FH Mini 134 - Wrap-Up Raps

Dan McCoy

[0:00] Hey, it's Dan. These pre-rolls can get boring quickly, so I'll be fast.

[0:04] Flop TV is back this September 2025 through February 2026

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[0:15] Individual tickets and season passes are available at theflophouse.simpleticks.com.

[0:21] That's ticks spelled T-I-X.

[0:23] As well as all the info that is too much to say here.

[0:27] Now, the show.

[0:30] Hey, everyone. Welcome to another Flophouse Mini.

[0:36] As you know, the Flophouse is mostly devoted to watching bad movies and then talking about them.

[0:41] But every other week, we also do these minis, which are more just whatever we want to do.

[0:47] I'm in charge this week. This is me, Dan McCoy.

[0:50] Others, introduce yourself now.

[0:52] This is me, Stuart Wellington.

Elliott Kalan

[0:55] This is me, Elliot Kalin.

[0:58] Very articulate.

Dan McCoy

[1:00] So, this mini.

[1:03] Well, let me set it up thusly.

[1:05] There's a music genre.

[1:06] I started turning into Jay Leno for a moment.

[1:07] You're like, oh, well, well, let me go.

[1:09] Yeah, we're going to Doritos.

[1:13] Muscle cars.

[1:14] There's a genre of music that I think is near and dear to our hearts.

[1:20] I'm talking about...

[1:21] I'm talking about...

[1:22] Zydeco.

[1:24] I'm talking about end credit rap songs that either partially or exhaustively summarize the plot of the movie we just saw.

[1:33] Usually found in movies of the late 80s and 90s.

[1:36] And in doing the research for this, I learned that this genre actually has a name.

[1:40] It's called a wrap-up rap.

[1:42] Oh, that's a great name for it.

[1:44] Oh, man.

[1:45] And that leads us to my mini, Wrap-up, wrap, wrap-up.

[1:49] Sponsored by Bubble Wrap.

[1:51] Once you pop, you can't stop.

[1:53] That's true.

Elliott Kalan

[1:54] Because there's a curse on the bubble wrap and a demon will drag you to hell if you don't pop them all.

[1:59] Mm-hmm.

Stuart Wellington

[2:00] This mini...

[2:01] That was the third of the Greek guys being punished in Hades or whatever, right?

[2:05] The others are snap and crackle.

Dan McCoy

[2:07] Anyway, this mini is partly a game and partly just an excuse to talk about a few of these songs.

[2:14] Cool.

[2:15] I've collected a few choice examples, and I'm going to read a selection of the lyrics.

[2:21] When I'm done and say go, wait for go, I want you guys to buzz in by saying your name,

[2:28] and you will get one point if you can name the movie the wrap-up rap is from,

[2:32] and one point if you can name the title of the song.

[2:36] Oof.

[2:37] Can't do that.

[2:37] And then for each of these, I also have a follow-up discussion question.

[2:41] Oh, okay.

Stuart Wellington

[2:42] Essay portion, yeah.

Dan McCoy

[2:44] Yeah.

[2:44] One disclaimer, I would like to acknowledge that a white middle-aged man reading rap lyrics

[2:50] can inadvertently sound like he's making fun of rap just by virtue of how awkward it sounds.

[2:56] While I am poking fun at the specific genre, which is silly, no other negativity is meant.

[3:02] I just will sound like that.

[3:04] I'll sound cringy because that is what happens.

[3:08] But remember, buzz in with your names, but only after I say go so we can hear a good chunk of these lyrics.

[3:16] Okay.

[3:17] So this is number one.

[3:19] You're not going to do this in like a weird accent or anything, right?

[3:22] I'm not.

Dan McCoy

[3:22] Okay.

[3:23] Yeah, it's not Dracula reading raps.

[3:24] If anything, I will try to make it non-rhythmic.

[3:28] Yeah.

[3:28] As flat and Midwestern as possible.

[3:31] Here we go.

[3:33] Rough neck, so go check the law and abide.

[3:36] Watch your step or flex and get a hole in your side.

[3:40] Swallow your pride.

[3:42] Don't let your lip react.

[3:44] You don't want to see my hand where my hip be at.

[3:48] Go.

Stuart Wellington

[3:49] Wait, do we...

[3:50] You're buzzing with your name.

[3:51] Buzz, Stuart.

[3:52] Okay.

[3:53] This has got to be the king of this genre.

[3:57] This is Will Smith and this is what, Wild Wild West?

Dan McCoy

[3:59] That is correct.

Stuart Wellington

[4:01] And the title of the song is?

[4:02] Oh, damn it.

[4:06] Yeah, I don't remember.

[4:08] Buzz in, Elliot.

Dan McCoy

[4:09] Yeah, Elliot.

[4:10] Is it called Wild Wild West?

[4:11] It is.

[4:12] That's one point for each of you.

[4:15] In many of these, yes, the title of the song is at least slightly different, but in this case, it's the same.

Elliott Kalan

[4:21] Because the chorus is Wild Wild West.

[4:23] It's a kind of movie.

[4:24] The wild wild west.

[4:26] Indeed.

[4:26] How's that west?

[4:26] It's very wild wild.

[4:27] How many wilds?

[4:28] There's two wilds there.

Dan McCoy

[4:30] What kind of buffalo wings do we like?

[4:33] Wild Wild Wings.

[4:36] Hey, I got a follow-up question for this one.

[4:38] Yeah, why not?

[4:39] All Wild West was directed by Barry Sonnenfeld, coming off the Addams Family movies, Get Shorty and Men in Black.

[4:46] And it starred Will Smith, Kevin Kline, Salma Hayek, and Kenneth Branagh.

[4:51] So, why is the best thing about this song?

[4:55] It's a good question.

Elliott Kalan

[4:58] Do you want a joke answer or a serious answer?

Dan McCoy

[5:01] Whatever you got.

[5:01] This is a podcast.

[5:02] We just got to fill time.

Elliott Kalan

[5:04] I think this is one of those movies that has a big hole in its center.

[5:09] And the hole in its center is that the story is not interesting and the characters are not interesting.

[5:16] And it's based on a TV show that I think – I guess a lot of people of our parents' generation remembered it.

[5:23] But certainly when it came out, I did not know it was based on a show until afterwards.

[5:28] I've never seen an episode of it.

Dan McCoy

[5:29] Oh, like the Fall Guy for me.

[5:30] Yes, exactly.

[5:31] Although that was like barely based on the show.

Elliott Kalan

[5:34] No, but I think it's the idea of having name recognition and then trying to play off of that when the name recognition is not there.

Stuart Wellington

[5:41] But also –

[5:41] Should have been based on Briscoe County Jr.

Elliott Kalan

[5:43] Yeah, sure.

[5:44] But I think also the idea that like they thought, oh, it's kind of a Western comedy action thing.

[5:48] We don't need any more than that.

[5:49] But there's just not a lot going on in it, you know?

[5:50] So, you have all these talented people working on it.

[5:52] They put a lot of effort into it, but there's nothing to hold it all together.

[5:55] As opposed to Men in Black where that's a really well done movie.

[5:59] The Addams Family movies are, of course, great, you know?

Stuart Wellington

[6:01] And Get Shorty is great.

[6:03] I think Westerns are kind of hard to do unless you are – you really understand what makes a Western work.

[6:10] And then once you start tinkering with it too much, it can lose its center.

Elliott Kalan

[6:14] Yeah, I think also it would have been helped probably to have a producer who could oversee and pull these things together as opposed to John Peters, the actual producer, who was just wanting so hard to make a movie with a giant mechanical spider in it.

[6:25] And I think that's what he was mainly focused on, you know?

Dan McCoy

[6:29] Yeah, he's got a real mechanical spider kink, that guy.

[6:32] Get it?

[6:32] I love Runaway.

[6:34] Okay, well –

Elliott Kalan

[6:34] When we did Wild Wild West on the show, I would have loved it if it turned out to be like a super fun movie that just got unfairly maligned.

[6:39] But watching it, you're like, oh, this is not – it just doesn't work.

[6:43] The funny stuff is not funny and the characters are annoying.

Stuart Wellington

[6:45] The exciting stuff is not very exciting.

[6:47] I do like a giant spider thing, but yeah.

Dan McCoy

[6:51] Okay, well, let's move on to the second song.

[6:56] Here are the lyrics.

[6:57] I remember the day I needed to borrow a little of pepper for my chicken.

[7:03] The next thing you know, coming at me was a hand with fingers high-stepping.

[7:08] Now, I tried to play it along, you know.

[7:11] Elliot.

[7:11] And act like I was having a ball.

[7:13] Wait, you got to wait for go.

[7:14] Oh, sorry.

[7:15] But what do I see?

[7:17] A perm with feet standing about three feet tall.

[7:20] Go.

Elliott Kalan

[7:21] Elliot.

[7:21] Adam's Family.

[7:23] Yes.

[7:23] And what is the name of the song?

[7:25] Oh, is it Adam's Family Rap?

Stuart Wellington

[7:28] No.

[7:29] Stuart, can you steal this one?

[7:32] I don't – like, it's – yeah, I don't remember.

Dan McCoy

[7:36] It's close, but the song is titled Adam's Groove.

[7:40] Adam's Groove.

[7:41] Oh, damn it.

[7:41] Oh, that's what it is.

Elliott Kalan

[7:44] Now, I have the follow-up.

[7:45] That is, of course, the one where they kick and they either stop a friend or slap a friend,

[7:48] depending on how you –

[7:48] Yeah, they slap a friend.

[7:50] Yeah.

Dan McCoy

[7:51] Not really a thing I associate with the Adam's Family, to be frank.

Elliott Kalan

[7:55] Maybe it's playing off of the thing being a hand.

[7:58] I don't know.

[7:58] Yeah.

[7:59] I don't see the – I see them using violent things, like they use swords or cannons or stuff.

[8:03] Not so much kicking and slapping.

Dan McCoy

[8:05] Yeah.

[8:05] It's one of the three stages.

[8:06] Bizarro's, yeah.

[8:07] Yeah.

[8:07] I got a follow-up question for this.

[8:09] So, this is an example of a wrap-up rap that addresses the characters of the movie,

[8:13] but otherwise takes artistic license and doesn't stick strictly to the film's plot.

Elliott Kalan

[8:19] My question is –

[8:20] They thought he was Fester, but he was really Chester, but it turns out at the end he was Fester.

[8:25] Okay.

[8:26] Because that's the plot of the movie, right?

[8:27] Wonderful, wonderful rap.

[8:28] Yeah, you're right.

Dan McCoy

[8:29] Great stuff.

[8:29] My question is, would 1991's The Addams Family have been improved by including a scene where MC Hammer dropped by to borrow some pepper for his chicken?

Elliott Kalan

[8:40] 100 percent, I think.

Stuart Wellington

[8:42] Yeah.

[8:43] Yeah, I think you're right.

[8:44] Yeah.

[8:45] Some shenanigans would happen, probably.

Elliott Kalan

[8:46] Maybe there was an earlier draft of the script that they were working on.

[8:49] Like somehow – like when they used to do movie novelizations, they would be based on early drafts of the script so that the book would be ready in time with the movie,

[8:56] and there would be scenes in there that didn't make it into the movie.

[8:58] Maybe there was a scene originally in the movie where a guy stops by to get pepper for a chicken and gets slapped.

Dan McCoy

[9:03] It was more about seasoning food.

[9:05] I think –

Stuart Wellington

[9:05] Isn't there like a party scene?

[9:08] Maybe he could have shown up during then looking to borrow some pepper.

Dan McCoy

[9:12] Yeah.

[9:12] And he'd have been like, what?

[9:13] And then he could do a song like Digital Underground when they stopped by and nothing but trouble.

[9:18] Nothing but trouble, yeah.

[9:19] I don't remember.

[9:21] Maybe I have to watch that movie again.

[9:24] Probably.

[9:24] Probably you should just keep that on loop.

[9:27] Mm-hmm.

[9:28] Okay.

Stuart Wellington

[9:29] Well, that's –

[9:29] And it's a good thing that they didn't do a rap for Adam's Family Values because that would just be all about Debbie, who's the best character.

[9:37] Yeah.

[9:37] How sexy Debbie is.

[9:38] I don't see what would be wrong with a rap about Debbie.

[9:41] Yeah, yeah, yeah.

[9:42] I would pen thousands of odes to how sexy Debbie is.

Elliott Kalan

[9:47] Dan, if you're not into Debbie, then I don't know what's going on with you.

[9:50] Yeah.

Dan McCoy

[9:50] Yeah, no, no, I understand.

[9:52] I just, you know.

[9:53] For once in my life, I'm less vocal with my horniness.

[9:58] Okay, so this is number three.

[10:00] Uh-huh.

[10:01] Had them throwing a party for a bunch of children while all the while the slime was under the building.

[10:07] So they packed up their group, got a grip, came equipped, grabbed their proton packs out the back.

[10:14] That's a tell.

[10:14] And they split.

[10:16] Found out about Vigo, the master of evil.

[10:19] That's really –

[10:20] Trying to battle my boys.

[10:22] That's not legal.

[10:23] Go.

[10:24] Elliot.

Elliott Kalan

[10:25] Yes.

[10:26] Okay, so that's Ghostbusters 2.

[10:28] Uh-huh.

[10:28] And the name of the song is?

[10:32] Take Control.

[10:33] Is that it?

[10:33] Or no, is that a different song?

Dan McCoy

[10:34] No, Stuart.

[10:35] You got it?

[10:36] I thought it was Take Control.

[10:37] I mean, they do say the words Take Control, but it's not the name of the song.

[10:41] What is it?

[10:41] It's another lyric.

[10:42] It is On Our Own.

[10:43] On Our Own.

[10:44] That makes a lot more sense.

[10:46] Bobby Brown, right?

[10:46] It's Bobby Brown.

Elliott Kalan

[10:47] Because the big thing about that movie is how the Ghostbusters are on their own.

[10:51] Mm-hmm.

[10:51] Yeah.

Dan McCoy

[10:52] I guess, unlike before, when we had the back.

[10:54] Unlike the first movie when –

[10:54] The full force of the government behind it.

[10:56] The federal government and the military, I guess.

Stuart Wellington

[10:58] But Bobby Brown is in the movie, right?

[11:01] Yes, he is.

[11:01] He plays like a doorman.

[11:03] Yeah.

[11:04] But he doesn't perform in it.

[11:05] Yeah.

[11:05] This was before he killed Whitney Houston, right?

[11:07] Oh, God.

[11:09] I do have a follow-up question.

Elliott Kalan

[11:11] How liable are we for that comment that Stuart just said?

[11:14] I mean, he introduced her to crack, guys.

[11:16] Okay.

Dan McCoy

[11:18] We can litigate it off air.

[11:20] Okay.

[11:21] Follow-up question.

[11:22] As someone who has sung this song at karaoke, I can attest to the fact that the two rap breaks in the song are just the same rap break repeated.

[11:30] If Bobby Brown had written different lyrics for the second rap break, what plot elements would you have liked to see him cover?

[11:38] Statue of Liberty.

[11:39] Yeah.

[11:39] Shooting goo guns all over the Statue of Liberty.

[11:42] Yeah.

[11:43] Yeah.

[11:43] More focus on –

Elliott Kalan

[11:44] Well, get inside this lady.

[11:45] Shoot our goo all up inside her.

[11:48] Oh, God, no.

[11:48] Right?

Stuart Wellington

[11:49] Baby walking on the edge of a building.

[11:53] Yeah.

Elliott Kalan

[11:55] Stroller on the loose.

[11:56] Cars almost hit it.

[11:57] Yeah.

[11:58] Come on, Viggo.

[11:59] Why can't you just quit it?

Dan McCoy

[12:03] I love and hate when Elliot raps equally.

Stuart Wellington

[12:07] Then at the end, the painting turns good.

[12:11] Okay.

[12:12] Wait, does the painting – oh, because –

Dan McCoy

[12:13] Because it turns into a painting of –

[12:15] It turns into a happy painting of all of them.

Elliott Kalan

[12:17] Of all of them.

[12:17] Of like Sigourney Weaver and Baby Oscar and the Ghostbusters around.

[12:21] But it's like, you know, a Renaissance style, you know.

Stuart Wellington

[12:25] Yeah.

[12:26] We should get that for the studio.

[12:29] Just buy that painting.

[12:29] If we could find it, I would love to buy that.

[12:31] If that prop still exists, I would love to own it.

[12:33] That would be crazy if that isn't available.

[12:34] Like, somebody make that.

[12:35] Somebody make that.

[12:37] I'm sure –

[12:37] Yeah.

[12:38] A print.

[12:38] A print or something.

Elliott Kalan

[12:39] A fancy print.

[12:40] Or somebody make that with our heads instead of the Ghostbusters on it.

Dan McCoy

[12:43] Yes.

[12:44] Better yet.

[12:45] Yeah.

[12:45] Do that.

[12:46] Okay.

[12:48] This is number four.

[12:50] After this, we're going to take a little break.

[12:52] This one is a bit harder.

[12:54] So I'm going to read more lyrics on this one.

[12:58] So buckle up.

[13:00] Once upon a time, he was a super cop.

[13:03] But the bad guy framed him to make him stop.

[13:06] They put him in prison where they tried to kill him.

[13:09] But he broke out.

[13:10] Now he's the villain.

[13:12] Bullets don't hurt him.

[13:13] I know it should, like, jive.

[13:15] But we're not sure if he's dead or alive.

[13:19] Set him on fire.

[13:20] Shoot him with an Uzi.

[13:21] But he'll show up in your jacuzzi.

[13:23] You can run him over.

[13:25] You can feed him poison.

[13:27] Push him out a window.

[13:28] And it only annoys him.

[13:30] You better believe me if you think I'm lying.

[13:33] When he shows up, people start dying.

[13:36] He's out for vengeance.

[13:37] And he can't be stopped.

[13:39] That's why they call him the go.

[13:43] Elliot.

[13:44] Yes, Elliot.

[13:45] Maniac Cop?

[13:46] That is almost correct.

[13:49] Oh, I didn't remember there being a rap for Maniac Cop.

[13:51] Maniac Cop 2?

[13:51] Yes.

[13:52] Oh, it's Maniac Cop 2.

[13:53] You're the advantage.

[13:54] You get the advantage of the trick question.

Elliott Kalan

[13:57] Oh, you're right.

[13:58] You're right.

[13:58] Maniac Cop 2.

[13:59] I was like, I didn't remember there being a rap in the Maniac Cop.

[14:02] Yeah, Maniac Cop 2.

Dan McCoy

[14:03] Elliot, I'll give you the chance to answer if you know the title of this.

Elliott Kalan

[14:10] I think Maniac, parentheses, cop.

Stuart Wellington

[14:14] Stuart, do you want to hear?

[14:15] I was just going to say, in modern America, Maniac Cop's a regular cop.

[14:21] Yeah.

Dan McCoy

[14:22] This is unimaginably titled Maniac Cop Rap.

[14:28] Oh, cool.

[14:28] I should have guessed that.

[14:29] I should have guessed that, yeah.

[14:31] Hey, when you got gold, don't mess with it.

[14:33] Yeah, so that's from Maniac Cop 2, which leads into my follow-up question.

[14:38] Back in the habit, yeah.

[14:40] Maniac Cop 2 seems like an odd movie to have a wrap-up rap.

[14:44] What film that doesn't end with one would you want to have its own wrap-up rap?

Stuart Wellington

[14:50] There's so many.

[14:51] There's so many.

[14:53] Wait, no.

[14:55] Manchester by the Sea.

[14:56] Oh, God.

Elliott Kalan

[15:00] Yeah, I think all of Kenneth Lonergan's movies should end with wrap-up raps.

[15:03] Margaret.

[15:04] Margaret, you can count on me.

[15:06] All of them, yeah.

Dan McCoy

[15:07] Sounds good.

Elliott Kalan

[15:07] Even his plays.

[15:08] When Lobby Heroes perform, does he just have a wrap-up rap at the end?

Dan McCoy

[15:12] Or the curtain call.

[15:15] People are taking their bows.

Elliott Kalan

[15:18] Okay.

[15:18] I was going to say, on a sincere note, I think that hackers should have a wrap-up rap at the end.

Dan McCoy

[15:26] Oh, that would actually suit it very well.

[15:29] Yeah.

[15:30] Especially with all those hacker names.

[15:32] Those would go in a wrap real nice.

Elliott Kalan

[15:34] Acid burn or whatever they're called, you know?

[15:35] Yeah.

Dan McCoy

[15:37] Okay.

[15:37] Well, I just want to take a moment to say a few words on behalf of our sponsors.

[15:43] The Flophouse, of course, is sponsored largely by the listeners of Maximum Fun, who have chosen to support us through membership.

[15:53] But also, for this episode, we are sponsored by Aura Frames.

[15:58] And, you know, summer's going to be winding down fairly soon.

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[17:04] Terms and conditions apply.

[17:06] And I would also like to mention that, of course, we're gearing up for Flop TV Season 3.

[17:14] Starting in September, the first Saturday of every month through February at 9 p.m. Eastern, 6 Pacific.

[17:22] We will be doing our one-hour sort of TV show version of the Flop House with extra stuff like videos, presentations, and more.

[17:33] And this year, the theme is Flopsterpiece Theater.

[17:36] We're going to go back in time.

[17:39] I didn't pay for that, so I'll stop singing it.

[17:42] We're going to be doing significant flops.

Elliott Kalan

[17:43] Because we always pay for I'm blue when I sing it, yeah.

Dan McCoy

[17:47] We're going to do significant flops.

[17:50] It's expensive, but it's worth it.

[17:52] Decade by decade, working back from the 2000s to the 1950s.

[17:57] The Adventures of Plutonash, Jack Frost, Xanadu, Zardoz, Dr. Dolittle, Plan 9 from Outer Space.

[18:07] I don't know whether I skipped over one or I got them all.

[18:10] Anyway, the point is, hey, why don't you go over to theflophouse.simpleticks.com.

[18:17] That's TIX with a T-I-X.

[18:19] And get your tickets now.

[18:22] It's $7 for one episode, or you can get a full season pass for $35 for the whole season.

[18:31] And we didn't mention this before, but as in the past, these shows will stay up through the season.

[18:37] So if you get a season pass late, you can go back.

[18:39] You can watch the earlier episodes, and you can watch them.

[18:43] We'll have them up a little bit past the window of when we're doing the live shows, the live versions of the show.

[18:49] But if you want to be there live and be in the chat, chatting with other viewers, you can do that on those first Saturdays.

[18:59] But let's get back to the game, kind of, I guess, is what it is.

[19:07] Yeah, yeah, you've been keeping score, right?

[19:08] Yeah, I have actually been keeping score, even though it is all meaningless.

[19:13] Uh, everything's moving on the stand.

Stuart Wellington

[19:15] That's true, everything.

[19:16] We're all going to be worm food.

S5

[19:22] Jackie Cation, hi, and welcome to the MaximumFun.org podcast, the Jackie and Lori show where we talk about stand-up comedy and how much we love it and how much it enrages us.

Elliott Kalan

[19:33] We have a lot of experience and a lot of stories and a lot of time on our hands.

[19:38] So check us out.

S5

[19:39] It's one hour a week, and we drop it every Wednesday on MaximumFun.org.

S4

[19:45] Hello, Internet.

[19:46] I'm your husband host, Travis McElroy.

S5

[19:48] And I'm your wife host, Teresa McElroy.

S4

[19:50] And this is a promo for Schmanners.

S5

[19:52] It's extraordinary etiquette.

S4

[19:54] For ordinary occasions.

[19:55] Every week, we're going to tell you about a bit of culture, a bit of history, how etiquette still applies in the modern day, all that stuff.

S5

[20:03] We also love to do biographies and histories of and, you know, general procedurals, how to do etiquette in today's society.

S4

[20:12] So come check it out every Friday on MaximumFun.org or wherever you find your podcasts.

S5

[20:18] Manners schmanners.

[20:19] Get it?

Dan McCoy

[20:21] Let's get back to the wrap-up mini.

[20:25] And I'm just going past the lyrics that I've already done to get back to, all right, number five.

[20:31] Yeah.

[20:32] Here we go.

[20:34] This song goes as follows.

[20:38] In a hundred years, in the darkest night, the forces of evil come out to fight.

[20:44] The amulet they must destroy or spend forever in the darkest void.

[20:49] Who can stop their deadly might?

[20:52] Or who will stand up for the right?

[20:54] From the mouths of babes comes dynamite.

[20:58] Go.

[21:01] Elliot.

[21:01] Oh, wow.

[21:01] I'm surprised.

[21:02] Okay.

[21:03] I don't think this is right, but Double Dragon.

[21:05] No.

[21:07] Stewart.

[21:07] Yeah.

[21:07] Teenage Mutant Ninja Turtles 3.

[21:09] Oh, my God.

[21:10] I can't believe it, guys.

[21:12] This is, of course, from the movie The Monster Squad.

[21:14] Oh.

[21:15] Oh, my God.

[21:15] It was so nice.

[21:16] Monster Squad.

[21:17] Monster Squad rap.

Elliott Kalan

[21:18] Oh, okay.

[21:19] I forgot there was an amulet in Monster Squad.

[21:21] Oh, yeah.

Stuart Wellington

[21:21] No.

[21:22] How could you forget that?

[21:23] It's almost a character in and of itself.

[21:25] Yeah.

[21:25] It's almost as important as the Wolfman's nards.

[21:28] Uh-huh.

Dan McCoy

[21:28] Well, it's funny that you say that, Stuart, because my follow-up question is this.

[21:32] Does the Wolfman have nards?

[21:34] This song fails to address the issue of whether or not Wolfman has nards.

[21:40] What rap couplet would you add to the song to correct this issue?

Stuart Wellington

[21:44] Oh, wow.

[21:45] We got rapster piece theater from over in L.A.

[21:47] Caitlin's zone.

[21:48] What are you going to do?

Elliott Kalan

[21:49] I say hit Wolfman in the nards.

[21:50] It's not too hard.

[21:52] Okay.

[21:53] But, I mean, he does have nards.

[21:53] He's a man who gets turned into a wolfman.

[21:55] Why would he not have testicles?

[21:57] Kids don't know.

[21:58] I mean, he morphs, dude.

[21:59] Yeah.

[21:59] But wolves have testicles, too.

[22:01] It's not like he's, I mean, I could see him losing the ability to do.

[22:04] to speak because a wolf's throat is not designed for that.

[22:06] Look, it's a kid who says this.

Dan McCoy

[22:07] We're not here to litigate whether it's a good question or not.

Stuart Wellington

[22:09] So, is the kid who's writing this rap, Dan?

[22:11] No, of course not.

[22:13] Yeah, you're saying that it's implied that the author of the rap is a grown-up

[22:18] and is familiar with the anatomy of a wolfman.

Elliott Kalan

[22:20] Of a human man and a wolfman, yeah.

[22:23] Okay.

Dan McCoy

[22:24] Sure, you don't want to take a crack at the...

[22:26] I guess it's in the cards.

Stuart Wellington

[22:27] Wolfman has nards.

[22:28] Yeah, there you go.

[22:31] Kick him in the crotch.

[22:32] There isn't a notch.

[22:35] But there is a notch.

[22:36] Wait.

[22:38] Wait, I'm still going.

[22:42] You know, they call Shakespeare the bard in...

[22:45] Wait.

Dan McCoy

[22:47] I love that you set it up with that irrelevant fact without having a follow-up rhyme.

[22:55] Well, and also, but you know what it rhymes with.

Elliott Kalan

[22:58] You know what bard rhymes with.

[22:59] Nard.

[22:59] Yeah, if it didn't rhyme with nard, why even bother?

Dan McCoy

[23:04] Stuart's dead.

[23:05] I do it.

[23:06] Lastly, I'll submit.

[23:06] This is why we are not freestyle rappers.

Stuart Wellington

[23:10] Where's my, what, Pulitzer?

[23:12] What do you get for rapping?

[23:13] Yeah, rap Pulitzer.

Elliott Kalan

[23:14] I mean, Kendrick Lamar got a Pulitzer, right?

[23:16] So that's for rap now.

[23:18] I would also submit, don't step to his funk, kick Wolfman in the junk.

[23:24] You could do that too.

[23:24] Yeah.

[23:24] Oh, man.

Dan McCoy

[23:26] We got there.

[23:27] Took us a while.

[23:28] That made it happen.

[23:28] The best though.

[23:30] Okay.

[23:33] All right.

[23:35] Here's number six and a little disclaimer here.

[23:37] In general, I've been trying to avoid lyrics that are total giveaways, but this song.

Elliott Kalan

[23:42] I mean, one of them mentioned proton packs, I think.

Dan McCoy

[23:45] I know.

[23:46] But I don't.

[23:47] But it didn't say Ghostbusters in it.

[23:49] Yeah.

[23:49] This song kind of makes it impossible.

[23:52] So in this case, I have replaced a couple of words with just blank.

[23:56] Okay.

[23:57] It was just prime time.

[24:00] I know you'll never forget what he did to the girl with the TV set.

[24:04] Oh, yeah, yeah.

[24:05] But you can't stop blank because he's cool as ice.

[24:08] Come right back at you to slash and slice.

[24:11] Like a jitsu blade or a blender, he'll blitz you.

[24:14] Blank, blank is putting on the Ritz.

[24:17] Go.

[24:18] Elliot.

[24:19] Yeah.

[24:20] Sorry.

[24:20] Is this Nightmare on Elm Street 3?

[24:22] Oh, Stuart, can you steal?

Elliott Kalan

[24:24] Oh, I got the number wrong.

[24:25] Got the number wrong.

[24:26] Four?

[24:26] Yes.

[24:27] This is four.

[24:28] Which one was three?

[24:29] Dream Master.

[24:30] I thought.

[24:30] Dream Warriors is three.

[24:32] Dream Master is four.

[24:32] You know what?

[24:32] I got it mixed up.

[24:33] I thought it was Dream Warriors.

[24:34] Oh, okay.

[24:34] But it's Dream Master.

Stuart Wellington

[24:35] The theme song for three is Dokken, dude.

Dan McCoy

[24:39] Elliot, you buzzed in first, though.

Stuart Wellington

[24:40] Maybe they did both.

[24:41] Maybe they did both.

Dan McCoy

[24:43] Elliot, it's the first to buzz in.

[24:45] Can you rescue it with the name of the song?

[24:47] I'm going to call it Freddy Rap.

[24:49] No.

[24:49] Stuart, do you have it?

[24:51] Nightmare on My Street.

[24:52] Of course.

[24:53] Of course.

[24:53] Guys, this is the Fat Boys.

[24:55] Are you ready for Freddy?

[24:57] Oh, yeah.

[24:58] That makes sense.

Elliott Kalan

[24:59] I forgot that that song existed.

[25:01] But the minute you mentioned Fat Boys, I'm like, oh, I remember the song now.

[25:04] Yeah.

Dan McCoy

[25:04] And that's right.

Elliott Kalan

[25:06] Three was Dokken, four was Fat Boys, and five was Stephen Sondheim, did the song at the end.

[25:10] Yeah.

Dan McCoy

[25:11] It was filled with internal rhymes.

[25:13] Yeah.

Stuart Wellington

[25:13] He did the book, but the actual performance was, come up with a joke.

Elliott Kalan

[25:20] Sondheim would have done the music, and maybe like James Latham would have done the book.

[25:23] Yeah, there you go.

[25:23] Or Lapine, whatever his, however you pronounce his name.

Dan McCoy

[25:26] So, yeah.

[25:27] That's the song was Are You Ready for Freddy?

[25:28] David Latham, who did Spare Bullets?

[25:30] Jesus Christ.

[25:31] Yeah, yeah.

Elliott Kalan

[25:31] No, no.

[25:32] Jonathan Latham, author of Motherless Brooklyn, among other books.

[25:34] Yeah.

Dan McCoy

[25:36] The song was Are You Ready for Freddy?

[25:38] I have a follow-up question.

[25:40] Yeah.

[25:40] Shoot.

[25:41] Are you ready for Freddy?

Stuart Wellington

[25:44] I think I kind of am.

[25:47] Like, he showed up in my dreams and be like, calm down, dog.

[25:50] Let's just hang out.

Elliott Kalan

[25:52] Let's talk.

[25:52] I have a lot of bad dreams about work, so it would be a real refreshing thing to have a bad dream about Freddy.

[25:59] Because it would be like, oh, this is new.

Stuart Wellington

[26:01] He'd be your boss in the dream.

[26:02] Oh, no, he would be.

[26:03] That's true.

[26:03] He'd be like, here's some more stuff.

Elliott Kalan

[26:07] But then I call human resources on him and get him fired.

[26:09] Yeah, exactly.

Stuart Wellington

[26:10] Yeah, but like, yeah, the intercom doesn't work, so you know, that's horrible.

Elliott Kalan

[26:13] I don't remember why.

[26:14] I had to.

[26:14] Oh, so this is why.

[26:15] Oh, so I sent you guys this picture.

[26:17] I was visiting my wife's parents in Sonoma, California.

[26:20] In the local newspaper, there was a letter from a Fred Kruger about something.

[26:25] And I sent it to you guys.

[26:26] And I was saying to my kids, oh, I guess Freddy Kruger from the Nightmare on Elm Street movies.

[26:30] He retired and he moved up here to Northern California.

[26:32] And then my younger one, I made that mistake because my younger one was like, so what's

[26:36] his deal, Freddy Kruger?

[26:37] And I'm like, oh, well, he kills teenagers in their dreams.

[26:41] And he's got like a sweater and a hat and a glove with blades.

[26:44] And he goes, why does he kill teenagers in his dream?

[26:46] And they're like, oh, he's mad at their parents.

[26:48] And he goes, well, why doesn't he kill the parents in their dreams?

[26:49] I'm like, oh, it's good.

[26:51] I didn't want to talk about him being a child blaster.

[26:52] So I'm like, let's not worry about it.

Dan McCoy

[26:55] Yeah.

[26:55] It's a power thing.

[26:57] Yeah.

[26:58] Well, I'm sure everyone's very curious about the game element of this.

[27:03] Yeah.

[27:03] So I want to give them a quick update that Elliot and Stuart are currently tied at three

[27:08] each.

[27:08] So it's anyone's game.

[27:12] So let's go into song seven, the penultimate song.

[27:17] That means the last one.

[27:19] No, I'm just kidding.

[27:20] Doesn't mean it's the second to last one.

[27:22] Looking for human flesh to rip my teeth through.

[27:26] Other fish in the sea, but barracudas ain't equal.

[27:30] To a half human predator created by a needle.

[27:33] Jet black eyes, baby.

[27:35] They stare while you sleep.

[27:37] When your Titanic sinks, I'm the one you're going to meet.

[27:40] Hearing terrified screams, they surround my team.

[27:45] All you see is trails of blood.

[27:47] Even God won't intervene.

[27:50] Go.

[27:50] Stuart.

[27:51] Oh, man.

[27:52] Deep Lucy, baby.

[27:53] Damn it.

[27:53] Yeah.

[27:54] And do you know what the song's title is?

[27:55] Deepest Bluest?

[27:57] Yes, it is correct.

[27:58] Deepest Bluest.

[27:59] Parentheses.

[27:59] My head is.

[28:00] Shark's fan.

[28:00] Shark's fan, yeah.

Elliott Kalan

[28:01] I wish I had laughed at the line about even God won't intervene.

Stuart Wellington

[28:05] It's so bleak there.

[28:07] It does.

Elliott Kalan

[28:08] So intense.

[28:09] It was this whole game I've been waiting for Deep Blue Sea to come up because I knew it was going to happen.

[28:14] And I missed it.

[28:15] I lost my moment.

Dan McCoy

[28:16] Well, maybe you can get some, no actual points, but some, you know, like good feeling points by answering the follow-up question, which is,

[28:26] in what ways is LL Cool J's hat like a shark's fan?

[28:30] And be specific.

Elliott Kalan

[28:34] Well, it's on the top of his head.

[28:36] Uh-huh.

[28:36] And the shark's fan is, I guess it's on their back.

Stuart Wellington

[28:38] It's more on the back, right?

[28:39] Yeah.

[28:39] Is it like, is his hat like, is he like going through a crowd and like his hat is sticking up?

[28:45] His hat's the only thing that's visible?

[28:47] Yeah.

[28:47] Maybe.

[28:48] It's a pretty like, it's like a skullcap kind of hat.

Elliott Kalan

[28:51] It doesn't, it doesn't peak that much, right?

Stuart Wellington

[28:53] Yeah.

[28:55] Maybe he has a poor perception of what his hat looks like.

Elliott Kalan

[28:59] Yeah.

[29:00] I mean, I'm hearing a lot of reasons why the hat is not like a shark's fan.

[29:03] I feel like we're not answering the question properly.

Dan McCoy

[29:05] He uses it sort of like, you know, as a stabilizer.

[29:08] It's a similar color.

Elliott Kalan

[29:09] I mean, maybe he, maybe he tried, he thinks he looks like a dolphin when he wears a similar hat.

[29:13] The sharks and dolphins have similar fins, you know?

Stuart Wellington

[29:15] It's not like a shark's fan though.

[29:16] It's like a dolphin's fin.

Elliott Kalan

[29:17] But their fins are very similar.

[29:18] They're both dorsal fins.

[29:19] It's convergent evolution.

[29:20] They're made, they're general body shape.

Stuart Wellington

[29:22] I think it's based on color and maybe texture.

[29:25] But I would have to see the hat in person.

[29:27] I think the hat is black.

Dan McCoy

[29:28] I mean, I guess some sharks are pretty dark.

[29:31] But most of them are in the gray.

Elliott Kalan

[29:32] Does the hat replace its teeth whenever it loses them?

Stuart Wellington

[29:36] Dan, he asked you a question about the hat.

[29:38] Yeah.

Dan McCoy

[29:39] I don't think a shark's fin replaces the teeth though.

[29:43] Like a shark replaces his teeth.

[29:44] I'm just trying to expand.

Stuart Wellington

[29:45] Sometimes people make soup out of LL Cool J's hat.

[29:48] That must be it.

[29:48] That's what it is.

Elliott Kalan

[29:49] Is they catch LL Cool J, they remove the hat, throw the rest of him back in the ocean to bleed to death.

[29:54] And then they make soup out of the hat.

[29:56] Yeah.

Dan McCoy

[29:57] At weddings.

[29:57] Yeah.

[29:58] Before we get to eight, I want to apologize to Stuart.

[30:01] Psycho Gore Man, of course, has a rap like this.

[30:04] I was fucking waiting for this shit.

[30:05] At the end of the, I was going to put it in at the end as a bonus.

[30:08] But no one on the internet has seen fit to transcribe those lyrics.

[30:12] And I was too lazy to do it.

[30:14] So someone get on that.

Elliott Kalan

[30:15] I was going to say, that is a laziness issue.

[30:16] Because you could have done that.

Dan McCoy

[30:17] Yeah.

[30:18] So his name is PG or something like that.

[30:21] PG Woodhouse.

[30:22] Yeah.

[30:22] PG what?

[30:23] Yeah.

[30:23] Psycho Gore Man, PG.

[30:25] No, I'm saying the name of the song.

[30:26] So look it up.

[30:28] It's a funny video.

Elliott Kalan

[30:29] But that is what it stood for, right?

[30:31] Psycho Gore Man, Woodhouse.

Dan McCoy

[30:32] Yes.

[30:33] Yeah.

[30:35] So.

[30:35] Wodehouse.

Stuart Wellington

[30:37] I'm saying Wodehouse this whole time.

[30:38] No, no.

[30:39] It's Roadhouse.

Dan McCoy

[30:40] PG Roadhouse.

[30:43] Be nice.

[30:44] That's what he always said.

[30:45] The thing is, Roadhouse is not rated PG.

[30:47] I'm thinking of like a version of this where Dalton has a gentleman's gentleman who actually

[30:53] solves the problem of Ben Gazzara for him.

Elliott Kalan

[30:56] Birdie Wooster is the bouncer, but Jeeves is the one who's always doing the actual fighting.

[31:00] Yeah.

Dan McCoy

[31:01] So that's a little, that's a hint.

[31:04] Okay.

[31:05] The last one is not Psycho Gore Man.

Stuart Wellington

[31:06] Okay.

[31:06] Good.

[31:07] So I don't spend the whole time trying to recognize.

Elliott Kalan

[31:10] But is it the rap that's at the end of Jeeves and Wooster?

[31:12] Yeah.

Dan McCoy

[31:14] His name is Jeeves.

Elliott Kalan

[31:15] Can you believe this guy named Jeeves solves all the problems for his man like these?

[31:20] Mm-hmm.

Dan McCoy

[31:21] Okay.

[31:22] Well, here we go.

[31:24] Last, last song.

[31:25] It goes like this.

[31:27] Well, excuse me, Copper, Mr. Crime Stopper.

[31:30] What is wrong with what we're doing?

[31:32] We just like to dance in our goatskin pants around this ancient ruin.

[31:38] Now it's not so funny that it costs big money.

[31:40] If you ever have to hire a lawyer, it's my duty to inform you and my pleasure to warn you.

[31:46] We'll provide one for you.

[31:48] Go.

[31:51] Big goatskin pants hint in there.

[31:54] Mm-hmm.

[31:55] Mm-hmm.

[31:56] Oh, man.

[31:57] Excuse me, Copper, Mr. Crime Stopper.

Elliott Kalan

[32:01] I mean, all I'm thinking of is, what's it?

[32:07] Is the Wicker Man.

[32:08] But there's no rhyme at the end of the Wicker Man, right?

Stuart Wellington

[32:11] This is like the Dragnet movie or something.

Elliott Kalan

[32:13] I'll say it.

[32:14] Elliot, the Wicker Man remake.

Stuart Wellington

[32:16] No, it's not that.

[32:18] Stuart, do you want to buzz in?

[32:19] I don't think I'm anywhere close.

[32:21] Yeah, I'll buzz in.

[32:22] Was this?

[32:24] Oh, man.

[32:25] No, I know this one.

[32:27] Terms of Endearment.

[32:30] Guys, you should have gone with your gut there, Stuart.

Dan McCoy

[32:32] It's Dragnet.

[32:33] It's Dragnet.

[32:33] Oh, okay.

[32:34] Can I buzz in?

Elliott Kalan

[32:35] Elliot, for the title.

[32:36] Yes.

Dan McCoy

[32:36] City of Crime.

[32:37] It is City of Crime from Dragnet.

[32:42] My follow-up question.

Elliott Kalan

[32:43] I didn't remember the goatskin pants, but it's been a long time since I saw Dragnet.

Dan McCoy

[32:47] Yeah.

[32:47] If you'll recall, Dabney Coleman, the pornographer, runs a cult of some kind.

[32:55] Right.

[32:56] Or he's associated with it.

[32:57] I don't know whether he actually runs it or he gets kidnapped as part of it.

[33:02] I think it's actually maybe the moral majority of people who are behind it.

[33:05] Uh-huh.

[33:06] They wear goatskin pants.

[33:07] That's all I remember.

Elliott Kalan

[33:07] Sounds like we all have to watch Dragnet again.

[33:09] No.

[33:10] Yeah.

Dan McCoy

[33:11] Hear about the adventures of Pep's tree back.

[33:15] Sergeant Joe Friday.

[33:16] Follow-up question.

[33:18] Tom Hanks and Dan Aykroyd's Dancing in the City of Crime video was choreographed by Paula

[33:23] Abdul.

[33:25] On a scale of zero to ten MC Scat Cats, how well do you think they did?

Elliott Kalan

[33:31] Are we handicapping them at all?

Dan McCoy

[33:33] Because they don't have the natural skills of Paula Abdul.

[33:36] They are performers.

[33:38] You know?

Stuart Wellington

[33:39] Dan Aykroyd at least danced a little in the Blues Brothers.

[33:45] Tom Hanks and he danced a little bit in Nothing But Trouble when he was sitting in that chair

[33:50] dancing along the Ghostbusters.

Elliott Kalan

[33:51] And in the Ghostbusters music video, they're kind of like strutting down the street.

Stuart Wellington

[33:57] I would say in the opening credits of the real Ghostbusters animated show, they're dancing

[34:03] down the street before Slimer slimes the ground underneath them in the ball.

[34:07] That's what yeah.

[34:08] It definitely applies to the real life Dan Aykroyd's dancing ability.

[34:10] So I would say I'm going to give him a ten out of ten.

Elliott Kalan

[34:13] Okay.

[34:14] Okay.

[34:14] Wow.

[34:14] I was going to give them an eight, which was solid, but limited, but ten.

[34:18] Okay, great.

[34:19] Yeah.

[34:19] Let's go with that.

Stuart Wellington

[34:19] Interesting.

[34:20] I can't believe I guessed Dragnet and then doubted myself because I've never seen the movie.

[34:28] You've never seen it?

[34:29] No.

Elliott Kalan

[34:30] Dan, don't act like it's crazy that he's never seen Dragnet.

Dan McCoy

[34:33] I mean, it's kind of crazy just because of like our age.

[34:36] Like that movie was on TV a lot.

[34:37] It was on TV all the time.

[34:38] That's true.

Stuart Wellington

[34:40] Yeah, I was like reading books and stuff.

[34:43] Were you reading books about Dragnet?

[34:45] Yeah.

Elliott Kalan

[34:46] It was often played on a WPIX New York's movie station.

[34:51] You know what I'll say about that movie?

[34:52] Go on.

[34:53] It's fine.

[34:54] Oh, wow.

Dan McCoy

[34:55] You'll get a little bit of enjoyment out of Dragnet.

[34:58] Dan Aykroyd does a funny Joe Friday fast talking guy.

[35:02] Yeah.

[35:03] Tom Hanks is Tom Hanks.

[35:04] He's lovable.

Elliott Kalan

[35:05] I mean, it plays into their strengths.

[35:06] It's silly.

[35:08] Yeah.

[35:08] I think they made the right choice by doing a comedy of it

[35:11] and not doing a straightforward gritty Dragnet.

[35:15] Although they did do a gritty Dragnet show years later

[35:17] with Ed O'Neill, right?

Dan McCoy

[35:20] But I will say this.

[35:22] Stuart, even though you've beaten yourself up

[35:24] for your cultural oversight.

[35:26] Yeah.

[35:26] You still have five points to Elliot's.

[35:29] Four points.

[35:30] Making you the wrap-up wrap champion for 2025.

Stuart Wellington

[35:34] Elliot, can you give me a little wrap-up wrap

[35:36] for my victory in this game?

[35:39] Oh, please don't.

[35:40] Let's see.

[35:42] Stu is the winner.

[35:44] Elliot's the winner.

[35:44] My name is Stu, and I'm here to say,

[35:45] I win these games every day.

[35:48] Okay.

[35:48] Stu is the winner.

Elliott Kalan

[35:52] I'm going to try to start with a chicken dinner.

[35:54] Yeah.

[35:54] I'll give you a Stu with it.

[35:55] So your name is Stu,

[35:56] and you're here to say,

[35:58] you won the game in a major way.

[35:59] Yeah.

[35:59] Yep.

Stuart Wellington

[36:01] And then Elliot stinks every way.

[36:06] There's a long kazoo break.

Elliott Kalan

[36:11] Okay.

Dan McCoy

[36:11] Good job.

Elliott Kalan

[36:12] And Dan has his spoken word part.

[36:13] You know, baby.

[36:14] You know Stuart's the winner.

[36:16] Elliot didn't get as many points.

[36:17] That's the way it goes sometimes.

[36:19] But forget both of them.

Stuart Wellington

[36:20] Come here with me.

[36:23] Wow.

[36:23] A heel turn for my hype man over here.

Dan McCoy

[36:27] I'm just, you know,

[36:28] playing into the sensual sounds here.

[36:31] I love it.

[36:33] Anyway.

[36:34] Well, thank you for taking part in that nonsense.

[36:38] And thank you, the listener,

[36:39] for taking part in that nonsense by listening to it.

[36:43] And if you want to listen to more nonsense,

[36:45] go over to MaximumFun.org.

[36:47] Listen to some of the other nonsense shows.

[36:49] And you're going to put all those raps

[36:51] on a special Spotify playlist.

[36:53] That's right.

[36:53] That's available.

[36:54] You should.

[36:55] Yeah.

[36:55] Maybe we'll see if I remember or have.

[36:58] Put the link in the show notes.

[36:59] I know this is the guy who was too lazy

[37:01] to transcribe the rap.

[37:03] Although I did spend, you know,

[37:05] multiple hours writing these things.

[37:08] So for the, anyway.

[37:11] I don't need to justify myself to you guys.

[37:13] No, you work real hard.

Elliott Kalan

[37:15] Do we pay you on an hourly basis?

[37:16] Like what's going on?

[37:17] You're establishing your time card here?

Dan McCoy

[37:20] I just, you know,

[37:21] I have a lot of internalized shame.

[37:22] Okay.

[37:23] Thank you to Alex Smith, our producer.

[37:25] He goes by the name Howell Dottie,

[37:27] all over the internet.

[37:28] You can find him on Twitch.

[37:29] You can find his music,

[37:31] various places.

[37:33] Check him out.

[37:34] Yep.

[37:35] But thank you for being here

[37:37] for this episode of The Flophouse.

[37:39] I've been Dan McCoy.

[37:41] These have been my co-hosts,

[37:42] Stuart Wellington.

[37:43] Yep.

[37:44] And Elliot Kalin.

[37:45] Yep.

[37:46] Till next time.

[37:48] The Up Twins, we call them.

[37:49] Till next time.

[37:51] See you later.

[37:52] Mm-hmm.

[37:54] Do-do-do-do-do-do.

[38:01] Maximum Fun.

S5

[38:01] A worker-owned network.

Dan McCoy

[38:03] Of artists-owned shows.

[38:05] Supported.

[38:06] Directly.

[38:07] By you.

FH Mini 134 - Wrap-Up Raps

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