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FH Mini 57 - The House House
Transcript
Dan McCoy
[0:00]
Hey everyone, welcome to the Flophouse. Before we get started, I'm just going to turn it over
[0:08]
to Elliot real quick. Hey, Flophouse listeners. Hey, I know your ears love hearing us. Wouldn't
Elliott Kalan
[0:14]
your eyes love seeing us and your mouths and noses love breathing in the air that surrounds
[0:19]
us? You bet they would. That's why we're going to be in person for the first time in
[0:23]
like two years, August 7th at our old stomping grounds, The Bell House in Brooklyn, New York.
[0:28]
That's August 7th. It's a Sunday, 7.30 p.m. because we're old people. Doors open at 6.30
[0:34]
p.m. Tickets are available right now. Go to thebellhausny.com. And for this special event,
[0:39]
we need a special movie to talk about. That's right, we're talking about the film of the
[0:42]
summer, the movie that has taken the nation by storm, The Morbius. The title's not The
[0:48]
Morbius, it's just Morbius. Anyway, let's pretend I just said Morbius. We're going to be talking
[0:51]
Morbius, that's right. Ahem, quoting meme as if an old man who's still cool. It's Morbin
[0:57]
time. So everybody, listen to the meme. It will be Morbin time, August 7th at The Bell House.
[1:04]
Go to thebellhausny.com. Look it up on the calendar. Get tickets, August 7th, 7.30 p.m.
[1:09]
Us in person, in front of your very eyes. And now, back to Dan McCoy for your regularly scheduled
Dan McCoy
[1:16]
Flophouse Mini.
[1:17]
Hey, everyone. Yeah, this is a Flophouse Mini. So, you might be familiar with the Flophouse,
[1:21]
the hit podcast, the three of us all host.
[1:24]
I hope so if you're listening to it, you're soaking in it.
[1:27]
You watch a bad movie and then we talk about it. Well, this is what we do in the off weeks
[1:32]
where we don't watch a bad movie. We just kind of freeform it. And I'm in charge tonight.
Stuart Wellington
[1:38]
To mixed results, certainly. What's a mixed result? The quality of our minis are mixed results.
[1:46]
Yeah. Dan, can we just freeform it, you know? When we're just spitballed.
Elliott Kalan
[1:49]
Well, speaking of freeform, Dan, can I hijack the mini again to talk, tell a real life true
[1:53]
story of something that happened to me today that was a real emotional rollercoaster?
Dan McCoy
[1:57]
Yeah, let's do that shit. We're not using tape anymore. We can burn as much time as we want.
Stuart Wellington
[2:02]
If this involves you playing poorly at the video game, what is it, Rollercoaster Tycoon,
[2:09]
that would be a true emotional rollercoaster for me.
Elliott Kalan
[2:12]
It would be, with my emotions. Yeah. Today, I learned for the first time, which I had never
[2:18]
realized before, that the We Get Letters song that Paul Schafer would perform on the David Letterman
[2:23]
show actually originated on the Perry Como show. And I said, hold on, I got to see this.
[2:28]
I look up We Got Letters song Perry Como, up comes a YouTube video, and one of the comments
[2:33]
on the YouTube video from seven years ago says, Elliot Kalin, the early years. And I was like,
[2:39]
what? This is amazing. And there's two replies to it. Let me see what the replies is. And so I'm like,
[2:44]
at first I learned that this song goes back decades earlier than I thought. I thought it was a Paul
[2:47]
Schafer original, and it's not. He's just a liar who stole it. Then I go to find the video,
[2:53]
and there's actually a reference to me in one of the comments. What's this reply going to be?
[2:56]
Something about what a great guy I am? First reply, who is Elliot Kalin? And then I came
[3:01]
crashing right back down. Turns out I'm not the hot stuff I thought I was.
Stuart Wellington
[3:04]
From user Danielle Kalin.
Elliott Kalan
[3:08]
What?
[3:11]
So anyway, that was just a little emotional rollercoaster today as I was shocked to learn
[3:15]
Paul Schafer didn't write that song, then shocked to see my own name attached to the clip
[3:18]
on YouTube, then write it again by seeing that I'm not famous.
Dan McCoy
[3:23]
Yeah.
Elliott Kalan
[3:24]
Sand kicked in your face.
[3:28]
Digital sand.
[3:29]
Digi sand, they call it.
Dan McCoy
[3:30]
All is fleeting.
[3:31]
All glory.
[3:32]
And everything else.
[3:34]
Hey, so this is a-
Elliott Kalan
[3:36]
Certainly sick transit.
[3:37]
Gloria.
[3:38]
Gloria.
Dan McCoy
[3:39]
Oh, wow.
[3:42]
That also goes back to Perry Como.
[3:44]
Weird.
Stuart Wellington
[3:44]
I think, Elliot, I think it's time for the kids to rediscover you like they rediscovered
[3:50]
Kate Bush.
[3:52]
And you are going to be the-
Dan McCoy
[3:53]
Finally.
[3:54]
Finally.
[3:55]
You're going to be so excited.
[3:57]
The dulcet tones of Elliot will be the ones saving Max from the dastardly mind flare from
[4:05]
the underground.
[4:05]
Oh, no.
[4:06]
I mean, it's Vector.
[4:07]
I mean, he's an under-
[4:08]
I mean, he's an under-
[4:08]
God, but-
[4:09]
I don't know.
[4:10]
I forget.
[4:10]
Like, I love-
[4:12]
I actually really like Stranger Things.
[4:14]
I know a lot of people-
[4:15]
I think you and I are simpatico on this, Stuart, where it's like, yeah, we get it.
[4:19]
A lot of people are tired of the 80s nostalgia, but I still enjoy the-
[4:23]
I think it's a well-done version of that.
[4:25]
Yeah.
[4:26]
And, but the one thing about this latest season, and I'll do no spoilers, but the one thing
[4:31]
about this latest season that I kind of hang up on is like, look-
Stuart Wellington
[4:37]
Is it the kid with the Agnes Varda haircut?
[4:40]
No.
[4:41]
No.
[4:41]
Which kid is that?
[4:43]
Will.
Dan McCoy
[4:44]
He looks like a young Agnes Varda.
[4:45]
He does look like a young-
[4:46]
No, it's that I like how this season is based on such a kind of a standalone horror premise.
[4:55]
Uh-huh.
[4:56]
And I don't necessarily like have a particular attachment to like the show keeping previous
[5:05]
horror premises alive, even though they have, like they've linked it all.
[5:10]
But I don't think that the new season, like none of it makes sense to me in like the murky
[5:18]
mythology that the show has put together.
[5:22]
That like after the previous seasons where there's just kind of like monsters coming out
[5:28]
of alternate dimension that in this case, there's just like, oh, there's one dude who
[5:32]
wants to fuck with people.
[5:34]
I don't know.
[5:34]
Yeah.
[5:35]
Yeah.
[5:35]
It's a hell mouth situation.
[5:37]
Yeah.
[5:38]
It doesn't feel like they belong to the same cosmology to me, I guess is what I'm trying
[5:42]
to say.
[5:43]
Fair.
[5:44]
Uh, anyway, let's, uh, move on.
[5:46]
Now that we've, you know, fulfilled our-
Elliott Kalan
[5:50]
Talking tube with two dudes.
[5:51]
Requirements.
[5:52]
I'm not even going to bother to make my tortured Kate Bush joke that I was going to make.
[5:56]
Okay.
Dan McCoy
[5:57]
Hey.
[5:57]
Why would you torture Kate Bush?
[5:58]
She's amazing.
[5:59]
No, that's not-
[6:00]
Stuart.
[6:02]
Guys, I said, let's keep it short tonight.
[6:04]
And it's seven minutes in and we haven't even gotten to the premise that I've brought to the
[6:09]
table for tonight's-
[6:10]
Okay.
[6:10]
Whose fault is that driver of the show?
[6:13]
Yeah.
Stuart Wellington
[6:13]
Dan's like, I want to talk about Vecna and how as a demon overlord tied with the undead,
[6:18]
he's a perfect fit for Stranger Things.
Elliott Kalan
[6:21]
Dan's like, okay, I'm in charge.
[6:23]
I want to keep things on track.
[6:24]
But first, let's talk about TV.
[6:26]
Hey guys, you watching the Stranger Things show?
Dan McCoy
[6:29]
Um, I wanted to try and steer us back into the zeitgeist after your Perry Como trip.
[6:37]
Yeah.
[6:38]
Yep.
[6:40]
And, uh, so, hey.
[6:42]
Uh, in the past-
[6:43]
Yes, no one's-
[6:44]
You're the only one talking, Dan.
[6:45]
You don't need to interrupt yourself.
[6:46]
Just go for it.
[6:47]
You know what?
[6:48]
In the past, I've done a lot of, uh, game-based minis.
[6:52]
Have you ever?
[6:54]
And tonight is no different, because I'm kind of talking to shit.
[6:58]
Oh, wow.
[6:59]
Already the games have begun.
Elliott Kalan
[7:00]
The return of the dreaded game master.
[7:03]
Every mini that Dan runs, a little bit like, uh, we're going to get a million dollars in
[7:09]
our uncle's will.
[7:10]
And then it turns out by daybreak after we've passed the contest that the true joke from
[7:14]
Beyond the Grave is that there was no money in the will.
Stuart Wellington
[7:16]
Yeah, yeah.
[7:17]
Lose's spookies made us leave the house.
Dan McCoy
[7:20]
So, uh, this game, all right, our podcast is The Flophouse.
[7:26]
This game is called The House House.
[7:29]
Okay.
[7:30]
The premise.
[7:30]
Okay, interesting.
Elliott Kalan
[7:31]
I mean, here's, here's what I'll tell you about this game.
[7:34]
This better be, this better be you name someone and we have to tell if they're a member of
[7:38]
the Bauhaus architecture movement or the Bauhaus band.
[7:41]
Sure.
[7:41]
Or Dr. House.
[7:44]
Well, uh, primarily.
[7:46]
Each one Dan just says Hugh Laurie.
[7:49]
Mm-hmm.
[7:50]
Yeah, that's the answer to all.
Dan McCoy
[7:52]
Uh, there's a hundred questions.
[7:53]
Um, no, uh, we're primarily, I would say, a movie podcast.
[7:58]
And there are a lot of movies with the word house in the title.
[8:03]
Mm-hmm.
[8:04]
So, in this game, we're going to go back and forth.
[8:06]
Each of you is going to get a first shot at alternating questions, uh, and there'll be
[8:12]
steals.
[8:13]
There are steals.
[8:13]
Okay.
[8:14]
Oh, fuck yeah.
[8:15]
Uh, but otherwise, pretty simple.
[8:16]
Just a quiz.
[8:18]
Uh, I will give a, a sentence describing the house and you tell me what type of house it
[8:25]
is.
[8:25]
Now, that, that, that, that makes it sound like I'm literally going to describe the
[8:29]
architecture of the house.
[8:30]
Let me go on further.
[8:31]
This is just a cute framing for the game.
[8:34]
Uh, basically, I will give a.
[8:35]
Like a balloon frame house.
[8:36]
I will give a clue and you tell me the name of the movie with house, the title that I'm
[8:40]
talking about.
[8:41]
I will give you an example.
Elliott Kalan
[8:43]
So, when you said you're going to describe a house and we have to tell you what house
[8:46]
it is, that was just not a, not an accurate way to describe the gameplay.
[8:49]
Uh.
[8:50]
You're going to describe a movie and we're going to tell you the title of that movie.
Dan McCoy
[8:54]
Yes, except for the cute thing about it is you're like, oh, this is a blank house.
[9:01]
Oh, I see.
[9:02]
Or, like, or a house of blank.
[9:05]
I getcha.
[9:06]
Along those sorts of, so, okay.
[9:09]
If you'll just let me get to the example, Elliot.
[9:11]
Yeah, let's do it.
[9:12]
All of your questions.
[9:13]
I didn't know an example was coming.
[9:15]
Well, I did say that there was one.
[9:18]
Okay, example.
[9:19]
This is a clue.
[9:20]
You walk into a house and Vic Morrow's murderer is there directing the guy who played Mozart in
[9:26]
Amadeus.
[9:27]
Ah, I see.
[9:28]
What kind of house is this?
[9:30]
Elliot, I see you know.
Elliott Kalan
[9:31]
That's an animal house.
[9:32]
That is an animal house.
[9:34]
Okay.
[9:34]
Do I get a point for that?
Dan McCoy
[9:36]
Or that was just an example?
[9:36]
No, that was an example.
[9:38]
Oh, I wasted it.
[9:39]
I wasted it.
[9:40]
Yeah, the framing is more like, you know, how Jeopardy has the answers and the questions
[9:45]
reversed and whatnot.
[9:47]
Oh, that's why I didn't win.
Elliott Kalan
[9:49]
I didn't realize that.
[9:50]
I thought that they were giving me the questions and I had to answer and I was so confused because
Dan McCoy
[9:56]
there were no question marks.
[9:57]
It's just a premise that then is basically not important because, for instance, on Jeopardy,
[10:04]
those are still questions.
[10:05]
I feel like the reason you didn't.
Stuart Wellington
[10:06]
Now, I don't want to relitigate anything, Elliot, but I feel like the reason you didn't win
[10:10]
Jeopardy is you didn't want it bad enough.
[10:12]
I've watched enough movies about sports and stuff where athletes, the only reason they're
[10:16]
able to win is because they want it bad enough or they have the power of friendship.
[10:20]
And I don't think you had either of those two things.
[10:22]
No, that's true.
Elliott Kalan
[10:23]
I was all on my own and I did not want it badly enough to get a used buzzer set from
[10:29]
a different game show, I think, and practice with that at home.
[10:33]
It didn't even occur to me.
[10:34]
Now, Dan, that's the funny thing about Jeopardy is Merv Griffin was always like, so there
[10:39]
was this big outrage, this scandal, when they gave the answers to the contestants on 21.
[10:45]
So I thought, why don't we give them the answers, but we keep the questions.
Dan McCoy
[10:49]
But you're right, it is still asking a question and you're replying with an answer.
[10:54]
100% a question.
[10:55]
Yeah.
[10:57]
Anyway, so here we go where we got to play The House House.
[11:02]
And Stuart, you're up first.
[11:05]
These will, I did put them roughly in order where I assume they will get harder for you
[11:12]
as we go along.
[11:12]
I can't guess exactly which movies you know better than others, but this is kind of my...
Stuart Wellington
[11:19]
I'm pretty sure I don't know much, but I know I love you.
Elliott Kalan
[11:23]
I think you won the last game, Stu.
Stuart Wellington
[11:26]
Yeah, well, you know, I'm just trying to psych you out because I had the fucking power of
[11:32]
friendship, boys.
[11:33]
And you won it.
[11:35]
And Grayskull.
Elliott Kalan
[11:36]
Yep.
[11:37]
Okay, Stuart.
[11:38]
That reminds me, Stu, He-Man said if you could return the power of Grayskull, he'd really
[11:41]
appreciate it.
Stuart Wellington
[11:42]
I am friends with Orko, and Elliot is kind of like a Cringer type character.
[11:48]
So yeah, I guess I am like He-Man.
Elliott Kalan
[11:49]
I mean, if only if you mean because I turn into an armored battle cat occasionally.
[11:54]
Yes.
[11:54]
Yeah.
[11:56]
Stuart, you walked into a...
[11:58]
It is offensive.
[11:59]
I'm so much more of an Orko than a Cringer.
Stuart Wellington
[12:01]
Well, we already have an Orko in our friend's circle.
Elliott Kalan
[12:04]
Fair point.
[12:04]
I guess I'll be man-at-arms then.
[12:08]
We already have a man-at-arms too.
[12:11]
Well, can I be mecha-neck?
[12:13]
I've always wanted to be tall.
[12:15]
Okay.
[12:15]
Yeah.
[12:15]
Yeah.
[12:16]
Manny faces.
Stuart Wellington
[12:17]
Oh, is he a goodie?
Elliott Kalan
[12:18]
I'm Moss Man.
Stuart Wellington
[12:20]
Oh, man.
[12:21]
Such good smells.
[12:22]
Dan, we were playing a game, not just walking around.
[12:25]
Yeah, we're playing a game.
[12:25]
So what's the game?
[12:26]
What's the...
[12:27]
How do we play the game?
[12:29]
You get the first question.
Dan McCoy
[12:30]
Stuart, you get the first question.
Stuart Wellington
[12:33]
Okay, cool.
Dan McCoy
[12:35]
Okay.
[12:35]
The question is this.
[12:37]
You walk into a house and you're immediately starstruck by the world's most famous bouncer.
[12:43]
What kind of house is it?
Stuart Wellington
[12:45]
Oh, that's a roadhouse.
[12:47]
I just walked into the double deuce, baby, and that's the roadhouse.
[12:51]
It's the kind of place they sweep the eyeballs off the floor at the end of the night.
Elliott Kalan
[12:55]
Yeah.
[12:56]
That would be amazing if there was a scene where Patrick Swizzy had to go in and just with one of those big janitor brooms is just sweeping up piles of eyeballs.
[13:04]
Sweeping up piles of eyeballs.
Dan McCoy
[13:06]
Yeah, no bigger gimme than to ask Stuart a question about roadhouse.
[13:11]
Yay!
Elliott Kalan
[13:12]
I don't know.
[13:13]
If this was what kind of freak and you were like, well, this is a freak who has no ding-dong.
[13:19]
I think that would be...
[13:20]
That's a big gimme for him also.
[13:22]
Mm-hmm.
Dan McCoy
[13:24]
Elliot, you walk into a house and notice that all of the mermaid figurines have jizz on them.
[13:30]
What kind of house is it?
Elliott Kalan
[13:31]
Well, that would be a lighthouse, Dan.
Dan McCoy
[13:33]
It is a lighthouse.
[13:35]
There's one thing we know about lighthouses.
[13:39]
They're full of...
[13:40]
Let me go on.
[13:41]
That's the horny Robert Pattinson.
[13:44]
That's who's in them.
[13:46]
Okay, back to Stu.
[13:48]
Yay.
[13:48]
You walk into a house and it's awesome.
[13:51]
All of it's awesome except for a sort of lame Rob Zombie trailer with Nick Cage right in the middle.
Stuart Wellington
[13:59]
Okay.
[14:01]
Wait a minute.
[14:02]
That's a grindhouse.
[14:05]
Yay!
[14:05]
I did it.
[14:06]
A grindhouse.
[14:07]
That's a grindyhouse.
Dan McCoy
[14:10]
There's...
[14:11]
I like some of Rob Zombie's movies, a couple of them.
[14:16]
But yeah, his shortcomings as a director are really...
Elliott Kalan
[14:19]
Are you really excited about his Munsters reboot that he's finally got his hands on?
[14:24]
Is that what...
[14:24]
That's what he's working on or what's coming out next from him is a Munsters.
Stuart Wellington
[14:27]
You know that movie's going to have the baddest fucking Dragula you've ever fucking burned through the witches in.
Elliott Kalan
[14:33]
Is it going to be...
[14:34]
Is it twisted like Cormac McCarthy or is it still going to be funny?
[14:37]
I think from what I've seen, it seems like it's still going to be funny.
[14:41]
But you know...
[14:41]
He's hilarious, guys.
[14:43]
He's like the Cormac McCarthy of the screen, so...
Stuart Wellington
[14:46]
Yeah.
[14:46]
He's really funny, guys.
[14:49]
I don't know if...
[14:50]
Yeah.
Stuart Wellington
[14:50]
It's going to be crazy.
[14:52]
We are going to have to call our doctors, our GPs, and have them check in on our funny bones.
Elliott Kalan
[14:59]
I mean, to be fair, there's something pretty funny about a guy who calls himself Rob Zombie as a young rock and roller.
[15:05]
And then as an old man making movies continues to call himself Rob Zombie.
[15:09]
That's pretty good.
[15:10]
It'd be funnier if he called himself...
[15:13]
Or Bobby Zombie.
[15:14]
Bobby Zombie.
[15:16]
Bobby Z.
Dan McCoy
[15:18]
Okay.
[15:19]
That's Robert Siddar, Elliot.
[15:21]
Oh, you're right.
[15:21]
Bobby Z is Robert Siddar.
[15:22]
Rest in peace, yeah.
[15:24]
Elliot.
[15:26]
You walk into a house and you spend most of the time just walking around empty rooms and dancing to one thing leads to another by the fix.
[15:34]
But somehow it's still terrifying.
[15:37]
That would be a house of the devil, Dan.
[15:38]
I'm scared just to think about all that walking.
[15:41]
That is the house of the devil.
[15:43]
It's empty.
[15:44]
Wow.
[15:45]
Or is it?
Elliott Kalan
[15:46]
Well, then you can't know.
[15:47]
Because you know at any moment Tom Noonan's going to come back from his date.
[15:50]
Where is he going that night?
[15:53]
What if...
[15:54]
What's the movie where he's on a date?
[15:57]
Is it...
[15:57]
And what happened was?
[15:59]
I think so.
[15:59]
What if that was the same character?
[16:00]
You're thinking of Manhunter.
Dan McCoy
[16:01]
He was on a date in Manhunter.
[16:02]
Yeah, yeah.
[16:03]
That's what it was.
[16:04]
Technically correct.
[16:04]
He was on a date with...
[16:06]
Took Joan Allen to see a tiger.
[16:08]
Or not actually see a tiger.
[16:09]
I guess feel a tiger.
[16:10]
Yeah, because she's blind.
[16:10]
Yeah.
[16:11]
Yeah, her character.
Elliott Kalan
[16:12]
He's on a date with the work of William Blake.
[16:15]
Mm-hmm.
Stuart Wellington
[16:15]
Yeah.
[16:16]
Doesn't end well.
Elliott Kalan
[16:17]
Well, depending on your point of view, I guess.
Dan McCoy
[16:22]
Okay.
[16:22]
Back...
[16:23]
Let's see.
[16:24]
Back to...
[16:25]
To me, things are heating up over here in the house of the...
[16:28]
Stuart.
[16:28]
Yeah, sorry.
[16:30]
You walk into a house, and it's an exact reversed version of the house you used to live in with
[16:36]
your dead husband.
[16:38]
What?
Stuart Wellington
[16:41]
Oh, that's what?
[16:43]
The night house?
[16:44]
That is the night house.
[16:46]
Rebecca Hall, baby.
[16:49]
Nailed it.
Dan McCoy
[16:51]
That's your super yaki shirt.
Stuart Wellington
[16:53]
It just says, Rebecca Hall, baby.
[16:56]
The night house where every day is opposite day.
[17:00]
Yeah.
[17:01]
Oh, man.
[17:02]
What a flick.
[17:04]
That's a good...
[17:04]
Did you finally see it, Stu?
[17:05]
I did.
[17:06]
It's great.
Dan McCoy
[17:06]
I like that one a lot.
[17:08]
Okay.
[17:08]
Oh, I haven't seen it yet.
[17:09]
Oh, it's great.
[17:09]
I'm glad you got that question.
[17:12]
Elliot, here's a question for you.
[17:13]
You walk into a house, and you get a letter from Sandra Bullock in the future?
[17:21]
I was worried you were going to ask about that one.
Elliott Kalan
[17:23]
Uh, because I'm not sure I remember it.
[17:25]
Um, is that the house at the lake?
Dan McCoy
[17:28]
Ooh, judges.
[17:30]
The house on the lake?
Elliott Kalan
[17:32]
No, I'm...
[17:33]
Now you're getting colder.
[17:35]
The lake house?
[17:36]
Yes, it is.
[17:37]
It is the lake house.
Dan McCoy
[17:38]
I think you should give me half a point.
[17:41]
Yeah.
[17:41]
One half.
[17:42]
Okay.
[17:43]
All right.
[17:45]
Uh, not bad, honestly.
[17:48]
This is getting a little bit harder.
[17:49]
All right.
[17:52]
Stuart.
[17:52]
Uh-huh.
[17:53]
You walk into a cartoon house, and you're like, wait, this was made by Dan Harmon and
[17:58]
Rock Shrob?
[17:59]
Yeah, that is.
[18:00]
Monster House.
[18:01]
Monster House.
Stuart Wellington
[18:02]
You mean the fucking movie they made instead of finishing Scud the Disposable Assassin?
Dan McCoy
[18:07]
Fuck that shit.
[18:08]
I wasn't aware.
Stuart Wellington
[18:10]
Uh, they later on finished, they later on finished Scud the Disposable Assassin.
[18:14]
I remember in college, I'm sure I told this story, uh, about when, uh, when they like,
[18:19]
uh, just didn't finish the series, and I wrote them like a mean email, and I don't remember
Dan McCoy
[18:27]
who wrote me back, but it was the meanest fucking response.
[18:31]
Wow.
Stuart Wellington
[18:31]
Uh, and it, I mean...
[18:32]
It was like touching a hot stove for me.
[18:34]
I have never written another mean email since.
Dan McCoy
[18:39]
I, I, those are not, I mean, yeah, those are not people I would expect a kind email back
[18:43]
from in that situation.
Elliott Kalan
[18:45]
I had, I had a, a very curious, uh, experience with, with Rob Shrabb, where he was the director
[18:51]
on the second season of Mystery Science Theater, and, uh, we, I was, I was working on the show,
[18:58]
and there was a guy named Seth who was working on the show.
[19:00]
Uh, we had two very different jobs.
[19:02]
I was the head writer, and he was kind of, uh, one of the head design guys, or was the
[19:07]
head design guy.
[19:08]
And I guess because we both have glasses, uh, Rob Shrabb could not tell who was who,
[19:12]
and just called me Seth for the entire shoot.
[19:14]
And it was, and I started correcting him in the beginning, and then I just stopped at a
[19:17]
certain point.
[19:18]
I was like, it's not, it's not, my life's too short to keep, to keep going into this.
Dan McCoy
[19:23]
Um, well, Elliot, maybe, uh, you can take the taste of that out of your mouth with a,
[19:29]
with a victory on this next question.
[19:30]
Probably not.
[19:31]
Huh?
[19:32]
Yeah, getting on the board.
Elliott Kalan
[19:34]
I'm on the board, Stu.
[19:36]
You're winning, but I'm still on the board.
Dan McCoy
[19:39]
Uh, you walk into a house, and you're like, I think I remember us doing this house on the
[19:45]
flop house, maybe.
[19:46]
Is this the one where the leads ended up getting married?
[19:50]
I think that would be Dreamhouse.
[19:53]
That's Dreamhouse.
Stuart Wellington
[19:55]
Wait, that's the movie that, uh, where Danny Craig and, uh, and Rachel Weisz met.
[20:00]
And then they, uh, fell in love, which, of course.
Dan McCoy
[20:03]
Yeah.
[20:04]
Who can blame them?
[20:04]
How come you're not on either side?
[20:06]
They're both great.
[20:08]
Um, hey, that's, uh, that's halfway through the question.
[20:12]
So, what do you know?
[20:13]
And we know you've had some issues with counting in the past.
[20:15]
No, I, I was very careful.
[20:17]
You know, what better time than right in the middle of everything to take a break?
[20:25]
And that is a break to say thank you to all the members of MaxFun who support us.
[20:31]
And also thank you to our sponsors.
[20:33]
We have a couple this week.
[20:34]
The first one is Trade Coffee, a company that I recently, you know, I started, uh, I subscribed
[20:42]
myself, uh, because I liked their coffee and I, I need to have coffee around the house.
[20:49]
And why, why not have good coffee?
[20:52]
Yeah.
[20:53]
Or a change.
Stuart Wellington
[20:53]
Sounds like you could use a cup right now.
[20:55]
Mm-hmm.
[20:56]
Well, it's, it is, it's kind of late here.
Dan McCoy
[20:59]
Uh, uh, hey, Trade Coffee.
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That's drinktrade.com slash flop for $30 off.
[22:10]
And don't...
[22:11]
Well, this is old coffee.
[22:13]
They're going to say, don't forget about Father's Day coming up.
[22:16]
But that...
[22:17]
That's...
Elliott Kalan
[22:18]
It's slightly less than a year till the next one.
[22:21]
Yeah.
Elliott Kalan
[22:21]
You know what?
[22:22]
True.
Dan McCoy
[22:23]
It's coming up, guys.
[22:24]
Keep it in mind.
[22:25]
You can stockpile so much coffee in that time to give to your dad.
[22:29]
Or...
[22:30]
Speaking as a dad, it's never a bad time to get a gift.
[22:33]
Yeah.
[22:33]
That's the thing.
[22:34]
It doesn't have to be for Father's Day.
[22:37]
You can give it just because you want to or because you forgot about Father's Day.
[22:42]
That's another option.
[22:43]
It happens.
[22:43]
Yeah, that's true.
Elliott Kalan
[22:44]
Or maybe you just want to make it a little easier for the dad next time you barge into
[22:49]
their room at 4.30 in the morning demanding chocolate because you just had a dream where
[22:53]
you wanted chocolate and your parents wouldn't give you chocolate.
[22:56]
Certainly a piping hot cup of personalized, algorithmically derived for you coffee would help
[23:01]
take the edge off that particular situation.
Dan McCoy
[23:03]
You want to be better than Dream Dad, don't you, Elliot?
Elliott Kalan
[23:11]
I mean, I do.
[23:12]
Only because I'm worried that Dream Dad will lure my children away into the netherworld.
[23:17]
But it sounds like he's not giving them chocolate in the middle of the night either.
Dan McCoy
[23:22]
Also, we're sponsored by Lumi Labs.
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[24:20]
But again, that is microdose.com.
[24:24]
Code FLOP.
[24:26]
Elliot, why don't you just mention that show one more time?
[24:30]
Sure.
Elliott Kalan
[24:31]
Just in case you missed the mention at the beginning, just to remind you in case you were like, I guess I'll get tickets when the show is over.
[24:39]
Don't.
[24:40]
Don't wait until this episode is over.
[24:41]
Don't.
[24:41]
Go to thebellhausny.com.
[24:44]
Why?
[24:45]
You'll notice that on August 7th, a certain podcast is coming to the Bell House in Brooklyn, New York to perform live and talk about the movie Morbius.
[24:52]
Could it be the Flophouse?
[24:54]
Dan, Stu, and Elliot, my favorite audio friends, coming to my town if I live in Brooklyn or the surrounding environs in close driving or train distance.
[25:03]
And talking about Morbius, the, in quotes, hit movie of the summer that captivated the internet without translating into money at the box office.
[25:13]
Yes, that is exactly what's happening.
[25:14]
August 7th, we'll be there at the Bell House, 7.30 p.m., talking about Morbius.
[25:19]
The three of us doing our first live show in over two years.
[25:21]
It's going to be super fun.
[25:22]
We're raring to go.
Stuart Wellington
[25:24]
I can't wait.
[25:24]
I can't wait to see if Elliot can adapt to podcasting outside of his natural environment, his garage.
[25:32]
Hey, he's not in his garage.
[25:33]
I'm in my bedroom for this one, but usually I'm in my garage.
[25:37]
I'm just goofing, guys.
[25:38]
We're doing bits here.
[25:39]
This is a fucking bit house.
Elliott Kalan
[25:41]
Can I do a podcast when I'm not feet away from a tower of worm-eaten compost?
[25:45]
I don't know.
[25:46]
I mean, it's a worm tower, so the compost is in trays that the worms are devouring.
[25:50]
It's not a pile of loose compost.
Stuart Wellington
[25:52]
We can bring worm compost to the Bell House.
Elliott Kalan
[25:55]
Oh, that would be so great.
[25:56]
Thank you.
[25:57]
I'd really appreciate it.
[25:57]
I kind of need it now.
S4
[26:01]
Hello, I'm a stuffy dowager, Countess.
[26:05]
Travis?
[26:05]
I'm judging everybody's manners.
[26:08]
Oh, no.
[26:09]
Schmanners isn't judgy.
[26:10]
It's about teaching you to be your best self and be a little more confident when you enter
[26:14]
social situations that you don't understand, and maybe also teach you a little bit about
[26:18]
history you didn't know or give you interesting things to talk about at parties.
Elliott Kalan
[26:22]
Yeah, like the secret life of Emily Post.
S4
[26:25]
Or, like, why wristwatches are the way that they are.
Elliott Kalan
[26:28]
We can talk about table manners from the Victorian era.
[26:32]
Sure.
S4
[26:32]
Or what it's like to attend a Regency ball.
[26:34]
Yeah.
[26:34]
You can find all that and more if you listen to Schmanners on Maximum Fun or wherever your
[26:40]
podcasts come from, I guess.
[26:43]
Schmanners, Schmanners.
[26:45]
Get it?
S5
[26:46]
A man was walking along a beach which represented his life.
[26:51]
At his feet were two sets of footprints, his and God's.
[26:55]
But looking back down the beach, the man could see that in the hardest parts of his life, there
[26:59]
was only one set of footprints.
[27:02]
So the man said to God, why is there only one set of footprints when times were hard?
[27:07]
Where were you?
[27:08]
And God replied, my precious child.
[27:12]
I was in my car listening to the Beef and Dairy Network podcast.
[27:17]
The Beef and Dairy Network podcast is a multi-award winning comedy podcast and you can find it at
[27:23]
MaximumFun.org or wherever you get your podcasts.
Dan McCoy
[27:27]
Guys, I don't, I don't, you know, we don't usually do news on this show, but I just got some breaking
[27:32]
news from the New York Times.
[27:34]
I want to, I want to tell you guys about it.
[27:35]
Oh, okay.
[27:36]
But it should still be relevant when this is released in a couple days.
[27:39]
Breaking news from the Times.
[27:42]
Trumpet, a bloodhound, won best in show at the Westminster Dog Show.
[27:47]
Oh, fuck yeah.
Stuart Wellington
[27:49]
Wait, Dan, I have a follow-up question here.
[27:52]
Was Trumpet a good boy?
Dan McCoy
[27:54]
You know what?
[27:56]
The New York Times says that you can see photos of all the very good dogs from the competition.
[28:03]
So Trumpet, all of them.
[28:05]
All dogs go to heaven.
Elliott Kalan
[28:06]
Does it, does it explain, does it explain how Trumpet winning the Westminster Dog Show sounds
[28:10]
like good news, but it's actually bad news that will make life harder for the Democrats?
Dan McCoy
[28:16]
I feel like that's more of like a sort of a contrarian like slate kind of take on things.
[28:21]
Oh, the Times does plenty of that stuff.
[28:24]
All right.
[28:24]
Well, let's get back to the game.
[28:26]
As you may recall, Stuart was in the lead by half a point.
[28:31]
By a whisper.
[28:33]
Four to three and a half.
Elliott Kalan
[28:34]
Merely because I wanted to give the lake house a more interesting title.
Dan McCoy
[28:39]
Stuart, you're up.
[28:41]
Okay.
[28:41]
Here, here it goes.
[28:42]
You walk into a melting house and people are cheering Paris Hilton dying, even though she
[28:48]
never did anything to any of them personally.
[28:51]
That would be the House of Wax remake.
[28:55]
That is the House of Wax 2000 starring Elisha Cuthbert.
[29:01]
I don't know why I laughed at that.
[29:02]
It's just a fact about.
[29:03]
It's a funny name.
Elliott Kalan
[29:04]
House of Wax.
Dan McCoy
[29:06]
Yeah, well, it's got a K sound in it, even though it's spelled with a C, you know.
[29:09]
Yeah.
[29:10]
Cuthbert.
[29:11]
Anyway.
Elliott Kalan
[29:11]
That's why Elisha Cook Jr. was also a funny named performer.
Dan McCoy
[29:15]
Elliot, you, sir, walk into a house and you're like, what's that guy doing in a fat suit?
[29:23]
Wait, this was made by the same director who did Beverly Hills Chihuahua and Scooby-Doo?
[29:28]
What house could this possibly be?
[29:30]
I'm telling you, it's getting harder now.
[29:33]
Yeah, that's much harder.
[29:36]
I don't know.
[29:39]
The fat suit means.
[29:41]
Wait, do I get to steal?
[29:43]
Oh, yeah, you can steal if you want.
Stuart Wellington
[29:45]
I don't think I know it, though.
[29:48]
Okay.
Elliott Kalan
[29:49]
I mean, you might as well.
[29:50]
I should have guessed something.
[29:51]
I had no idea, though.
Stuart Wellington
[29:53]
Yeah, I don't know.
[29:54]
House of Dogs?
[29:55]
No, it's not House of Dogs.
Dan McCoy
[29:58]
We're talking Big Mama's House.
[30:01]
Oh.
[30:02]
Big Mama's House.
Elliott Kalan
[30:04]
Oh, I forgot about that.
Dan McCoy
[30:06]
That I didn't see.
[30:08]
Okay, Stuart.
[30:09]
Let's see if you'll know this one.
[30:11]
You walk into a house and you're like, wait, this thing made $200 million and stars Ryan Reynolds and Denzel Washington.
[30:20]
Why don't I remember this house exists?
Stuart Wellington
[30:25]
Oh, shit.
[30:26]
Okay.
[30:29]
Ryan Reynolds and Denzel Washington.
[30:33]
This is.
Dan McCoy
[30:35]
Respectful hit, apparently.
[30:36]
But no one recalls it.
[30:39]
Yeah.
[30:42]
Man.
[30:46]
Like, I don't know.
[30:47]
Like, I don't know.
Dan McCoy
[30:47]
Like, money house?
[30:49]
Not money house.
[30:50]
Ellie, do you have a steal on this one?
Elliott Kalan
[30:53]
I have two guesses.
[30:55]
Uh-huh.
[30:57]
Let me ask you this.
[30:58]
This is probably too much.
[31:00]
Is the house in the beginning of the title or the end of the title?
[31:04]
Wow.
Dan McCoy
[31:05]
Ooh.
[31:06]
I don't know.
[31:07]
I don't know.
[31:08]
Is that too much?
[31:09]
Might be too much.
[31:11]
Let's just say it is a two-word title.
[31:15]
Okay.
[31:15]
I'll give you a totally unrelated hit.
[31:17]
Is it Safe House?
[31:18]
It is Safe House.
[31:19]
God damn it.
Elliott Kalan
[31:21]
I was worried for a second that I was pulling a lake house on it again.
[31:26]
And then it was called, like, House of Bullets or something.
Dan McCoy
[31:29]
House of Safe.
[31:30]
Yeah.
Stuart Wellington
[31:30]
House of Safe.
Dan McCoy
[31:32]
Mm-hmm.
[31:33]
Okay.
Stuart Wellington
[31:34]
Well, that was a respectable steal.
[31:35]
Well done.
Dan McCoy
[31:40]
Hey, everyone.
[31:41]
So, this is the point at which regular, you're going to stop hearing regular gameplay.
[31:47]
Alex, you should put, maybe you put in, like, a horn or something before I said,
[31:51]
hey, everyone.
[31:53]
Because.
Stuart Wellington
[31:53]
Cool.
[31:53]
Let's talk.
[31:54]
Let's give more notes during this part of the show.
Dan McCoy
[31:56]
Yeah.
[31:57]
Sure.
[31:58]
Maybe, like, a record scratch, Alex.
[32:00]
Yeah.
[32:01]
Or something that, you know.
[32:02]
Yeah.
Elliott Kalan
[32:02]
Like a lightsaber igniting.
[32:04]
I mean, by this point, the funny thing is the audience will have already heard the sound
[32:07]
effect.
[32:08]
So, we're giving.
[32:08]
Yeah.
Dan McCoy
[32:09]
We got to explain the sound effect because they're getting mad right now.
[32:14]
So, what happened was we recorded the rest of this.
[32:17]
It was hilarious.
[32:18]
But it turns out that Elliot's memory card was full.
Elliott Kalan
[32:23]
I made a rookie mistake.
[32:24]
It was.
[32:25]
Yeah.
[32:25]
After years of doing this and did not check ahead of time how much space was on my memory
[32:30]
card.
[32:30]
I thought I had a lot more time than I did.
[32:32]
And so, I apologize to Dan and to Stu.
[32:35]
And I apologize to you, the audience, because you missed out on, well, all I remember is a
[32:39]
bit about Parker Posey owning a poster shop of some kind.
Stuart Wellington
[32:42]
But all these funny bits, like it was like there was three Rob zombies in the room just
[32:47]
cutting it up, you know, chopping it up with them jokes.
Elliott Kalan
[32:50]
He's just, he's such a natural funny man, you know.
Dan McCoy
[32:53]
But we're going to, here's what we're going to do.
[32:55]
We're going to, like, we're not going to try and recreate exactly what happened in terms
[33:00]
of like, you know.
Stuart Wellington
[33:02]
But Dan, you put work into these questions.
Dan McCoy
[33:04]
So, we should at least acknowledge these questions.
[33:06]
We should at least give the play-by-play.
[33:08]
Yeah.
[33:08]
We're going to go back and do the play-by-play.
[33:10]
We're going to do it as if this didn't happen, but without the pretending that it didn't
[33:18]
happen.
[33:18]
Or maybe that we're just recounting the events.
Stuart Wellington
[33:21]
Yeah.
[33:21]
So, I had just totally biffed it on the safe house question.
[33:26]
I feel like a real fool, but you know what?
[33:30]
I mean, if 10 people tweet at me that they saw the movie safe house and recall elements
[33:38]
of its plot, I will be very impressed.
[33:41]
Just tweet at D-A-N-K-M-C-C-O-Y on Twitter.
[33:47]
Just tweet at that address and tell them that you've seen safe house and you're familiar with it.
Elliott Kalan
[33:53]
I think it's taking Dan a moment to realize you spelled out his name.
Dan McCoy
[33:57]
Yeah.
[33:58]
No, I just want to get back to it, honestly.
[34:02]
I was letting the bit happen because then we would speed back to the questions, which
[34:09]
was Elliot.
Stuart Wellington
[34:11]
Dan was going limp in this case.
[34:14]
He was.
[34:15]
I was playing possum.
Elliott Kalan
[34:17]
Dan was allowing you to pull him out of the building so that he could, as a show of civil
[34:21]
disobedience.
Dan McCoy
[34:23]
So Elliot, your question, we all remember, was this.
[34:27]
And I said, you walk into a house where an Iranian actress is winning a Best Supporting
[34:33]
Actress Award, even though, again, it's a house you barely remember.
Elliott Kalan
[34:38]
Oh, yes.
[34:38]
And I had said that would be a house of sand and fog.
[34:40]
And that's right.
[34:41]
We did have, to fill in the listeners, we did have a discussion about whether or not the
[34:44]
Academy Awards should be based on a 10-year delay system where you pick a movie and then
[34:49]
they wait 10 years and if people still remember it, then it still gets that Academy Award.
Dan McCoy
[34:54]
Yeah.
[34:54]
I think that's, you know, like we talk about how many bad picks are made.
[34:59]
You know, just, you know, let's think on it for a decade.
[35:03]
Yeah.
Elliott Kalan
[35:03]
As a culture.
[35:05]
Yeah.
[35:06]
Let it marinate.
[35:06]
I'm calling it the Academy Awards sleep on it for a decade plan.
[35:10]
Yeah.
[35:11]
Hey, no reason to make a quick decision.
[35:13]
Let's sleep on it for a decade.
Stuart Wellington
[35:16]
By that time, everybody's had a chance to watch that fucking thing, you know?
[35:21]
Yeah.
Dan McCoy
[35:23]
You think that's the biggest advantage?
[35:26]
It's that Academy members will actually watch the screeners.
[35:30]
They might.
[35:31]
Yeah.
[35:32]
All right.
[35:33]
Okay, Stuart.
Elliott Kalan
[35:34]
As someone with a stack of Writers Guild Award screeners that I'll probably get to someday,
[35:39]
yeah, I'll watch that James Brown movie someday.
[35:41]
I'll hold on to that screener, sure.
[35:43]
Then years pass.
[35:44]
It becomes a coaster.
[35:46]
And then, I don't even know what happens to it.
[35:48]
It disappears somewhere into the house.
[35:50]
The screener gnomes take it.
Dan McCoy
[35:52]
That's the beautiful metamorphosis a screener goes through from lowly DVD to beautiful coaster.
[36:00]
That's nature.
[36:02]
Okay.
[36:03]
Stuart.
[36:04]
Yep.
[36:04]
Your next question, if you'll recall, was perhaps my laziest question of the evening,
[36:09]
which is, you walk into the house that Toby Hooper made after eaten alive.
[36:14]
And you said?
Stuart Wellington
[36:15]
Fun house, of course.
Dan McCoy
[36:17]
That's, of course.
[36:19]
We all remember.
Stuart Wellington
[36:19]
It recently got out like a re-release, right?
[36:23]
It, uh...
Dan McCoy
[36:24]
Uh, I don't know about that.
[36:26]
I, but you're probably right.
[36:28]
It, it's, it had like a...
[36:31]
Yeah, I think you're right that they did like a remaster of it.
[36:34]
It's a beautiful looking movie.
[36:36]
Yeah.
[36:38]
A little slow, but good.
Elliott Kalan
[36:40]
I mean, Dan, you also could, I mean, it would have been a totally different story if you had asked,
[36:44]
okay, you walk into a house and it's a madness song about buying a condom for the first time.
[36:48]
That would be house of fun, which is the opposite of fun house, or reversed.
[36:52]
Hmm.
Dan McCoy
[36:54]
Ellie, it's funny you say that, because you also had a question.
[36:58]
You remember, it went like this.
[36:59]
You walk into a house and you're like,
[37:01]
this house is gonna make Parker Posey the new It Girl.
[37:05]
Now, Ellie...
[37:06]
I was confused by this.
[37:07]
I was confused by this.
[37:08]
You thought, you rightfully reminded me that, uh, Party Girl was kind of...
[37:13]
That was kind of her breakout role, yeah.
[37:16]
Yeah, but I did mention, uh, a hat, a distinctive hat, which...
Elliott Kalan
[37:21]
Dan gave me a somewhat unfair clue saying that, oh, and she's wearing a hat,
[37:25]
and that's when I knew it was House of Yes.
[37:26]
Yes.
Dan McCoy
[37:28]
Because of the poster.
[37:29]
Yeah, yeah.
[37:30]
Mm-hmm.
[37:31]
Yeah, she looks like Jackie O, and that's when we went on our Flight of Fancy
[37:36]
about Parker Posey's poster...
[37:40]
Depot.
[37:41]
...panorama.
[37:42]
I don't know.
[37:43]
Yeah, we...
Stuart Wellington
[37:43]
I suggested that Dan had, uh, tailored this question for Elliot because he had already
[37:49]
bought Elliot an autographed poster of House of Yes as a birthday gift for an upcoming birthday,
[37:54]
and Elliot's like, of course I would accept anything autographed by Parker Posey, and I'm
[37:58]
like, even a copy of Darwin Cook's graphic novel, Parker?
[38:02]
And he's like, of course not.
[38:03]
I don't like that at all.
[38:05]
And I'm like, that's wild.
[38:06]
It's great.
[38:06]
And she's the perfect person to put an autograph on it.
Elliott Kalan
[38:10]
I mean, this is...
[38:11]
A lot of this conversation I don't remember, but there's no recording of it thanks to my
[38:15]
own foolishness, so I have to assume it was exactly as he reported.
Dan McCoy
[38:19]
You know, it's funny.
[38:20]
I was going to make a joke about how this last part of the episode is trading on, you know,
[38:25]
how much everyone loves hearing jokes they weren't there for explained to them.
[38:31]
But then Stu saved it by swerving into new fantastical territory.
[38:41]
Speaking of Stuart, Stuart was up next.
[38:44]
Oh, yeah.
[38:46]
Speaking of one-third of the blockhouse, one-half of the men I'm talking to at this moment, you
[38:53]
walk into a house.
[38:53]
I love it.
[38:53]
Keep the fractions coming.
Elliott Kalan
[38:55]
I love it.
[38:55]
We're in a math house.
[38:56]
Not a meth house.
Dan McCoy
[38:58]
A math house.
[38:59]
Stuart, you walk into a house and you're like, Kirstie Alley and John Larroquette, this
[39:04]
is going to be hilarious.
[39:06]
But, spoiler alert, it is not hilarious.
[39:10]
And Stuart jumped on this one.
[39:11]
Just like the anthrax song, it's a madhouse.
[39:14]
Yeah, he jumped right on it.
[39:16]
He knew it.
[39:17]
Yeah, I knew that shit right away, baby.
[39:19]
He jumped on it like a grenade and he was Captain America.
[39:22]
Elliot, the final...
[39:24]
We all remember this.
[39:26]
Oh, what a...
[39:27]
I mean, it just happened.
[39:28]
What a magical night it was.
Elliott Kalan
[39:29]
It's just too bad the listeners weren't there to experience it, you know, as it was happening.
[39:33]
Again, my fault.
[39:34]
It was my mistake, and I apologize to the listener, that they didn't get to experience IRT that's
[39:39]
in real time, this magical miracle on ice.
Dan McCoy
[39:43]
Yeah.
[39:43]
I also wanted to assure the listener, by the way, we normally have, you know, checks and
[39:49]
balance.
[39:49]
Not checks and balance.
[39:50]
It's not what I'm looking at.
[39:51]
Like, what...
[39:52]
Failsafe.
[39:52]
We have a failsafe.
[39:54]
We, you know, we have a backup.
[39:56]
We, but we moved to a different Zoom recently and forgot that it's auto-recorded.
[40:01]
Yeah.
[40:01]
So there was a double failure here.
[40:04]
But don't worry that this is going to be a problem.
Elliott Kalan
[40:07]
Were both failures on my part?
[40:08]
Yes.
[40:09]
But still, I'll remind everyone that I routinely get woken up at 4.30 in the morning by a
[40:13]
three-year-old demanding chocolate at the top of his lungs.
[40:17]
So...
[40:17]
Because of a dream.
[40:18]
Because of a dream he had.
[40:20]
So my...
[40:21]
He's constantly having...
[40:23]
He has...
[40:24]
I mean, as many young kids do, he has, it seems, night terrors.
[40:26]
And he yells in his sleep.
[40:28]
And he yells things like, no, I don't want to.
[40:30]
Stop.
[40:30]
And then I'll wake him up the next morning.
[40:31]
I'll be like, what was your...
[40:32]
What were you dreaming about last night?
[40:34]
And he's like, I didn't want to have to take a bath.
[40:36]
And you told me I had to take a bath.
[40:37]
Like, that's the kind of dream that he has.
[40:39]
So...
Dan McCoy
[40:39]
Elliot.
[40:41]
Yes.
[40:42]
Okay.
[40:42]
Well, we recall is what I'm saying.
[40:45]
What happened was I said that you walk into a house and you're like, is that a young
[40:49]
Helen Hunt?
[40:50]
No, wait.
[40:51]
That's the actress that looks like her younger clone.
[40:53]
It doesn't matter.
[40:55]
This was released three days after September 11th.
[40:57]
So no one will care.
[40:59]
And you pulled it out at the last second for a half point win.
[41:05]
I was aching to steal this shit.
[41:08]
You remember that that movie is called what, Elliot?
Elliott Kalan
[41:11]
That's right.
[41:11]
It was Glass House starring Lili Sobieski, a.k.a.
[41:17]
Little Helen Hunt.
[41:19]
Mm-hmm.
Stuart Wellington
[41:20]
And she's backed up by, who's that?
[41:22]
Udo Kier?
[41:24]
Stellan Skarsgård?
[41:26]
Stellan Skarsgård.
[41:27]
Oh, right.
Elliott Kalan
[41:28]
That's the guy.
[41:29]
Guys, have you ever felt like your scars are not adequately protected?
[41:33]
I did.
[41:34]
And that's why I picked up Stellan Skarsgårds Skarsgårds.
[41:38]
Now, they're the only guards for scars.
[41:40]
Wherever you have a scar, just place one of the scar guards on it.
[41:43]
And Stellan guarantees your scar will be guarded.
[41:47]
That's right.
[41:47]
Stellan Skarsgårds Skargårds are available.
[41:51]
Well, mainly on the dark web.
[41:52]
So, if you need, if you want to know where they are, I'll help you.
Stuart Wellington
[41:54]
They also have them in Child Size from Alexander Skarsgårds Skarsgårds.
Dan McCoy
[42:03]
Full-grown adult children, though.
[42:06]
Only.
Elliott Kalan
[42:08]
I don't know.
[42:08]
You can play a pretty wide range of ages.
[42:12]
Do you guys ever feel like there aren't enough angry horses in your tropical storms?
[42:17]
That's why I got Peter Storm Mare's Storm Mare.
[42:22]
The only source for horses in tropical storms that I trust.
[42:26]
I was like, where's he going with this?
[42:29]
Hey, guys.
[42:31]
Here's a situation we've all had.
[42:34]
We told our friends about the hot date we were having, and then we failed to make it even to first base.
[42:39]
The next morning, we don't want them to know that we didn't get anywhere with our date of choice.
[42:44]
That's why I get the late William Hickey's Hickeys.
[42:47]
That's right.
[42:48]
Artificial Hickeys handcrafted by the late William Hickey.
[42:51]
You just apply them to your neck.
Stuart Wellington
[42:53]
Not quite as fantastic a pole as the Peter Storm Mare's, but that's good.
Elliott Kalan
[42:58]
I was trying so hard to think of another person that had two words in their name, and I could only think of a one-word name.
Dan McCoy
[43:06]
All right.
[43:06]
Well, you know what?
[43:08]
It's late, so let's sign off.
Elliott Kalan
[43:11]
You should go to—
[43:12]
Hey, guys.
[43:12]
Have you ever worried that you don't have enough burrs?
[43:15]
Maybe you need a full ton of burrs.
[43:16]
That's why Tim Burton's Burr Ton is the product for you.
[43:20]
It's a full ton of burrs.
[43:23]
Yeah.
Dan McCoy
[43:24]
Now, are those Raymond Burrs or just the plant seed?
[43:29]
That's a very good question.
Elliott Kalan
[43:30]
A lot of people only have, let's say, 50 or 60 pounds of Raymond Burrs.
[43:34]
But if you need a ton of Raymond Burrs—
[43:36]
Yeah, sure.
[43:37]
In this economy?
[43:38]
—and you can fill as many Godzilla movies as you want.
[43:40]
You just pour out the burrs.
[43:42]
Mm-hmm.
Dan McCoy
[43:44]
Anyway, the point is, this is the Flophouse.
[43:47]
It's a podcast that I wouldn't say is normally more professional than this, but it certainly usually has fewer technical difficulties.
[43:55]
But we—
Elliott Kalan
[43:57]
If your definition of professional is that they check their equipment ahead of time, then it's usually more professional than this.
Dan McCoy
[44:02]
Yeah, yeah, yeah.
[44:04]
But somehow we, you know, are part of a network.
[44:07]
It's called Maximum Fun.
[44:08]
You can go to MaximumFun.org to see all the other great shows on the network.
[44:13]
If you want to see our website and all the stuff we've got on there, including a link to the event, the Bellhouse Show, where we'll be talking about Morbius, you can go to FlophousePodcast.com.
[44:27]
Our producer, Alex Smith.
[44:29]
I'm sorry, Alex, that the day that this happens is also the day we're getting you the audio one day later than normal.
[44:38]
But thank you, and you can find him on Twitter at HowellDotty.
[44:45]
He is a great and forgiving man.
[44:49]
For the Flophouse, I've been Dan McCoy.
[44:52]
I'm Stuart Wellington.
Elliott Kalan
[44:53]
I'm Elliot Kalin saying I apologize and I'll try better next time.
Stuart Wellington
[44:57]
Bye!
[44:58]
Bye!
Elliott Kalan
[45:04]
MaximumFun.org
Dan McCoy
[45:05]
Comedy and culture
[45:07]
Artist owned, audience supported.
Description
Dan's back in the driver's seat for this mini, and he challenges Elliott and Stu to a game so insidious, it almost breaks the podcast.
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