mini Jun 25, 2022 00:45:10
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Transcript

Dan McCoy
[0:00] Hey everyone, welcome to the Flophouse. Before we get started, I'm just going to turn it over
[0:08] to Elliot real quick. Hey, Flophouse listeners. Hey, I know your ears love hearing us. Wouldn't
Elliott Kalan
[0:14] your eyes love seeing us and your mouths and noses love breathing in the air that surrounds
[0:19] us? You bet they would. That's why we're going to be in person for the first time in
[0:23] like two years, August 7th at our old stomping grounds, The Bell House in Brooklyn, New York.
[0:28] That's August 7th. It's a Sunday, 7.30 p.m. because we're old people. Doors open at 6.30
[0:34] p.m. Tickets are available right now. Go to thebellhausny.com. And for this special event,
[0:39] we need a special movie to talk about. That's right, we're talking about the film of the
[0:42] summer, the movie that has taken the nation by storm, The Morbius. The title's not The
[0:48] Morbius, it's just Morbius. Anyway, let's pretend I just said Morbius. We're going to be talking
[0:51] Morbius, that's right. Ahem, quoting meme as if an old man who's still cool. It's Morbin
[0:57] time. So everybody, listen to the meme. It will be Morbin time, August 7th at The Bell House.
[1:04] Go to thebellhausny.com. Look it up on the calendar. Get tickets, August 7th, 7.30 p.m.
[1:09] Us in person, in front of your very eyes. And now, back to Dan McCoy for your regularly scheduled
Dan McCoy
[1:16] Flophouse Mini.
[1:17] Hey, everyone. Yeah, this is a Flophouse Mini. So, you might be familiar with the Flophouse,
[1:21] the hit podcast, the three of us all host.
[1:24] I hope so if you're listening to it, you're soaking in it.
[1:27] You watch a bad movie and then we talk about it. Well, this is what we do in the off weeks
[1:32] where we don't watch a bad movie. We just kind of freeform it. And I'm in charge tonight.
Stuart Wellington
[1:38] To mixed results, certainly. What's a mixed result? The quality of our minis are mixed results.
[1:46] Yeah. Dan, can we just freeform it, you know? When we're just spitballed.
Elliott Kalan
[1:49] Well, speaking of freeform, Dan, can I hijack the mini again to talk, tell a real life true
[1:53] story of something that happened to me today that was a real emotional rollercoaster?
Dan McCoy
[1:57] Yeah, let's do that shit. We're not using tape anymore. We can burn as much time as we want.
Stuart Wellington
[2:02] If this involves you playing poorly at the video game, what is it, Rollercoaster Tycoon,
[2:09] that would be a true emotional rollercoaster for me.
Elliott Kalan
[2:12] It would be, with my emotions. Yeah. Today, I learned for the first time, which I had never
[2:18] realized before, that the We Get Letters song that Paul Schafer would perform on the David Letterman
[2:23] show actually originated on the Perry Como show. And I said, hold on, I got to see this.
[2:28] I look up We Got Letters song Perry Como, up comes a YouTube video, and one of the comments
[2:33] on the YouTube video from seven years ago says, Elliot Kalin, the early years. And I was like,
[2:39] what? This is amazing. And there's two replies to it. Let me see what the replies is. And so I'm like,
[2:44] at first I learned that this song goes back decades earlier than I thought. I thought it was a Paul
[2:47] Schafer original, and it's not. He's just a liar who stole it. Then I go to find the video,
[2:53] and there's actually a reference to me in one of the comments. What's this reply going to be?
[2:56] Something about what a great guy I am? First reply, who is Elliot Kalin? And then I came
[3:01] crashing right back down. Turns out I'm not the hot stuff I thought I was.
Stuart Wellington
[3:04] From user Danielle Kalin.
Elliott Kalan
[3:08] What?
[3:11] So anyway, that was just a little emotional rollercoaster today as I was shocked to learn
[3:15] Paul Schafer didn't write that song, then shocked to see my own name attached to the clip
[3:18] on YouTube, then write it again by seeing that I'm not famous.
Dan McCoy
[3:23] Yeah.
Elliott Kalan
[3:24] Sand kicked in your face.
[3:28] Digital sand.
[3:29] Digi sand, they call it.
Dan McCoy
[3:30] All is fleeting.
[3:31] All glory.
[3:32] And everything else.
[3:34] Hey, so this is a-
Elliott Kalan
[3:36] Certainly sick transit.
[3:37] Gloria.
[3:38] Gloria.
Dan McCoy
[3:39] Oh, wow.
[3:42] That also goes back to Perry Como.
[3:44] Weird.
Stuart Wellington
[3:44] I think, Elliot, I think it's time for the kids to rediscover you like they rediscovered
[3:50] Kate Bush.
[3:52] And you are going to be the-
Dan McCoy
[3:53] Finally.
[3:54] Finally.
[3:55] You're going to be so excited.
[3:57] The dulcet tones of Elliot will be the ones saving Max from the dastardly mind flare from
[4:05] the underground.
[4:05] Oh, no.
[4:06] I mean, it's Vector.
[4:07] I mean, he's an under-
[4:08] I mean, he's an under-
[4:08] God, but-
[4:09] I don't know.
[4:10] I forget.
[4:10] Like, I love-
[4:12] I actually really like Stranger Things.
[4:14] I know a lot of people-
[4:15] I think you and I are simpatico on this, Stuart, where it's like, yeah, we get it.
[4:19] A lot of people are tired of the 80s nostalgia, but I still enjoy the-
[4:23] I think it's a well-done version of that.
[4:25] Yeah.
[4:26] And, but the one thing about this latest season, and I'll do no spoilers, but the one thing
[4:31] about this latest season that I kind of hang up on is like, look-
Stuart Wellington
[4:37] Is it the kid with the Agnes Varda haircut?
[4:40] No.
[4:41] No.
[4:41] Which kid is that?
[4:43] Will.
Dan McCoy
[4:44] He looks like a young Agnes Varda.
[4:45] He does look like a young-
[4:46] No, it's that I like how this season is based on such a kind of a standalone horror premise.
[4:55] Uh-huh.
[4:56] And I don't necessarily like have a particular attachment to like the show keeping previous
[5:05] horror premises alive, even though they have, like they've linked it all.
[5:10] But I don't think that the new season, like none of it makes sense to me in like the murky
[5:18] mythology that the show has put together.
[5:22] That like after the previous seasons where there's just kind of like monsters coming out
[5:28] of alternate dimension that in this case, there's just like, oh, there's one dude who
[5:32] wants to fuck with people.
[5:34] I don't know.
[5:34] Yeah.
[5:35] Yeah.
[5:35] It's a hell mouth situation.
[5:37] Yeah.
[5:38] It doesn't feel like they belong to the same cosmology to me, I guess is what I'm trying
[5:42] to say.
[5:43] Fair.
[5:44] Uh, anyway, let's, uh, move on.
[5:46] Now that we've, you know, fulfilled our-
Elliott Kalan
[5:50] Talking tube with two dudes.
[5:51] Requirements.
[5:52] I'm not even going to bother to make my tortured Kate Bush joke that I was going to make.
[5:56] Okay.
Dan McCoy
[5:57] Hey.
[5:57] Why would you torture Kate Bush?
[5:58] She's amazing.
[5:59] No, that's not-
[6:00] Stuart.
[6:02] Guys, I said, let's keep it short tonight.
[6:04] And it's seven minutes in and we haven't even gotten to the premise that I've brought to the
[6:09] table for tonight's-
[6:10] Okay.
[6:10] Whose fault is that driver of the show?
[6:13] Yeah.
Stuart Wellington
[6:13] Dan's like, I want to talk about Vecna and how as a demon overlord tied with the undead,
[6:18] he's a perfect fit for Stranger Things.
Elliott Kalan
[6:21] Dan's like, okay, I'm in charge.
[6:23] I want to keep things on track.
[6:24] But first, let's talk about TV.
[6:26] Hey guys, you watching the Stranger Things show?
Dan McCoy
[6:29] Um, I wanted to try and steer us back into the zeitgeist after your Perry Como trip.
[6:37] Yeah.
[6:38] Yep.
[6:40] And, uh, so, hey.
[6:42] Uh, in the past-
[6:43] Yes, no one's-
[6:44] You're the only one talking, Dan.
[6:45] You don't need to interrupt yourself.
[6:46] Just go for it.
[6:47] You know what?
[6:48] In the past, I've done a lot of, uh, game-based minis.
[6:52] Have you ever?
[6:54] And tonight is no different, because I'm kind of talking to shit.
[6:58] Oh, wow.
[6:59] Already the games have begun.
Elliott Kalan
[7:00] The return of the dreaded game master.
[7:03] Every mini that Dan runs, a little bit like, uh, we're going to get a million dollars in
[7:09] our uncle's will.
[7:10] And then it turns out by daybreak after we've passed the contest that the true joke from
[7:14] Beyond the Grave is that there was no money in the will.
Stuart Wellington
[7:16] Yeah, yeah.
[7:17] Lose's spookies made us leave the house.
Dan McCoy
[7:20] So, uh, this game, all right, our podcast is The Flophouse.
[7:26] This game is called The House House.
[7:29] Okay.
[7:30] The premise.
[7:30] Okay, interesting.
Elliott Kalan
[7:31] I mean, here's, here's what I'll tell you about this game.
[7:34] This better be, this better be you name someone and we have to tell if they're a member of
[7:38] the Bauhaus architecture movement or the Bauhaus band.
[7:41] Sure.
[7:41] Or Dr. House.
[7:44] Well, uh, primarily.
[7:46] Each one Dan just says Hugh Laurie.
[7:49] Mm-hmm.
[7:50] Yeah, that's the answer to all.
Dan McCoy
[7:52] Uh, there's a hundred questions.
[7:53] Um, no, uh, we're primarily, I would say, a movie podcast.
[7:58] And there are a lot of movies with the word house in the title.
[8:03] Mm-hmm.
[8:04] So, in this game, we're going to go back and forth.
[8:06] Each of you is going to get a first shot at alternating questions, uh, and there'll be
[8:12] steals.
[8:13] There are steals.
[8:13] Okay.
[8:14] Oh, fuck yeah.
[8:15] Uh, but otherwise, pretty simple.
[8:16] Just a quiz.
[8:18] Uh, I will give a, a sentence describing the house and you tell me what type of house it
[8:25] is.
[8:25] Now, that, that, that, that makes it sound like I'm literally going to describe the
[8:29] architecture of the house.
[8:30] Let me go on further.
[8:31] This is just a cute framing for the game.
[8:34] Uh, basically, I will give a.
[8:35] Like a balloon frame house.
[8:36] I will give a clue and you tell me the name of the movie with house, the title that I'm
[8:40] talking about.
[8:41] I will give you an example.
Elliott Kalan
[8:43] So, when you said you're going to describe a house and we have to tell you what house
[8:46] it is, that was just not a, not an accurate way to describe the gameplay.
[8:49] Uh.
[8:50] You're going to describe a movie and we're going to tell you the title of that movie.
Dan McCoy
[8:54] Yes, except for the cute thing about it is you're like, oh, this is a blank house.
[9:01] Oh, I see.
[9:02] Or, like, or a house of blank.
[9:05] I getcha.
[9:06] Along those sorts of, so, okay.
[9:09] If you'll just let me get to the example, Elliot.
[9:11] Yeah, let's do it.
[9:12] All of your questions.
[9:13] I didn't know an example was coming.
[9:15] Well, I did say that there was one.
[9:18] Okay, example.
[9:19] This is a clue.
[9:20] You walk into a house and Vic Morrow's murderer is there directing the guy who played Mozart in
[9:26] Amadeus.
[9:27] Ah, I see.
[9:28] What kind of house is this?
[9:30] Elliot, I see you know.
Elliott Kalan
[9:31] That's an animal house.
[9:32] That is an animal house.
[9:34] Okay.
[9:34] Do I get a point for that?
Dan McCoy
[9:36] Or that was just an example?
[9:36] No, that was an example.
[9:38] Oh, I wasted it.
[9:39] I wasted it.
[9:40] Yeah, the framing is more like, you know, how Jeopardy has the answers and the questions
[9:45] reversed and whatnot.
[9:47] Oh, that's why I didn't win.
Elliott Kalan
[9:49] I didn't realize that.
[9:50] I thought that they were giving me the questions and I had to answer and I was so confused because
Dan McCoy
[9:56] there were no question marks.
[9:57] It's just a premise that then is basically not important because, for instance, on Jeopardy,
[10:04] those are still questions.
[10:05] I feel like the reason you didn't.
Stuart Wellington
[10:06] Now, I don't want to relitigate anything, Elliot, but I feel like the reason you didn't win
[10:10] Jeopardy is you didn't want it bad enough.
[10:12] I've watched enough movies about sports and stuff where athletes, the only reason they're
[10:16] able to win is because they want it bad enough or they have the power of friendship.
[10:20] And I don't think you had either of those two things.
[10:22] No, that's true.
Elliott Kalan
[10:23] I was all on my own and I did not want it badly enough to get a used buzzer set from
[10:29] a different game show, I think, and practice with that at home.
[10:33] It didn't even occur to me.
[10:34] Now, Dan, that's the funny thing about Jeopardy is Merv Griffin was always like, so there
[10:39] was this big outrage, this scandal, when they gave the answers to the contestants on 21.
[10:45] So I thought, why don't we give them the answers, but we keep the questions.
Dan McCoy
[10:49] But you're right, it is still asking a question and you're replying with an answer.
[10:54] 100% a question.
[10:55] Yeah.
[10:57] Anyway, so here we go where we got to play The House House.
[11:02] And Stuart, you're up first.
[11:05] These will, I did put them roughly in order where I assume they will get harder for you
[11:12] as we go along.
[11:12] I can't guess exactly which movies you know better than others, but this is kind of my...
Stuart Wellington
[11:19] I'm pretty sure I don't know much, but I know I love you.
Elliott Kalan
[11:23] I think you won the last game, Stu.
Stuart Wellington
[11:26] Yeah, well, you know, I'm just trying to psych you out because I had the fucking power of
[11:32] friendship, boys.
[11:33] And you won it.
[11:35] And Grayskull.
Elliott Kalan
[11:36] Yep.
[11:37] Okay, Stuart.
[11:38] That reminds me, Stu, He-Man said if you could return the power of Grayskull, he'd really
[11:41] appreciate it.
Stuart Wellington
[11:42] I am friends with Orko, and Elliot is kind of like a Cringer type character.
[11:48] So yeah, I guess I am like He-Man.
Elliott Kalan
[11:49] I mean, if only if you mean because I turn into an armored battle cat occasionally.
[11:54] Yes.
[11:54] Yeah.
[11:56] Stuart, you walked into a...
[11:58] It is offensive.
[11:59] I'm so much more of an Orko than a Cringer.
Stuart Wellington
[12:01] Well, we already have an Orko in our friend's circle.
Elliott Kalan
[12:04] Fair point.
[12:04] I guess I'll be man-at-arms then.
[12:08] We already have a man-at-arms too.
[12:11] Well, can I be mecha-neck?
[12:13] I've always wanted to be tall.
[12:15] Okay.
[12:15] Yeah.
[12:15] Yeah.
[12:16] Manny faces.
Stuart Wellington
[12:17] Oh, is he a goodie?
Elliott Kalan
[12:18] I'm Moss Man.
Stuart Wellington
[12:20] Oh, man.
[12:21] Such good smells.
[12:22] Dan, we were playing a game, not just walking around.
[12:25] Yeah, we're playing a game.
[12:25] So what's the game?
[12:26] What's the...
[12:27] How do we play the game?
[12:29] You get the first question.
Dan McCoy
[12:30] Stuart, you get the first question.
Stuart Wellington
[12:33] Okay, cool.
Dan McCoy
[12:35] Okay.
[12:35] The question is this.
[12:37] You walk into a house and you're immediately starstruck by the world's most famous bouncer.
[12:43] What kind of house is it?
Stuart Wellington
[12:45] Oh, that's a roadhouse.
[12:47] I just walked into the double deuce, baby, and that's the roadhouse.
[12:51] It's the kind of place they sweep the eyeballs off the floor at the end of the night.
Elliott Kalan
[12:55] Yeah.
[12:56] That would be amazing if there was a scene where Patrick Swizzy had to go in and just with one of those big janitor brooms is just sweeping up piles of eyeballs.
[13:04] Sweeping up piles of eyeballs.
Dan McCoy
[13:06] Yeah, no bigger gimme than to ask Stuart a question about roadhouse.
[13:11] Yay!
Elliott Kalan
[13:12] I don't know.
[13:13] If this was what kind of freak and you were like, well, this is a freak who has no ding-dong.
[13:19] I think that would be...
[13:20] That's a big gimme for him also.
[13:22] Mm-hmm.
Dan McCoy
[13:24] Elliot, you walk into a house and notice that all of the mermaid figurines have jizz on them.
[13:30] What kind of house is it?
Elliott Kalan
[13:31] Well, that would be a lighthouse, Dan.
Dan McCoy
[13:33] It is a lighthouse.
[13:35] There's one thing we know about lighthouses.
[13:39] They're full of...
[13:40] Let me go on.
[13:41] That's the horny Robert Pattinson.
[13:44] That's who's in them.
[13:46] Okay, back to Stu.
[13:48] Yay.
[13:48] You walk into a house and it's awesome.
[13:51] All of it's awesome except for a sort of lame Rob Zombie trailer with Nick Cage right in the middle.
Stuart Wellington
[13:59] Okay.
[14:01] Wait a minute.
[14:02] That's a grindhouse.
[14:05] Yay!
[14:05] I did it.
[14:06] A grindhouse.
[14:07] That's a grindyhouse.
Dan McCoy
[14:10] There's...
[14:11] I like some of Rob Zombie's movies, a couple of them.
[14:16] But yeah, his shortcomings as a director are really...
Elliott Kalan
[14:19] Are you really excited about his Munsters reboot that he's finally got his hands on?
[14:24] Is that what...
[14:24] That's what he's working on or what's coming out next from him is a Munsters.
Stuart Wellington
[14:27] You know that movie's going to have the baddest fucking Dragula you've ever fucking burned through the witches in.
Elliott Kalan
[14:33] Is it going to be...
[14:34] Is it twisted like Cormac McCarthy or is it still going to be funny?
[14:37] I think from what I've seen, it seems like it's still going to be funny.
[14:41] But you know...
[14:41] He's hilarious, guys.
[14:43] He's like the Cormac McCarthy of the screen, so...
Stuart Wellington
[14:46] Yeah.
[14:46] He's really funny, guys.
[14:49] I don't know if...
[14:50] Yeah.
Stuart Wellington
[14:50] It's going to be crazy.
[14:52] We are going to have to call our doctors, our GPs, and have them check in on our funny bones.
Elliott Kalan
[14:59] I mean, to be fair, there's something pretty funny about a guy who calls himself Rob Zombie as a young rock and roller.
[15:05] And then as an old man making movies continues to call himself Rob Zombie.
[15:09] That's pretty good.
[15:10] It'd be funnier if he called himself...
[15:13] Or Bobby Zombie.
[15:14] Bobby Zombie.
[15:16] Bobby Z.
Dan McCoy
[15:18] Okay.
[15:19] That's Robert Siddar, Elliot.
[15:21] Oh, you're right.
[15:21] Bobby Z is Robert Siddar.
[15:22] Rest in peace, yeah.
[15:24] Elliot.
[15:26] You walk into a house and you spend most of the time just walking around empty rooms and dancing to one thing leads to another by the fix.
[15:34] But somehow it's still terrifying.
[15:37] That would be a house of the devil, Dan.
[15:38] I'm scared just to think about all that walking.
[15:41] That is the house of the devil.
[15:43] It's empty.
[15:44] Wow.
[15:45] Or is it?
Elliott Kalan
[15:46] Well, then you can't know.
[15:47] Because you know at any moment Tom Noonan's going to come back from his date.
[15:50] Where is he going that night?
[15:53] What if...
[15:54] What's the movie where he's on a date?
[15:57] Is it...
[15:57] And what happened was?
[15:59] I think so.
[15:59] What if that was the same character?
[16:00] You're thinking of Manhunter.
Dan McCoy
[16:01] He was on a date in Manhunter.
[16:02] Yeah, yeah.
[16:03] That's what it was.
[16:04] Technically correct.
[16:04] He was on a date with...
[16:06] Took Joan Allen to see a tiger.
[16:08] Or not actually see a tiger.
[16:09] I guess feel a tiger.
[16:10] Yeah, because she's blind.
[16:10] Yeah.
[16:11] Yeah, her character.
Elliott Kalan
[16:12] He's on a date with the work of William Blake.
[16:15] Mm-hmm.
Stuart Wellington
[16:15] Yeah.
[16:16] Doesn't end well.
Elliott Kalan
[16:17] Well, depending on your point of view, I guess.
Dan McCoy
[16:22] Okay.
[16:22] Back...
[16:23] Let's see.
[16:24] Back to...
[16:25] To me, things are heating up over here in the house of the...
[16:28] Stuart.
[16:28] Yeah, sorry.
[16:30] You walk into a house, and it's an exact reversed version of the house you used to live in with
[16:36] your dead husband.
[16:38] What?
Stuart Wellington
[16:41] Oh, that's what?
[16:43] The night house?
[16:44] That is the night house.
[16:46] Rebecca Hall, baby.
[16:49] Nailed it.
Dan McCoy
[16:51] That's your super yaki shirt.
Stuart Wellington
[16:53] It just says, Rebecca Hall, baby.
[16:56] The night house where every day is opposite day.
[17:00] Yeah.
[17:01] Oh, man.
[17:02] What a flick.
[17:04] That's a good...
[17:04] Did you finally see it, Stu?
[17:05] I did.
[17:06] It's great.
Dan McCoy
[17:06] I like that one a lot.
[17:08] Okay.
[17:08] Oh, I haven't seen it yet.
[17:09] Oh, it's great.
[17:09] I'm glad you got that question.
[17:12] Elliot, here's a question for you.
[17:13] You walk into a house, and you get a letter from Sandra Bullock in the future?
[17:21] I was worried you were going to ask about that one.
Elliott Kalan
[17:23] Uh, because I'm not sure I remember it.
[17:25] Um, is that the house at the lake?
Dan McCoy
[17:28] Ooh, judges.
[17:30] The house on the lake?
Elliott Kalan
[17:32] No, I'm...
[17:33] Now you're getting colder.
[17:35] The lake house?
[17:36] Yes, it is.
[17:37] It is the lake house.
Dan McCoy
[17:38] I think you should give me half a point.
[17:41] Yeah.
[17:41] One half.
[17:42] Okay.
[17:43] All right.
[17:45] Uh, not bad, honestly.
[17:48] This is getting a little bit harder.
[17:49] All right.
[17:52] Stuart.
[17:52] Uh-huh.
[17:53] You walk into a cartoon house, and you're like, wait, this was made by Dan Harmon and
[17:58] Rock Shrob?
[17:59] Yeah, that is.
[18:00] Monster House.
[18:01] Monster House.
Stuart Wellington
[18:02] You mean the fucking movie they made instead of finishing Scud the Disposable Assassin?
Dan McCoy
[18:07] Fuck that shit.
[18:08] I wasn't aware.
Stuart Wellington
[18:10] Uh, they later on finished, they later on finished Scud the Disposable Assassin.
[18:14] I remember in college, I'm sure I told this story, uh, about when, uh, when they like,
[18:19] uh, just didn't finish the series, and I wrote them like a mean email, and I don't remember
Dan McCoy
[18:27] who wrote me back, but it was the meanest fucking response.
[18:31] Wow.
Stuart Wellington
[18:31] Uh, and it, I mean...
[18:32] It was like touching a hot stove for me.
[18:34] I have never written another mean email since.
Dan McCoy
[18:39] I, I, those are not, I mean, yeah, those are not people I would expect a kind email back
[18:43] from in that situation.
Elliott Kalan
[18:45] I had, I had a, a very curious, uh, experience with, with Rob Shrabb, where he was the director
[18:51] on the second season of Mystery Science Theater, and, uh, we, I was, I was working on the show,
[18:58] and there was a guy named Seth who was working on the show.
[19:00] Uh, we had two very different jobs.
[19:02] I was the head writer, and he was kind of, uh, one of the head design guys, or was the
[19:07] head design guy.
[19:08] And I guess because we both have glasses, uh, Rob Shrabb could not tell who was who,
[19:12] and just called me Seth for the entire shoot.
[19:14] And it was, and I started correcting him in the beginning, and then I just stopped at a
[19:17] certain point.
[19:18] I was like, it's not, it's not, my life's too short to keep, to keep going into this.
Dan McCoy
[19:23] Um, well, Elliot, maybe, uh, you can take the taste of that out of your mouth with a,
[19:29] with a victory on this next question.
[19:30] Probably not.
[19:31] Huh?
[19:32] Yeah, getting on the board.
Elliott Kalan
[19:34] I'm on the board, Stu.
[19:36] You're winning, but I'm still on the board.
Dan McCoy
[19:39] Uh, you walk into a house, and you're like, I think I remember us doing this house on the
[19:45] flop house, maybe.
[19:46] Is this the one where the leads ended up getting married?
[19:50] I think that would be Dreamhouse.
[19:53] That's Dreamhouse.
Stuart Wellington
[19:55] Wait, that's the movie that, uh, where Danny Craig and, uh, and Rachel Weisz met.
[20:00] And then they, uh, fell in love, which, of course.
Dan McCoy
[20:03] Yeah.
[20:04] Who can blame them?
[20:04] How come you're not on either side?
[20:06] They're both great.
[20:08] Um, hey, that's, uh, that's halfway through the question.
[20:12] So, what do you know?
[20:13] And we know you've had some issues with counting in the past.
[20:15] No, I, I was very careful.
[20:17] You know, what better time than right in the middle of everything to take a break?
[20:25] And that is a break to say thank you to all the members of MaxFun who support us.
[20:31] And also thank you to our sponsors.
[20:33] We have a couple this week.
[20:34] The first one is Trade Coffee, a company that I recently, you know, I started, uh, I subscribed
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[20:49] And why, why not have good coffee?
[20:52] Yeah.
[20:53] Or a change.
Stuart Wellington
[20:53] Sounds like you could use a cup right now.
[20:55] Mm-hmm.
[20:56] Well, it's, it is, it's kind of late here.
Dan McCoy
[20:59] Uh, uh, hey, Trade Coffee.
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[22:10] And don't...
[22:11] Well, this is old coffee.
[22:13] They're going to say, don't forget about Father's Day coming up.
[22:16] But that...
[22:17] That's...
Elliott Kalan
[22:18] It's slightly less than a year till the next one.
[22:21] Yeah.
Elliott Kalan
[22:21] You know what?
[22:22] True.
Dan McCoy
[22:23] It's coming up, guys.
[22:24] Keep it in mind.
[22:25] You can stockpile so much coffee in that time to give to your dad.
[22:29] Or...
[22:30] Speaking as a dad, it's never a bad time to get a gift.
[22:33] Yeah.
[22:33] That's the thing.
[22:34] It doesn't have to be for Father's Day.
[22:37] You can give it just because you want to or because you forgot about Father's Day.
[22:42] That's another option.
[22:43] It happens.
[22:43] Yeah, that's true.
Elliott Kalan
[22:44] Or maybe you just want to make it a little easier for the dad next time you barge into
[22:49] their room at 4.30 in the morning demanding chocolate because you just had a dream where
[22:53] you wanted chocolate and your parents wouldn't give you chocolate.
[22:56] Certainly a piping hot cup of personalized, algorithmically derived for you coffee would help
[23:01] take the edge off that particular situation.
Dan McCoy
[23:03] You want to be better than Dream Dad, don't you, Elliot?
Elliott Kalan
[23:11] I mean, I do.
[23:12] Only because I'm worried that Dream Dad will lure my children away into the netherworld.
[23:17] But it sounds like he's not giving them chocolate in the middle of the night either.
Dan McCoy
[23:22] Also, we're sponsored by Lumi Labs.
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[24:26] Elliot, why don't you just mention that show one more time?
[24:30] Sure.
Elliott Kalan
[24:31] Just in case you missed the mention at the beginning, just to remind you in case you were like, I guess I'll get tickets when the show is over.
[24:39] Don't.
[24:40] Don't wait until this episode is over.
[24:41] Don't.
[24:41] Go to thebellhausny.com.
[24:44] Why?
[24:45] You'll notice that on August 7th, a certain podcast is coming to the Bell House in Brooklyn, New York to perform live and talk about the movie Morbius.
[24:52] Could it be the Flophouse?
[24:54] Dan, Stu, and Elliot, my favorite audio friends, coming to my town if I live in Brooklyn or the surrounding environs in close driving or train distance.
[25:03] And talking about Morbius, the, in quotes, hit movie of the summer that captivated the internet without translating into money at the box office.
[25:13] Yes, that is exactly what's happening.
[25:14] August 7th, we'll be there at the Bell House, 7.30 p.m., talking about Morbius.
[25:19] The three of us doing our first live show in over two years.
[25:21] It's going to be super fun.
[25:22] We're raring to go.
Stuart Wellington
[25:24] I can't wait.
[25:24] I can't wait to see if Elliot can adapt to podcasting outside of his natural environment, his garage.
[25:32] Hey, he's not in his garage.
[25:33] I'm in my bedroom for this one, but usually I'm in my garage.
[25:37] I'm just goofing, guys.
[25:38] We're doing bits here.
[25:39] This is a fucking bit house.
Elliott Kalan
[25:41] Can I do a podcast when I'm not feet away from a tower of worm-eaten compost?
[25:45] I don't know.
[25:46] I mean, it's a worm tower, so the compost is in trays that the worms are devouring.
[25:50] It's not a pile of loose compost.
Stuart Wellington
[25:52] We can bring worm compost to the Bell House.
Elliott Kalan
[25:55] Oh, that would be so great.
[25:56] Thank you.
[25:57] I'd really appreciate it.
[25:57] I kind of need it now.
S4
[26:01] Hello, I'm a stuffy dowager, Countess.
[26:05] Travis?
[26:05] I'm judging everybody's manners.
[26:08] Oh, no.
[26:09] Schmanners isn't judgy.
[26:10] It's about teaching you to be your best self and be a little more confident when you enter
[26:14] social situations that you don't understand, and maybe also teach you a little bit about
[26:18] history you didn't know or give you interesting things to talk about at parties.
Elliott Kalan
[26:22] Yeah, like the secret life of Emily Post.
S4
[26:25] Or, like, why wristwatches are the way that they are.
Elliott Kalan
[26:28] We can talk about table manners from the Victorian era.
[26:32] Sure.
S4
[26:32] Or what it's like to attend a Regency ball.
[26:34] Yeah.
[26:34] You can find all that and more if you listen to Schmanners on Maximum Fun or wherever your
[26:40] podcasts come from, I guess.
[26:43] Schmanners, Schmanners.
[26:45] Get it?
S5
[26:46] A man was walking along a beach which represented his life.
[26:51] At his feet were two sets of footprints, his and God's.
[26:55] But looking back down the beach, the man could see that in the hardest parts of his life, there
[26:59] was only one set of footprints.
[27:02] So the man said to God, why is there only one set of footprints when times were hard?
[27:07] Where were you?
[27:08] And God replied, my precious child.
[27:12] I was in my car listening to the Beef and Dairy Network podcast.
[27:17] The Beef and Dairy Network podcast is a multi-award winning comedy podcast and you can find it at
[27:23] MaximumFun.org or wherever you get your podcasts.
Dan McCoy
[27:27] Guys, I don't, I don't, you know, we don't usually do news on this show, but I just got some breaking
[27:32] news from the New York Times.
[27:34] I want to, I want to tell you guys about it.
[27:35] Oh, okay.
[27:36] But it should still be relevant when this is released in a couple days.
[27:39] Breaking news from the Times.
[27:42] Trumpet, a bloodhound, won best in show at the Westminster Dog Show.
[27:47] Oh, fuck yeah.
Stuart Wellington
[27:49] Wait, Dan, I have a follow-up question here.
[27:52] Was Trumpet a good boy?
Dan McCoy
[27:54] You know what?
[27:56] The New York Times says that you can see photos of all the very good dogs from the competition.
[28:03] So Trumpet, all of them.
[28:05] All dogs go to heaven.
Elliott Kalan
[28:06] Does it, does it explain, does it explain how Trumpet winning the Westminster Dog Show sounds
[28:10] like good news, but it's actually bad news that will make life harder for the Democrats?
Dan McCoy
[28:16] I feel like that's more of like a sort of a contrarian like slate kind of take on things.
[28:21] Oh, the Times does plenty of that stuff.
[28:24] All right.
[28:24] Well, let's get back to the game.
[28:26] As you may recall, Stuart was in the lead by half a point.
[28:31] By a whisper.
[28:33] Four to three and a half.
Elliott Kalan
[28:34] Merely because I wanted to give the lake house a more interesting title.
Dan McCoy
[28:39] Stuart, you're up.
[28:41] Okay.
[28:41] Here, here it goes.
[28:42] You walk into a melting house and people are cheering Paris Hilton dying, even though she
[28:48] never did anything to any of them personally.
[28:51] That would be the House of Wax remake.
[28:55] That is the House of Wax 2000 starring Elisha Cuthbert.
[29:01] I don't know why I laughed at that.
[29:02] It's just a fact about.
[29:03] It's a funny name.
Elliott Kalan
[29:04] House of Wax.
Dan McCoy
[29:06] Yeah, well, it's got a K sound in it, even though it's spelled with a C, you know.
[29:09] Yeah.
[29:10] Cuthbert.
[29:11] Anyway.
Elliott Kalan
[29:11] That's why Elisha Cook Jr. was also a funny named performer.
Dan McCoy
[29:15] Elliot, you, sir, walk into a house and you're like, what's that guy doing in a fat suit?
[29:23] Wait, this was made by the same director who did Beverly Hills Chihuahua and Scooby-Doo?
[29:28] What house could this possibly be?
[29:30] I'm telling you, it's getting harder now.
[29:33] Yeah, that's much harder.
[29:36] I don't know.
[29:39] The fat suit means.
[29:41] Wait, do I get to steal?
[29:43] Oh, yeah, you can steal if you want.
Stuart Wellington
[29:45] I don't think I know it, though.
[29:48] Okay.
Elliott Kalan
[29:49] I mean, you might as well.
[29:50] I should have guessed something.
[29:51] I had no idea, though.
Stuart Wellington
[29:53] Yeah, I don't know.
[29:54] House of Dogs?
[29:55] No, it's not House of Dogs.
Dan McCoy
[29:58] We're talking Big Mama's House.
[30:01] Oh.
[30:02] Big Mama's House.
Elliott Kalan
[30:04] Oh, I forgot about that.
Dan McCoy
[30:06] That I didn't see.
[30:08] Okay, Stuart.
[30:09] Let's see if you'll know this one.
[30:11] You walk into a house and you're like, wait, this thing made $200 million and stars Ryan Reynolds and Denzel Washington.
[30:20] Why don't I remember this house exists?
Stuart Wellington
[30:25] Oh, shit.
[30:26] Okay.
[30:29] Ryan Reynolds and Denzel Washington.
[30:33] This is.
Dan McCoy
[30:35] Respectful hit, apparently.
[30:36] But no one recalls it.
[30:39] Yeah.
[30:42] Man.
[30:46] Like, I don't know.
[30:47] Like, I don't know.
Dan McCoy
[30:47] Like, money house?
[30:49] Not money house.
[30:50] Ellie, do you have a steal on this one?
Elliott Kalan
[30:53] I have two guesses.
[30:55] Uh-huh.
[30:57] Let me ask you this.
[30:58] This is probably too much.
[31:00] Is the house in the beginning of the title or the end of the title?
[31:04] Wow.
Dan McCoy
[31:05] Ooh.
[31:06] I don't know.
[31:07] I don't know.
[31:08] Is that too much?
[31:09] Might be too much.
[31:11] Let's just say it is a two-word title.
[31:15] Okay.
[31:15] I'll give you a totally unrelated hit.
[31:17] Is it Safe House?
[31:18] It is Safe House.
[31:19] God damn it.
Elliott Kalan
[31:21] I was worried for a second that I was pulling a lake house on it again.
[31:26] And then it was called, like, House of Bullets or something.
Dan McCoy
[31:29] House of Safe.
[31:30] Yeah.
Stuart Wellington
[31:30] House of Safe.
Dan McCoy
[31:32] Mm-hmm.
[31:33] Okay.
Stuart Wellington
[31:34] Well, that was a respectable steal.
[31:35] Well done.
Dan McCoy
[31:40] Hey, everyone.
[31:41] So, this is the point at which regular, you're going to stop hearing regular gameplay.
[31:47] Alex, you should put, maybe you put in, like, a horn or something before I said,
[31:51] hey, everyone.
[31:53] Because.
Stuart Wellington
[31:53] Cool.
[31:53] Let's talk.
[31:54] Let's give more notes during this part of the show.
Dan McCoy
[31:56] Yeah.
[31:57] Sure.
[31:58] Maybe, like, a record scratch, Alex.
[32:00] Yeah.
[32:01] Or something that, you know.
[32:02] Yeah.
Elliott Kalan
[32:02] Like a lightsaber igniting.
[32:04] I mean, by this point, the funny thing is the audience will have already heard the sound
[32:07] effect.
[32:08] So, we're giving.
[32:08] Yeah.
Dan McCoy
[32:09] We got to explain the sound effect because they're getting mad right now.
[32:14] So, what happened was we recorded the rest of this.
[32:17] It was hilarious.
[32:18] But it turns out that Elliot's memory card was full.
Elliott Kalan
[32:23] I made a rookie mistake.
[32:24] It was.
[32:25] Yeah.
[32:25] After years of doing this and did not check ahead of time how much space was on my memory
[32:30] card.
[32:30] I thought I had a lot more time than I did.
[32:32] And so, I apologize to Dan and to Stu.
[32:35] And I apologize to you, the audience, because you missed out on, well, all I remember is a
[32:39] bit about Parker Posey owning a poster shop of some kind.
Stuart Wellington
[32:42] But all these funny bits, like it was like there was three Rob zombies in the room just
[32:47] cutting it up, you know, chopping it up with them jokes.
Elliott Kalan
[32:50] He's just, he's such a natural funny man, you know.
Dan McCoy
[32:53] But we're going to, here's what we're going to do.
[32:55] We're going to, like, we're not going to try and recreate exactly what happened in terms
[33:00] of like, you know.
Stuart Wellington
[33:02] But Dan, you put work into these questions.
Dan McCoy
[33:04] So, we should at least acknowledge these questions.
[33:06] We should at least give the play-by-play.
[33:08] Yeah.
[33:08] We're going to go back and do the play-by-play.
[33:10] We're going to do it as if this didn't happen, but without the pretending that it didn't
[33:18] happen.
[33:18] Or maybe that we're just recounting the events.
Stuart Wellington
[33:21] Yeah.
[33:21] So, I had just totally biffed it on the safe house question.
[33:26] I feel like a real fool, but you know what?
[33:30] I mean, if 10 people tweet at me that they saw the movie safe house and recall elements
[33:38] of its plot, I will be very impressed.
[33:41] Just tweet at D-A-N-K-M-C-C-O-Y on Twitter.
[33:47] Just tweet at that address and tell them that you've seen safe house and you're familiar with it.
Elliott Kalan
[33:53] I think it's taking Dan a moment to realize you spelled out his name.
Dan McCoy
[33:57] Yeah.
[33:58] No, I just want to get back to it, honestly.
[34:02] I was letting the bit happen because then we would speed back to the questions, which
[34:09] was Elliot.
Stuart Wellington
[34:11] Dan was going limp in this case.
[34:14] He was.
[34:15] I was playing possum.
Elliott Kalan
[34:17] Dan was allowing you to pull him out of the building so that he could, as a show of civil
[34:21] disobedience.
Dan McCoy
[34:23] So Elliot, your question, we all remember, was this.
[34:27] And I said, you walk into a house where an Iranian actress is winning a Best Supporting
[34:33] Actress Award, even though, again, it's a house you barely remember.
Elliott Kalan
[34:38] Oh, yes.
[34:38] And I had said that would be a house of sand and fog.
[34:40] And that's right.
[34:41] We did have, to fill in the listeners, we did have a discussion about whether or not the
[34:44] Academy Awards should be based on a 10-year delay system where you pick a movie and then
[34:49] they wait 10 years and if people still remember it, then it still gets that Academy Award.
Dan McCoy
[34:54] Yeah.
[34:54] I think that's, you know, like we talk about how many bad picks are made.
[34:59] You know, just, you know, let's think on it for a decade.
[35:03] Yeah.
Elliott Kalan
[35:03] As a culture.
[35:05] Yeah.
[35:06] Let it marinate.
[35:06] I'm calling it the Academy Awards sleep on it for a decade plan.
[35:10] Yeah.
[35:11] Hey, no reason to make a quick decision.
[35:13] Let's sleep on it for a decade.
Stuart Wellington
[35:16] By that time, everybody's had a chance to watch that fucking thing, you know?
[35:21] Yeah.
Dan McCoy
[35:23] You think that's the biggest advantage?
[35:26] It's that Academy members will actually watch the screeners.
[35:30] They might.
[35:31] Yeah.
[35:32] All right.
[35:33] Okay, Stuart.
Elliott Kalan
[35:34] As someone with a stack of Writers Guild Award screeners that I'll probably get to someday,
[35:39] yeah, I'll watch that James Brown movie someday.
[35:41] I'll hold on to that screener, sure.
[35:43] Then years pass.
[35:44] It becomes a coaster.
[35:46] And then, I don't even know what happens to it.
[35:48] It disappears somewhere into the house.
[35:50] The screener gnomes take it.
Dan McCoy
[35:52] That's the beautiful metamorphosis a screener goes through from lowly DVD to beautiful coaster.
[36:00] That's nature.
[36:02] Okay.
[36:03] Stuart.
[36:04] Yep.
[36:04] Your next question, if you'll recall, was perhaps my laziest question of the evening,
[36:09] which is, you walk into the house that Toby Hooper made after eaten alive.
[36:14] And you said?
Stuart Wellington
[36:15] Fun house, of course.
Dan McCoy
[36:17] That's, of course.
[36:19] We all remember.
Stuart Wellington
[36:19] It recently got out like a re-release, right?
[36:23] It, uh...
Dan McCoy
[36:24] Uh, I don't know about that.
[36:26] I, but you're probably right.
[36:28] It, it's, it had like a...
[36:31] Yeah, I think you're right that they did like a remaster of it.
[36:34] It's a beautiful looking movie.
[36:36] Yeah.
[36:38] A little slow, but good.
Elliott Kalan
[36:40] I mean, Dan, you also could, I mean, it would have been a totally different story if you had asked,
[36:44] okay, you walk into a house and it's a madness song about buying a condom for the first time.
[36:48] That would be house of fun, which is the opposite of fun house, or reversed.
[36:52] Hmm.
Dan McCoy
[36:54] Ellie, it's funny you say that, because you also had a question.
[36:58] You remember, it went like this.
[36:59] You walk into a house and you're like,
[37:01] this house is gonna make Parker Posey the new It Girl.
[37:05] Now, Ellie...
[37:06] I was confused by this.
[37:07] I was confused by this.
[37:08] You thought, you rightfully reminded me that, uh, Party Girl was kind of...
[37:13] That was kind of her breakout role, yeah.
[37:16] Yeah, but I did mention, uh, a hat, a distinctive hat, which...
Elliott Kalan
[37:21] Dan gave me a somewhat unfair clue saying that, oh, and she's wearing a hat,
[37:25] and that's when I knew it was House of Yes.
[37:26] Yes.
Dan McCoy
[37:28] Because of the poster.
[37:29] Yeah, yeah.
[37:30] Mm-hmm.
[37:31] Yeah, she looks like Jackie O, and that's when we went on our Flight of Fancy
[37:36] about Parker Posey's poster...
[37:40] Depot.
[37:41] ...panorama.
[37:42] I don't know.
[37:43] Yeah, we...
Stuart Wellington
[37:43] I suggested that Dan had, uh, tailored this question for Elliot because he had already
[37:49] bought Elliot an autographed poster of House of Yes as a birthday gift for an upcoming birthday,
[37:54] and Elliot's like, of course I would accept anything autographed by Parker Posey, and I'm
[37:58] like, even a copy of Darwin Cook's graphic novel, Parker?
[38:02] And he's like, of course not.
[38:03] I don't like that at all.
[38:05] And I'm like, that's wild.
[38:06] It's great.
[38:06] And she's the perfect person to put an autograph on it.
Elliott Kalan
[38:10] I mean, this is...
[38:11] A lot of this conversation I don't remember, but there's no recording of it thanks to my
[38:15] own foolishness, so I have to assume it was exactly as he reported.
Dan McCoy
[38:19] You know, it's funny.
[38:20] I was going to make a joke about how this last part of the episode is trading on, you know,
[38:25] how much everyone loves hearing jokes they weren't there for explained to them.
[38:31] But then Stu saved it by swerving into new fantastical territory.
[38:41] Speaking of Stuart, Stuart was up next.
[38:44] Oh, yeah.
[38:46] Speaking of one-third of the blockhouse, one-half of the men I'm talking to at this moment, you
[38:53] walk into a house.
[38:53] I love it.
[38:53] Keep the fractions coming.
Elliott Kalan
[38:55] I love it.
[38:55] We're in a math house.
[38:56] Not a meth house.
Dan McCoy
[38:58] A math house.
[38:59] Stuart, you walk into a house and you're like, Kirstie Alley and John Larroquette, this
[39:04] is going to be hilarious.
[39:06] But, spoiler alert, it is not hilarious.
[39:10] And Stuart jumped on this one.
[39:11] Just like the anthrax song, it's a madhouse.
[39:14] Yeah, he jumped right on it.
[39:16] He knew it.
[39:17] Yeah, I knew that shit right away, baby.
[39:19] He jumped on it like a grenade and he was Captain America.
[39:22] Elliot, the final...
[39:24] We all remember this.
[39:26] Oh, what a...
[39:27] I mean, it just happened.
[39:28] What a magical night it was.
Elliott Kalan
[39:29] It's just too bad the listeners weren't there to experience it, you know, as it was happening.
[39:33] Again, my fault.
[39:34] It was my mistake, and I apologize to the listener, that they didn't get to experience IRT that's
[39:39] in real time, this magical miracle on ice.
Dan McCoy
[39:43] Yeah.
[39:43] I also wanted to assure the listener, by the way, we normally have, you know, checks and
[39:49] balance.
[39:49] Not checks and balance.
[39:50] It's not what I'm looking at.
[39:51] Like, what...
[39:52] Failsafe.
[39:52] We have a failsafe.
[39:54] We, you know, we have a backup.
[39:56] We, but we moved to a different Zoom recently and forgot that it's auto-recorded.
[40:01] Yeah.
[40:01] So there was a double failure here.
[40:04] But don't worry that this is going to be a problem.
Elliott Kalan
[40:07] Were both failures on my part?
[40:08] Yes.
[40:09] But still, I'll remind everyone that I routinely get woken up at 4.30 in the morning by a
[40:13] three-year-old demanding chocolate at the top of his lungs.
[40:17] So...
[40:17] Because of a dream.
[40:18] Because of a dream he had.
[40:20] So my...
[40:21] He's constantly having...
[40:23] He has...
[40:24] I mean, as many young kids do, he has, it seems, night terrors.
[40:26] And he yells in his sleep.
[40:28] And he yells things like, no, I don't want to.
[40:30] Stop.
[40:30] And then I'll wake him up the next morning.
[40:31] I'll be like, what was your...
[40:32] What were you dreaming about last night?
[40:34] And he's like, I didn't want to have to take a bath.
[40:36] And you told me I had to take a bath.
[40:37] Like, that's the kind of dream that he has.
[40:39] So...
Dan McCoy
[40:39] Elliot.
[40:41] Yes.
[40:42] Okay.
[40:42] Well, we recall is what I'm saying.
[40:45] What happened was I said that you walk into a house and you're like, is that a young
[40:49] Helen Hunt?
[40:50] No, wait.
[40:51] That's the actress that looks like her younger clone.
[40:53] It doesn't matter.
[40:55] This was released three days after September 11th.
[40:57] So no one will care.
[40:59] And you pulled it out at the last second for a half point win.
[41:05] I was aching to steal this shit.
[41:08] You remember that that movie is called what, Elliot?
Elliott Kalan
[41:11] That's right.
[41:11] It was Glass House starring Lili Sobieski, a.k.a.
[41:17] Little Helen Hunt.
[41:19] Mm-hmm.
Stuart Wellington
[41:20] And she's backed up by, who's that?
[41:22] Udo Kier?
[41:24] Stellan Skarsgård?
[41:26] Stellan Skarsgård.
[41:27] Oh, right.
Elliott Kalan
[41:28] That's the guy.
[41:29] Guys, have you ever felt like your scars are not adequately protected?
[41:33] I did.
[41:34] And that's why I picked up Stellan Skarsgårds Skarsgårds.
[41:38] Now, they're the only guards for scars.
[41:40] Wherever you have a scar, just place one of the scar guards on it.
[41:43] And Stellan guarantees your scar will be guarded.
[41:47] That's right.
[41:47] Stellan Skarsgårds Skargårds are available.
[41:51] Well, mainly on the dark web.
[41:52] So, if you need, if you want to know where they are, I'll help you.
Stuart Wellington
[41:54] They also have them in Child Size from Alexander Skarsgårds Skarsgårds.
Dan McCoy
[42:03] Full-grown adult children, though.
[42:06] Only.
Elliott Kalan
[42:08] I don't know.
[42:08] You can play a pretty wide range of ages.
[42:12] Do you guys ever feel like there aren't enough angry horses in your tropical storms?
[42:17] That's why I got Peter Storm Mare's Storm Mare.
[42:22] The only source for horses in tropical storms that I trust.
[42:26] I was like, where's he going with this?
[42:29] Hey, guys.
[42:31] Here's a situation we've all had.
[42:34] We told our friends about the hot date we were having, and then we failed to make it even to first base.
[42:39] The next morning, we don't want them to know that we didn't get anywhere with our date of choice.
[42:44] That's why I get the late William Hickey's Hickeys.
[42:47] That's right.
[42:48] Artificial Hickeys handcrafted by the late William Hickey.
[42:51] You just apply them to your neck.
Stuart Wellington
[42:53] Not quite as fantastic a pole as the Peter Storm Mare's, but that's good.
Elliott Kalan
[42:58] I was trying so hard to think of another person that had two words in their name, and I could only think of a one-word name.
Dan McCoy
[43:06] All right.
[43:06] Well, you know what?
[43:08] It's late, so let's sign off.
Elliott Kalan
[43:11] You should go to—
[43:12] Hey, guys.
[43:12] Have you ever worried that you don't have enough burrs?
[43:15] Maybe you need a full ton of burrs.
[43:16] That's why Tim Burton's Burr Ton is the product for you.
[43:20] It's a full ton of burrs.
[43:23] Yeah.
Dan McCoy
[43:24] Now, are those Raymond Burrs or just the plant seed?
[43:29] That's a very good question.
Elliott Kalan
[43:30] A lot of people only have, let's say, 50 or 60 pounds of Raymond Burrs.
[43:34] But if you need a ton of Raymond Burrs—
[43:36] Yeah, sure.
[43:37] In this economy?
[43:38] —and you can fill as many Godzilla movies as you want.
[43:40] You just pour out the burrs.
[43:42] Mm-hmm.
Dan McCoy
[43:44] Anyway, the point is, this is the Flophouse.
[43:47] It's a podcast that I wouldn't say is normally more professional than this, but it certainly usually has fewer technical difficulties.
[43:55] But we—
Elliott Kalan
[43:57] If your definition of professional is that they check their equipment ahead of time, then it's usually more professional than this.
Dan McCoy
[44:02] Yeah, yeah, yeah.
[44:04] But somehow we, you know, are part of a network.
[44:07] It's called Maximum Fun.
[44:08] You can go to MaximumFun.org to see all the other great shows on the network.
[44:13] If you want to see our website and all the stuff we've got on there, including a link to the event, the Bellhouse Show, where we'll be talking about Morbius, you can go to FlophousePodcast.com.
[44:27] Our producer, Alex Smith.
[44:29] I'm sorry, Alex, that the day that this happens is also the day we're getting you the audio one day later than normal.
[44:38] But thank you, and you can find him on Twitter at HowellDotty.
[44:45] He is a great and forgiving man.
[44:49] For the Flophouse, I've been Dan McCoy.
[44:52] I'm Stuart Wellington.
Elliott Kalan
[44:53] I'm Elliot Kalin saying I apologize and I'll try better next time.
Stuart Wellington
[44:57] Bye!
[44:58] Bye!
Elliott Kalan
[45:04] MaximumFun.org
Dan McCoy
[45:05] Comedy and culture
[45:07] Artist owned, audience supported.

In this episode

Speakers
Dan McCoy 22mElliott Kalan 14mStuart Wellington 6m

Description

Dan's back in the driver's seat for this mini, and he challenges Elliott and Stu to a game so insidious, it almost breaks the podcast.

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