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Ep. #198 - The Cobbler
Transcript
[0:00]
On this episode we watched The Cobbler, Storing, Shoes, and Other Shoes, Sandler, Sandals,
[0:14]
Resort.
[0:41]
Hey everyone and welcome to the Flophouse.
[0:43]
I'm Dan McCoy, I'm Stuart Wellington, and I'm Elliot Kalin, rounding it out, all three
[0:51]
of us, the Delightful Scamp, America's favorite rascal, Elliot Kalin, and we're your handlers.
[0:58]
Yeah, I'm like, yeah, my handlers.
[1:00]
That's why we're wearing these gloves.
[1:03]
And that's why you have to lock me back up in a cage at the end of the night.
[1:06]
And that's why I have to spray myself with Elliot urine.
[1:09]
Just to get me interested in you.
[1:11]
Just to get him interested in hanging out with me.
[1:14]
Where do you get my urine again, by the way?
[1:16]
I have to collect it from, I guess, like benches and trees from the area.
[1:23]
That's where I put it.
[1:24]
In little jars.
[1:25]
Yeah, little apple juice, Mott's apple juice jars.
[1:29]
Yeah, yeah, Mott's apple juice jars.
[1:31]
And Modelo beer bottles.
[1:33]
I mean...
[1:34]
Oh, it tastes delicious.
[1:36]
That's what Stuart's drinking out of.
[1:37]
You can't see it.
[1:38]
Yeah, imagine now Stuart's doing a spit-take.
[1:43]
Patooey, patooey gross.
[1:46]
We're done.
[1:47]
Oh, and also his eyes popped out, and he may have turned into like a...
[1:50]
Ah, his eyes popped out!
[1:51]
He turned into like a steam whistle, and his hands turned into mallets.
[1:54]
I'm bum-blind.
[1:55]
It stretched out my optic nerves.
[1:56]
And hit himself with the mallet really hard, because I guess he saw like a sexy lady or something.
[2:00]
Now he's banging on the table.
[2:02]
Yeah, my eyeballs are hanging out of my head.
[2:04]
Somebody pull on my toenails real hard to pull them back in.
[2:08]
That works.
[2:09]
Cartoon biology.
[2:10]
They teach you that in the cartoon medical schools.
[2:13]
How to handle somebody's eyes popped out of their head, or they were flattened by something.
[2:17]
Usually there's a lot of inflating or deflating.
[2:19]
Yeah, or like how to unzip somebody's skin to just get their skeleton right out.
[2:22]
Yeah, so you can set their bones and put them back in.
[2:27]
Yeah.
[2:28]
You gotta play their ribcage like a xylophone first.
[2:31]
I went to a music conservatory to learn how to play...
[2:34]
A cartoon music conservatory.
[2:35]
Yeah.
[2:36]
Human ribcage.
[2:37]
I mean, it wouldn't surprise you to guess how many duck-bill refastenings we have to do back at the cartoon ER.
[2:43]
Ducks get shot, blown up. Bill gets spun around. You gotta reattach it.
[2:47]
The hard part is reattaching the bill to the throat.
[2:50]
Okay.
[2:51]
Takes a lot of clamps.
[2:52]
Okay.
[2:53]
That's how a bill becomes a law.
[2:55]
Kids, it's all on the test. Remember it for later.
[2:59]
So this podcast is a podcast where we watch a bad movie and then we talk about it.
[3:04]
Glad you took us back to first principles.
[3:07]
Yeah.
[3:08]
Well, some people might think it's a tautology.
[3:10]
I think you just need to know...
[3:13]
Tautology.
[3:14]
Your ology is so taut, Dan. Have you been working out?
[3:17]
Well, thank you.
[3:19]
So yeah, so we do this podcast and we talk about movies.
[3:22]
Just let that linger there.
[3:23]
Just let that sink like a stone.
[3:25]
A little pregnant pause.
[3:27]
All over the bottom of the ocean.
[3:28]
An aborted pregnancy.
[3:30]
Don't like it. Don't like it at all.
[3:33]
You know what, Dan?
[3:34]
I'm going to let you keep going down the dead end that you're on.
[3:36]
And Stuart and I can go down a different road.
[3:38]
Vroom, vroom.
[3:39]
Honk, honk.
[3:44]
The car doesn't even have gas or wheels.
[3:49]
Seems to be some kind of a TV box.
[3:53]
Let me put another quarter in this so that it will vibrate around in front of the drugstore a little bit longer
[3:58]
and keep Dan busy so he can get started on the podcast.
[4:01]
Dan, and by that I mean Stuart.
[4:03]
Yes?
[4:04]
What was the movie we watched?
[4:05]
We watched a movie called The Cobbler.
[4:07]
Now a lot of people have been asking us to do this movie because they hate us.
[4:10]
They know how much we love dessert.
[4:12]
Yeah, yeah.
[4:13]
Dan, what is a cobbler?
[4:14]
You're a baker.
[4:15]
It's kind of like a grunt.
[4:17]
What does that mean?
[4:19]
It's a little bit like a crisp.
[4:21]
Okay. What's a grunt?
[4:22]
A grunt is like...
[4:23]
Like I'm familiar with the Brothers Grunts.
[4:25]
They wore wingtips and just boxer shorts or board shorts
[4:29]
and were a kind of bad way to set up a framework for music videos on MTV.
[4:33]
A grunt is a cobbler that has basically biscuits on top of it.
[4:37]
Okay. And what's a cobbler?
[4:39]
Since you now explained a cobbler by comparing it to a grunt and a grunt by comparing it to a cobbler.
[4:43]
When Goldenberry came to the door, it was as if an elf maiden had come to the door.
[4:47]
A thing that has not shown up in this book yet.
[4:51]
A cobbler is a fruit thing that has more of a...
[4:53]
Fruit thing? So like fruit by the foot?
[4:55]
A pastry top.
[4:56]
Is it more like a gusher?
[4:58]
A loose pastry top.
[4:59]
Oh, tie that thing on or else...
[5:01]
That pastry's going to lose its top and Willie Talsall's going to have to return it
[5:05]
in The Great Cobbler Off-Road Adventure.
[5:07]
Yeah.
[5:08]
And a crisp, you know, has like oats...
[5:11]
He's the bad guy from Kindergarten Cop.
[5:13]
And sugar and butter all mixed together.
[5:15]
He's the author of The Naked Civil Servant.
[5:17]
So what's a cobbler?
[5:19]
Because I talked through most of the explanation.
[5:21]
So it's like a fruit snack.
[5:23]
Yeah, it's like a fruit by the foot.
[5:25]
That's what I said!
[5:28]
Is it more like a gusher?
[5:30]
It's one of them juicy frites.
[5:32]
Juicy frites?
[5:34]
Is that a fried juicy from France?
[5:38]
I'll have a steak juicy frites.
[5:42]
Now, can you roll it up?
[5:44]
Because I love fruit in roll-up form.
[5:46]
You could.
[5:47]
You'd probably get your hands pretty messy though.
[5:49]
Now, vis-a-vis Gert, does it go?
[5:53]
Yeah, can you just take a cobbler on the go?
[5:55]
Roll it up or something?
[5:57]
I mean, you can take most things on the go.
[5:59]
Not anvils.
[6:01]
That's true.
[6:03]
Not blue whales.
[6:05]
Yeah, all right.
[6:07]
I mean, I guess most things is probably...
[6:09]
How many planets or stars can I take on the go?
[6:11]
Answer all of them.
[6:13]
They're always moving through space.
[6:15]
There's almost an infinite number of things that cannot be taken on the go.
[6:17]
Thank you.
[6:19]
Speaking of things that don't really go,
[6:21]
just kind of sit around and don't do a lot,
[6:23]
The Cobbler, starring Adam Sandler.
[6:25]
Currently nominated for a bunch of Oscars, right?
[6:27]
For Spotlight?
[6:29]
Or The Cobbler.
[6:31]
For Best Cobbling.
[6:33]
Tom McCarthy, whose work in the past I've enjoyed quite a lot.
[6:35]
I liked Spotlight.
[6:37]
He did Win-Win.
[6:39]
Station Agent.
[6:41]
I haven't seen that still.
[6:43]
I liked The Visitor.
[6:45]
I bumped into Tom McCarthy outside a screening of his Win-Win.
[6:47]
He was about to come in and talk to people,
[6:49]
and I had to go out early,
[6:51]
but I was like, I gave one of those,
[6:54]
Oh, as opposed to those I hated your movie thumbs-ups?
[6:56]
Yeah, that's right.
[6:58]
Where you just go, it sucked, and you put the thumbs up.
[7:00]
So I've got fond feelings for this man,
[7:02]
who put together not such a great movie.
[7:04]
This movie not quite so good as the others
[7:06]
in that it was not good.
[7:08]
Let's talk about the basic premise.
[7:10]
It's a bit of magical realism,
[7:12]
rooted in, let's call it...
[7:14]
It usually works in movie form.
[7:16]
Almost always.
[7:18]
And rooted in a very specific sort of...
[7:20]
Plasma music.
[7:22]
It's not Jewish folk mysticism,
[7:24]
or magical realism.
[7:26]
It's a fairy tale, if you will,
[7:28]
with a heavy bed of plasma music
[7:30]
that is at times almost indistinguishable,
[7:32]
as Stuart pointed out,
[7:34]
from Squirrel Nut Zippers music.
[7:36]
There is a cobbler,
[7:38]
played by Adam Sandler.
[7:40]
He hates being a cobbler.
[7:42]
Well, we start out in the past.
[7:44]
It's the 1930s,
[7:46]
and some evil land developer
[7:48]
is trying to raise the rent
[7:51]
and one of them says...
[7:53]
So they have a breaking competition
[7:55]
to keep the land developer at bay.
[7:57]
I wish.
[7:59]
In fact, actually, I don't wish.
[8:01]
The last thing I need to see is,
[8:03]
like, these Jews are going to start breakdancing.
[8:05]
What? Cobbler.
[8:07]
Come on.
[8:09]
Yeah, they could just borrow a breakdancer's shoes.
[8:11]
Oh, wait, we haven't even gotten to the magic shoes part of the story yet.
[8:13]
But this establishes that there's a magic shoe machine,
[8:15]
where if you...
[8:17]
A Miami shoe machine.
[8:19]
Gloria Estefan's shoe store,
[8:21]
the Miami shoe machine,
[8:23]
was not as successful.
[8:25]
I'll tell you why.
[8:27]
They kept wanting to turn the feet around.
[8:29]
Oh.
[8:31]
But that's not how feet work.
[8:33]
They only point in one direction.
[8:35]
And if you try to wear shoes that point the other direction,
[8:37]
you will hurt your feet.
[8:39]
Yeah, you'll fall over.
[8:41]
So, there's a magic shoe machine...
[8:43]
By the way, this whole time,
[8:45]
Stuart's been playing with the cat
[8:47]
toy from Stuart's hand.
[8:49]
Just trying to keep Archie occupied.
[8:51]
Just trying to keep it real.
[8:53]
I don't think it's less distracting than Archie
[8:55]
doing what Archie normally would do.
[8:57]
Which is what? Like conga dance?
[8:59]
That's right.
[9:01]
That would be very distracting.
[9:03]
Or just, like, hurl fish heads at us.
[9:05]
That would also be distracting.
[9:07]
Practice his Awesome Powers impression.
[9:09]
You wanna make you horn him, meow meow,
[9:11]
Archie Powers.
[9:13]
Like, my wife, etc.
[9:16]
How did Borat get in there?
[9:18]
I don't know. I feel like Awesome Powers
[9:20]
would probably be up for doing some Borat impressions.
[9:22]
Groovy! Welcome to Jurassic Park!
[9:26]
Archie, you're nuts.
[9:28]
I mean, that movie predates Awesome Powers
[9:30]
by a number of years.
[9:32]
Yeah, so Awesome Powers would have seen it.
[9:34]
They didn't cover every moment of the time that he spent
[9:36]
in our future.
[9:38]
There was a point when they thought about
[9:40]
to stop Dr. Evil.
[9:42]
At a certain point, he said,
[9:44]
You gotta show it to me, baby.
[9:46]
Uh-huh.
[9:48]
My wife!
[9:50]
You're not even married, and that movie doesn't exist yet.
[9:52]
Play it, Sam.
[9:54]
Do I make you horny?
[9:56]
Well, you said the line correctly, so okay, that's fair.
[9:58]
He didn't say play it again, Sam.
[10:00]
Yep, he started saying my wife this guy calls up his cousin. He's like Sasha. It's your cousin
[10:07]
Jamie Baron Cohen, you know that catchphrase you've been looking for well listen to this say it again Austin say what I don't
[10:15]
Understand I'm not even trying to do an Austin Powers
[10:20]
The idea of doing what is so so demeaning to me that I'm not even trying
[10:25]
Do I make you horny yeah, baby, that's the new character Elliot Kalin the impressionist with too much self-respect
[10:34]
Pretend I'm somebody else. I love me for me. Here's my Jimmy Carter. It's me the president Jimmy Carter. I've got lust in my heart
[10:42]
Yeah, I mean, that's something you said in text to it and they're not you know
[10:46]
Yeah
[10:49]
So there's a magic shoe machine if you repair a pair of shoes with this machine and then
[10:57]
Let me finish explaining with the magic shoe machine does it doesn't make shoes no, it's not magic
[11:02]
It doesn't make magic shoes. It's a machine that makes magic shoes
[11:06]
It's a machine that makes magic shoes
[11:08]
Let me finish explaining with the magic shoe machine does it doesn't make shoes no, it's not magic
[11:13]
It doesn't make magic shoes it but if you repair a pair of shoes with it and you put the shoes on
[11:19]
You instantly become just an appearance and voice the person whose shoes they who they belong to who the shoes that belong to yeah
[11:26]
Them at that exact moment in time you look like them and that's that and sound like you don't get you don't
[11:34]
Apparently, yeah, it's not like a being John Malkovich where you get ported into that actual person you just become their exact clone
[11:41]
Yeah, it's a real William Wilson type scenario. You can't maintain your own
[11:45]
Consciousness and in fact, that's one of the failings of Adam Sandler's many plans to do that in this movie
[11:50]
Is that he's an idiot and when he becomes someone else, he doesn't try to act like they would he just acts like himself or
[11:57]
surprise
[12:00]
What I'm pretending to be this person I can't believe what's happening
[12:04]
Why are you treating me like this person that I'm pretending to be and who I look like now, okay
[12:09]
Let's talk table in the beginning. So magic shoe machine Adam Sandler is
[12:14]
Running this shoe store his fourth-generation cobbler. He doesn't like it
[12:17]
He's on he's on like the Chinatown Lower East Side area of New York and he's supposed to just be like a depressed humble man
[12:24]
But as we were saying before like the movie sort of overshoots and gets into like Forrest Gump territory
[12:30]
He seems like he may have some sort of problem it both
[12:34]
overshoots into possible mental difficulties area and also he's a
[12:39]
Kind of with it withdrawn loner who is brought out of his shell though
[12:43]
It happens, but he they go too far into almost like Travis Bickle territory where he's like a creepy guy
[12:48]
Yeah, like a creepy awkward. Let me when we last caught up with our
[12:52]
buddy
[12:53]
Adam Sandler
[12:56]
Yeah, the Sandman we entered Sandman. Yeah, that was in
[13:00]
Men women and children, right? Yeah a movie that also it looked like he, you know rolled out of bed right into writing to start shooting
[13:07]
Yeah, he doesn't shave for his movies. No, I mean, why would he it's cold outside?
[13:15]
Very good point. I mean it is currently cold outside
[13:18]
It actually looks quite warm in the movie even though he's always wearing a coat and scarf and here's the thing
[13:23]
Here's a tip for anyone. I have a hook man
[13:26]
Anyone's scarf anyone who gets a magic shoe machine that lets you become another person
[13:31]
Don't wear the same coat and scarf you wear all the time
[13:33]
Maybe how will the audience know it's you then cuz maybe they've been paying attention to the movie
[13:38]
Yeah, it does feel like a weird like comic book II thing
[13:41]
It's like the comic book character had this power there would be some indicator at all times whether they're using the thing
[13:46]
Yeah, it is also a moment for the director to be like my audience is pretty stupid
[13:51]
No, maybe you're not gonna be able to follow this. They're just gonna think we're following a random person around for some reason
[13:57]
So give them a big like loose print tie that he wears around or scarf
[14:01]
I mean or maybe maybe he's hoping that that like loose that coat and that
[14:05]
Will be like an Easter egg that people will be like when they're super pumped about it. They just finished the movie
[14:10]
They're like, let's start it back up again so I can see all the cool things that I've missed
[14:14]
Oh, and they're watching it again. They're like, oh my god, that guy was wearing a tie
[14:17]
He was a zombie the whole time
[14:19]
And then more like they were hoping it would catch on and become like like there was the Annie Hall look there would be the cobbler
[14:25]
Look, we're gonna be wearing a long coat long brown coat and a brightly colored scarf and people would be like, hey great
[14:32]
Tom Baker costume. No, I'm the cobbler
[14:35]
I'm the cobbler. Stop confusing me with the doctor. Mm-hmm
[14:40]
Cuz I'll tell you this Tom McCarthy and I'm Sandler the coat with a colorful scarf look has already been taken. Mm-hmm
[14:46]
You've been diagnosed with stealing intellectual property
[14:52]
And you're going to hospital jail
[14:56]
So he is unhappy he doesn't like it he is
[15:01]
told that there's an old man who is the last
[15:04]
Living person in his apartment building and is trying to be run out by evil developers who want to tear down the building and build
[15:10]
A block of high-rise condos for the young rich people. I'm guessing
[15:15]
He also works next door his name is Max
[15:17]
This is we can call him Max
[15:19]
He lives next door or works next door rather to Jimmy
[15:21]
Play by Steve Buscemi who is a barber who loves pickles and has always given Max pickles to eat and advice and advice
[15:28]
But mainly pickles and they have a close relationship their best friends longtime family friends
[15:33]
Max lives in Sheepshead Bay with his mother his dad. They think is dead
[15:38]
Yeah, and Max, how did he discover that the shoe machine? I guess his regular shoe machine breaks down
[15:43]
Yeah, that man brings in a pair of shoes method man playing. Of course a college professor. No, just kidding
[15:49]
he's playing some kind of drug dealing thug because of the two black characters in the movie one is a
[15:54]
Criminal thug and the other is a kid who has made fun of for being fat. Yeah a number of times obese child. Yeah
[16:01]
And so Adam Sandler's regular non-magical shoe machine breaks down
[16:06]
So he decides to repair them with his antique shoe machine
[16:09]
And then I guess he's just curious about shoes and wants to try them on because they're the same size he wears
[16:14]
Yeah
[16:18]
That's how he gets his elicit thrills I mean when you spend all day slaving over a hot pair of shoes
[16:24]
Slip your dogs right in
[16:26]
Yeah, now what he really needs and this would make his life a lot earlier is a staff of magical elves that do the work
[16:32]
For him at night
[16:33]
I mean the movie would be great if they had like magical elf characters or like a talking shoe machine
[16:39]
Character if the shoes came to life and only he could hear them now, we're talking a great movie shoes have tongues use them to talk
[16:46]
Mm-hmm, and then hey, let's go out. I think it'd be really good. Shut up. Shut up
[16:51]
Did you just tell your shoes to shut up? No, no, no. No, I was I was telling you to shut up. Oh, yeah
[16:57]
That's better. Well, you well, I never you just blew it buddy shoes. Did you just call me a stupid pair of shoes?
[17:12]
If I was a pair of shoes, I would be stupid because I'm a great person. Thank you for the compliment
[17:17]
Hey, I'll be your wingtip man. Shut up. Shut up. Did you tell me to shut up again? No, I swear
[17:24]
I was talking to my shoes. Ah
[17:26]
the cobbler rated R
[17:29]
For extensive new
[17:32]
Because he doesn't he spends a lot of time having sex with the shoes
[17:36]
Did we describe what happens when he puts those shoes on when he puts the shoes on?
[17:40]
He looks like the person who shoes they belong to I told that already and so you're probably thinking
[17:45]
Oh, I can't wait to watch this movie because I'm gonna watch some really amazing
[17:49]
CGI morphing effects no like from the movie sleepwalkers where Adam Sandler like shakes his head really fast
[17:55]
He like yada yada yada
[17:59]
No, no, they never just cuts away and then back. Yeah, it's it's the easiest and frankly better way
[18:06]
But also if you're wondering does he then try on a whole bunch of shoes and in the process a little transphobic humor
[18:13]
Yes, he does. Yeah, it is weird that those
[18:18]
That pair of pumps that he he puts on the slow. I know those stiletto pumps
[18:23]
It doesn't look like his shoe machine would I mean, I guess resold them. Yeah
[18:30]
Yeah, Dan every shoe has a soul it's the plot of my new children's movie all shoes go to heaven it turns out people go
[18:36]
To hell but shoes go to heaven but people abuse shoes day and night walking on them forcing them to slave away for nothing
[18:43]
So we go to hell. It sounds pretty dark for a Pixar movie. Pixar loved it. Jimmy Pixar the head of Pixar
[18:49]
He said it was the best movie they've made since Monsters University. Oh, wow
[18:55]
Now I wow damning with faint praise. I would have liked it if when he was trying on a bunch of different shoes
[19:01]
They did it in like a pretty woman montage style though where Steve Buscemi was like sitting there like giving a thumbs up
[19:07]
Yeah, and walk like a man plays
[19:09]
Yeah, or walk like an Egyptian and he's some ancient mummy shoes and turned into a walking on sunshine
[19:15]
All right. I mean when it when he the walking things would would work
[19:20]
These boots are made for walk. Perfect. Great. Perfect. Yeah, why they didn't play that when he put blue suede shoes. There you go
[19:27]
It had to be shoe
[19:32]
We're talking about that character for the gum strip shoe
[19:36]
Irascible duck reporter
[19:40]
Yep, when Adam Saylor takes him and stretches his little duck body around his feet
[19:51]
His shoes are made out of his own body
[19:58]
He's like why did somebody name
[20:00]
me this
[20:02]
so adam sandler puts on a bunch of shoes and he kind of
[20:06]
what he now goes on a miniature crime spree
[20:08]
where he's taking people's shoes and doing bad things with him he's
[20:11]
he's dining and dashing food
[20:13]
he's creepily stalking some people
[20:17]
puts on the shoes of a handsome guy who lives near his his uh...
[20:20]
store
[20:21]
and played by the guest stan stevens and almost downtown abbey has sex under
[20:25]
false pretenses yeah
[20:27]
with the guy's girlfriend until he realizes he'd have to take his shoes off
[20:31]
yeah she's inviting him
[20:33]
she's nude she's inviting him she's in the shower she has an organic reason for being nude
[20:37]
she's not just swanning around nude she invites him into the
[20:42]
shower
[20:42]
uh... and adam sandler seems like he's totally into going in there and boning her
[20:46]
until he realizes that
[20:48]
he has to take his shoes off to go into the shower and the movie does not treat
[20:52]
this as if it was like a potential rape scene it treats it as if like
[20:57]
oh this would have been ok except for he can't remove his shoes yeah it treats it like
[21:02]
you're like
[21:02]
oh yeah he's finally gonna get some oh wait a minute
[21:06]
uh oh the shoes even though stupid shoe rules i mean the joke on him really is
[21:10]
that she's totally turned on by shoes in the shower
[21:13]
oh wow but what he doesn't know is that her boyfriend always keeps his shoes on
[21:17]
when they have sex in the shower yeah that's why i had to get them re-soled
[21:20]
yeah because they're constantly getting wet and like all gross from the shower
[21:24]
mhm
[21:25]
the fetish is that she's ruining these really nice shoes yeah because what's
[21:29]
what's sexier than being able to just
[21:32]
cast off luxury as if it didn't matter to you that's right it reminds me of the
[21:36]
story in uh... when i was reading in
[21:38]
when nathan raven wrote about that book
[21:40]
uh...
[21:41]
what like confessions of a video vixen or something like that it was one of those books
[21:45]
was the book that uh... that
[21:46]
that's the super groupie super head
[21:48]
uh... what
[21:50]
you're saying gibberish she talks about going on a date with fred durst
[21:54]
where fred durst ordered five meals five dishes at a restaurant
[21:57]
burp burp i killed them all burp
[22:00]
no ate a little bit of some of them and then left and that she had like she was so
[22:04]
turned on by his wasting of food because it showed how rich he was
[22:09]
oh fred durst okay
[22:11]
yeah not robert durst the wealthy murderer
[22:17]
although he probably does order food and not finish it he's very skinny
[22:21]
uh... succinct description of it like i'd like to think that he introduces himself that way
[22:25]
hi i'm robert durst the wealthy murderer fred you've seen me in the jinx starring robert durst
[22:30]
i am a very wealthy and i'm a murderer
[22:34]
i am a fan of limp biscuit not a member
[22:39]
many have made that mistake
[22:40]
but i am the wealthy murderer
[22:44]
i only kill people as opposed to the eardrums of millions as my half-brother
[22:49]
fred durst
[22:53]
as to the humorous will durst yes he is a cousin of mine
[22:58]
as far as i know he has murdered nothing
[23:01]
as for dust that is a thing that gets on items uh... it is small particles
[23:07]
it has nothing to do with us it's what we'll return to someday you may be sooner
[23:11]
because i'm about to murder you here's my card and it says robert durst murderer
[23:16]
comma wealthy
[23:18]
well yeah that's how you file it
[23:21]
uh... so he wears those shoes in the shower i'm assuming because he has some
[23:26]
kind of horrible foot fungus yeah and now adam sandler has it because he wore
[23:30]
the shoes yeah but now that's the rules of the game
[23:33]
uh... regulation
[23:35]
he uh... thanks for translating that
[23:39]
uh...
[23:40]
the he now
[23:41]
does his mother die before he also he uses the shoes to impersonate his long
[23:46]
lost dad dustin hoffman
[23:48]
and give his mother
[23:49]
a night of
[23:51]
romance that i hope that's that's that's like right after he almost
[23:56]
rates that woman okay but he hasn't yet gotten into method man's apartment right
[24:00]
yeah okay
[24:01]
but that does cut away so we don't know i mean that he could have had sex with
[24:05]
his mom
[24:06]
so it's really weird his mom is clearly
[24:09]
has dementia
[24:10]
yeah there's a moment earlier on when adam sandler pulls a purse out of the
[24:14]
microwave and it's played for laps is it was supposed to be like she didn't
[24:17]
even start the microwave
[24:19]
it's going to take forever to cook this is here that where's the baby
[24:23]
the baby is like in the closet with the coats i guess
[24:27]
and then there's some unpopped popcorn in the crib
[24:32]
there's a what? they were supposed to cook the baby
[24:35]
yeah because they're cannibals did we not mention that? originally it was called the cannibler
[24:41]
so he shows up as his dad so he gives his mom a night of
[24:46]
romance that's crazy involves them laughing joking we can only assume
[24:51]
having sex because the next morning you're reading fucking select passages of Oedipus or something
[24:56]
it's an old jewish couple so they're probably reading like neil simon plays
[25:00]
to each other
[25:01]
then uh... the next morning he wakes up to find his mother is passed in
[25:05]
her sleep
[25:06]
probably because
[25:07]
her body couldn't handle the loving that he gave her the night before
[25:13]
sweet bone-in ham
[25:15]
it's got a maple glaze on it
[25:19]
you have to make the choice at the deli counter whether you want the
[25:22]
sweet bone-in or the hot bone-in
[25:26]
sweet bone-in is better for old people because it's easier on their gums
[25:31]
hot they can't quite handle the spice
[25:34]
with their, you know, tender tummies. Yeah, because it turns their fucking eyes blue.
[25:41]
An old person, you give them spice, they're not going to be able to bend to the universe to navigate. They're just going to get blue eyes and fall asleep.
[25:46]
What, are they going to have to be fitted for a new still suit?
[25:49]
Come on, they've already outgrown the last one.
[25:52]
uh... Dan, these are Dune jokes.
[25:55]
I just spaced out.
[25:57]
just like in Dune, which is set in outer space
[26:01]
on the planet Arrakis. So, Dunesbury is an adaptation of Dune, right?
[26:05]
That's right. Is Zonker the one who smiles at spice? That's why everyone has all those crazy noses in it, because they're aliens.
[26:10]
It's just weird, because they never mention, like, Arrakis, or the House Atreides, or anything else,
[26:15]
and they talk a lot about modern-day politics. So, is it a prequel to Dune?
[26:19]
uh...
[26:20]
I would be able to say a lot more about this bit. Make up some stuff about sandworms.
[26:24]
Maybe Uncle Duke is riding a sandworm.
[26:27]
He manages to tame Shai-Haloo.
[26:31]
He's floating around, like that guy does.
[26:33]
Baron Harkonnen?
[26:35]
I don't like his politics.
[26:38]
That's my attempt at a Dunesbury joke.
[26:44]
Now I want to see... OK, Flophouse fans, do it. A Dune-Dunesbury mashup,
[26:49]
where it's Baron Harkonnen is giving a press conference, but there's a symbol to represent him.
[26:54]
Like the floating feather was, uh...
[26:56]
Was what, Dan Quayle?
[26:57]
Yeah. And just, like, panels of text. It's all...
[27:02]
Or, like, it's four panels of just the outside of Duke Leto's...
[27:09]
Or, Leto? What was the Duke's name?
[27:10]
Duke Leto Atreides.
[27:12]
Just the four panels of the outside of Duke Leto's compound, with word balloons coming out of it,
[27:17]
about current... You know, they were having trouble with the Freemen, and then a joke at the end.
[27:22]
Morgan Freeman.
[27:25]
So, back to...
[27:26]
So, Cobbler. So, his mother dies, and he sits Shiva, and is very upset.
[27:31]
He goes back to work after seven days of sitting Shiva. That's what you do.
[27:35]
And, uh...
[27:37]
Probably because he's hankering for a bite of pickles.
[27:40]
Yeah, because there's pickles all over the place.
[27:42]
Always walking around with pickles.
[27:44]
Well, Jimmy, the barber, keeps giving him pickles.
[27:46]
I know, but, like, as you were saying, you're wondering whether these are just loose pickles that he has in his pocket?
[27:51]
There are scenes where he's walking... He's in the middle of a mission he's given himself,
[27:54]
and he's walking down the street, just chomping on a pickle.
[27:56]
It's like, does he just have a pickle pocket of pickles?
[27:59]
Because a pickle pocket is something I wouldn't mind having.
[28:02]
You line the inside of your pocket with, like, some kind of waterproof material.
[28:06]
You can put wet pickles in there.
[28:07]
Makes perfect sense.
[28:08]
Keeps them from over-brining.
[28:09]
So, like, a pocket protector, but a pickle protector.
[28:10]
Now you're on the trolley. The pickle trolley.
[28:14]
It's the best trolley, because it smells like pickles.
[28:16]
Unfortunately, you're going to smell like pickles.
[28:17]
So, Elliot, me and my buddy Mark Cuban have a TV show called Shark Tank.
[28:20]
It's called Pickle Tank.
[28:22]
We put you in a tank full of pickles, and you've got to not drown while eating as many
[28:26]
pickles as you can.
[28:27]
I don't know if you know this about Mark Cuban.
[28:28]
He owns a basketball team.
[28:29]
Most people just get desiccated from the salt, the moisture from their body.
[28:33]
It's pretty gross.
[28:34]
Every now and then, though, someone gets addicted.
[28:35]
But don't worry.
[28:36]
Drink all that pickle juice.
[28:37]
We'll give them uncontrolled diarrhea.
[28:41]
It's why...
[28:42]
It's a reason why critics call it the worst show on television.
[28:45]
This is literally torture, says the Justice Department.
[28:49]
So he's upset, and Method Man comes in, and this is where the movie takes an abrupt turn
[28:54]
from being about a sad loner who is...
[28:57]
A plotless tale.
[28:58]
A plotless tale about a sad loner, like, in theory, doing funny things with shoes.
[29:03]
It takes a turn into becoming a crime, comedy, thriller, drama.
[29:08]
They were like, hmm, let's try to make this more of a get shorty type film.
[29:14]
Let's make this more of a, like, small-time crooks, which is a bad example because it's
[29:19]
not very good.
[29:20]
But, like, let's say, you know, like a crime comedy.
[29:22]
You know what I'm talking about.
[29:23]
A cromedy.
[29:24]
They're known as cromedies because crom is in them.
[29:29]
The god of the Sumerians.
[29:33]
Now I want to see a Conan the Barbarian comedy.
[29:35]
They call it cromedy.
[29:36]
It's just basically an adaptation of Gru.
[29:39]
I guess you're right.
[29:41]
That is just Gru.
[29:42]
I mean, Cerebus started as that, too.
[29:45]
Yeah.
[29:46]
Okay, good point.
[29:47]
And then became a weird anti-woman scrooge.
[29:49]
You got to understand women are terrible.
[29:52]
According to Jameson.
[29:55]
My favorite thing about him is when he would write essays about how women are evil.
[30:00]
And he would quote the female characters from his stories as examples of why women are bad.
[30:05]
And it's like, you can't do that, you invented that woman.
[30:08]
By the end of it, you know, his assistant was drawing so much of it.
[30:12]
And I wonder if, like, it was Gerhardt's?
[30:14]
Well, he did the backgrounds, for sure, yeah.
[30:16]
I wonder if there was a point at which where he was just like,
[30:18]
uh, Dave, we talk about this.
[30:22]
I'm through talking.
[30:23]
I'm gonna get in a boxing match with Jeff Smith, who made Bone.
[30:27]
Did you remember that?
[30:28]
Yeah, I took, they never did it, right?
[30:30]
He challenged him to it.
[30:30]
Because it's super weird.
[30:31]
And they both thought you of a bull.
[30:34]
And yet Todd McFarlane and Peter David had their debate at Comic-Con years ago.
[30:39]
What was their debate about?
[30:41]
They just disagreed on a lot of stuff.
[30:42]
I think Todd McFarlane showed up in a chicken costume.
[30:45]
It was weird.
[30:46]
And what's strange is they had worked together years earlier.
[30:48]
You know, they should be friends.
[30:51]
Sometimes when you reach a certain level of talent,
[30:53]
you just can't get along with other people on that same high peak.
[30:58]
That's why you gotta start a toy company.
[31:00]
And buy Mark McGwire's rump ball.
[31:03]
Or did you mean Peter David?
[31:04]
I was talking about Peter David.
[31:05]
Oh, never mind.
[31:07]
So anyway, this is when it takes an abrupt turn into crime territory.
[31:10]
Method Man comes in and he's very rude to Adam Sandler and demands his shoes.
[31:15]
Now really, all that he does at this point to make us not like him is be insensitive
[31:19]
about Adam Sandler's recent death in the family.
[31:21]
That's a pretty, I don't know, he's such an asshole about Adam Sandler's mom dying.
[31:26]
But does that deserve Adam Sandler then impersonating him
[31:30]
and stealing from him and beating him up?
[31:34]
We learn he's a bad guy.
[31:35]
He's a horrible man.
[31:35]
He's a criminal.
[31:36]
He's a bad person and like a domestic abuser and stuff.
[31:39]
But we don't know that about him.
[31:41]
When he starts kicking over rocks, we find a bunch of worms.
[31:45]
He's a real muckraker, yeah.
[31:47]
Careful about what you put those shoes on.
[31:50]
You may not like what you find out.
[31:52]
It all depends on whether you think that the cobbler should be a source of vigilante justice.
[31:56]
I don't.
[31:57]
It doesn't matter what you like because that's what you get
[32:00]
because he walks around with his bag of shoes that he changes repeatedly.
[32:03]
To become new people.
[32:04]
It's like it is the worst superhero power you could imagine
[32:08]
that he has a bag of shoes that allow him to become different people.
[32:12]
Including one guy who is clearly already dead
[32:15]
because when he puts on his shoes, he looks like a zombie man and smells like one.
[32:20]
Which makes us understand that at this point,
[32:22]
if he puts on a dead person's shoes, he appears dead.
[32:26]
Although he can move around and moan like a zombie.
[32:29]
It's kind of crazy.
[32:30]
Rigor mortis has not set in.
[32:32]
That's the one flaw.
[32:35]
He should be a dead guy.
[32:37]
So he decides to spy on Method Man for a while
[32:41]
and he finds out that he has got a lot of money and fancy watches in his apartment.
[32:47]
I think he just wants to teach him a lesson and steal his watches.
[32:51]
He's like, you'll never be able to tell time to make your appointments.
[32:55]
You'll never know when the shoe repair shop is closing.
[33:00]
He's trying to steal the watches so he can't come back the next day to beat him up
[33:04]
because he won't wake up in time or something.
[33:07]
His alarm on his fancy watch won't go off and he'll sleep forever.
[33:10]
And then cut to it's 5,000 years in the future and he wakes up.
[33:14]
He's got a giant long beard.
[33:18]
He's like, I don't deserve the name Method Man anymore because I have no routines.
[33:21]
And I'm just man now, the final man.
[33:28]
There's a method to my man-ness.
[33:31]
I don't think that we need to get into all the ins and outs.
[33:34]
He finds out that Method Man is a criminal who works for the real estate person,
[33:40]
played by Ellen Barkin, who is trying to kick out Mr. Solomon, the old man.
[33:46]
Oh, and we forgot to mention that there's this woman
[33:49]
that wants to keep the Lower East Side in the hands of small business owners.
[33:54]
To keep it weird.
[33:56]
She's kind of attainable.
[33:58]
She is the love interest such as there is in the movie.
[34:03]
In a movie that postulates that there is no possibility of love because
[34:07]
the person you think is your lover could just be a stranger wearing their shoes.
[34:10]
We all wear our shoes.
[34:12]
Some are leather and some are canvas.
[34:15]
Did you ever see the lover that wears shoes in your house?
[34:20]
Thanks.
[34:21]
We wear shoes sometimes outside.
[34:23]
Usually not indoors.
[34:25]
If we're in our own house.
[34:27]
Shooley Joel.
[34:30]
Billy Shule.
[34:31]
Actually, Shuley Joel sounds better.
[34:34]
Billy Shule is an Orthodox Jewish education.
[34:37]
Yeah, but this woman is like, you know that she's like the romantic.
[34:41]
I'm lacing up.
[34:44]
Potentially romantically because she's the only one who treats Adam Sandler
[34:47]
with any sort of interest, even though he seems like a real dim bulb.
[34:50]
Yeah, she is capable of connecting to him on a human level,
[34:54]
no matter how hard he tries not to.
[34:56]
Well, she has just like this go, go, go lifestyle.
[34:59]
Needs somebody like him to keep her grounded.
[35:01]
Yeah, this go, go, go, charitable, small time activist lifestyle.
[35:08]
Now, here's a question I have for you guys.
[35:10]
Setting aside the plot, if you had magic shoes that let you be other people,
[35:13]
what would you do with them?
[35:14]
What would you do?
[35:16]
Let me be Mark Summers for a moment and ask you, what would you do?
[35:20]
I double dare you to answer this question.
[35:21]
First off, you started answering your own question.
[35:25]
I would ask Mark Summers to borrow his shoes so I could
[35:28]
cobble them and then be Mark Summers for a day.
[35:31]
Okay, so you'd be like what, going to double dare fan conventions?
[35:34]
Of course I would, yeah.
[35:36]
I would climb through that giant set of teeth and find the flag.
[35:41]
He's allowed to do that, right?
[35:42]
If you work there, you can go on all the physical challenges.
[35:46]
It's the same way how if you were an ex-Senator,
[35:48]
you still have permission to go on the floor of the Senate whenever you want.
[35:51]
By go, I mean go to the bathroom.
[35:54]
While you're a Senator, you can't do it.
[35:55]
Once you've left the Senate, you can come back and use the Senate floor as your toilet.
[35:58]
Dan, what would you do?
[35:59]
Wouldn't you want to be a lady?
[36:00]
You sounded like Andy Rooney for a moment.
[36:04]
Okay, explain.
[36:04]
Wouldn't you want to see, just to see what that's like.
[36:07]
The one time that it comes close to that is the aforementioned offensive trans humor
[36:13]
because he puts on shoes that turn out to be not ladies' shoes, but of this...
[36:20]
Either transgender or cross-dressing individual.
[36:23]
Well, he seemed to have breasts, so it seemed like he was...
[36:27]
I don't know, let's...
[36:28]
Who knows?
[36:28]
Who knows?
[36:29]
Look, there's no figuring out the puzzles and enigmas of the cobbler.
[36:33]
So you would put on a lady's shoes, and then what would you do?
[36:35]
I don't know, just see what that was like, man.
[36:38]
Haven't you ever wondered?
[36:40]
I guess so.
[36:41]
Yeah, I mean, that makes sense, Dan.
[36:43]
That's not weird.
[36:43]
That's a real walk a mile in their shoes.
[36:45]
I kind of get a feeling you're not leaving the house after you put those ladies' shoes on.
[36:49]
Look, I'm not saying that I might not take a peek.
[36:54]
Take a peek?
[36:56]
But yeah, it's a rare opportunity, you know?
[37:00]
That's true.
[37:01]
The sad thing, though, is that because your feet would be in the shoes,
[37:04]
and if you took the shoes off, you'd revert back to normal.
[37:07]
Dan, you couldn't entertain that foot fetish that Dan has.
[37:13]
Yeah.
[37:13]
I mean, not with his own feet, anyway.
[37:15]
No, of course not.
[37:16]
No, just the feet of his victims.
[37:18]
And yes, I said feet, and I didn't mean achievements.
[37:22]
So...
[37:22]
Okay, so this got pretty weird.
[37:23]
We got Mark Summers, we got a lady, and then what would Elliot be?
[37:27]
I actually had no answer for that.
[37:29]
I kind of...
[37:30]
I think...
[37:33]
I don't know.
[37:34]
Just somebody.
[37:34]
Somebody else.
[37:35]
Yeah, I guess lady makes sense.
[37:37]
You get a different perspective for the day.
[37:39]
The problem is, you'd have to find somebody whose shoes are the same size as yours.
[37:42]
I wear the same size as my wife.
[37:45]
Problem solved.
[37:46]
Okay, so you...
[37:47]
I mean...
[37:47]
I mean, the thing is, I put on my wife's shoes all the time when I'm too lazy to put on my shoes
[37:51]
to go take the garbage out.
[37:53]
So, like, I would constantly...
[37:54]
You call her shoes garbage shoes.
[37:56]
Well, no, it's because she has a pair of boots I can slip on that are next to the door,
[38:00]
because they're rain boots, and I don't have to lace up my shoes.
[38:03]
This is the most adorable story in the world.
[38:04]
I would be constantly turning into my wife just to take the garbage out,
[38:07]
and my neighbors would be like,
[38:08]
oh, Danielle, we saw you taking the garbage out yesterday.
[38:11]
And she'd be like, I didn't do that.
[38:12]
Elliot took the garbage out.
[38:13]
How dare you?
[38:14]
Your husband is so lazy.
[38:16]
He makes you take your garbage out all the time.
[38:18]
And she'd say, I know, I know.
[38:20]
So do you guys go on Zappos and pick out shoes together?
[38:24]
No, we don't.
[38:25]
It's like, I think I'm going to get these shoes,
[38:26]
and you're like, I don't think they look that good on me.
[38:28]
No, we don't share shoes that way.
[38:32]
We should, though.
[38:32]
Save us money.
[38:33]
You certainly could, yeah.
[38:34]
I mean, if only one of us left the house at a time,
[38:36]
we'd only need one pair of shoes.
[38:37]
Exactly.
[38:39]
Think of all the money, all the tens of hundreds.
[38:44]
Well, that's the thing.
[38:44]
That's like you're basically throwing money away.
[38:47]
It's like we're throwing money in the trash
[38:49]
that I'm taking out when I put my wife's rain boots on.
[38:53]
So if I could put on my son's shoes and see what life is like as a toddler,
[38:59]
I would do that.
[39:00]
Because I'm curious about, I can't,
[39:01]
because he doesn't wear size men's eight and a half shoes.
[39:07]
And he puts on my shoes all the time and does not turn into me.
[39:11]
Because you don't have a magic cobbling machine.
[39:13]
No, but it would be curious to see how your mind works at that age,
[39:17]
which is something I've forgotten.
[39:18]
But that's not what happens when you put on the shoes.
[39:20]
It's not like his brain chemistry alters.
[39:25]
He's not limitless-ing.
[39:27]
I kind of want to zoom through the plot mechanics of the crime story
[39:30]
to get to the really goofy stuff at the end.
[39:32]
OK, so he finds out that this guy is a crime boss for,
[39:36]
or is a thug for this crime boss, played by Alan Barkin,
[39:39]
who is trying to get Mr. Solomon, the old man, out of his building.
[39:43]
He comes back and accidentally gets into a fight with Method Man,
[39:46]
accidentally kills him by stabbing him in the throat with those stiletto shoes.
[39:50]
Tells the cops that he did it, and the cops don't believe him.
[39:56]
They think he's crazy.
[39:58]
Like, oh yeah, magic shoes.
[39:59]
One more thing.
[40:00]
One more thing. Magic shoes don't exist. Can you explain that?
[40:03]
No, I can't. Okay, that's right. That makes sense.
[40:07]
Magic shoes. That's right. That's right. That makes sense.
[40:10]
Just one more question. Why are you wasting my time?
[40:13]
And he finds that he has an elaborate plan that he puts together
[40:18]
with the shoes to get...
[40:20]
He suddenly becomes like a fucking super genius on this shoe.
[40:23]
Who can figure out a whole con to use the shoes to have a New York One reporter
[40:28]
catch Ellen Barkin on tape threatening the old man?
[40:31]
And then do we just skip ahead to the reveal?
[40:33]
Yeah, skip ahead to the real reveal.
[40:34]
And then it reveals at the end that someone's been helping him out and he doesn't know how.
[40:37]
The reveal at the end, like Meth Man's body is cleaned up.
[40:40]
Yeah, you expect it's fucking Michael Landon showing up.
[40:42]
Yeah.
[40:43]
And it turns out it was Jimmy, the barber next door, who, it turns out, wasn't Jimmy at all,
[40:48]
but his long-lost father, Dustin Hoffman, wearing Jimmy's shoes.
[40:52]
Who's been supplying him with pickles, because pickles apparently help you
[40:56]
when you transition from person to person.
[40:58]
It's like you lose salt when you transition in the shoes.
[41:00]
Otherwise you probably lose yourself in the...
[41:02]
In the moment. You own it. You never let it go.
[41:04]
That's right.
[41:05]
This is your one shot.
[41:06]
You don't...
[41:07]
Spaghetti.
[41:08]
Gotta stop.
[41:10]
Yeah, otherwise you strike a note on it and then it's done.
[41:13]
Yeah.
[41:14]
So it turns out...
[41:15]
So the last five minutes to seven minutes of this movie are crazy.
[41:19]
Yeah.
[41:20]
Where it turns out...
[41:21]
You need to eat pickles so you don't lose your DVD copy of Salt when you change bodies.
[41:24]
Because you're going to want to watch that again.
[41:27]
You're like, Lee Schreiber, a bad guy? I'll watch it.
[41:29]
That's never happened before, except in half the movies he's made.
[41:32]
Yep. Lee Schreiber plays Sabretooth? That's a Taylor Mane role.
[41:38]
A Cobbler Mane role.
[41:39]
I think it's Tyler Mane. It doesn't matter, he's a wrestler.
[41:42]
It's Tyler Mane in X-Men, but it's Lee Schreiber in X-Men Origins.
[41:46]
He doesn't deserve our respect.
[41:48]
He gets his living by hurling other men around, like a common hurler.
[41:53]
I'll call him whatever. Dave. That's his name now.
[41:56]
Starring Kevin Kline as the titular Dave.
[41:59]
Anyway, we're about to do the crazy part.
[42:02]
Dustin Hoffman reveals, all this time I've been your dad, it was never the right time to tell you.
[42:07]
He reveals that...
[42:08]
Because I've been in danger from something?
[42:11]
Something. He somehow got in too deep with danger with his shoe powers.
[42:15]
So he had to hide and go on the lam as Jimmy the Barber.
[42:18]
Yeah, I think he was in danger of having to deal with a wife with dementia, I guess.
[42:24]
So he's a real heel, is what it comes down to.
[42:26]
It's horrible.
[42:27]
Pun intended.
[42:28]
Oh, right.
[42:29]
So Dustin Hoffman reveals that he has a huge hidden layer of famous people's shoes
[42:34]
that he uses, I guess, to right wrongs in the world.
[42:36]
It's like a weird, like, the Kingsman, the Secret Service room.
[42:40]
Like, here's my secret shoe.
[42:42]
But without the weird anal sex joke at the end.
[42:44]
Then it opens onto a secret garage where he has a luxury car and a driver.
[42:48]
And the car has the license plate to Kabul.
[42:52]
And they get in and he reveals that...
[42:54]
Oh, yeah, all craft tradesmen, you know, dry cleaners and things like that.
[43:00]
They all have these secret societies.
[43:02]
Anyway, there's a lot of danger and a lot of excitement.
[43:04]
Let's go, son.
[43:05]
And they drive off into the distance and that's the end of the movie.
[43:08]
They're like, driver, take us to fucking Hogwarts so we can begin this training.
[43:12]
So it's like, wait, was The Cobbler just chapter one of a trilogy of movies
[43:17]
about the war between the cobblers and the dry cleaners?
[43:21]
Why did this not happen at minute 30 of the movie?
[43:24]
Well, this movie starts off as this low-key magical...
[43:28]
It's called Building a Trilogy.
[43:29]
I mean, low-key is not in it.
[43:30]
Low-key, magical realism movie.
[43:33]
Although he is kind of like a low-key figure, constantly changing his face.
[43:37]
And a trickster.
[43:38]
It takes a brief turn.
[43:39]
Eating pickles.
[43:40]
Like Rabbit or Coyote.
[43:42]
It takes a brief turn into this crime story, as you say.
[43:45]
And then at the end, it seems like there's seven minutes of this superhero movie
[43:49]
that we didn't get to see.
[43:50]
Where the Cobbler Society is protecting the world against, I don't know.
[43:54]
Bad shoes, I guess.
[43:55]
Against dry cleaners.
[43:57]
It's going to turn...
[43:59]
I just don't...
[44:00]
It feels like there's a better movie where they're using the shoes to...
[44:03]
Or at least a goofier movie.
[44:05]
Like a Goofy movie.
[44:06]
Exactly, a Goofy movie about Goofy and his son connecting.
[44:09]
About a dad and his son using magic shoes.
[44:12]
What's Goofy's son's name?
[44:13]
Goof Jr., probably.
[44:14]
Pluto?
[44:15]
Pluto is not his...
[44:16]
Well, Pluto is his son, not acknowledged.
[44:19]
Goofy got drunk one night and had sex with his regular dog.
[44:22]
And Pluto was born.
[44:24]
So wait, Goofy's not a regular dog?
[44:27]
No, he can talk and he wears clothes.
[44:28]
Have you ever seen Stand By Me?
[44:31]
This is all covered in the campfire scene in Stand By Me.
[44:35]
Give me a required reading.
[44:38]
Of the movie Stand By Me.
[44:40]
I don't know if the body, the Stephen King story, includes that sequence.
[44:43]
So don't read that. Watch the movie.
[44:45]
So there's a goofier, fun movie where they're using the shoes to impersonate world leaders, I guess.
[44:52]
But instead, that movie is just left to our imagination.
[44:55]
And the film is like, hmm, yeah, he really learned a lesson about himself from those magic shoes.
[45:02]
Secret Society Conspiracy. We're out. Gotta go.
[45:05]
Well, he says this big thing about how this is the shoes that I've made and my father and my grandfather.
[45:13]
Like all these shoes, but like most of those shoes are dead people.
[45:16]
He'll put them on and just be like a zombie.
[45:19]
Like I'm King Tut the zombie.
[45:21]
I'm John F. Kennedy. No, you're not. You'd be a horrible dead corpse.
[45:25]
Just burn those shoes.
[45:29]
Yeah, let's move into Final Judgments.
[45:32]
Let's move into an apartment together.
[45:34]
All right.
[45:35]
Just three guys hanging out.
[45:37]
I mean, my wife and my son.
[45:39]
I got a sofa here.
[45:41]
Sofa's choice.
[45:43]
And the other one, I guess, gets the tub.
[45:45]
Yeah, I guess I'll take the tub.
[45:47]
Can I just snooze in that rocking chair like an old man?
[45:50]
I mean, we can all curl up in my bed like three little mice.
[45:53]
Yep. And we use a sardine can key to pull up the covers.
[45:58]
So anyway, let's do our Final Judgments.
[46:01]
Whether this was a good, bad movie, a bad, bad movie, or a movie...
[46:05]
There's like a single feather that floats above us as we snore.
[46:10]
A movie we kind of like.
[46:13]
It's a bad, bad movie, I say.
[46:15]
It's totally...
[46:17]
I hear my decree.
[46:19]
It's totally bonkers. Don't get me wrong.
[46:21]
It is one of the weirdest movies we've watched.
[46:24]
It's rare that we've watched a movie other than Fateful Findings
[46:28]
where while watching it, I'm like, what am I supposed to get from this?
[46:31]
Who is this for?
[46:32]
Who is the audience, Tom McCarthy?
[46:34]
The thing that I would love to see are the...
[46:36]
But it's not energetic enough to be fun.
[46:38]
Like the acting training where they're like,
[46:40]
okay, Adam Sandler's got this great character.
[46:43]
All you are going to be people that he plays when he puts on the shoes.
[46:47]
So you're going to have to act like he acts now.
[46:49]
And they're like, he's just like schlubbing around.
[46:53]
Do we have to do this?
[46:55]
Do that, yeah. I mean, every time it's someone in the shoes playing him.
[46:58]
And I was actually...
[47:00]
I was a little impressed by the fact that they captured, if not him,
[47:04]
then those actors noticeably shifted their...
[47:08]
Method Man did a good job of being two different people in this.
[47:10]
But it's like the director went, okay, once you put the...
[47:13]
You're playing Adam Sandler's character.
[47:15]
Act like a moron who doesn't know what's going on
[47:17]
and is not smart enough to pretend he knows.
[47:19]
Got it. Done. Okay.
[47:21]
Perfect.
[47:22]
The real shining star in this movie, as far as I'm concerned, was Method Man.
[47:25]
Yeah.
[47:26]
And maybe even Dustin Hoffman, but he's barely in the movie.
[47:30]
And Stevie Sami's okay too. You know what? Good, good movie.
[47:33]
No, I would call this a bad, bad movie, but like...
[47:36]
I just wonder what that last scene of the movie could have been
[47:39]
if that had been the movie.
[47:41]
It would have been so stupid, but it could have been fun stupid.
[47:44]
Yeah.
[47:45]
Whatever you guys said.
[47:47]
It's fine. Thanks.
[47:49]
The most agreeable man in the biz.
[47:54]
Hello, Brent.
[47:55]
Travis.
[47:56]
Welcome to Trends Like These.
[47:58]
What's Trends Like These, you ask?
[48:00]
Well, it's a podcast where we take the news trending on the internet
[48:05]
and we cover it in podcast form.
[48:07]
We go beyond the headlines, beyond the memes to bring you the real story
[48:11]
so that when your friends bring it up, you can look real smart.
[48:14]
We take things that need to be debunked and we debunk them
[48:17]
and then we take things that need to be re-bunked and we re-bunk them.
[48:20]
We bring you all the details and we give you a spin on it.
[48:23]
Our opinions, our thoughts.
[48:25]
And we also try to dig up some positive things to talk about, so it's not all bummers.
[48:29]
Just a couple of real-life friends talking internet trends.
[48:32]
So join us every Thursday on MaximumFun.org
[48:35]
and wherever podcasts are found.
[48:49]
So we have a sponsor this week.
[48:54]
The Flophouse is supported in part by Squarespace,
[48:58]
the simplest way to create a compelling website
[49:01]
from the strange to the downright bizarre.
[49:03]
Great stories to find us.
[49:05]
Now, can I give you an example of a strange or downright bizarre website?
[49:08]
Yeah, why not? I'll allow it.
[49:10]
It's an idea that I've been working on and it's called WarnerHertzogsUrethra.com.
[49:16]
Now, a lot of people are familiar with the work of Warner Hertzog,
[49:19]
but are we familiar with how well he pees?
[49:21]
I'm not and I want to investigate it.
[49:23]
And that's what WarnerHertzogsUrethra.com will be all about.
[49:27]
Now, maybe it's a non-profit, WarnerHertzogsUrethra.org,
[49:30]
but until I figure out, maybe it's an educational site, .edu.
[49:33]
I'm worried that I'm not...
[49:35]
It's probably not a government site.
[49:37]
Unless I can get the funding.
[49:39]
Yeah, WarnerHertzogsUrethra.gov would be fantastic.
[49:42]
But I'm just worried that I'm not going to be able to get .com
[49:45]
and I'm going to be stuck with WarnerHertzogsUrethra.net.
[49:48]
Now, would Squarespace help me to put this site together fast?
[49:51]
I don't know how to code.
[49:53]
Yes, that's what Squarespace is about.
[49:56]
Okay, tell me more.
[49:58]
Feature...
[50:00]
service that helps you build delightful websites without having coding
[50:04]
information and or information coding ability and why be able to does it have
[50:11]
some ability for me to look at it on my cell phone as opposed to just my
[50:16]
desktop yeah that's a good question I want people to be able to see we're in
[50:19]
Hertzog's urethra calm on both their iPad iPhone on the go on the go and on
[50:24]
the stay Squarespace scales beautifully across all platforms guys that sounds
[50:29]
great that sounds amazing it almost sounds like it has responsive design now
[50:34]
is there some kind of help desk or something and I could talk to you for
[50:37]
extra help probably you're going way off the coffee why you're asking me
[50:42]
questions that are not actually in here okay well tell me what you do know about
[50:46]
Squarespace well I should say I do they do have and they do have help but they
[50:51]
do have help but I can just read what was provided to which says that I mean
[50:56]
that's that's what a professional would do a little Squarespace Dan sing me a
[51:04]
song of Squarespace Squarespace the place for websites cuz we've all gotta
[51:11]
do things on the Internet and some of us aren't doing it right
[51:17]
Square Squarespace great story define us you should wear Squarespace you should
[51:23]
tell yours Squarespace with simple tools and templates and Squarespace
[51:27]
helps you capture your story with a captivating website and you can start
[51:31]
your free trial today by visiting Squarespace comm slash flop
[51:37]
Squarespace comm slash flop as in flop house yeah you should Squarespace so
[51:45]
that's thank you to Squarespace for their continued support of the flop
[51:49]
thank you very much without apologize apologies for me getting flustered in
[51:53]
the middle of that commercial we're all very passionate about Squarespace it's
[51:58]
a hard early I know that I was poking fun a little bit at websites and I know
[52:02]
you took that very seriously because Squarespace you believe and I believe
[52:05]
too and I'm sure so believes is a valuable service provided at a very good
[52:09]
price especially when you go through the flop address Squarespace comm slash flop
[52:13]
and so I apologize I shouldn't have been so flipping with it that being said I
[52:17]
love websites if you're interested in the internet that being said if you're
[52:22]
interested in my interest news reviews fanfiction or how-to tips about Werner
[52:27]
Herzog's urethra stay tuned because I that's not that I think you're gonna
[52:30]
like I just want to mention that the flop house is now up on the max fund
[52:35]
jumbotron where you can have us do a personal or a commercial message for you
[52:43]
personal messages we offer for $100 and commercial messages for $200 and you
[52:49]
just go to competitively priced very much so you go to these are these are
[52:54]
one-off messages on the jumbotron the jumbotron max fun jumbotron and you can
[53:02]
go to this cam kiss guys you're on the kiss cam I hope nobody was eating well
[53:10]
listening to this episode but if you want to get up on the jumbotron you can
[53:14]
go to maximum fun org forward slash jumbotron and submit a message through
[53:20]
the online form there and we can get you on the podcast we've had a lot of in the
[53:27]
past you know promotions for other podcasts or people who want to do a
[53:32]
shout-out for birthdays and for the most part we've you know we've had we've been
[53:37]
delighted to do those things but we get so many of them that it seems like the
[53:43]
the best thing to do is to sort of monetize that honestly yeah yeah serious
[53:50]
businessman route that through the jumbotron so if you have a personal or
[53:55]
commercial message you can go to maximum fun org or slash jumbotron it could be
[54:01]
as simple as hey Sherry happy birthday or as complicated as hey Barry happy
[54:07]
death day in which case people to be like what's that all about it could be
[54:12]
as innocent and personal as I love you I'm pregnant I don't this is a weird way
[54:18]
to send that message but you can do that or as mercenary as buy this and it'll
[54:23]
make your penis grow four to five inches and I know that's right 45 inches of
[54:29]
growth yeah all and it's all through natural herbs and fibers just write me
[54:33]
and I'll tell you about it I know we're getting long here but just like your
[54:37]
penis will be with my method one serious thing to note before we get into letters
[54:44]
is this a letter about oh never mind aren't you drop some stuff no this is
[54:51]
about our charity drive oh yes please do so a while back around the holidays
[54:58]
I mentioned my admiration for the McElroy's and their charitable efforts
[55:02]
and I said that we should do something along those lines I remember I think
[55:08]
you should do something charitable go do something charitable fans no but we but
[55:13]
but we had been thinking behind the scenes like how can we codify that into
[55:17]
something a little more if I can let me just I can tell people what it was like
[55:23]
I believe you said oh those McElroy boys are getting all the credit Dan wants
[55:28]
some of the Samaritan bucks that's right was that it sounds like you just you
[55:34]
just pasted a clip from that show but we were thinking about how we could best do
[55:40]
this and and Stewart had talked about maybe we could do a contest where people
[55:46]
who donate could get to choose what movie we watch which would be a good
[55:53]
contest for people in the past we've had a lot of contests that involved yeah
[55:57]
that came up drawing or or making a song and for people whose talents don't lie
[56:03]
there this would be a good way of giving them a chance to maybe choose a movie
[56:06]
finally the non-creative can choose and then after all we're just good at math
[56:10]
or writing yeah sure and after last week dancing guys after last week where we
[56:18]
got the very sad news that someone a listener to the show had killed
[56:23]
themselves there was sort of an organic movement that sprung up on the flop
[56:30]
house Facebook group to do a charitable drive for suicide prevention and so and
[56:37]
that was totally separate from what we had already been thinking about but that
[56:41]
was great and we thought why not go on with that yeah it makes sense use that
[56:47]
for the contest so there's now the rocket crocodile action squad raising
[56:52]
money for suicide prevention and I will put up the link to that on the website
[56:57]
for this episode and you can go there and donate if you see fit and if you
[57:03]
don't want to donate anonymously if you want to put your name in you will be
[57:07]
entered into the contest to pick a movie for us mm-hmm and so this is to
[57:14]
watch any movie that isn't nothing but trouble if it's because if it's nothing
[57:19]
but trouble then this will become a double murder and suicide by me killing
[57:24]
you guys yeah I want to I should send a special shout out thanks to Shannon camp
[57:29]
who really set up the the details of yeah the I mean she was really the
[57:38]
driving force behind it and we because we were dragging our feet on our side of
[57:41]
things it was difficult for us to find a cause that felt like something that we
[57:46]
that was organic like you're saying like that something that was we that made
[57:50]
sense with what we do and I'm so it's a no like I had a suggestion that we start
[57:57]
a charity to hire people to go buy DVD copies of 40 days and 40 nights and
[58:02]
throw them all away and we gave that some strong consideration there was also
[58:06]
that ding-dong ripping off charity that you wanted to found which I think I
[58:10]
think you have to rip off more and it's something that I'm surprised we didn't
[58:16]
think of if only because each of us has had problems with depression at some
[58:20]
point or another a lot of our fans have talked to us about their you know this
[58:25]
show getting them through tough times similarly it's a it's a thing it's a
[58:28]
thread line that runs through many communities but very much through the
[58:32]
nerdy geek community and the creative community and I feel like that's where
[58:37]
our Venn diagram meets and so it makes sense yeah so anyway though the the link
[58:44]
will be up on the website for a rocket crocodiles action squad please if you
[58:48]
feel so moved donate a little to suicide prevention but now Stewart stop playing
[58:54]
with the bottle caps while Dan talks about the suicide prevention charity
[58:57]
thing there's something about charity that brings out the worst in us only in
[59:04]
Stuart me you Dan you've been you've been doing real good real good thanks
[59:08]
buddy we're doing real good all right dance knows that we're getting rid of
[59:13]
him right yeah this is the last one but now that real good hope that sweatshirt
[59:20]
feels nice you're gonna need it when you're out on your ass because it's cold
[59:30]
out there do you want to wear a sweatshirt when you're out out the cold
[59:33]
Dan's wearing a sweatshirt is the back story to that another classic podcast
[59:39]
visual gag so now we can move on to letters from listeners listeners write
[59:46]
letters and we read them ring a ring a ring a ring a ring a ring a ring a ring
[59:49]
a ring what's that sound what's that sound what's that sound it's the letters
[59:52]
alarm bell the letters alarm bell telling us that letters have come through
[59:57]
the slot in the door what are the
[1:00:00]
Letters for reading to you, from us, to you, from you, to us.
[1:00:05]
Ling-a-ling-a-ling-a-ling-a-ling-a-ling-a-ling-a-ling-a-ling.
[1:00:07]
It's that letter alarm bell.
[1:00:09]
Time for everyone to run to the door and pick us some letters.
[1:00:14]
Open them up, read them, get better.
[1:00:16]
You're sick, I'm sorry that I had to tell you this way.
[1:00:21]
In the form of a letter song, this is the hardest part of my job.
[1:00:26]
Ring-ring-ring-ring, it's the letters alarm.
[1:00:29]
Letters time.
[1:00:30]
Thank you, Elliot.
[1:00:32]
Letters are brought to you by mailmen.
[1:00:35]
Accurate.
[1:00:37]
Factually accurate.
[1:00:39]
So this first letter is from Bren, last name withheld, who writes,
[1:00:45]
Dear Floppies, floppy bunnies.
[1:00:47]
Sometimes I think of you as anthropomorphic bunnies.
[1:00:50]
Elliot is especially cute in my head.
[1:00:53]
Anyway.
[1:00:53]
Nibbling on clover.
[1:00:54]
I have kind of a serious question.
[1:00:56]
I have a music review comedy YouTube show.
[1:00:58]
It's something we do for fun.
[1:00:59]
We both have real jobs and passions.
[1:01:01]
But sometimes I find that finding time, figuring out which record we want to review,
[1:01:05]
what the sketches are going to be, et cetera, can be kind of stressful.
[1:01:08]
And there have been times when me and my co-host get in real tiffs
[1:01:11]
over this silly thing we do for fun.
[1:01:13]
So I'm wondering, do you guys ever get annoyed or frustrated in your real lives
[1:01:17]
about things related to putting the show together?
[1:01:19]
Are we ever not annoyed?
[1:01:20]
Does Dan actually get hurt by Elliot's incessant mocking of Dan's reading skills?
[1:01:24]
Does Elliot actually get frustrated by Stuart's constant ding-dong references?
[1:01:28]
Does Stuart truly get creeped out by Dan being a huge pervazoid?
[1:01:31]
I'm spitballing here.
[1:01:33]
Have you had serious conversations about emotions that come up in and around the show?
[1:01:37]
Or any you're willing to talk about?
[1:01:40]
That's from a brand-last one I withheld.
[1:01:43]
We get irritated with each other all the time about stuff.
[1:01:46]
We actually haven't had too big an emotional conversation.
[1:01:49]
I think it helps that you guys don't work together anymore.
[1:01:52]
I think it definitely helps.
[1:01:54]
The fact that Dan and I are no longer in a boss or a manager-staff member situation certainly
[1:02:00]
helps.
[1:02:01]
And I think the fact that Mona, Angela, or Tony, things weren't really helped out that
[1:02:09]
much when we hired the therapist from Some Kind of Monster that Metallica went to.
[1:02:13]
That really didn't help.
[1:02:14]
But I think in some ways, our lives getting more complicated and difficult has made the
[1:02:24]
problems with the podcast that we might have between each other minimized.
[1:02:28]
Yeah, yeah.
[1:02:29]
They get put in perspective, at least.
[1:02:30]
It's the only time I feel alive, guys.
[1:02:32]
Was I frustrated that for a long time, Dan wouldn't move the recordings from Wednesday
[1:02:37]
to Thursday, even though it would have meant I had more sleep and more time with my family?
[1:02:42]
Yes.
[1:02:43]
And that he then decided after I left that job that, you know what?
[1:02:46]
Thursdays are better for him.
[1:02:47]
Let's move it to Thursdays.
[1:02:48]
But I didn't bring it up.
[1:02:50]
No, no, no, no.
[1:02:51]
That's not what happened.
[1:02:52]
No, no.
[1:02:52]
I decided that, like, oh, yeah, you know what?
[1:02:54]
It doesn't matter that much when it went to Thursday.
[1:02:57]
Dan's rationale for why we couldn't, because on Wednesdays, I had to stay at work late
[1:03:01]
to tape the Daily Show Global Edition.
[1:03:03]
Then Thursday morning, I've got to get up early, whereas on Friday, I can sleep in a
[1:03:07]
little bit.
[1:03:08]
Dan's rationale for not wanting to do Thursdays, though, was that that was the night he kind
[1:03:11]
of liked to set aside for his social events, because he could sleep in a little on Friday.
[1:03:15]
It's a big social night.
[1:03:17]
But, Dan, that doesn't irritate me anymore.
[1:03:19]
Now I think it's kind of funny.
[1:03:21]
And likewise, I'm constantly irritated by these two knuckleheads for reasons that I
[1:03:26]
think are abundantly clear to anyone who has listened to the podcast.
[1:03:30]
The fact that you do all the work, we get all the credit, we interrupt you when you
[1:03:33]
try to do nice things?
[1:03:34]
Yeah, yeah, yeah.
[1:03:35]
Sometimes when I'm riding on you guys' coattails, you don't drag me along fast enough.
[1:03:40]
That's kind of irritating.
[1:03:42]
Can you guys be more successful and famous so I can just glide along behind you?
[1:03:47]
I'm trying.
[1:03:48]
But any time you're doing something creative with another person, there's going to be
[1:03:53]
tensions.
[1:03:53]
The tensions, in a way, get more so when it's a friend, because there's that implication
[1:03:58]
that there should be.
[1:04:00]
I can't just fire you.
[1:04:01]
Yeah, and you want to be on good terms with this person, so you can't argue or talk out
[1:04:06]
the way you would otherwise.
[1:04:07]
But also, if you're doing it for no money, there's that extra little bit of pressure,
[1:04:12]
because you're like, this should be fun.
[1:04:13]
Why am I frustrated with it?
[1:04:14]
Because it's work.
[1:04:15]
But it's just inevitable.
[1:04:17]
Yeah.
[1:04:19]
And your production will be better for it, or worse.
[1:04:24]
I don't know you, but we're not breaking up, guys.
[1:04:29]
No, we're breaking bad.
[1:04:30]
Dan's not wearing pants, and he's cooking up meth right now.
[1:04:33]
Look, it's my next delicious baking experiment.
[1:04:37]
You got up to M in the A to Z baking book, and it's meth.
[1:04:41]
All right, got to follow the book.
[1:04:44]
But no, we're not breaking up at all.
[1:04:46]
So this next letter is from Alex, last name withheld, who writes,
[1:04:50]
Proyas.
[1:04:51]
It is with a, I kind of like your movies.
[1:04:55]
It is with relatively bridled glee that I would like to point out that during a rare
[1:04:59]
I say dumb stuff all the time.
[1:05:02]
Do you listen to this podcast?
[1:05:03]
In John, last name withheld's final episode on a daily show, Elliot's appearance featured
[1:05:08]
him discussing a theory about Jabba the Hutt's potentially insensitive nickname.
[1:05:12]
Elliot claims it's a general nationalistic title, i.e.
[1:05:15]
Jimmy the Greek, sensible if insensitive.
[1:05:18]
This is backed up by the appearance of other Hutts in the extended Star Wars universe,
[1:05:22]
such as the hilariously bearded and unoriginally named Zorba the Hutt,
[1:05:27]
titular star of Zorba the Hutt's Revenge.
[1:05:32]
Which is the one that has all the, where's the makeup?
[1:05:36]
Which is the Hutt lady?
[1:05:37]
That's the lady Hutt, right?
[1:05:38]
Lady the Hutt.
[1:05:40]
Mama the Hutt.
[1:05:41]
Sister of Pizza the Hutt.
[1:05:45]
Yes, so why did I say that was so dumb?
[1:05:47]
Well, Elliot, you have been rendered retroactively wrong by Mickey Mouse.
[1:05:51]
The extended Star Wars universe is no longer canon.
[1:05:54]
Jabba the Hutt is now only Hutt, similar to his fellow public actor Yoda the Yoda.
[1:06:01]
As such, the title is referenced to his status as the only one of his kind,
[1:06:04]
slamming his way across the universe in a lonely kung-fu-esque existence.
[1:06:08]
Millions of people tuning in for a landmark television
[1:06:10]
bore witness to Elliot's wrongness.
[1:06:12]
Dan, Stu, thank you for being consistently correct,
[1:06:17]
your consistently correct contributions to the Flophouse community.
[1:06:20]
Wait a minute.
[1:06:20]
We'll be seeing you.
[1:06:21]
Alex, last name withheld.
[1:06:21]
I don't understand that.
[1:06:22]
I'm not sure I follow the logic either.
[1:06:24]
Wait, so when the extended universe was rendered null and void,
[1:06:30]
what they're saying is that Jabba the Hutt is now the only one of his species,
[1:06:34]
but what about when he goes to be the emcee at that pod race or the guest of honor?
[1:06:39]
There's another Hutt there.
[1:06:40]
Yeah, I don't know what...
[1:06:41]
And also, how does that change what the Hutt means?
[1:06:44]
Yeah, yeah, you know what?
[1:06:46]
You know what?
[1:06:48]
We're gonna have to have a longer conversation about that.
[1:06:50]
Yeah, I think it's gonna be on the walk home from Dan.
[1:06:54]
I'm on the opposite side of this argument,
[1:06:56]
but I think that your argument doesn't make sense.
[1:07:00]
My argument?
[1:07:01]
No, this letter's argument.
[1:07:01]
Oh, yeah, I think that that argument is...
[1:07:04]
So you're saying that this letter is not your ally.
[1:07:07]
I apologize that I got distracted there.
[1:07:09]
I had to hurl a cat from my lap.
[1:07:10]
You had to spike the cat and then do an icky shuffle.
[1:07:15]
There's a couple times during recording these episodes now where Dan's cat
[1:07:18]
not only nudges me, but jumps on me with its claws digging into my clothes,
[1:07:23]
and I don't like that, Dan.
[1:07:24]
I would say declaw your cat, but that's cruel to the cat.
[1:07:27]
It's like cutting off a cat's fingers.
[1:07:29]
Don't do that.
[1:07:30]
But maybe like...
[1:07:30]
Yeah, your cat hasn't wronged the Yakuza.
[1:07:33]
No, maybe get like a mannequin of me wearing my clothes
[1:07:36]
and put something your cat doesn't like on it so it learns to stay away from me.
[1:07:41]
Yeah.
[1:07:41]
What does your cat not like?
[1:07:42]
Loud noises.
[1:07:44]
Okay, I can't be louder.
[1:07:46]
It's impossible, humanly.
[1:07:47]
The problem is Archie is too much love to give.
[1:07:50]
Well, I have enough love in my life.
[1:07:52]
But now, so yeah, letter writer, write back in, Alex,
[1:07:55]
and explain what you're saying because I don't quite understand.
[1:07:59]
This last letter is quite a letter.
[1:08:03]
Is this the kind of letter that we shouldn't interrupt you because we'll feel bad afterwards?
[1:08:08]
No, it's not that kind of letter.
[1:08:10]
Okay.
[1:08:11]
Although I would say that it's sad news,
[1:08:14]
but sad news delivered with a lot of elan and flair.
[1:08:17]
Okay.
[1:08:18]
So I'll just read it.
[1:08:21]
I'm disappointed to announce that I'm rescinding my invitation
[1:08:24]
to my April wedding that you were debating actually coming to.
[1:08:27]
What?
[1:08:29]
It's not that I love you guys any less.
[1:08:31]
You've helped me pass the hours during some terrible times and some great times.
[1:08:35]
But I've ended my engagement.
[1:08:38]
We had some irreconcilable differences,
[1:08:40]
the main one being that we disagreed on whether I found it okay
[1:08:42]
that he's still married to his first wife.
[1:08:45]
No, I'm not the protagonist of last year's
[1:08:47]
underappreciated horror thriller Crimson Peak,
[1:08:50]
nor am I Humphrey Bogart from Casablanca.
[1:08:52]
And in comparison to those people, I'm doing pretty well.
[1:08:55]
But I am bummed that I will not have the honor of meeting you
[1:08:58]
at an expensive reception that my family would be paying for.
[1:09:00]
You're by no means obligated, but if you read this letter on air,
[1:09:04]
I would appreciate it.
[1:09:06]
And it's okay because my ex-fiance never really got into the show.
[1:09:09]
I did try.
[1:09:10]
And even if he does hear this, he knows what he did.
[1:09:13]
Hint, he lied about being divorced.
[1:09:15]
Keep on flopping in the free world.
[1:09:17]
First name withheld.
[1:09:18]
Last name withheld.
[1:09:19]
I'm going to say that...
[1:09:20]
People say that there's no follow-up in journalism anymore.
[1:09:26]
They do say that, do they?
[1:09:27]
I'm going to say that I had a friend who I will not identify
[1:09:31]
who also had a broken engagement
[1:09:34]
and with the engagement being called off a few weeks.
[1:09:37]
For the same reason?
[1:09:37]
Not for the same reason, but for a similarly not excusable reason.
[1:09:41]
It was called off a few weeks before the wedding.
[1:09:43]
And I'm going to say the same thing now that I said then,
[1:09:46]
which is it's a painful thing,
[1:09:48]
but better to have it done now than later
[1:09:51]
when your life has become so much more complicated
[1:09:54]
by being further entangled with this person.
[1:09:56]
So I am not glad that you had to go through that.
[1:10:00]
and when it did divide up like his and hers towels
[1:10:03]
isn't hers
[1:10:04]
salt-and-pepper shaker yet we're in the world's if you had a child before this
[1:10:08]
came out like that's the kind of thing i'm thinking about where
[1:10:11]
your life is now more complicated much more complicated that's just as well as
[1:10:15]
by the telenovela style life that uh... our listeners are living apparently
[1:10:20]
certainly more exciting than my life
[1:10:23]
now that i can play and i'm triply blessed
[1:10:26]
well you're a polygamist
[1:10:29]
so you've got a couple families stashed around the country
[1:10:33]
uh... well you just gotta keep trading up you gotta keep hiring uh... hire i
[1:10:37]
guess finding younger wives
[1:10:41]
now i see on your resume
[1:10:44]
that you just put down good wife
[1:10:47]
does that mean you enjoy the show the good wife or you would be a good wife
[1:10:51]
is that under hobbies whatever it takes to get me the job
[1:10:55]
like well i like that so uh... you didn't put this down but pluses
[1:10:59]
you're a go-getter
[1:11:01]
under weaknesses it says
[1:11:04]
you care too much
[1:11:06]
that's a bullshit weakness
[1:11:08]
you're uh... under weaknesses you wrote down perfectionist
[1:11:11]
now i can see what you're trying to do here this is high standards too hard on
[1:11:14]
myself under weaknesses you should have put
[1:11:17]
liar
[1:11:19]
it's okay that doesn't disqualify you from the job because uh... frankly the
[1:11:23]
headshot was the most important part
[1:11:26]
your ability to shoot somebody in the head at a long distance wait that was what the job was?
[1:11:30]
are you hiring wanteds?
[1:11:32]
yeah you need to be able to bend this crazy wailing bullet that's been
[1:11:36]
scrimshawed do you have a big tattoo of a tiger on your back okay great let's talk
[1:11:41]
you gotta be able to bend this bullet by
[1:11:43]
i guess
[1:11:44]
sort of throw the gun around yeah remy lebeau and your arm around when you fire the gun
[1:11:48]
are you willing to take orders from a magic tapestry making machine
[1:11:53]
okay let's talk
[1:11:55]
what a crazy comic book that was that's not even in the comic book
[1:11:58]
i love that they're like
[1:12:00]
this thing is too much about superheroes let's change it uh... well of course we're
[1:12:03]
putting the magic loom in sure
[1:12:06]
kids love looms they love looms they can't get enough of old timey weaving well with the wolf in the left
[1:12:11]
there's wolves probably too
[1:12:14]
uh...
[1:12:15]
so i guess we're sorry about your engagement
[1:12:19]
is the take away it's a mix
[1:12:22]
it's a it's it's a bad thing to go through but a good thing to have happened rather than the
[1:12:26]
alternative
[1:12:27]
of being in a relationship that is
[1:12:30]
i guess invalid or illegal but you don't know it
[1:12:33]
that is crazy
[1:12:35]
but hey what doesn't kill you makes you stronger
[1:12:37]
said a crazy german
[1:12:39]
uh...
[1:12:41]
wait is that katy perry
[1:12:43]
yeah it was a Werner Herzog series
[1:12:46]
uh... so thank you for all the letter writers out there
[1:12:51]
out there in letter land
[1:12:53]
we're gonna close up that letter bag and we'll see you next time
[1:12:57]
tying it shut there's more letters in there but we don't have time to read them right now
[1:13:03]
tie it up tight
[1:13:04]
tie it shut or the letters get out and they'll hurt you at night when you're
[1:13:09]
sleeping vulnerable alone in your bed
[1:13:13]
letters come up and creep onto your head
[1:13:16]
and
[1:13:17]
nobody knows what happens next except that your body's found under a bridge
[1:13:23]
covered in stamps nobody knows
[1:13:26]
but the letters shh
[1:13:28]
tie that bag tight
[1:13:30]
so now is when we recommend movies that we actually liked in contrast to the
[1:13:35]
cobbler which was
[1:13:37]
excrements
[1:13:39]
wow a harsh statement
[1:13:41]
from a man who's never made a movie himself doesn't know what the pressures are like
[1:13:44]
i love you tom mccarthy
[1:13:46]
you're a good man you've done a lot of good work
[1:13:48]
you give him a thumbs up i mean come on
[1:13:51]
so dan why don't you fire this piece up
[1:13:53]
sure i watched for the first time i finally got around to watching
[1:13:59]
uh... the deer hunter
[1:14:01]
uh... that's about magic shoes right
[1:14:03]
yeah uh... it's about a magic bullet
[1:14:07]
that goes through someone's head in the game of brush and roulette
[1:14:10]
well spoiler alert
[1:14:12]
yeah and then
[1:14:13]
i'm not going to make it back to the left you
[1:14:15]
uh...
[1:14:18]
but this is a
[1:14:19]
movie that i avoided watching for a very long time primarily because it's like
[1:14:23]
three hours and fifteen minutes long
[1:14:25]
and uh... it took me having a long weekend to get around to it uh... just
[1:14:30]
happen to be on turn classic movies and uh...
[1:14:33]
i don't know why i waited so long because it's a long movie
[1:14:36]
it's uh... it is long but i found it
[1:14:39]
uh...
[1:14:40]
pretty engrossing all the way through uh... actually weirdly i found the
[1:14:45]
last third
[1:14:46]
the least engrossing just because i kind of
[1:14:48]
knew from years and years of spoilers where it was all headed
[1:14:53]
whereas uh...
[1:14:54]
the first two-thirds are
[1:14:58]
you know sort of unexpected the first third
[1:15:00]
in particular
[1:15:01]
i actually found really interesting where it just was a very long
[1:15:05]
uh...
[1:15:06]
ethnic wedding
[1:15:08]
uh... in this small uh... industrial town
[1:15:11]
and it
[1:15:12]
did that
[1:15:13]
seventies thing that movies seem to have forgotten how to do it
[1:15:17]
hanging out
[1:15:19]
where all the characters just kind of sit really close to the camera and the
[1:15:23]
camera pans around each other's faces while they say something they do that thing
[1:15:26]
calling each other dumbass
[1:15:29]
they do that thing that movies seem to have forgotten
[1:15:32]
oh boy
[1:15:33]
that thing that movies seem to have forgotten how to do where the characters
[1:15:37]
get introduced through action and through suggestion
[1:15:41]
uh... as you get to know them rather than
[1:15:43]
characters explaining what their deal is
[1:15:45]
but jimmy you're a cobbler
[1:15:48]
the saturday night live impression thing where it's like hey it's me
[1:15:52]
tv's michael cain
[1:15:55]
tv's michael cain
[1:15:56]
okay i'm going to give you a couple notes on that impression
[1:15:59]
one he's not really known for his television work if he's ever done any
[1:16:03]
two it sounded more like jimmy stewart
[1:16:06]
i'm nervous about doing a michael cain impression anymore because uh... i was
[1:16:09]
working on my racist michael cain impression based on his uh... not all
[1:16:14]
white oscars uh... comment
[1:16:17]
i don't know what he said
[1:16:18]
just wait you should
[1:16:19]
wow
[1:16:22]
now i feel bad about
[1:16:24]
impersonating michael cain
[1:16:25]
i played hanny brown i know what life is like for brown people it's terrible you
[1:16:30]
have to be an old man vigilante
[1:16:33]
oh man he's
[1:16:34]
it's a bummer
[1:16:35]
uh...
[1:16:37]
something something dark knight rises he is an old he is an old englishman so i
[1:16:42]
do not expect a high level of racial
[1:16:45]
you'll just have to pick your shelves back up
[1:16:47]
slip voices
[1:16:51]
goodnight you kings of maine you princess of new england or whatever the line is
[1:16:56]
here are the abortion orphanage
[1:16:59]
the abortion orphanage
[1:17:02]
i say you're following some cider house rules
[1:17:06]
uh...
[1:17:07]
uh... it's not here it's in the cider house and bills house
[1:17:13]
the house of mouse
[1:17:15]
okay that's right
[1:17:16]
uh... but yet
[1:17:18]
your honor got some great performances from the uh... robert de niro christopher
[1:17:22]
walken and beautiful cinematography it's it's it's quite an experience to and
[1:17:27]
uh... it's well worth the investment of time
[1:17:31]
uh... anyone else
[1:17:33]
yeah i uh... earlier this week i went to an early screening of a movie that
[1:17:39]
should come out the day before this podcast comes out a movie called the
[1:17:43]
witch
[1:17:44]
uh... it's
[1:17:46]
pronounced the witch although it's spelled with two capital v's instead of
[1:17:49]
a capital w
[1:17:51]
and it's uh... it's
[1:17:53]
a period piece
[1:17:55]
uh... set about a hundred years before the sale of which trials and it's set in
[1:17:58]
new england
[1:17:59]
uh... and it is
[1:18:02]
well it's very true to the time period
[1:18:05]
there's a lot of effort made it to uh... like
[1:18:09]
the the characters who were in english family who've come over from england
[1:18:14]
uh... all like
[1:18:15]
they sound and
[1:18:17]
act like an english family their their clothes are all hand-stitched
[1:18:21]
uh... it's a very atmospheric
[1:18:23]
movie that's big uh... like uh... what a build-up and a slow pace
[1:18:29]
and the score is great
[1:18:31]
and there's definitely some scares it's kind of interesting because the movie
[1:18:34]
that is being kind of pitches like the next like
[1:18:37]
super scary movie
[1:18:39]
and it's
[1:18:40]
it's just
[1:18:41]
it's so slow and atmospheric that i'm kind of surprised like i think some
[1:18:45]
people will be disappointed
[1:18:46]
but i thought it was great and it was scary and for our first time for a first
[1:18:52]
feature from this director it was very confident and really interesting
[1:18:57]
so if you like your horror to be
[1:18:59]
fairly like thoughtful and interesting i would go check it out no dummies apply
[1:19:06]
leave your
[1:19:06]
it's not a check your brain at the door it's
[1:19:09]
take your brain and say i'll be keeping this please i won't check this i'll take
[1:19:12]
it to my seat
[1:19:14]
and it's not because you're trying to save on a tip
[1:19:16]
no i mean you can still tip them
[1:19:18]
although if you're using your brain you're like
[1:19:21]
that money's better spent somewhere else like at the concession stand
[1:19:25]
uh... i'm gonna recommend a movie that it's going to be a slightly we're
[1:19:29]
recommendation only because
[1:19:31]
it's a tiny tissue
[1:19:32]
it's not really inspired me to think about shoes
[1:19:36]
uh... so watch it i mean it's a issue that you just look at
[1:19:40]
uh... i'd recently watched uh... chiraq
[1:19:43]
uh... iraq spike lee's most recent movie
[1:19:45]
with by aristophanes
[1:19:47]
uh... yes somewhat it's based it's a remake or adaptation of less a strata
[1:19:53]
about the violence is a really good idea
[1:19:57]
it's a really good list of respect is always
[1:20:00]
Warren is Ken Russell influence pretty strongly.
[1:20:03]
We all remember Layer of the Black Worm,
[1:20:04]
his take on Layer of the White Worm.
[1:20:07]
But it's about the inner city violence in Chicago
[1:20:13]
and there's some things about it that are fantastic.
[1:20:16]
Like as a piece of agit prop, it's really good.
[1:20:20]
And unfortunately, there's a certain point
[1:20:23]
where the movie kind of runs out of steam
[1:20:24]
and then keeps going and he's made his point so well
[1:20:27]
that it weakens the point a little bit.
[1:20:30]
There are some scenes,
[1:20:32]
because it's an adaptation of Lice Estrada,
[1:20:34]
a lot of the scenes are in verse
[1:20:36]
and the way that's handled is really well.
[1:20:39]
And in many cases, a scene will start
[1:20:41]
and you'll be like, oh, like the verse is so subtle
[1:20:45]
at this part that I didn't even notice
[1:20:46]
for a couple of minutes that this was written in verse.
[1:20:49]
And other times, the verse is very obvious on purpose.
[1:20:52]
Samuel L. Jackson is a kind of narrator character in it
[1:20:55]
and I guess is taking the place of a chorus.
[1:20:58]
He's really fantastic in it.
[1:20:59]
Like the performers are really good in it
[1:21:01]
and the scenes that are really good in it are really good.
[1:21:05]
There's an opening scene at a club
[1:21:08]
where one of the characters is performing
[1:21:10]
and the way that that's handled
[1:21:12]
and the way that the dancing of the people
[1:21:14]
watching the show is handled,
[1:21:16]
you're like, oh yeah, I forgot that Spike Lee
[1:21:18]
is like masterful when he wants to be
[1:21:20]
with like film technique.
[1:21:21]
Like this is a guy who knows movies inside and out
[1:21:24]
and can do whatever he wants with them.
[1:21:26]
It just so happens that like what he's saying
[1:21:28]
is more important to him than how he says it.
[1:21:30]
And so there are certain scenes in it
[1:21:33]
where I was watching it and I was like,
[1:21:34]
is this like a college sketch comedy video?
[1:21:38]
Because it's like, there's certain scenes
[1:21:40]
where I was like, this is a terrible scene.
[1:21:41]
Why is this happening?
[1:21:42]
And other ones where it was really powerful
[1:21:46]
because it was well made and other scenes
[1:21:47]
that were really powerful even when they had problems.
[1:21:50]
So it's a really uneven movie
[1:21:51]
and it has its own issues in that in theory,
[1:21:54]
I guess it's about female empowerment
[1:21:57]
and women using their power over men
[1:21:59]
in a way that they wouldn't usually
[1:22:01]
except that the women still,
[1:22:03]
most of them are dressed up in like sexy army outfits
[1:22:06]
for a lot of the movie and it's,
[1:22:08]
they do a lot of like dance moves
[1:22:10]
where they slap their butts in front of the camera.
[1:22:12]
So it's like, there were times when I'm like,
[1:22:13]
Spike Lee, I don't know if you're as female empowerment
[1:22:16]
as you think you are.
[1:22:17]
But it's just like I found,
[1:22:20]
even though it was not, it's an uneven movie,
[1:22:22]
I found it to be a very powerful viewing experience
[1:22:25]
and that just that it gets the point across so strongly
[1:22:29]
about like this is a big problem
[1:22:30]
that no one really is doing much about
[1:22:32]
the violence in the United States
[1:22:34]
and specifically violence targeting black people
[1:22:38]
either by regular people or police or whoever.
[1:22:42]
By regular people, I mean non-policemen.
[1:22:43]
But it's worth a watch if you can like sit through the scene.
[1:22:49]
There's a scene where Lysistrata seduces an army general
[1:22:54]
into letting her take control of a military base
[1:22:58]
and that was the main scene where I was watching it.
[1:23:00]
I was like, what the fuck movie is this?
[1:23:02]
Like this is Spike, I've been really,
[1:23:04]
this has been a really good movie up to now.
[1:23:05]
Like I don't understand, like this scene is terrible.
[1:23:08]
But then it picks back up again.
[1:23:09]
It just copes your thumb over to the fast forward button.
[1:23:12]
I mean, it's, I'm never,
[1:23:14]
I'm not a huge fan of people like skimming movies
[1:23:17]
but this is a movie where you could probably,
[1:23:20]
if a scene is really bad,
[1:23:23]
then just like skip to the next scene.
[1:23:25]
But like watch all the three,
[1:23:26]
it's one of those movies too where.
[1:23:27]
It's why DVDs are broken down into chapters.
[1:23:29]
I guess so, but you can only watch it on Amazon Prime.
[1:23:32]
Oh man.
[1:23:33]
Or elsewhere, I'm not sure.
[1:23:34]
But the, it's worth watching.
[1:23:37]
It's worth sitting through the uneven parts.
[1:23:39]
But there may be scenes where you're like,
[1:23:41]
why am I watching this?
[1:23:42]
But it's a good movie, it's powerful.
[1:23:44]
Okay, three non-qualified recommendations.
[1:23:48]
I mean, this one is, it's only qualified
[1:23:50]
because there are parts where I'm glad I went through it
[1:23:53]
but was like, this scene should have been cut.
[1:23:56]
You know, or this thing should not be happening.
[1:23:58]
Yeah.
[1:24:00]
So that's the show for another week.
[1:24:03]
Yeah.
[1:24:04]
Another half month.
[1:24:06]
Thanks again to our network MaxFun
[1:24:09]
for producing a bunch of shows and that are great.
[1:24:11]
Please check out the other MaxFun shows.
[1:24:13]
We've got a whole bunch of new shows
[1:24:15]
like Travis and Teresa McElroy's new Manners podcast,
[1:24:19]
Shmanners, which teaches you how to be a better person.
[1:24:22]
Yeah.
[1:24:23]
Well, how to be a more polite person.
[1:24:25]
Yeah.
[1:24:25]
And we also added.
[1:24:26]
Appear to be a better person.
[1:24:28]
We also added Trends Like These, which pre-existed,
[1:24:31]
but another Travis McElroy,
[1:24:33]
like basically they're all Travis McElroy joints these days.
[1:24:36]
Yeah, yeah.
[1:24:36]
He's the busiest man in podcasting.
[1:24:37]
He's got his fingers in all kinds of pod pies.
[1:24:40]
Mm, chicken pod pie.
[1:24:42]
Podcasts.
[1:24:44]
They're going to have a podcast about pies tomorrow.
[1:24:47]
I guess, why not?
[1:24:48]
They can be.
[1:24:49]
If Piper's can be pied, why can't Cass?
[1:24:52]
Then we can have a pencil out of leaves.
[1:24:54]
If this boy can grow leaves on his legs,
[1:24:56]
then we can have a podcast about pie.
[1:25:00]
Take that Lin Manuel Miranda.
[1:25:01]
That's going to sound like so much gibberish
[1:25:03]
to anyone who did not listen to
[1:25:05]
The Odd Life of Timothy Green.
[1:25:06]
Or pause the podcast.
[1:25:08]
Go back.
[1:25:09]
No, I mean, you got to keep listening.
[1:25:11]
Listen to Stewart's Directions.
[1:25:13]
You got to go queue up
[1:25:15]
The Odd Life of Timothy Green episode of our podcast
[1:25:18]
and listen to it.
[1:25:19]
Now pause.
[1:25:20]
And then listen to it.
[1:25:21]
And then like do the 15 second rewind thing.
[1:25:23]
And do it again.
[1:25:24]
Just really.
[1:25:25]
Just do it three times.
[1:25:26]
Couple times.
[1:25:27]
Okay, do it to the beginning of this episode,
[1:25:27]
now listen to the episode again.
[1:25:29]
Yeah, but when you get to that point,
[1:25:30]
really enjoy that joke.
[1:25:32]
Just like really like luxuriate in it.
[1:25:34]
And then take a moment to pause it and be like,
[1:25:37]
what am I doing with my time?
[1:25:39]
My family or what's really important?
[1:25:40]
Not this podcast.
[1:25:42]
Then throw your phone in the lake.
[1:25:43]
Mm-hmm.
[1:25:44]
You were listening to it on your laptop though.
[1:25:48]
Throw it in the lake anyway.
[1:25:49]
Shove it off the table like you were Neil Breen.
[1:25:53]
And just go live, man.
[1:25:55]
Yeah, just take that laptop,
[1:25:57]
sprinkle some ground beef, some lettuce,
[1:25:59]
maybe some cheese, a little bit of sour creams.
[1:26:02]
That's a taco supreme at that point.
[1:26:04]
With a laptop on it.
[1:26:05]
And then eat it.
[1:26:06]
Go run through the field towards your love, you know?
[1:26:10]
She or he's been waiting there for you.
[1:26:12]
Walk through a wheat field,
[1:26:13]
just kind of grazing the wheat with your fingers,
[1:26:15]
gladiator style.
[1:26:16]
Oh no, you're probably dead.
[1:26:17]
Oh boy, that's because you're in heaven.
[1:26:19]
Well, glad the Flophouse is playing in heaven.
[1:26:21]
Yeah, rated R.
[1:26:23]
Beetlejuice.
[1:26:24]
Is playing at heaven.
[1:26:25]
The number one podcast all over heaven.
[1:26:27]
It's a Sparks reference.
[1:26:30]
But anyway.
[1:26:31]
Is playing at heaven.
[1:26:33]
You're dead.
[1:26:34]
Why did the movie phone guy tell me I was dead?
[1:26:37]
Let's like, there was.
[1:26:38]
Twist.
[1:26:38]
Do you guys see the John Mulaney Netflix special?
[1:26:41]
There's a part where a subtitle was timed incorrectly.
[1:26:44]
And so in the middle of a joke,
[1:26:45]
randomly a subtitle just comes up that says,
[1:26:47]
you will die on like April 7th, 2038.
[1:26:50]
And I was like, what the hell was that?
[1:26:53]
And I did so much Googling to find out what just happened.
[1:26:57]
Because it was for a moment I was like,
[1:26:59]
my Netflix didn't just tell me
[1:27:01]
when I'm actually gonna die, did they?
[1:27:03]
And I started thinking about how am I gonna use this time
[1:27:04]
now that I know I only have this much amount of time?
[1:27:06]
Yeah, it's like Scott McCloud's The Sculptor.
[1:27:09]
Yeah, exactly.
[1:27:10]
That's terrifying.
[1:27:11]
It was really scary in a way that a rational person
[1:27:15]
would not really be scared by, but I was.
[1:27:19]
So on that really creepy note,
[1:27:21]
I guess that note of disquiet and dismay.
[1:27:23]
Just a warning, if you watch John Mulaney's special,
[1:27:25]
that subtitle is just placed wrong.
[1:27:26]
It's not, the Netflix is not telling you
[1:27:28]
when you're gonna die.
[1:27:31]
Well, okay, so it's a public service announcement
[1:27:33]
against disquiet and dismay.
[1:27:36]
Yeah, don't be disquieted or dismayed.
[1:27:39]
But thanks for listening.
[1:27:41]
For the Flophouse, I've been Dan McCoy.
[1:27:43]
I'm still Stuart Wellington.
[1:27:45]
And I'm Elliot Kalin, unless I die
[1:27:47]
on the day Netflix told me I would.
[1:27:48]
Ah!
[1:27:49]
And you're somebody else so that Netflix
[1:27:51]
can't find you and kill you.
[1:27:53]
Dan, give me your shoes so I can be you.
[1:27:55]
You put on my shoes so you'll be me.
[1:27:56]
All right, zap.
[1:28:00]
Your clothes fell off.
[1:28:01]
No!
[1:28:04]
Your shoes stayed on though, it's cool.
[1:28:05]
So you have Dan's wiener.
[1:28:07]
Let's pee in this fountain, figure it out.
[1:28:14]
Oh, what kind of beers you got this time, Medellos?
[1:28:16]
Yep, especial, meaning that they are especial.
[1:28:24]
They're e-special.
[1:28:26]
That's like Erin E. Shurance.
[1:28:28]
Yeah.
[1:28:29]
A cartoon character I wanna have sex with.
[1:28:32]
That's the E. Shurance mascot?
[1:28:34]
Yeah, she's that mascot that-
[1:28:36]
Is she the one who's a spy?
[1:28:37]
Yeah, she's the one that I think they dropped
[1:28:39]
because there was too much porn on the internet about her.
[1:28:42]
Hey, that's the risk you run
[1:28:44]
when you have a sexy cartoon mascot.
[1:28:46]
It's like-
[1:28:47]
Sveta Kavalka was okay with it.
[1:28:49]
Maximumfun.org.
[1:28:51]
Comedy and culture.
[1:28:52]
Artist owned.
[1:28:53]
Listener supported.
[1:28:54]
Hi, I'm Brian Safi.
[1:28:55]
And I'm Erin Gibson.
[1:28:56]
And we host the Throwing Shade podcast.
[1:28:59]
On Throwing Shade, we look at an issue important to ladies
[1:29:01]
and an issue important to gay people
[1:29:02]
and then we basically make fun of it.
[1:29:04]
Yeah, and just to answer your question,
[1:29:06]
I know we don't have a marriage pact
[1:29:07]
but if we don't get married by the time we're 30,
[1:29:09]
we're gonna do that to each other.
[1:29:11]
No, that's true.
[1:29:12]
Although we have each been divorced three times.
Description
It's the Jewish magical realism tale that almost made Elliott hate his own Judaism: The Cobbler. Meanwhile, Stuart suffers from cartoon eye degeneration, Dan would like you to know very much that he's a wealthy murderer, and Elliott's singing has started to bleed dangerously outside the letters section.
Movies recommended in this episode:
The Deer Hunter The Witch Chi-Raq
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