:26] But it goes like this.
[58:28] Dear Floppers,
[58:30] Unfortunately, I write in dire circumstances.
[58:33] My older adopted brother recently decided to end his life.
[58:38] He was a 28-year-old history, secondary high school teacher.
[58:43] And my last experience with him was listening to United Passions together and him moaning
[58:48] about his beloved Liverpool.
[58:50] As he made me a fan of the show, and toward the end, it was one of the few things that made
[58:55] me happy.
[58:57] He was always too scared to write it himself, but I hope that the Flophouse listeners give
[59:01] their love to Thomas' late family, the Bradleys, and use this as another reason to speak about
[59:06] mental health.
[59:09] So obviously that is very, very sad news about Thomas.
[59:19] And we appreciate that we were at least some solace to this man as he was clearly going through
[59:33] a lot of pain in his life.
[59:36] We are a comedy show, so it's difficult to say anything about this in a larger sense.
[59:42] But I don't know.
[59:45] I know that I've gone through a lot of issues with depression.
[59:49] I know that I think both of you have had your problems in the past.
[59:55] I urge anyone who's having trouble to seek help rather than to give in to despair.
[1:00:05] And that's about all I can say about it.
Stuart Wellington
[1:00:07] Yeah, I mean, I would definitely say that having been doing the show for a number of years,
[1:00:13] I've interacted like it's allowed me to interact with a lot of people.
[1:00:18] And it's kind of shown me that there's a lot of great people out there and a lot of people
[1:00:25] that you can connect with, whether it's through the internet or whatever, whether it's through
[1:00:29] just listening to podcasts and finding some kind of human connection.
[1:00:34] And that's at least helped me.
Elliott Kalan
[1:00:38] You can never know what's going on inside of another person's head.
[1:00:46] And so I'm always wary to pretend that I've reached places that other people might have reached or not.
[1:00:55] But it's hard for me to know how my experiences would compare to somebody else's.
[1:01:01] But I was writing something recently that was on a similar theme to this
[1:01:06] about kind of seeing where my life could have gone or might have gone if the wrong things had happened.
[1:01:17] And how the only solution to that for me was other people.
[1:01:22] It was just like opening myself to other people.
[1:01:25] And that's a tough thing for everyone to do.
[1:01:27] And it wasn't an easy thing for me to do.
[1:01:30] And so I don't want to be like, this is all you have to do, just this thing.
[1:01:34] But the other thing is for people here, if there's someone who you know is having a hard time,
[1:01:42] then reach out to them.
[1:01:45] I don't want to make this further sadder,
[1:01:49] but there's one person that I won't get into in particular who there's a time in their life when I wish I had acted on my urge to reach out to them and didn't.
[1:01:59] And it's something that I've regretted for a long time since then.
Dan McCoy
[1:02:04] So it goes both ways.
[1:02:06] It's a two-race street.
[1:02:07] I've had a difficult time this year.
[1:02:14] And when I've felt darkest, it's been good to reach out to other people.
[1:02:20] And I just urge other people to do the same.
[1:02:25] And Archie does, too, apparently.
Elliott Kalan
[1:02:27] You can hear Archie in the background, but he had to chime in, too.
Dan McCoy
[1:02:31] Archie the scene stealer.
[1:02:32] But let's put that aside and move back to the regular nonsense, I think.
[1:02:43] With this next letter from Stephen James Arnett Esquire, who writes,
[1:02:48] Letter withheld.
[1:02:50] So.
[1:02:51] I see what you did there.
Elliott Kalan
[1:02:54] The classic bit, fire him.
[1:02:59] Make a fool of us, huh, Stephen?
Stuart Wellington
[1:03:01] I was all prepared to make jokes and interrupt people.
Elliott Kalan
[1:03:04] I thought Dan was going to stumble and bumble over the words, and I could make fun of him.
[1:03:08] But no, there were none.
Dan McCoy
[1:03:10] Well, there will be a lot of words to stumble over in this next letter.
[1:03:14] What about bumble over?
Elliott Kalan
[1:03:15] Which comes.
[1:03:16] And you'll feel very humble over it.
[1:03:18] From Martin, last name withheld.
[1:03:20] Oh, the TV show Martin.
Stuart Wellington
[1:03:23] His last name's Lawrence.
[1:03:24] Who writes his wife, Tisha Campbell.
[1:03:27] He's a bad boy.
[1:03:29] A bad boy, too, if you will.
[1:03:31] He writes, as well.
[1:03:33] Nothing but trouble.
Dan McCoy
[1:03:34] No, wait.
[1:03:34] Nothing to lose.
[1:03:36] Nothing but trouble's a different movie.
[1:03:38] From the pages of a failed novel about the Flophouse Whaler Company operating out of Nantucket
[1:03:42] during a few unsuccessful months in the summer of 1839, or, as it was known at the time, Whale View, USA.
[1:03:50] You'll have a whale of a time.
[1:03:52] Aboard the ship, the wives' buttocks, first mate Elliot Wichalian was standing amid ships, scanning the horizon.
[1:04:03] We've not seen a whale since Six Bells, and the crew is growing weary.
[1:04:06] His squeaky, know-it-all voice carried far over the waves.
[1:04:09] That's very important information.
Elliott Kalan
[1:04:11] I mean, that's something you would want to know.
Dan McCoy
[1:04:13] And he was right.
[1:04:15] Even though the Six Bells was just like a few hours ago, the crew was indeed growing weary,
[1:04:19] but more so with the gravity of their mission than a lack of large sea-dwelling mammals.
[1:04:24] For they were not just in search of whale oil to power lamps in San Francisco's red light district.
[1:04:29] They were out in search of the whale that hurt the knee of their unexciting captain.
[1:04:32] It was not broken off or anything, but it was still a jarring memory for the poor man.
[1:04:36] And who asked him if he was getting better?
[1:04:38] Nobody.
[1:04:39] Captain Dan Daniels McCoy was distraught, and it had now taken the form of minor sad annoyance.
[1:04:45] Ugh, he said.
[1:04:47] At this point, I don't really care.
[1:04:49] I already lost my knee to one of these animals.
[1:04:51] Why were we even going on?
[1:04:53] You didn't really lose it, right, said Elliot?
[1:04:55] I mean, it's right there, as he pointed to the functioning, albeit once damaged knee.
[1:04:59] Shut up, nerds.
[1:05:00] A whale has been attracted by Elliot's high-pitched voice, came a voice from the crow's nest.
[1:05:05] It was Stuart Wellington, known as Stuart, There She Blows.
[1:05:10] There he yelled down, giggling at the end of the...
[1:05:13] Wait, hold on.
[1:05:15] Are you okay?
[1:05:16] It was Stuart Wellington, known as Stuart.
Elliott Kalan
[1:05:19] Oh, okay.
[1:05:20] There She Blows.
[1:05:21] And then you saw a period, meaning end of sentence, take a breath.
Dan McCoy
[1:05:24] Well...
[1:05:25] But you thought it was, what, like a bug or something?
[1:05:27] No, I thought it was like a positive.
[1:05:28] Stuart, There She Blows, Wellington.
Elliott Kalan
[1:05:30] No, no, I thought, yeah, but usually there's punctuation that helps you to avoid problems like that.
[1:05:33] Okay.
[1:05:35] He yelled down...
[1:05:35] Oh, I see a crumb from an Oreo.
[1:05:37] Oh, no, wait, it's a period.
[1:05:38] Yeah.
[1:05:39] There She Blows, he yelled down, giggling.
[1:05:41] Shouldn't be eating Oreos all over my story.
[1:05:43] I mean, I didn't...
[1:05:44] I don't know why there'd be just a...
[1:05:46] I haven't eaten an Oreo in 20 days.
[1:05:48] ...perfectly circular black dot here.
[1:05:51] But I assume it's a mistake, and I'll continue on with the thought.
Dan McCoy
[1:05:55] There She Blows, he yelled down, giggling at the innuendo.
[1:05:58] Dan would have lit up had he been able to feel anything at that point.
[1:06:01] Huh, he said with a shrug.
[1:06:03] Well, I guess we've come this far.
[1:06:05] Launch the boats, guys.
[1:06:07] The long boats were hoisted down into the water, and a ragtag crew of interesting but blurry characters set out.
[1:06:14] The majestic giant didn't have any of it, though, and slammed on, threshed at the boats encroaching upon it, sensing its own mortality.
[1:06:21] Fuck off, said Stuart, after taking a sip of his beer in his relaxed position at the stern of the fastest boat.
[1:06:27] His oarsmen being the fiercest, when they saw it was a sperm whale, they had another fit of giggles, and someone yelled, blow me, for no reason.
[1:06:37] The whales started to sing, making most of the rowers in the boats think they were in a yoga studio or something, and they started to relax.
[1:06:45] Fuck off, said Stuart again, and took one of their oars, and rowing at double speed, without even spilling a single drop of his brewski.
[1:06:53] Dan tried to throw his harpoon, but missed doing...
Elliott Kalan
[1:06:57] Take your time.
[1:07:00] I know you're excited by the action.
Stuart Wellington
[1:07:02] Those aren't Oreo crones.
Elliott Kalan
[1:07:04] No, that's telling you, hey, give your tongue a break.
[1:07:08] Think about it this way.
[1:07:09] Every time you see, like, a little dot of ink after a bunch of words, that is the writer telling you, time for your tongue's cigarette break.
[1:07:18] Take a couple seconds.
Dan McCoy
[1:07:19] Dan tried to throw his harpoon, but missed, due to being too boring.
[1:07:26] And his completely healed knee injury still hurting him.
[1:07:31] Elliot tried, but his constitution was not enough to pierce the layers of fat which guard the skin of any sea mammal.
[1:07:37] That whale, or indeed this entire ocean, must be made up of some kind of non-Euclidean geometry, said Elliot.
[1:07:44] Finally, Stuart lugged his flask of whaler's grog into the whale's blowhole, effectively blocking it and inebriating the whale at the same time.
[1:07:52] We did it, he shouted happily.
[1:07:54] Rawr rawr, called the call of their sea cat.
[1:07:56] A type of cat-like fish.
[1:07:58] It was known as the Flophouse Catfish.
Elliott Kalan
[1:08:01] I love that there is a thing called a catfish.
[1:08:04] But he's introduced a sea cat.
Dan McCoy
[1:08:06] At that point, their pointless caption was too distracted to care about anything anymore, though, and took a nap instead of revenge.
[1:08:13] The rest of their crew was too busy getting drunk and saying words that sounded like other words.
[1:08:17] The drunk whalefish drifted off into the sunset.
[1:08:19] Whalefish?
[1:08:20] And the drunken whalers drifted back into the legends they came from.
[1:08:24] And that's how the first whale got drunk.
[1:08:26] And laughs were had by all.
[1:08:28] And now you know the rest of the story.
[1:08:31] Says Martin, last name withheld.
Elliott Kalan
[1:08:33] Now, I don't understand why Rudyard Kipling cut that from the Just So Stories.
[1:08:37] Seems like it fits perfectly.
[1:08:39] Lovely adventure we had.
[1:08:41] That was.
[1:08:43] Everyone took their licks on that one.
[1:08:45] You know what?
[1:08:46] None of us came out unscathed.
[1:08:48] But I think the one who was the most scathed was Dan.
[1:08:50] So Dan.
Dan McCoy
[1:08:51] Yeah, did you not pre-read that?
[1:08:52] Because I was both reading the story and I took scathing from you guys.
[1:08:55] Yeah, did you not screen that letter?
[1:08:58] That's right.
[1:08:59] Okay.
[1:09:00] I just.
[1:09:00] Yeah.
[1:09:01] You're like, this is a long one.
[1:09:02] This will eat up a bunch of minutes.
[1:09:03] That guy won a make-a-wish contest.
[1:09:06] And the wish was to write a letter into the flop house.
[1:09:09] I mean, just to write a letter is a wish that he doesn't need an organization to help him with.
[1:09:12] He's not that bright.
[1:09:14] Wow.
Elliott Kalan
[1:09:15] Well, thanks everybody for writing in.
[1:09:19] Thanks for the gifts.
[1:09:21] Thanks for the gifts.
[1:09:24] That was a rollercoaster ride of a gift and letter segment.
[1:09:28] Yeah.
Dan McCoy
[1:09:28] A lot of emotions, yeah.
[1:09:29] Yeah.
[1:09:30] But now.
[1:09:31] What's the next part, Dan?
[1:09:32] It's time for our final segment.
[1:09:34] When does this purgatory end, Dan?
[1:09:35] Yep.
[1:09:35] Of the episode.
[1:09:37] And that is where we recommend movies that we actually liked.
[1:09:40] Will I dream when this is over, Elliot?
[1:09:43] Only of Jeff Bridges.
[1:09:45] Oh, lovely.
Stuart Wellington
[1:09:46] But he's going to be kissing you.
[1:09:47] Oh, okay.
[1:09:48] So I don't want to burn those bridges.
Elliott Kalan
[1:09:50] No.
[1:09:51] Don't burn them.
[1:09:51] Bo Bridges.
[1:09:53] Bo Bridges is there too, but he just likes to watch his own movies, starting with The Landlord.
Stuart Wellington
[1:09:59] So what do we do now, Dan?
Dan McCoy
[1:10:01] I told you already.
[1:10:02] We recommend movies that we like.
Stuart Wellington
[1:10:04] That I like, Seven Sun.
[1:10:05] Recommend movies that we like.
[1:10:08] So after you've already watched Seven Sun and you want to watch something else, I'm going to recommend you fire up your movie player.
[1:10:14] And you check out a hot new little action joint titled Close Range.
[1:10:23] Now, Close Range is a micro-budget little action movie directed by Isaac Florentine starring one Scott Adkins.
[1:10:33] Not Scott Adsit, like Elliot was about to say.
[1:10:36] You got me.
[1:10:37] No, I'm talking about the star of Ninja 2, Shadow of a Tear.
Elliott Kalan
[1:10:41] We work together so much, it's like we finish each other's...
[1:10:46] Hamburgers.
[1:10:47] Did you finish my hamburger?
Stuart Wellington
[1:10:49] I did.
[1:10:49] Why did you leave it out?
[1:10:50] You told me a Gremlins took it.
[1:10:53] A Gremlins?
[1:10:54] Yeah.
[1:10:55] You told me a Gremlins, the film, took it.
[1:10:58] Yep.
[1:10:59] A gypsy cursed a Gremlins DVD box to spring to life and steal hamburgers.
[1:11:06] They prefer not to be called gypsies.
Dan McCoy
[1:11:07] Okay, I'm sorry.
[1:11:08] That movie Stealing Hamburgers is so sad.
Stuart Wellington
[1:11:10] You know, we're all steel hamburgers.
[1:11:12] Everybody wants a hamburger scene from...
[1:11:16] I don't know.
[1:11:17] Is that what a robot would eat?
[1:11:19] A steel hamburger?
[1:11:20] Yeah, that's right.
[1:11:23] So, Close Range stars Scott Adkins.
[1:11:26] Scott Adsit.
[1:11:27] Scott Adsit.
[1:11:28] And it is basically a western that has been adapted to the modern day with a drug cartel that has kidnapped a girl.
[1:11:38] That girl gets saved by a drifter who turns out to be that girl's uncle.
[1:11:45] And then they come after her and the uncle because he has a flash drive on the keys that he used to release her from her bonds.
[1:11:53] Now, Scott Adkins.
[1:11:55] Basically, this is a super cheapo, low-budget movie.
[1:12:00] But all the money is on the action scenes.
[1:12:03] The action choreography is super great.
[1:12:06] They go way out of their way to introduce these cartel bad guys, including giving about a dozen guys, like, a title card.
[1:12:15] So you're like, oh, wow, that guy's named Lobo.
[1:12:17] That guy's named Javier.
[1:12:19] Like, all these cool dudes.
[1:12:20] And in my head, I'm like, I don't know why they're taking all this time.
[1:12:23] Scott Adkins is just going to destroy them all.
[1:12:25] And he totally does.
[1:12:27] He annihilates all of them.
[1:12:29] The two best scenes I'm briefly going to touch on.
[1:12:32] One is the moment when Scott Adkins, drifter, gets cornered by a corrupt cop.
[1:12:39] And then they, in turn, both get cornered by some cartel guys.
[1:12:44] And the cops are like, are those some friends of yours?
[1:12:47] And Scott Adkins, with no comedic timing, says, I ain't got no fucking friends.
[1:12:52] Which is great.
[1:12:54] And then at the end of the movie, he does, while fighting a guy, kill a guy by stabbing him in the taint.
[1:12:59] What?
[1:13:01] So go watch it.
[1:13:02] Close range.
Dan McCoy
[1:13:03] I mean, you've got to watch it before it wins all the Oscars.
[1:13:06] Exactly.
[1:13:08] I want to recommend a movie called Diary of a Teenage Girl, which was based on.
[1:13:14] It's a Tyler Perry movie, right?
[1:13:16] That's right.
[1:13:17] It was based on some cartoons by, some semi-autobiographical cartoons by Phoebe Gluckner.
[1:13:23] And it's a little, it's a little difficult.
[1:13:29] A little bit country?
[1:13:30] It's a little, it's a little rough.
[1:13:32] I mean, it's about a relationship largely.
[1:13:36] I asked, my dog saw it, and I asked him how it was, and he said, rough.
[1:13:39] I mean.
Elliott Kalan
[1:13:41] That joke courtesy of first grade.
[1:13:44] In large part.
[1:13:45] It's weird, because Rolf can talk quite a bit.
[1:13:47] No, Rolf said it was rough.
[1:13:48] It was very rough.
[1:13:49] It was difficult to sit through at times, but worth it.
[1:13:52] I mean.
Dan McCoy
[1:13:52] Then he played the piano.
[1:13:54] The big part of the movie is about the relationship between this underage girl and her mother's boyfriend.
[1:14:03] And it's a tough movie because it does not shy away from the fact that this man is a predator in a lot of ways.
Elliott Kalan
[1:14:14] Like an alien who hunts down mercenaries?
Dan McCoy
[1:14:17] This is not the point of the podcast.
Stuart Wellington
[1:14:21] Their species name is pronounced Yautia.
Elliott Kalan
[1:14:24] That he is.
[1:14:26] That he is preying on her.
[1:14:28] This is an inappropriate relationship, and it's wrong for me to do that.
Dan McCoy
[1:14:31] But it also does not shy away from the degree to which she, as someone who is desperate for affection, perhaps wrongly welcomes this attention from a predator.
[1:14:48] But it's an interesting movie about this young girl's budding sexuality and the places it leads her.
[1:14:57] And it is ultimately sort of inspiring, like what she learns from everything that happens.
[1:15:04] And the fact that she's able to translate it through her artwork.
[1:15:10] And it's got great performances from all of the primary cast members.
[1:15:16] And it's just, I got a lot of screeners, you know, from the Writers Guild.
[1:15:26] And this was, I think, the one that I liked the most of all of the quote-unquote awards movies.
Elliott Kalan
[1:15:34] More than Furious 7.
[1:15:35] Yeah.
[1:15:36] Which we also were sent to screen for.
Dan McCoy
[1:15:37] Yeah.
[1:15:38] That and Jurassic World were the most baffling screeners we had.
Stuart Wellington
[1:15:41] I'm going to say, I'm really glad that you managed to slip a little bit of humblebrag in there, Dan.
Elliott Kalan
[1:15:45] No, it was not a humblebrag.
[1:15:47] It was just...
[1:15:48] You know, as someone who helps decide the very prestigious Writers Guild.
Dan McCoy
[1:15:50] Honestly, like, the reason I slipped that in was, like, I got a lot of movies that I thought I was going to like a lot more than I did.
[1:15:59] Mm-hmm.
[1:15:59] And this year, I wasn't...
[1:16:01] Like Furious 7.
[1:16:01] I was not impressed by a lot of the movies that were supposed to impress me.
[1:16:05] Yeah, it was a disappointing year.
[1:16:06] But Diary of a Teenage Girl, I liked a lot.
[1:16:10] So that's my recommendation.
[1:16:13] So Dan says, read a teenage girl's diary.
Elliott Kalan
[1:16:17] Just break into her room.
[1:16:19] I'm going to recommend a movie that I still haven't seen, that movie Selma, that people liked.
[1:16:25] But I watched a different movie.
[1:16:26] I mean, a lot of people liked it.
Dan McCoy
[1:16:27] But I watched A Fish Called Selma, the Simpsons episode.
[1:16:30] Yeah.
[1:16:31] But I watched a different movie by the same...
Elliott Kalan
[1:16:34] It's a great Phil Hartman episode.
[1:16:35] By the same director, Ava DuVernay.
[1:16:39] Her earlier film, Middle of Nowhere, which is about a woman who is a med student, but her education and kind of her life have fallen apart because her husband is in jail.
[1:16:51] And this has kind of taken over her life, the process of trying to see him in jail, trying to get him out of jail.
[1:16:58] And the fact that he is not particularly cooperative in these things and that his being there brings the worst out of him.
[1:17:06] And she begins a possible relationship with a bus driver, played by David Oyelow.
[1:17:13] And...
[1:17:14] Oh, great.
[1:17:15] And he's really good in it.
[1:17:16] And it was just like...
[1:17:18] But at the same time, she's dealing with issues with her mother.
[1:17:22] And there's a feeling of people trying not to make the mistakes they've seen others make or have made themselves or seeing others make in front of them.
[1:17:32] But being unable to figure out how to avoid making those mistakes.
[1:17:36] And I just found it to be a really good, touching movie.
[1:17:40] Good.
[1:17:41] It's called Middle of Nowhere.
Stuart Wellington
[1:17:42] Three very similar recommendations.
[1:17:45] Yeah.
Elliott Kalan
[1:17:46] I mean, in all of them, somebody is killed by being stabbed in the taint.
Stuart Wellington
[1:17:49] Yep.
[1:17:49] The great thing, I don't know why I liked it so much.
Elliott Kalan
[1:17:52] I know why you liked it so much.
Stuart Wellington
[1:17:54] Wait, let me...
[1:17:55] Okay.
[1:17:57] Now that I've composed myself.
[1:17:59] So after the guy gets stabbed in the taint and his lifeless body falls to the ground, you know, at some point to be interred in the ground.
Elliott Kalan
[1:18:08] As dust to dust, you know, where we are but ashes.
Stuart Wellington
[1:18:11] Yeah.
[1:18:12] But when he falls down to the ground, you can actually see that his jeans, like, they made the trouble, like, tearing his jeans open in the crotch.
[1:18:19] And I'm like, that's some good costuming work.
[1:18:22] A lesser movie would just put a red stain on his jeans, but they're like, nope, we want to rip the jeans.
Elliott Kalan
[1:18:28] You know what?
[1:18:29] I know this is a low-budget film, but we can afford the $10 for another pair of pants.
Stuart Wellington
[1:18:34] Those are Costco jeans, Elliot.
[1:18:36] They're like $15.
[1:18:38] Oh, sorry.
[1:18:38] Yeah.
Elliott Kalan
[1:18:40] $50.
[1:18:40] No craft services today, everybody.
[1:18:42] Give me back your bagels.
Stuart Wellington
[1:18:44] I said $15.
[1:18:46] Yeah.
[1:18:47] Oh.
[1:18:47] I thought you said $50.
[1:18:49] No, no, $15.
[1:18:50] I'm like, those aren't Levi's jeans, Elliot.
[1:18:51] Those aren't bootcut Levi's jeans.
Elliott Kalan
[1:18:53] These are not diesel jeans.
[1:18:55] Whoa.
Stuart Wellington
[1:18:56] They still make diesel jeans?
[1:18:58] They still advertise them.
[1:18:59] Okay.
[1:19:00] Vin Diesel jeans.
[1:19:01] Sure.
[1:19:02] If you're going to be witch hunting, street racing.
[1:19:06] Pitch darken.
[1:19:07] Triple X-ing.
Dan McCoy
[1:19:09] Being sad about Paul Walker.
[1:19:11] Street.
[1:19:12] Why would you go there?
[1:19:14] Everybody is.
[1:19:14] Why would you go there?
Elliott Kalan
[1:19:16] Well, we're talking about his many roles, and you've got to bring in something real.
[1:19:20] Street sharking, like in that video.
[1:19:22] Yep.
Stuart Wellington
[1:19:23] Shark streeting.
[1:19:24] Mm-hmm.
[1:19:25] Dragon dungeoning.
[1:19:27] Witch hunting.
[1:19:28] That was the first thing he said.
[1:19:30] I'm sorry.
[1:19:30] It was the first one.
[1:19:31] Well, I think it brings us all the way back around.
[1:19:33] It's like an herb burrows.
Dan McCoy
[1:19:34] Look, I wasn't paying attention because it was nonsense.
Stuart Wellington
[1:19:37] Yeah.
[1:19:38] Oh, good point.
[1:19:38] That's a very good point.
Dan McCoy
[1:19:40] Basically, the podcast.
[1:19:41] I just wanted to say.
[1:19:44] This has been a rare episode of the podcast.
[1:19:47] An emotional roller coaster of an episode.
[1:19:50] An episode where we all liked the movie for once.
Stuart Wellington
[1:19:53] Which meant we didn't have much to say about it.
[1:19:55] Which is good.
[1:19:55] So we dedicated our time to unwrapping gifts.
[1:19:58] Yeah.
Elliott Kalan
[1:19:58] I hope you enjoyed this gift-receiving podcast.
[1:20:01] You enjoyed this unboxing.
[1:20:03] Here on the box house.
Stuart Wellington
[1:20:04] You can only, yeah, just picture in your head Elliot tearing into that paper with childlike glee.
[1:20:10] While a cat continues to try to jump on me and I bat it away with my fists.
[1:20:16] Well, your only defense is throwing that paper on the ground so the cat can make a weird nest out of it.
[1:20:23] Which it did.
[1:20:24] Yeah.
[1:20:24] And that was adorable.
Dan McCoy
[1:20:25] Raised its babies.
[1:20:27] Yeah.
[1:20:28] So what do we do now in the podcast, Dan?
[1:20:29] Now we sign off.
Elliott Kalan
[1:20:30] So now we tell, what do we, we answer letters?
[1:20:33] No, we did that already.
Stuart Wellington
[1:20:34] Before we sign off real quick, I'd just like to promote a little thing.
[1:20:38] Called love.
[1:20:39] It's the fifth element.
[1:20:40] It's a crazy little thing.
[1:20:43] I'm addicted to it.
[1:20:44] You can't buy me that.
Elliott Kalan
[1:20:45] You might as well face it.
Stuart Wellington
[1:20:48] Do not buy it for me.
[1:20:49] I refuse.
[1:20:50] There's a book of it, but nobody knows who wrote it.
[1:20:53] Mm-hmm.
[1:20:54] You can eat, you can pray, and you can do this thing.
[1:20:58] Yeah.
[1:21:00] There's a potion for it?
[1:21:02] This is like Jeopardy questions for the love category.
[1:21:04] A ninth potion?
[1:21:08] Potions one through eight.
[1:21:09] Do not drink them.
[1:21:10] They will turn you into a total hide.
[1:21:12] Now, what do you want to promote?
[1:21:14] Oh, I just want to promote, in addition to doing this lovely podcast, I also do another
[1:21:18] edition of a lovely podcast.
[1:21:19] That's what this is all about?
[1:21:21] I haven't done this before.
[1:21:23] So I've been doing a little podcast called Till Death Do Us Party.
[1:21:27] I'm not going to explain how to spell that.
[1:21:29] No, it's spelled in the stupidest way you can imagine.
[1:21:31] You better know how to explain how to spell it because it's a research for it.
Dan McCoy
[1:21:33] It took me so long.
[1:21:34] I like stared at the fucking title for so long before I understood the pun behind it.
[1:21:39] Yeah.
[1:21:40] It's a deaf leopard podcast.
[1:21:41] So, Till Death Do Us Party.
Stuart Wellington
[1:21:47] So it's spelled T-I-L-L space D-E-F space D-O space U-S.
[1:21:56] Not the United States, but just U-S.
[1:21:58] Yeah, just the word us.
[1:22:00] Space P-P-A-R-D-Y.
[1:22:03] Till Death Do Us Party.
[1:22:04] The dumbest way you could possibly spell anything.
[1:22:06] If you Google, if you put into iTunes podcast search T-I-L-L space D-E-F, it's the first
[1:22:13] thing that pops up.
[1:22:15] Go fucking figure.
[1:22:16] So it's an educational podcast about the band Def Leppard.
[1:22:21] Yeah, it's primarily an educational podcast.
[1:22:24] It's for the kids.
[1:22:27] Alexander Smith and I have been going through the Def Leppard discography and have been exploring
[1:22:33] all of the kind of strange themes that are present in all the music of Def Leppard.
[1:22:40] Check it out.
[1:22:41] All right.
[1:22:42] That ends the housework section of this podcast.
Elliott Kalan
[1:22:45] And I'd like to promote.
[1:22:47] Oh, housework back on.
[1:22:48] Just, you know.
[1:22:50] Love.
[1:22:51] Yeah, loving somebody.
[1:22:53] Oh, sure.
[1:22:53] Just feel love.
[1:22:55] Express love within reason and within boundaries.
[1:22:58] Love responsibly.
[1:22:59] Okay.
Dan McCoy
[1:23:00] All right.
[1:23:01] Well, thank you for that.
[1:23:03] Now we can do our favorite part of the podcast, which is signing up.
[1:23:06] Letters.
Elliott Kalan
[1:23:08] Sure.
[1:23:08] Summary of movie.
[1:23:10] Now, tonight we watched Seventh Son.
[1:23:12] This is the story of Seventh Son.
[1:23:13] We're doing better this time.
Dan McCoy
[1:23:15] I have been Dan McCoy.
[1:23:17] I've been Stuart Wellington.
[1:23:19] At this point, I don't even know if I'm Elliot Kalen anymore.
[1:23:21] Good night, everyone.
Stuart Wellington
[1:23:26] Podcast-o-matic.
Elliott Kalan
[1:23:28] Just pop the podcast in the podcast-o-matic.
Dan McCoy
[1:23:33] Sitting on new chairs tonight.
[1:23:36] Oh, yeah.
[1:23:36] Say it.
[1:23:37] Not like chumps.
[1:23:38] I feel like I have to slouch more than no one.
[1:23:40] I'm holding chairs like assholes.
Stuart Wellington
[1:23:43] Not anymore.
[1:23:44] These chairs don't fold.
[1:23:46] Yeah, Lin-Manuel Miranda.
Elliott Kalan
[1:23:50] I don't know if I like this escalating battle of rules control of Lin-Manuel Miranda.
[1:23:55] I mean, it's clearly not us.
[1:23:56] Yeah, it's not us.
[1:23:57] We have control very little.
Dan McCoy
[1:24:00] That's the way it works.
Elliott Kalan
[1:24:01] That's the way it works, Dan says.
[1:24:04] That's the way it works.
[1:24:07] You wrote them.
[1:24:08] We read them.
[1:24:08] You wrote them.
[1:24:09] We read them.
[1:24:10] That's the way it works.
[1:24:13] How does it work?
[1:24:14] Glad that you asked.
[1:24:16] As Dan said, I'll refer you to his comments.
[1:24:20] That's how it works.
[1:24:22] So, uh-huh.
[1:24:24] Then we write them.
[1:24:26] And then we read them.
[1:24:27] That's how it works.
[1:24:28] That's how it works.
[1:24:31] Then we write them.
[1:24:32] And then we read them.
[1:24:33] That's how it works.
[1:24:34] That's how it works.
[1:24:36] That's how it works.
[1:24:37] That's how it works.
[1:24:39] That's how it works.
[1:24:40] That's how it works.
[1:24:42] That's how it works.
[1:24:43] That's how it works.
Dan McCoy
[1:24:46] Letters is taped before a live studio audience of one cat.
[1:24:49] So, speaking of birthdays.
Elliott Kalan
[1:24:51] Speaking of birthdays.
[1:24:53] Dan was talking about.
[1:24:55] You're born, and that's the day that you celebrate.
[1:24:58] That's how it works.
[1:24:59] That's how it works.
[1:25:01] Anything you need to know about how something works.
[1:25:04] Ask me, and I'll sing it to you.
[1:25:07] Unless it's really complicated.
[1:25:09] Made out of words that don't rhyme so well.
[1:25:11] In which case, don't know if I can help you so well.
[1:25:14] But I'll try.
[1:25:16] Till I die.
[1:25:17] That's how it works.
[1:25:18] So, it's from Noah.
Dan McCoy
[1:25:21] Now the breakdown part where you're spoken word.
Elliott Kalan
[1:25:25] That's how it works.
[1:25:26] We're going to work it now.
[1:25:27] Tell you how it works with the last letter.
[1:25:29] That's how it works.
[1:25:30] That's how it works.
[1:25:30] We're going to work it now.
[1:25:32] Tell you how it works with the last letter.
Dan McCoy
[1:25:36] Maximum fun.
[1:25:37] Maximum fun.org.
Elliott Kalan
[1:25:38] Comedy and culture.
[1:25:39] Artist owned.
[1:25:40] Listener supported.
[1:25:43] Podcasts.
[1:25:44] Podcasts.
[1:25:45] Podcasts.
Dan McCoy
[1:25:46] They're audio programs that tell smart stories.
S5
[1:25:49] In innovative ways.
[1:25:50] Using editing techniques like this.
[1:25:52] Like this.
Dan McCoy
[1:25:53] Like this.
[1:25:53] Yeah.
[1:25:54] Yeah.
[1:25:54] Yeah.
[1:25:55] But let's face it.
[1:25:56] All that smart stuff can be exhausting.
[1:25:58] That's where stop podcasting yourself comes in.
[1:26:01] It's so stupid.
[1:26:02] It's just two stupid dinguses.
S5
[1:26:04] Being dumb idiot jerks for 90 minutes.
Dan McCoy
[1:26:07] Stop podcasting yourself.
[1:26:09] The stupid show that smart people love.
[1:26:12] Find it on iTunes.
[1:26:12] Or MaximumFun.org.

In this episode

Speakers
Elliott Kalan 38mDan McCoy 25mStuart Wellington 17m

Description

Is Seventh Son seventh fun? Perhaps, though we're not sure what "seventh fun" means. Meanwhile, Elliott pitches us on FXXX, Stuart expresses his love for fantasy bullshit maps, and Dan feels terrible about mixing up En Vogue and TLC.

We also debut Jonathan Biegen's "That's How it Works (feat. The Flop House)." And a warning for sensitive listeners -- we briefly get serious during the letters section with some talk about suicide.

Movies recommended in this episode:

Close RangeDiary of a Teenage GirlMiddle of Nowhere

Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinflop