main Episode #417 Feb 24, 2024 01:35:14

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[0:00] this episode discuss the exorcist colon believer love it or leave it you gotta
[0:06] believe it we watch an exorcist movie bye
[0:30] hey everyone welcome to the flophouse I'm Dan McCoy hey I'm Stuart Wellington
[0:38] I'm Elliot Kalin we're gonna have an interesting show for you today dance on
[0:42] cold medicine one of my kids is home with a cold and Stuart he's just
[0:46] cold-hearted yep look into his eyes oh oh he's been telling lies but I am a
[0:55] lover boy play the thing is the rules I don't play by him no no you're also kind
[1:00] of a jukebox hero right turn in your lover boy badge and gun it would be
[1:08] condoms yes yeah I mean it's it's one of those things is that like an equivalent
[1:13] to like a silencer yeah it's like a silencer for your penis the sound when
[1:18] you because normally when I bust it it's that's crazy yeah it sounds like a
[1:25] like a balloon deflation you sing about it like Ray Parker jr. so it's loud yeah
[1:32] I'm shouting mommy Wow we're not winning any new listeners with the beginning of
[1:40] this episode no this that was the plan for this exorcist
[1:43] believer episode yeah people said I can't wait to hear about this movie that
[1:48] I forgot about existing yeah I'm gonna jump in on a big one a hot one huh this
[1:52] exorcist believer movie sounds good um hey this is a podcast recently added to
[1:58] peacock okay this sounds oh man can't wait to yeah things about the exorcist
[2:03] oh wait let me look at the small type believer oh this is not the one I
[2:07] thought it was I mean if I know anything about streaming and in two years this
[2:10] will be the most inexplicably popular thing ever yeah the procedural based on
[2:15] it and talk about streaming more like screaming cuz this is a horror movie and
[2:18] then what do we do in this podcast uh this is a podcast we watch bad movies
[2:23] and talk about them you know we have a whole whole month devoted to screaming
[2:28] coming up later in the year scream timber we don't need to stick to that
[2:35] for horror movies we realize we can we get a little while the straw man we can
[2:45] have fun once in a while let us have fun once again that Dan has to get rid of
[2:49] his the arch nemesis the straw man who's always making Dan do explanatory
[2:53] advisories and provisos about things no one cares about all right well fuck both
[3:00] of you so okay we watched exorcist the exorcist believer David Gordon Greene
[3:07] was this is not exorcist versus severs assist no no no no but yeah I know you
[3:16] really worth interrupting the sentence I tell us about David Gordon Greene I
[3:21] apologize uh you know he got tired of doing questionable things to the
[3:26] Halloween franchise and decided to move over to another classic of the 70s for
[3:32] yeah yeah I mean not not to throw shade at David Gordon Greene I love a lot of
[3:38] his TV work he has done some really good stuff I just made some very good movies
[3:43] yeah I do not think he has a particular aptitude for horror and he seems to want
[3:48] to do a lot of it he loves horror yeah yeah he has a very he's a very got a
[3:54] very eclectic filmography where he started out doing very kind of like
[3:59] emotion based independent atmospheric independent films he also did pineapple
[4:04] express and your highness and then once he got like drug humor out of a system
[4:07] he was like time to time to go to the horror movies of the 70s I mean he also
[4:11] made like Joe he's made a number of like a different way if you look at like
[4:16] Robert Wise to find a more you know all over the place filmography you know I
[4:21] try not to be mean on this show and I don't I'm not trying to be mean here
[4:24] like I think he's done great work it's just mostly not in horror which is what
[4:29] he's turned his hand to like even though even the first Halloween new movie which
[4:34] everyone was pretty high on I was like yeah this is fine like I like it as a
[4:41] cap off to the movies that I liked from a long time ago this is a nice little
[4:47] ending and then of course it was successful so they made more of them
[4:50] exactly that one guys I hate to interrupt I just got a text message from
[4:54] one of my beer reps yeah and it says by all means he says hey just a heads up
[4:59] it's a Super Bowl week boy I'm gonna roast this guy in the group chat right
[5:05] now okay they're giving out free Super Bowls for National Super Bowl week from
[5:14] way okay sorry for interrupting so we've we've we just covered that Dave and
[5:23] Gordon Greene's horror movies aren't very good right and that they're all
[5:26] like dredging up nostalgia bait bullshit yeah yeah I mean I mean you say that
[5:31] just now oh oh yeah I just did do you guys disagree are you like no I like it
[5:36] when they bring back they do legacy quills and bring back people from the
[5:39] original movies and have them kind of do fan fiction II type shit and also like
[5:44] are kind of disrespected by the movie that I mean to me to me I haven't I
[5:48] actually haven't seen any of his Halloween movies because I just figured I
[5:51] don't need to but I seen the Rob zombies that's all you need is that I saw the
[5:56] originals you jumped into your dracula you went to the movie I got into my
[6:04] month my hopped up homemade monster car but yeah the but I in general I am NOT a
[6:12] huge fan of the legacy sequel trend which I guess did Tron legacy start that
[6:17] or is it something else that started it I mean I feel like I feel like Matt
[6:21] Singer coined legacy quills so I'll just shoot him a text after the show and he'll
[6:25] give us all the info and when he's done when he's done killing himself with the
[6:28] menu of the what what the the Barbie themed Denny's menu he'll meet you I
[6:35] think he already did that and he did though it was a Wonka Denny's menu that
[6:38] was particularly horrifying but I don't know what's what's next what other like
[6:43] is there gonna be a dune menu or eat like a fucking bowl of sand or some
[6:47] sand and worms yeah the big Denny's drive away dolls yeah yeah the love lies
[6:54] bleeding special menu work of the Coen's he's sitting in Applebee's right now
[7:01] having the Applebee's our guile-a-thon menu it's just cat food food and bags
[7:09] yeah I don't know tell us about this movie stir why don't you oh yeah let's
[7:15] fire this fucker up so what's wrong you guys you've seen The Exorcist before
[7:19] right the original one and we did The Exorcist 2 for a live streaming show I
[7:24] think that's one that's available on YouTube for those who want to check it
[7:28] out before we get to the movie I just want to say I like that first Exorcist
[7:31] movie that's a really good movie that's just yeah and it's a movie that I mean
[7:36] we'll get into maybe my theological problems with these sorts of films later
[7:42] on but it's a movie that I think sort of weaponizes the fact that we live in a
[7:49] secular world for the horror of like this unexplained thing happening better
[7:57] than like you know possession movies that came afterwards that kind of like
[8:03] assume like yeah we all buy into this cosmology of the universe the tentacle
[8:10] monster I get it yeah it's a possession movie technically I'm correct you
[8:16] technically correct possession is a movie about a woman having sex with a
[8:18] tentacle monster it is I mean as much as I like The Exorcist so on I'm on the
[8:23] scoreboard should we as much as I like The Exorcist I do like possession more I
[8:30] mean possession is a scarier movie that that goes straight into my veins more
[8:34] than more than The Exorcist but The Exorcist is still very good. I guess I'm saying that The Exorcist takes like kind of like mainstream a
[8:42] mainstream major American religion and makes it seem horrifying in a way that
[8:49] like other movies I of this ilk I think asked me to buy into something that
[8:56] maybe I don't necessarily want to like that there's all these like supernatural
[9:01] things going on all the time and we need the church to save us anytime you watch
[9:06] him one of these movies you have to suspend your disbelief that the devil
[9:09] does not exist but I've watched so many movies where I have to I mean Dan I
[9:13] hate to break it to you Wookiees are not real either no I know I knew that you
[9:17] were gonna make this argument and my rebuttal to it is like with like that
[9:22] Wookiees are real Dan I didn't want you to have to find out this way that's not
[9:25] a hairy guy you know with vampires like I'm not saying that there's no one out
[9:30] there who like believes that they exist you know like there's someone there's
[9:35] some goth person wearing a frilly velvet robe right now and good on you for
[9:40] believing in vampires but like a person yeah he's gonna be crushing out a solo
[9:45] black metal record I'm just saying that like with that I don't have to deal with
[9:49] the fact that there are a bunch of people in real life that believe this
[9:54] shit and it leads them to do a lot of stuff that I don't agree with yes well
[9:58] I think you're right about
[10:00] In the original Exorcist, I think they walk that line pretty well because they really only talk about the devil or not devil aspects of the church.
[10:07] Whereas this episode, they start to talk about abortion at one point in a way that I was like,
[10:11] mm-hmm, this is getting into, this movie is taking on water that it cannot hold.
[10:16] Yeah, well, thank you.
[10:17] Yeah, my only problem with the original Exorcist is I feel like it's a little cliched to cast Max von Sydow in the movie because you know that dude's going to be the bad guy, right?
[10:26] Stuart, I hate to break it to you.
[10:28] That's the one movie that Ingmar Bergman didn't make where Max von Sydow's not the bad guy.
[10:32] Wait a minute. I thought he played a Catholic priest and you're saying he's not the bad guy?
[10:38] Once again, Stuart's history of leftist secular politics is neoliberal anarchism.
[10:47] Neoliberal is basically conservative.
[10:49] You would be what, a...
[10:51] I don't know, progressive?
[10:54] I describe myself as a classic stinker.
[10:56] I'm just amazed.
[10:58] We've like barely ever used the scoreboard before.
[11:02] Oh man, tearing it up.
[11:04] Tearing it up, we go, man, it's on fire.
[11:06] We'll have the storage unit.
[11:08] Amazingly, in this year's presidential debates, the stinker party got enough votes for Stuart to be on the debate stage.
[11:15] It's a problem though because I'm such a force of personality that when I leave, my other stinkers, they just don't have my same level of charm.
[11:22] So they won't be able to hold off.
[11:24] Yeah, that's what leads to January stinks.
[11:26] Oh no.
[11:28] Thanks, Elliot. Thanks for telegraphing the future.
[11:30] So, boom.
[11:32] Exorcist. Believer.
[11:34] The movie. First off, guys.
[11:36] Believer.
[11:38] Who's the believer in this movie? Think about it.
[11:40] Well, maybe you can answer after the movie.
[11:43] There's a couple different people who could be the believer and we're talking about belief in it.
[11:47] It was only after the movie was over that I was like, oh, I guess the title is about different types of belief.
[11:55] It just felt like such a generic title going into it that I didn't really think about it until it was over.
[12:00] So the movie opens in Haiti.
[12:03] Our characters are Victor and Soren, who are, I believe, a married couple.
[12:10] He's pregnant. He's a photographer.
[12:12] It actually opens with him taking photos of dogs fighting and I'm like, oh, what's this representing?
[12:18] And I guess we'll find out later.
[12:20] And Victor is played by Leslie Odom Jr., who I know Stuart and I have seen him on stage.
[12:26] Dan, you must have. You saw the original Hamilton cast, right?
[12:28] I also saw him on stage and he is the main thing keeping this movie from flying off the rails completely.
[12:35] He is very good in this movie.
[12:37] Yes, he's very good.
[12:40] I want to mention this wasn't just Elliot having seen this person in a play.
[12:43] All three of us have seen this person in a play.
[12:45] Stuart and I went to it together.
[12:47] Yep, holding hands, tears in our eyes.
[12:50] And then we skipped away into the Rainbow Road to Valhalla.
[12:54] Not to jump ahead, but did you also see Norbert Leo Butz on stage?
[12:58] Because I did in Dirty Rotten Scoundrels opposite John Lithgow.
[13:01] Ironically, he is one of the guys who's in a lot of Broadway plays who I think I've never actually seen in a Broadway play.
[13:08] He's one of the dads, the other dad.
[13:10] Okay, so Serene, who I said was pregnant, is still pregnant.
[13:14] She is getting her baby blessed by some local women.
[13:21] And later on, she's like, yeah, these women offered to give a blessing to our unborn baby.
[13:26] I'm like, okay, that's fine.
[13:27] This little boy brought her over there.
[13:29] I'm like, don't follow this little boy. That's how gremlins get into your life.
[13:32] That's how you get a gremlin.
[13:34] Which is technically what they're trying to do.
[13:37] They're trying to bring a little gremlin into being, yeah.
[13:40] And I'll tell you, the same rules apply.
[13:42] Don't feed a kid after midnight. They should be in bed already.
[13:45] Don't get them wet unless they're taking a bath.
[13:48] They don't like to take baths.
[13:49] Kids are sticky enough.
[13:50] Actually, you've got to wipe them off.
[13:52] And don't show them sunlight.
[13:57] Because you want them to be real like pale ghost children who are real spooky.
[14:01] And they look in windows and they scare people walking by.
[14:03] Is there one of the rules, don't shoot them with the electric gremlin?
[14:06] Is that in the rules?
[14:08] That's kind of an unspoken rule.
[14:10] That's going to fuck up your gremlin.
[14:11] Especially not if they're wet.
[14:12] Yeah, it's going to wreck your gremlin.
[14:14] Sometimes you want that to happen.
[14:16] Like one time you wanted that to happen.
[14:18] Also, kids love Snow White and the Seven Dwarves.
[14:20] Gremlins love Snow White and the Seven Dwarves.
[14:22] Same thing.
[14:24] Yeah, all these rules also apply to my novelty gremlin fleshlight.
[14:29] Now, let's tell us more about this.
[14:32] Well, you can't feed it after midnight.
[14:34] That thing will get fucking crazy.
[14:36] And don't get it wet. You'll break it.
[14:38] Yeah, that's the problem.
[14:40] You've got to clean it.
[14:42] Nothing like a dry J.O. session.
[14:48] And you also don't want to use that in open sunlight.
[14:50] Because people will just look at you weird.
[14:52] Dan says that he's watching our listener numbers deplete rapidly in real time.
[14:57] Somehow in the future, yeah.
[14:59] And it's got the green kind of mottled skin of a gremlin.
[15:03] Yeah, dude.
[15:05] Why else would I buy it?
[15:07] What's wrong with you?
[15:09] What about gremlin-themed fleshlight? Don't you understand?
[15:11] No, you're right.
[15:13] I don't know much about fleshlights.
[15:15] Does it make noise?
[15:17] Well, it makes noise.
[15:19] But it's more like you're mixing macaroni.
[15:25] Dan, you knew we were going to talk about this.
[15:28] This is the Exorcist Believer episode.
[15:30] You're right. It was in the notes.
[15:32] How did I not realize?
[15:34] Yeah, you didn't get the email about what we're covering?
[15:36] Spend ten minutes on fleshlight.
[15:38] It would be...
[15:40] How surprising would it have been
[15:42] if later in the film, Leslie Edelman Jr.
[15:44] is just like, I've got to deal with the fact
[15:46] that my daughter's been possessed by the devil.
[15:48] I've got to get some of this stress out.
[15:50] And I'm like, dog, you have that in the house with children?
[15:52] Because children get into everything.
[15:54] She's going to find that thing.
[15:56] Yeah, that's why you need a safe.
[15:58] You need to put it in a safe.
[16:00] It's like what Dan was complaining about the other day.
[16:02] The double standard our society has
[16:04] on different genders of sex toys.
[16:06] No, well, I mean,
[16:08] everyone should have a sex toy that wants one.
[16:10] I'm pro that, I guess.
[16:12] Okay, so Dan's just thrown in a free ad
[16:14] for sex toys on our podcast.
[16:16] Yeah, the Sex Toy Council.
[16:18] It's just sort of a non-specific
[16:20] booster group.
[16:22] So after like
[16:25] traveling around, checking out a church,
[16:27] there is an earthquake
[16:29] in Haiti, and
[16:31] they are separated, and
[16:33] Victor, played by Leslie Edelman Jr.,
[16:35] finds his wife trapped under rubble.
[16:37] And the rescue workers
[16:39] are like, we can only save her
[16:41] or the baby.
[16:43] And his wife, his dying wife
[16:45] says, you know, protect her.
[16:47] Which is, I guess, the rules
[16:49] that he's going to live by the rest of the movie.
[16:51] And I'd like to say that other than sort of
[16:53] drafting off of a real-life tragedy,
[16:55] for me, this first
[16:57] section is the most successful in the movie.
[16:59] It has
[17:01] atmosphere, it has some tension.
[17:03] I think Green,
[17:05] I want to be clear
[17:07] again, I don't like him.
[17:09] I'm trying to figure out
[17:11] what doesn't work for me about his horror movies
[17:13] because I do think that he is good at atmosphere
[17:15] but maybe bad
[17:17] at tension.
[17:19] Maybe that's part of it. I think it's more of a
[17:21] story problem than it is a production
[17:23] or directing problem.
[17:25] But I will say, I'll give them credit
[17:27] for, I was ready for them to
[17:29] bring in some kind of
[17:31] evil voodoo that the church has to
[17:33] that the priest has to undo, like the baby
[17:35] has been cursed or something.
[17:37] And I was very glad they didn't do that.
[17:39] Luckily that wasn't the case.
[17:41] I feel, Dan, just like
[17:43] off the top of my dome, I think one of the issues
[17:45] at least I have with his Halloween
[17:47] movies is I feel like the
[17:49] point of view feels a little off.
[17:51] I don't know if I'm supposed to be
[17:53] scared for the people
[17:55] that are getting killed or if I should be saying
[17:57] wow, this is cool.
[17:59] I would say that that's a problem with
[18:01] any late period slasher movie
[18:03] though, including many in
[18:05] your beloved Friday the 13th series
[18:07] where I'm like, who am I sympathizing
[18:09] with here? I mean, I'm sympathizing with
[18:11] Jason because he's the man.
[18:13] My internet froze for a sec.
[18:15] Did you guys hear what I was saying about
[18:17] 80 or no? Yeah.
[18:19] And we all agreed with you.
[18:21] And we also said
[18:23] you're the best, you're the funniest guy we know.
[18:25] I appreciate that.
[18:27] I made it on the scoreboard? Great.
[18:29] Dan whipped out a ukulele
[18:31] and sang a little song kind of talking about how great
[18:33] you are.
[18:35] You missed a lot. It happened just
[18:37] outside of the Zoom frame though, so you didn't see it.
[18:39] So, 13
[18:41] years later, what?
[18:43] Who did he choose? Well, we
[18:45] find out because Victor is now living
[18:47] with his daughter Angela, which of course
[18:49] is hilarious. Anytime you have a
[18:51] movie with devils and shit and there's a character named
[18:53] Angela, you're like, oh,
[18:55] good one, good name. But what if
[18:57] you had seen a picture of Judith
[18:59] Light in the house and you're like, oh, she's named
[19:01] after Judith Light's character on Who's the Boss?
[19:03] I mean, I would give this
[19:05] movie a lot more credit at that point.
[19:07] But it's
[19:09] like that old, did you ever see that Ben Stiller
[19:11] show sketch? What is it like?
[19:13] Like hackneyed tales of
[19:15] cliched horror where he plays a
[19:17] where Ben Stiller plays a
[19:19] radio like shock jock
[19:21] who is in hell and he's like
[19:23] he occasionally looks
[19:25] longingly at a photo of his girlfriend
[19:27] named Angela
[19:29] and she calls and tries to tell him to
[19:31] come back. It's funny. It's a good bit.
[19:33] It's a good bit. Okay, so
[19:35] he lives with his daughter. They seem to
[19:37] have a pretty fun relationship.
[19:39] He's a good dad. He's put
[19:41] all of himself into being the
[19:43] father that he needs to be for her since she doesn't
[19:45] have a mother. Other than he is
[19:47] extremely overprotective. He seems
[19:49] to always have her come directly
[19:51] home. Well, his wife
[19:53] did die in an earthquake, Dan.
[19:55] So you think the earthquake's
[19:57] stalking her to finish the job?
[20:00] Quake for the revenge, and now the Earthquake was gonna follow them.
[20:03] I mean, I understand psychologically why he might be overprotective.
[20:07] I'm just saying that that is his flaw as a father, I think.
[20:09] I see. Yeah, yeah, that's true.
[20:11] Although, if he had been watching her more closely, maybe she wouldn't have gone into
[20:14] the woods and got possessed by the devil.
[20:17] The devil destruction.
[20:18] Maybe she would have wandered into the hell part of the woods, yeah.
[20:21] So they like play hide and seek a little bit.
[20:23] They argue about vegetarianism.
[20:26] She's like super curious about her mom, but he's very protective about his dead wife's
[20:32] things and is kind of, you know, he keeps things from his daughter.
[20:38] I guess it's out of a sense of his own, like, loss, whatever.
[20:42] At school, Angela meets up with her friend Catherine, and they make plans to sneak out,
[20:49] sneak off into the woods after school and lie to both of their parents so they can go
[20:54] off and do a seance.
[20:57] Angela can talk to her mom.
[20:59] They don't expect anything bad to happen.
[21:01] Their plans are pretty simple.
[21:02] Into the woods, into the woods, into the woods, and home before dark.
[21:07] That's the plan.
[21:08] Yep.
[21:09] Is that a reference to a musical?
[21:11] Oh, wait, very much is.
[21:13] The movie is called...
[21:14] Wait, let me check my notes.
[21:16] Merrily we roll along.
[21:18] Oh, OK, so they find, like, they sneak off into the woods, you know, they made plans
[21:24] like you tell your parents that we're having stovetop at your house and I'll tell my parents
[21:28] we're having stovetop at their house.
[21:30] And so can we talk about that commercial for a moment?
[21:32] I was like, that they are going to go to both houses.
[21:36] So their parents will know at a certain point that they're not actually having dinner at
[21:40] the other house.
[21:41] Right.
[21:42] I would imagine.
[21:43] I think.
[21:44] Yeah.
[21:45] Then.
[21:46] Yeah.
[21:47] Well, what is the story then at that point?
[21:48] Oh, we tried to go over there, but we were cast out by the other parents.
[21:52] I mean, the easiest answer is we ate stovetop there and it was so good.
[21:58] We wanted more.
[21:59] Right.
[22:00] But they're like they're trying to arrange like, can I have dinner at Bobby's house tonight?
[22:02] But then they're going to show up at their house and still have it like, oh, we went
[22:05] to Bobby's house and his parents were had a key party.
[22:08] So we weren't they didn't want us around.
[22:10] Yeah.
[22:11] Yeah.
[22:12] They just weren't invited.
[22:13] What is it close with them?
[22:14] But they didn't invite you.
[22:15] Yeah.
[22:16] What is a key party, by the way?
[22:17] Oh, to shut us up.
[22:18] You're going to shove our mouth full of stovetop stuffing.
[22:20] Yeah.
[22:21] Plan works.
[22:22] Something's getting stuffed at that key party.
[22:23] Plan works like a charm.
[22:24] At home before dark.
[22:26] Okay.
[22:27] So they wander off into the woods.
[22:30] They find like like a ruined foundation of a building and they climb down into the basement
[22:35] and they have their little seance thing.
[22:38] Meanwhile, Leslie Odom Jr. is having a hell of a time with a photo shoot for this family
[22:43] because he's a photographer and he's doing a family photo and this kid just won't behave,
[22:47] which is really, I think, one of the themes of this movie.
[22:50] Kids acting crazy.
[22:51] Yeah.
[22:52] But they also do the damnedest things.
[22:54] Subliminal style, but not really, because they're like not that quick.
[22:59] Shots of like devil faces over the kid for a couple of months of it.
[23:02] I'm like, what is this?
[23:03] It's like it's some devil stuff's going to happen later, Dan, but it doesn't really make
[23:08] sense because the devil is not involved with that kid.
[23:11] But I think it's a different devil because in the exorcist world, there's specific demons
[23:15] with specific names.
[23:17] It's not just the overall Satan devil.
[23:19] So maybe that kid's dealing with some other devil.
[23:21] It's another side movie.
[23:22] Maybe it's the sequel to that.
[23:23] Yeah, it's the trashiest red devil.
[23:24] And maybe it's the movie saying, hey, they bought a ticket for Exorcist, Believer.
[23:31] Maybe they forgot that it's a devil movie.
[23:33] Let's remind them.
[23:34] I think it's a parenting movie up to this point.
[23:36] We got to remind them there's devils in this movie.
[23:37] Check out this problem child.
[23:39] Back home.
[23:40] I mean, this movie could be called Problem Child.
[23:44] The Exorcist could also be the original one could be called that.
[23:47] This could be Problem Child, too, because there's two of them.
[23:52] That's true.
[23:53] It would be funny if the Problem Child movies did at the end turn out that the devil was
[23:56] possessing the kid.
[23:57] But then the kid is so annoying that even the devil is like, I'm out of here, puts on
[24:00] a hat, picks up a suitcase, walks out.
[24:02] Yeah.
[24:03] Yeah.
[24:04] It's the same thing with like the good son that they're like, actually, it was the devil.
[24:07] And also, if you couldn't tell, he was actually the bad son for anyone.
[24:12] I saw the devil.
[24:13] If you weren't paying attention.
[24:14] For anyone who's not clear on the movie, now that you're walking out of theater, he was
[24:18] the bad son.
[24:19] It was ironically titled.
[24:20] Because, you know, there's someone who's like, I don't know why they called it the good son.
[24:23] That son was bad.
[24:24] He was bad.
[24:25] Let me write a letter to my congressman about it.
[24:28] How many like nanas went to that movie being like, I love seeing good sons do good stuff.
[24:33] And then that kid grew up and was like, I can't wait to see Ana de Armas in this movie
[24:37] and then went to see it and was like, how dare they?
[24:39] How dare they tease me with that?
[24:41] I'm going to sue the studio.
[24:43] Dear Better Business Bureau, this son was mislabeled.
[24:48] I would like to send in the unused portion.
[24:53] Sir, you've devoured most of this movie.
[24:57] So, back home in an empty home because his daughter is off having a seance.
[25:04] He is going through, he's like going through the photos for the day and like the lights
[25:08] start to flicker.
[25:09] That's a regular thing as demonic crap happens in this movie.
[25:13] It causes electrical stuff and it caused like a weird distortion effect on his computer monitor
[25:18] and you're like, what happened there?
[25:20] It's like when Sheev Palpatine beams in in that Star Wars movie and his body looks all
[25:24] crazy.
[25:26] Something like that.
[25:29] It is a little bit like, for a moment, the movie turns into Dee Snider's Strangeland
[25:34] for a second.
[25:37] Yeah, this computer is twisted.
[25:38] The demons are like solar flares.
[25:40] I'm just going to fuck with the fields, electrical fields.
[25:44] So, of course, the little girls never come home.
[25:47] The parents quickly cut through the ruse.
[25:50] They call around and figure out that the daughters were lying to them.
[25:54] They realize that they went off into the woods.
[25:57] They are not home before dark.
[25:59] Yep.
[26:00] Victor and then the parents of Catherine all go off into the woods looking for their daughters.
[26:08] Catherine's parents, Catherine is like, her family's more religious.
[26:13] According to the Wikipedia entry, they are Baptist.
[26:15] But yeah, they are church-going folk.
[26:18] And it's Tony and something.
[26:20] I don't remember the mother's name.
[26:22] Tony and Tina from Tony and Tina's Wedding, another New York theatrical tradition.
[26:27] Wait, is that the one where one of them is Italian and one of them is...
[26:31] They're both Italian.
[26:33] No, no, you're thinking of the play, my mother's Italian, my father's Jewish and I'm in therapy.
[26:37] Or maybe it's the other way around, my father's Italian, my mother's Jewish.
[26:40] This one, the joke is just that they're Italian.
[26:43] Can you believe it?
[26:44] Yeah, and also they interact with you.
[26:46] It's like you're a guest at the wedding.
[26:47] This is Tony and Miranda West.
[26:49] Okay.
[26:50] I believe that's her name.
[26:51] So they search the woods.
[26:53] They find some evidence of their daughters like a book pack.
[26:55] A book pack? Bag pack?
[26:57] What am I saying?
[26:58] Bag pack.
[26:59] Do you have a stroke?
[27:00] You really don't have children.
[27:02] That's a word you haven't used in many years.
[27:04] A book pack.
[27:06] What's a book pack?
[27:07] Guys, what's happening to me?
[27:10] What's going on?
[27:11] Oh, am I possessed, I guess?
[27:13] I don't know.
[27:14] I thought it would be me.
[27:15] They've got a pile of books with a belt tied around it.
[27:17] They're hitting a hoop with a stick.
[27:19] They go down, Leslie Adam Jr. goes down into the flooded basement area.
[27:25] Don't say anything gross, Dan.
[27:27] And he finds a...
[27:29] And there's a snake scare, which is nice and refreshing.
[27:33] Cats aren't the only animals that scare people.
[27:35] It's the snake this time.
[27:36] It's refreshing.
[27:37] The snake goes wiggling past and he's like, ah!
[27:39] And then he finds a discarded shoe.
[27:41] What's up with these girls?
[27:43] The parents get in a big fight at the police station.
[27:46] At first, you know, they were working together to find their kids.
[27:49] But now they're like, they don't trust each other.
[27:51] Victor at one point is like, the one thing you need to know about me, I care about my daughter.
[27:56] I'm like, you're not on a fucking reality show, buddy.
[27:58] Like, it's fine.
[27:59] Like, we all assume you care about your daughter if you're here at this point.
[28:03] Yeah, but it's similar to Leave the World Behind.
[28:06] There's a light shading of white couple doesn't trust black guy, black father.
[28:12] And a little bit of like, we're religious, you're not religious.
[28:16] And they're like, we didn't even know your daughter was friends with our daughter.
[28:21] Which he knew who his daughter's friends are.
[28:23] They don't.
[28:24] You know, it's a classic parent conflict stuff in movies.
[28:27] I think also early in the film setup, there is more of a sprinkling of kind of general unneighborliness from people.
[28:36] That kind of indicates that they're sort of isolated a little bit in this suburban community.
[28:41] And it threatens to coalesce into a theme and never really does.
[28:46] It does in a way that – one of the things I like about the movie.
[28:51] I don't like a lot about the movie.
[28:52] One of the things I do like is the general message is not we have to get in an exorcist, a priest, or an authority figure to do this.
[28:58] It is that a community has to come together to try to save these girls.
[29:01] And so early on, their neighbor who the dad is always arguing with.
[29:04] Played by Ann Dowd.
[29:06] Played by Ann Dowd.
[29:07] She's going to come in and help them.
[29:09] The parents are going to hopefully come together, but they don't trust each other at first.
[29:12] So if the movie was kind of better thought through, they could have had a really powerful message about –
[29:18] the thing that stops the devil from taking your children is when there's a community around you that can support you and your family.
[29:24] But they don't quite get there.
[29:26] But I think that's what they're working towards.
[29:28] Well, speaking of that, this argument leads to them arguing about whether or not the girls' disappearance might be related to a nearby transient community.
[29:37] They are worried that the girls have been kidnapped by some people living nearby.
[29:44] And so there's like some elements of that.
[29:47] Leslie Odom Jr. goes to a shelter and interviews some of these people.
[29:52] And there's a little bit of spookiness, but there's not much.
[29:57] Not much. This is almost like – it's less a red herring.
[30:00] airing, which I think it's just like a little cul-de-sac that they go on, and they don't
[30:04] do much with it.
[30:05] It's not really tied to the rest of the thing.
[30:06] And the movie's called The Exorcist Believers, so you know that a homeless person did not
[30:10] kidnap these girls.
[30:11] You know what?
[30:12] The devil's involved.
[30:13] Or a devil.
[30:14] Not the devil.
[30:15] I'm sorry.
[30:16] It's one of many.
[30:17] Yep, it could be one of the New Jersey devils talking for this time, it's some other thing.
[30:23] I do think that this is like a sequel thing of we are taking a direct page from the first
[30:30] one and we're going to spend the first half of the movie kind of trying to ground this
[30:36] in a very realistic world.
[30:41] And as far as it goes, I won't say it doesn't work, because honestly, the first half of
[30:48] the movie is the part that works best for me.
[30:51] But on the other hand, this many movies into an Exorcist series, you're not like, I wonder
[30:56] if this girl's really possessed or not.
[31:00] And also, especially because pretty much not too long after this, every character just
[31:04] goes all in on demon possession.
[31:06] Exactly.
[31:07] Yep, we got it.
[31:08] You know what?
[31:10] We thought they might have run away.
[31:11] We thought a homeless person might have kidnapped them.
[31:13] Those are the only two options.
[31:14] So I guess it has to be a devil.
[31:16] Let's just go with it.
[31:17] And it feels very abrupt.
[31:19] The same way that when we did, when we watched the Pope's Exorcist, which had the added advantage
[31:23] of being silly, that the family is like, they're like, by the way, your kids are possessed.
[31:28] And the mom is like, of course, yes.
[31:29] Tell me what to do.
[31:30] Like, there's never there's no pushback.
[31:31] Finally, someone sees it.
[31:33] Yeah.
[31:34] And of course, that movie also features Russell Crowe just stunting on everybody with that
[31:39] crazy columbo performance.
[31:40] That ridiculous accent.
[31:41] What a fun movie.
[31:42] Okay.
[31:43] So Victor comes home.
[31:44] We recently we had to vote for the Writers Guild Awards, and I hadn't seen enough movies
[31:52] this year that I really liked.
[31:54] And the Pope's Exorcist was on there.
[31:55] I'm like, I'll nominate that.
[31:56] Whatever.
[31:57] Yeah.
[31:58] I'll vote for that to get nominated.
[31:59] That was fun.
[32:00] Thumbs up.
[32:01] It's not going to win.
[32:02] So a few days into the disappearance, Victor comes home to find that his friend Stuart
[32:07] is broken into his home and has brought a woman named Dr. Now, I only saw it written
[32:19] in the captions.
[32:20] I didn't actually hear him say the name.
[32:22] Is it beehive or beehive with a V?
[32:28] I think it's beehive, but I'm not sure because I couldn't I couldn't quite make out what
[32:32] the sound was either.
[32:33] Yeah.
[32:34] So he's doing some kind of like some kind of a ritual to draw to bring the girls home,
[32:39] bring Angela home.
[32:40] And Victor is still a disbeliever and it gets them out of his house.
[32:46] However, something happened because meanwhile, 30 miles away at a nearby farm, there is a
[32:52] sick horse and they find the two girls in the barn.
[32:56] Oh, the girls are back.
[32:58] The girls are back in town.
[33:00] The girls are back in town.
[33:02] They're actually out of town.
[33:03] They're in a barn on the outskirts of town.
[33:07] So they interview the girls.
[33:08] The girls think they've only been missing for a few hours.
[33:11] They say to the girls, yeah, yeah, yeah, yeah, tell me about Lorne.
[33:17] Which devils are your guys?
[33:19] What did your dad do for a living?
[33:21] Yeah.
[33:22] Mm hmm.
[33:23] So are you with Pazuzu or are you with Lamashtu?
[33:24] Oh, you gotta be Pazuzu.
[33:27] Well, they're with Lamashtu, who in ancient ancient Sumerian lore was an enemy of Pazuzu.
[33:33] So.
[33:34] Oh, cool.
[33:35] Thanks.
[33:36] Yeah.
[33:37] That's why he had to.
[33:38] You've been reading your fucking monsters manual.
[33:39] Yeah.
[33:40] Yeah, exactly.
[33:41] And I read Folio over there.
[33:42] My Wikipedia manual that Lamashtu went after children and unborn children and Pazuzu was
[33:46] often invoked to protect birthing mothers against Lamashtu.
[33:50] And the Lamashtu in the ancient Sumerian religion is like a hybrid monster with like a lion's
[33:55] head and stuff.
[33:57] That's what we see in this movie.
[33:58] Yeah.
[33:59] That sounds a lot like a Lamashtu, which is one of the mount options for a Chaos Dwarf
[34:03] Sorcerer Lord and Warhammer fantasy battle, baby, because they need to fly around on things
[34:07] because Chaos Dwarf magic slowly corrupts their bodies and turns their bodies to stone.
[34:12] So they need somebody to take their ass around because they're just turning like a statue
[34:15] man.
[34:16] Must be the band drill that's making me suddenly sleepy.
[34:20] No, let me pull up some images on my phone, dude.
[34:24] They're really cool.
[34:25] They have a beard.
[34:26] Yeah.
[34:27] Okay.
[34:28] So.
[34:29] So they found the girls.
[34:30] The girls are fine.
[34:31] The girls.
[34:32] The girls are back in town.
[34:33] The girls think they've only been gone for a few hours, but in fact, they've been gone
[34:34] for three days.
[34:36] What?
[34:37] However, there's no other signs of anything like wrong with that.
[34:40] Well, except for one thing.
[34:41] They have burns on their feet.
[34:43] Oh, wow.
[34:44] Were they.
[34:45] How'd that happen?
[34:46] Were they stunning the bottoms of their feet?
[34:47] Well, that's what I think.
[34:48] That's what they check at first.
[34:49] They go, oh, were there are there some lamps and some lamps in the barn?
[34:52] No.
[34:53] They're walking around.
[34:54] Hell, you might as well be walking on the sun.
[34:57] Oh, man, you know, remember when music was good.
[35:03] Yeah.
[35:04] Hey, now you're possessed.
[35:06] Now you're a demon.
[35:08] Go play.
[35:09] Hey, now.
[35:10] I was just going to cut all the believer and saying this episode.
[35:14] Okay.
[35:15] So go on.
[35:16] Do you have more singing to do?
[35:19] I can't get enough of LaMache to right or wrong.
[35:23] Also a Smash Mouth song.
[35:25] Oh, wow.
[35:26] I did it.
[35:27] So and there there is a sequence just believe or I couldn't leave her if I tried.
[35:34] I know that's a cover of Smash Mouth did of a.
[35:36] Yeah, yeah.
[35:37] Yeah.
[35:38] But no, still an impressive.
[35:39] You found multiple links there.
[35:41] I thought demons were only in the Exorcist.
[35:45] So forth.
[35:46] Oh, that's all the Smash Mouth songs I know.
[35:48] So we're back to the show.
[35:49] Okay.
[35:50] So there is.
[35:51] There is a possessed, but he gets up again.
[35:55] Nobody's going to Exorcist and it's actually really great that Elliot is, you know, making
[36:02] us go through this excruciating ritual because the movie makes us watch a sequence where
[36:06] the girls are then checked to see if they have been assaulted by someone.
[36:10] Yeah.
[36:11] And that's not which is unpleasant.
[36:12] Yeah.
[36:13] But I guess I mean, I guess I get what the movie is trying to do with it.
[36:18] It's horrifying.
[36:19] They're saying who's the real monsters?
[36:20] The medical establishment, perhaps.
[36:22] Yeah.
[36:23] Yeah.
[36:24] Vaxxed.
[36:25] Yeah.
[36:26] Okay.
[36:27] So Angela.
[36:28] Hashtag do the research.
[36:29] Exorcist believer.
[36:30] Yeah.
[36:31] Do your own research.
[36:32] So.
[36:33] Don't really though.
[36:34] Angela goes back home with her dad and she before bed, she explains that they went off
[36:40] into the woods to do a seance.
[36:42] She was trying to contact the spirit of her mother, but she was not able to do it.
[36:46] Meanwhile, she's still acting a little bit weird.
[36:48] And we occasionally get like ghostly figures behind people.
[36:52] It's a real good moment.
[36:53] I really wanted to watch it again with a ghostly kind of child image behind her behind her
[36:58] dad in the not unlike not unlike a Reagan from the original The Exorcist.
[37:04] Yes.
[37:05] Yes.
[37:06] And is this is this around the time that she surprised her dad while he's brushing his
[37:09] teeth?
[37:10] Yeah.
[37:11] Yeah.
[37:12] And he like he puts her down to bed and then he's going into the bathroom and the lights
[37:17] keep flickering again.
[37:18] That is a sign of demons.
[37:19] And she just appears next to him.
[37:21] I was like, get to say it was a really good thing.
[37:27] She goes, what'd you say?
[37:28] And it was a really good reappearance.
[37:30] It worked really well.
[37:31] I felt for me.
[37:32] But also, I have lived that so many times.
[37:33] Not the light flickering, but me just brushing my teeth and then suddenly turning to see
[37:37] one of my children has gotten out of bed and is standing there and didn't realize it going.
[37:40] What did you say?
[37:42] And I'm like, I wasn't talking to you.
[37:43] And I have to lead them back to their bed.
[37:44] That happens all the time.
[37:46] So Exorcist believer, I feel seen.
[37:48] Thank you.
[37:49] Yeah.
[37:50] Yeah.
[37:51] This is before your kids pick on you and stuff you into a cabinet.
[37:54] Would you say nerd?
[37:55] Then they stuck me in the bathroom cabinet.
[37:56] Yeah.
[37:57] OK.
[37:58] So again, yeah.
[37:59] More flickering lights, ghosts.
[38:00] There's I expected.
[38:01] I honestly expected more jump scares in this sequence, but they're there.
[38:04] It's actually pretty restrained.
[38:07] The in the morning when he after making her her favorite breakfast pancakes and ice cream,
[38:14] he finds her in bed sleeping on top of the covers like she's staying at a fucking cheap
[38:19] motel.
[38:20] But she is peed all over the bed.
[38:22] So he takes her into the bathroom to try and get her cleaned up.
[38:26] And then he like walks away and he comes back and she's missing.
[38:29] And the tub is filled with brackish, dirty water and fingernails.
[38:33] And then he finds her.
[38:34] She attacks him with his wife, his dead wife's scarf.
[38:38] And she is like she is ranting.
[38:41] And he ends up he has to, like, hold her down and they have to take her to the hospital
[38:45] and have her committed, basically sedated.
[38:48] Yeah.
[38:49] And he he he does.
[38:50] I think it's a really good.
[38:52] I don't want to touch these P sheets acting in the sequence realistically, like looking
[38:57] at the bed like, OK, how am I going to approach this?
[39:00] Yeah.
[39:01] I mean, it's like you get you get used to it.
[39:04] You do.
[39:05] I mean, that was the thing for a single person or someone, a childless person, not single.
[39:08] You're married.
[39:09] I understand completely.
[39:10] But when you have children, you're so used to touching their waist in different ways.
[39:14] Like it's just it's been a few years, though, for no for this character.
[39:18] Oh, maybe.
[39:19] But I feel like I feel like it would be like riding a bicycle made of poop.
[39:23] You just they'd all come flooding back and you'd know how to do it.
[39:26] Yeah.
[39:27] Meanwhile, a bicycle made of poop.
[39:31] Meanwhile, Catherine is in the sea.
[39:35] No.
[39:36] So many songs.
[39:37] Daisy, Daisy, give me your answer.
[39:40] Do do.
[39:41] Mm hmm.
[39:42] Down to one star on iTunes.
[39:45] OK.
[39:46] Now I get it.
[39:47] It's fair.
[39:48] It's fair.
[39:49] You know, I'm so high for so long.
[39:51] Yeah.
[39:52] Bipartisan bill in Congress banning the flop house.
[39:55] Yeah.
[39:56] Well, Democrats and Republicans can agree on, they say.
[39:59] It's not even a writer.
[40:00] It's the thing that they tack on writers, too, because they know it's going to pass.
[40:03] Yeah. So meanwhile, Catherine's parents have taken her to church.
[40:11] The pastor, priest, whatever, is giving a sermon about about Catherine coming back to them.
[40:16] She is acting seems real smug. He's a smug pastor.
[40:20] Yeah. And she is not acting normal at this point.
[40:24] She's kind of dazed. At one point, she's like fiddling under her skirt,
[40:29] which I'm like, I don't like this. And then she during communion, she disappears
[40:36] only to come back into the into the church covered in communion wine, which looks like blood.
[40:42] And she just keeps shouting the body and the blood over and over until she is tackled.
[40:47] And of course, the body and the blood sounds like a great death metal song.
[40:50] I totally listen to that shit.
[40:52] That's what happens to me when I get into the communion wine, too.
[40:56] Yeah. Dan, you spent some time in the church.
[40:59] Is this exactly your experience as well?
[41:02] You know, we didn't have actual wine. You know, it was grape juice.
[41:06] We are you know, my denomination is I think the only Protestant one that would take communion
[41:13] every Sunday. Typically, that's not like that's a Catholic thing.
[41:16] And then other, you know, Protestant sects do it at Easter.
[41:22] I said, but it was saying they were Baptist. Is this a Baptist thing?
[41:28] I don't know how much Baptist take me. Like I said, I think that
[41:31] it's not typically in every Sunday thing outside of Catholics.
[41:36] And and after she wanders in shouting the body and the blood over and over,
[41:40] she is tackled and she is also taken to the sedated and taken to the hospital.
[41:46] Yeah, they want her sedated.
[41:51] So this is where this is a musical episode of the flop house.
[41:54] It's so musical. They're like, remember that episode?
[41:58] That's great. But when I do it, suddenly people don't like it.
[42:02] If we market it that way, so people know what to expect,
[42:05] you know, you know, this would be a mean girl situation where
[42:08] some people get in there and they're like, oh, I didn't sign up for this.
[42:11] Did you see the video that was going on Twitter where
[42:13] the song starts and the audience just starts laughing?
[42:16] Oh, it was. Oh, that's too bad for the filmmakers.
[42:19] They should have marketed as a musical.
[42:20] Yeah. Weirdly enough, I am going to be recommending just a there's a spoiler
[42:24] for the rest of that. So I am going to be recommending a musical today.
[42:28] So, you know, I want to clear guys read my mind.
[42:32] I liked the Mean Girls musical, too. So.
[42:35] Oh, OK, good. OK, that's my recommendation.
[42:38] Two thumbs up. Oh, it's not your. Yeah, but you can go see it if you like.
[42:40] Yeah, I mean, you don't need to go see it.
[42:44] Movie goalie Dan is going to be like, I'll let this one pass.
[42:46] You don't have to take my world.
[42:48] Word, word for it. You don't have to take your world for it either.
[42:51] You don't have to take my world for me.
[42:53] You can't. You son of a bitch.
[42:55] Who are you, Dio Brando?
[42:57] OK, so the parents have a chit chat at this point.
[43:01] And Victor is talking to Catherine's parents and Catherine's parents reveal
[43:06] that she was supposed to be baptized, but they did not baptize her.
[43:10] And it's like, oh, they like put it off until her grandmother could show up.
[43:13] But that was just a couple of days too long.
[43:15] Yeah. Thanks, Grandma.
[43:18] So they so they're very much in the camp like our daughter's possessed.
[43:22] We need to do something about this.
[43:24] Victor, he doesn't quite believe that he's he's still dubious.
[43:27] And I guess, you know, this tells you, you know,
[43:29] baptism is like chipping your pets, the thing you do for safety ahead of time.
[43:34] You know, it's like it's your scotch guarding them against devil.
[43:39] So this is getting.
[43:40] Yeah, this is where I have two issues with this.
[43:42] Like you were talking about earlier, Dan.
[43:43] One is so the baptism.
[43:45] So so the devil would have been like, hey, all right.
[43:48] You have a force field around you from baptism.
[43:51] You're like, you've got to feel I can't open.
[43:52] It's like it's like a child lock on a on a medicine bottle.
[43:55] But also like my kids are not baptized.
[43:57] Are they is this movie telling me that they are at great risk of demons?
[44:01] Look, I I agree with you that I normally don't bump up against supernatural stuff.
[44:06] I'm just on board.
[44:08] I will accept whatever shit you're trying to sell me in the context of fiction.
[44:12] Most of the time I do have more trouble with this.
[44:15] And look, I grew up religious.
[44:16] I'm not saying I'm not religious at all like I.
[44:19] But I'm saying that at this point in my life,
[44:22] my conception of religion is a lot more amorphous.
[44:26] And I don't know, just sort of personal than any.
[44:32] I don't believe that there's a set of magic spells you can do to keep the devil.
[44:37] You don't believe that religion operates like the same way that
[44:40] Warhammer operates, where there are rules you have to follow,
[44:43] according to how you roll and things like that.
[44:45] I want to hear Elliot explain the rules of Warhammer to me right now.
[44:48] So anyway, we first you roll to see who goes first.
[44:50] Then OK, then you take your then you got it.
[44:54] Then you got to pick your guys.
[44:55] You line up all your figurines and you take turns picking them.
[44:59] And then what you do is then you got to come up with your your scenario.
[45:02] And the way you do is you pick one of three scenario cards.
[45:05] That's a beginning card.
[45:07] Then what you have to do is you look at the color of that card
[45:09] and you have to collect those color chips.
[45:11] They're around the board in different places.
[45:14] And now there's also the special die.
[45:16] There's one special die that's hidden in the room.
[45:18] If you find it, you get an extra life.
[45:20] That extra life can be traded in for 100 gold credits.
[45:24] Now, the gold credits are listening to there.
[45:28] They're also stickers.
[45:29] And if and you can stick them on your figures and that gives them
[45:32] qualified immunity, which means you can't be prosecuted
[45:35] for things they do in the line of duty.
[45:37] You're right.
[45:38] I say all this about not believing in magical spells, but I also like I don't.
[45:43] You know, I appreciate what the movie is trying to do at the end by not making it
[45:47] like a specific religion by by not being making it like, oh, Catholics specifically
[45:53] have figured out how to protect us against demons.
[45:56] You know, it is a conglomeration of different believers.
[46:00] They do a couple of times.
[46:01] They're like different people are like, I've I've studied all the ways of doing this
[46:04] and all the different religions.
[46:06] But it mainly comes down to Catholic stuff.
[46:08] Yeah.
[46:08] But then like but then the weird thing is that makes me believe it even less at the end.
[46:13] I'm like, well, if it's all amorphous, then what the fuck are we doing here?
[46:17] Like what?
[46:18] How are we casting this demon out?
[46:19] I don't know.
[46:21] No matter no matter how ecumenical they try to make it at the end, it's still usually
[46:25] Jesus's name that is making the demon you scream and turn into fart dust and fly.
[46:29] Is this?
[46:30] I hate that guy.
[46:32] So they run for the door.
[46:34] Meanwhile, him again.
[46:35] He's going to tell me more of his stories.
[46:38] Meanwhile, Nurse Ann Dowd is looking after a character named Ann playing a character
[46:43] named Ann, which I love and also like it's nice when Ann Dowd shows up like I feel I'm
[46:48] like I'm in good hands here.
[46:49] She's got this.
[46:51] So she she gets she's looking after Angela, who wakes up demon style and begins terrorizing
[46:57] her, making allusions to a previous pregnancy and abortion.
[47:01] And then there's a scene where blood is spreading out all over her, her sheets.
[47:07] And then Ann Dowd goes and talks to Victor and is like, you know, this girl's possessed.
[47:11] She knew stuff that nobody else knew.
[47:13] She knew I was going to be a nun at one point.
[47:15] She knew my name is a nun, which I never told anybody else.
[47:18] This girl is hella possessed.
[47:19] And I mean that pun very much intended on very much intended.
[47:22] So Victor decides to start doing his own research, just like Dan.
[47:26] Oh, hey.
[47:28] And he immediately finds a bunch of news stories about Chris McNeil, the mother from The Exorcist,
[47:37] learns a little bit about her history and he breaks it into the movie.
[47:41] He tracks her down and goes in all over with talent.
[47:44] So he yeah, he shows up to Chris McNeil's home, Ellen Burson's home.
[47:50] Probably not her actual home.
[47:51] I'm guessing it's the care.
[47:52] No, no.
[47:52] I think that she wanted to do the role so little that she said, if I'm going to be in
[47:55] this movie, you have to come to my house to shoot it.
[47:57] I don't want to leave my house.
[47:58] This was so the story behind Ellen Burson being this movie is apparently she said, I
[48:02] don't want to be in this.
[48:02] And so they doubled her the money they offered.
[48:05] And she it was all she's like, OK, I can donate this to a college, I think for it to
[48:08] endow a fellowship.
[48:09] But she she said something that I read in the trivia section that was about like that
[48:14] she was like, it felt like the devil was testing my price when they were negotiating with me
[48:17] to do this movie.
[48:18] Did you also read the trivia about William Friedkin?
[48:21] Yes.
[48:21] Oh, yeah.
[48:22] It was like not a fan of this guy.
[48:25] Apparently, William Friedkin was like, yeah, the guy who made Pineapple Express is going
[48:28] to ruin my best movie.
[48:30] Notoriously chill dude, William Friedkin.
[48:35] So Victor talks to Chris McNeil, who explains some stuff about like she's you know, she's
[48:41] not a priest or an exorcist, but she studied all this stuff and that she thinks she can
[48:46] be helpful.
[48:47] So they they joined forces.
[48:49] She also mentions that her daughter Regan and her have lost lost touch with each other.
[48:52] It's been years since they last talked.
[48:54] I think I think for this trilogy to work, we're going to need a big reveal at the end.
[48:58] Let's find out.
[48:59] So let's watch what happens live.
[49:01] Yeah, they joined forces and head back to Victor's hometown where they go to visit Angela,
[49:07] who is in like full on demon mode at this point, crawling all over the walls being extra
[49:12] scary.
[49:13] There's no yeah, they're like, oh, we can't do anything with that.
[49:16] So they it's like we're not sure if it's if it's a medical problem or not.
[49:20] And meanwhile, she has like devil face like she looks like a demon has taken over her
[49:24] body.
[49:24] She doesn't look like herself, you know, so they and they have to go to try and find
[49:28] Catherine.
[49:29] But Catherine's family has taken her home out of the hospital.
[49:32] So they go to the home and we're like, oh, this is going to be a problem because like
[49:35] the family's like cowering in the kitchen.
[49:38] They're terrified of this demon girl running around the house.
[49:41] How what is it about getting people together in a house?
[49:44] You've got a you've got a girl who's possessed by the devil in another room.
[49:47] You've got the refreshments are all in the living room.
[49:50] Everyone still always ends up in the kitchen.
[49:52] They always end up gathering and cowering in the kitchen.
[49:54] You're like, there's a whole house that we can be afraid of the demon girl.
[49:58] And no, they just want to hang out in the kitchen.
[50:00] in the kitchen that's I mean that's that's I think that's a little bit of
[50:03] human nature what do you think Dan yeah well I mean it's true it is the last
[50:10] time Audrey and I had a party really we'll put a bunch of food in this
[50:14] central room away from the kitchen to lure everyone away no one no yeah like
[50:21] hey I brought this bowl of chips back into the kitchen
[50:25] yeah but the only way to get keep them away from your kitchen the room is to
[50:29] have legendary comic book publisher Dennis kitchen in your apartment at your
[50:33] party and people just follow him around okay so again they find the they find
[50:37] the family cowering in the kitchen Chris follows the demon girl upstairs this is
[50:44] where we get this loving scene a touching tribute to great actor yeah
[50:50] they're really making the best of Ellen Burstyn really treating her where where
[50:54] she has a conversation with the with the demon before it climbs up on her and
[51:00] stabs her eyes out with a cross yeah not outside of Scatman Crothers the
[51:06] Shining rarely has there been a character set up to like come in to help
[51:10] out and dispatched immediately from yeah there's there's like two of those moment
[51:15] there's another one coming up but this one was particularly rough cuz you're
[51:18] like you guys you just got here yeah she just got here this is the big star from
[51:23] the first movie did you also feel as I did that it was a huge disrespect like
[51:27] it was like yeah like if you like if you if uh if it's like if Scatman Crothers
[51:32] had been the star of the Shining one and they bring them back for Shining four
[51:35] and then just chop them in the stomach with an axe yeah like they do they're
[51:41] doing like Godfather six it's a reboot of the Godfather franchise they bring in
[51:46] Al Pacino and then whoever's playing the new Godfather just pees on him in a
[51:50] Godfather cow yeah no that's that's yeah that's wild the I want like it'd be one
[52:00] thing if like we read up on Ellen Burstyn she's like no I'm just really
[52:03] into makeup effects and I thought it'd be awesome if my eyeballs got if she was
[52:08] like if she was like Harrison Ford with Star Wars and she's like I'm just tired
[52:13] of being in these movies you know I think my guess is that I wouldn't be
[52:20] surprised if an earlier version of the script had more of her in it and then
[52:24] this is just me theorizing and then she said you have me for three days and they
[52:28] said oh okay I guess we got to move up her her mutilation scene earlier in the
[52:32] film that's my guess I don't know okay so they you know they they again at this
[52:38] point Catherine gets taken away they're worried that like I guess her parents
[52:44] are concerned that she's what gonna get in trouble or something I would imagine
[52:48] well this might be on her permanent record that she had a devil inside her
[52:51] and she stabbed a lady in the eyes yeah yeah Cornell just are you devil inside
[52:58] devil inside huh every single one of us devil inside she's like one of us your
[53:04] honor yeah a band what a band right she goes hold on wait let me go into my
[53:08] closet where's my blue dress yeah it's the devil inside medley okay else can
[53:19] the devil be in meanwhile Georgia I guess once he went down there yeah he
[53:23] did go down there he was in Georgia that's true yeah mm-hmm meanwhile father
[53:27] Maddox a devil can be in disguise because she looks like an angel but
[53:31] she's the devil in disguise okay so father Maddox applies to the Catholic
[53:45] Church for an exorcism and fails to get permission they say denied they're
[53:52] basically like the church's insurance can't handle the liability of an
[53:55] exorcism oh yeah that's that's the problem with the Catholic Church right
[53:59] okay and then Victor goes to Chris to apologize for getting her eyes knocked
[54:05] out and I gotta say she had she takes this pretty well like she yeah she's
[54:11] like in pretty good spirits she's like I knew the risk going in it's okay yeah
[54:15] yeah she's like them you know that's what happens anyway once I get my robot
[54:21] eyes yeah those eyes were crying they've seen a lot of love but they never seen
[54:29] another like you like me are we in love right now yes we are in love did you not
[54:33] know that that's the only reason I came to your house to help you with your
[54:36] daughter is that I'm in love with you oh this is awkward I'm kind of still not
[54:39] over my wife yet it's been years Leslie Odom jr. he's like she and she she gives
[54:47] us like monologue about how people all over the world are doing exorcisms you
[54:52] just got to get everybody together and so she convinced them like you just got
[54:56] to do your own exorcism family style book that says it takes a village to
[55:02] exercise a child yeah yeah so the whole the whole gang shows up a whole gang
[55:09] shows up at Victor's house you got Victor you got Stewart you got dr.
[55:12] beehive you got I think the priest from the church the priest shows up later
[55:18] first he shows up and he's like hey you do this and Ann is like I was a nun for
[55:23] a minute I can do this and then I can do this back yeah and then and Catherine's
[55:27] parents show up and they bring an older guy with them is that their pastor yeah
[55:32] they're a pastor from their church yeah and they they they make a little
[55:36] summoning circle and they tie the girls into chairs in the middle of it and they
[55:41] hook them both up to like heart rate monitors and we see that both their
[55:45] heart hearts are beating at the exact same time it's like they're they're one
[55:49] body yeah the priest shows up he delivers the bad news and then he goes
[55:53] and sits out in his car and prays and I don't know like McDonald's or something
[55:57] on a stakeout he's on a priest stakeout of the exorcist okay exorcism begins we
[56:04] start with round one yeah round one nurse Ann starts reading some Bible
[56:09] stuff and it you know it doesn't really work the demons like doing scary stuff
[56:14] and then they they bring up her abortion again and you know she's she
[56:19] gets a little bit shook we learned some of the rules here is that they can't
[56:22] touch the kids while this whole thing's going on makes sense because they're
[56:26] demons they take a little bit of a break and then dr. Behave a comes back and
[56:32] like drips like holy water on them and that seems to work because they start
[56:36] barfing out like vapor clouds out of their mouth it's vapo demon yeah and
[56:40] then somehow like smoke from the like magic smoke from the fireplace and the
[56:47] vapor like getting a fight or something it's to be honest I couldn't quite follow
[56:53] yeah I didn't quite know the characters really seem to understand the characters
[56:57] really seem to understand what's happening yeah yeah something's
[57:00] happening the demon offers the demon offers the parents a choice if they pick
[57:05] one of the girls that one will survive the other one will die have you talked
[57:10] about the revelation that the demon makes about Victor's choice years
[57:14] earlier oh we we haven't mentioned that but you we can explain the demon he
[57:19] reveals that Victor when years ago in Haiti when the man said we can save your
[57:24] wife or your daughter and we assume he chose his daughter because that's who's
[57:27] alive right now the demon reveals that Victor did not choose his daughter he
[57:31] said keep my wife alive but it didn't work and the or the doctors didn't
[57:35] listen to him and instead Angela survived and the wife did not and so
[57:39] this is seen I think the demon is trying to break their bond and shame him
[57:43] that that was a pre-birth betrayal I guess yes daughter Angela but the weird
[57:48] thing is I don't think Stuart will be mad that I jump ahead a little bit to
[57:53] make this point the weird thing is like jumping to the credits after the movie
[57:57] well no the so let me quickly say the you know the other family like the
[58:03] Norbert Lear Leo Butts loses faith or whatever and he's like I want to save my
[58:08] kid you know like the the community is broken much to the consternation of his
[58:12] wife played by Jennifer Nettles Grammy right winning singer which leads to the
[58:17] demon taking that kid like ha ha ha ha I'm taking the one that you say you want
[58:22] to save and leaving the other one behind and like a weird like reversal of like
[58:26] the wisdom of Solomon or something but I here's my problem with a lot of the
[58:33] stuff in the movie thematically like I guess the idea is that the his journey
[58:38] is that he's getting his faith back and that's the important thing he doesn't
[58:42] break and like choose one kid over the other but in the context of the movie it
[58:48] also plays like well you didn't want the kid the first time around he wanted his
[58:53] wife and now the way to save his kid is by rejecting her a second time and not
[58:57] no I want you like I guess that's true I think quiet it's kind of a weird I
[59:02] think they didn't worry they're turning themselves into no I mean I think I
[59:06] think that's one of the I I would argue I think that's one of the issues with
[59:10] with David Gordon Green's Halloween movies is that there's a lot of things
[59:14] in there that don't feel like they don't they don't feel all the way thought
[59:19] through they like they might make sense in the immediate moment but like on the
[59:24] whole doesn't make this movie was reshot a lot from what I understand it
[59:29] was very like taken away from him so I I don't lay this necessarily fully at his
[59:33] feet yeah that's you're probably it's very possible and the it's if it is
[59:38] internally inconsistent that the lesson is supposed to be we have to stay
[59:42] unified the only way to stay safe is to stay unified we have to be and and the
[59:47] dad breaks it the other dad breaks it but that yeah he has to save his
[59:50] daughter by once again refusing to save her although Dan maybe that ties into
[59:55] he's too much of a helicopter parent earlier now yeah you know what I can't
[59:59] save you
[1:00:00] You gotta deal with these devils for yourself sometimes.
[1:00:01] I think the message is less, uh, you need to, like, reject saving your child and more,
[1:00:08] don't listen to demons.
[1:00:09] Well, yeah, I mean, obviously demons are lying to you, but the funny thing about that too
[1:00:13] is like, you know, once someone does make the choice, the demons are like, well, I'm
[1:00:20] bound to take the other one because I've been trolling you, like, I'm bound to take the
[1:00:24] one that you're saying that you want to save because I've been trolling you and I'm a trickster,
[1:00:27] but then that means that I am going to let the other girl go.
[1:00:30] I guess I have to only take one rather than just being like, I mean, two kids was too
[1:00:37] much.
[1:00:38] They weren't going to be able to eat that much.
[1:00:39] You know?
[1:00:40] Yeah.
[1:00:41] Some demons are bigger than their stomachs.
[1:00:42] Yeah.
[1:00:43] We did jump ahead slightly.
[1:00:44] So, uh, we did jump past one of the, one of the more fun scenes in the mid-exorcism.
[1:00:48] They're like, this doesn't seem to be working.
[1:00:49] All of a sudden the door bursts open.
[1:00:51] Father Maddox is like, fuck what the church says.
[1:00:53] I'm going to do an exorcism.
[1:00:55] He walks in.
[1:00:56] He's going to kick ass for Christ.
[1:00:57] Just like in, what is it?
[1:00:58] Dead or Alive?
[1:00:59] Those kids.
[1:01:00] Yeah.
[1:01:01] They're not loving that.
[1:01:02] It's the opposite of McDonald's for them.
[1:01:03] They're not loving it.
[1:01:04] There.
[1:01:05] He puts his hands on their forehead.
[1:01:07] He's reading those words.
[1:01:08] They're flipping out.
[1:01:09] All of a sudden they start twisting their necks.
[1:01:11] His neck starts twisting.
[1:01:12] What?
[1:01:13] What?
[1:01:14] What?
[1:01:15] His neck twists all the way around and he dies.
[1:01:16] Whoops.
[1:01:17] Yeah.
[1:01:18] They snap his neck from the inside and it's one of those things where it feels like, oh,
[1:01:20] right.
[1:01:21] Yeah.
[1:01:22] Cause the exorcist is all about like head turnings.
[1:01:23] Like it's all about turning your head all the way around.
[1:01:25] Yeah.
[1:01:26] Well, there's another part.
[1:01:27] I mean, it's so cool.
[1:01:28] At which.
[1:01:29] It's a, it's a, it, that effect is very fun.
[1:01:30] It's a, it's a cool moment.
[1:01:31] I wish it was one of the few moments in the movie where it was like, oh, this movie is
[1:01:34] coming alive for a moment.
[1:01:35] It's doing something kind of like wild, but it is, it does feel like, Hey, remember this
[1:01:40] from the first exorcist when her head turns around, they do that too.
[1:01:43] There's another moment.
[1:01:44] I forget the exact line, but where one of the demons like says a line from the first
[1:01:49] movie to a room full of people that were not there for the initial events.
[1:01:53] So I'm like, what is this sassy callback?
[1:01:55] Like who is this for?
[1:01:56] Yeah.
[1:01:57] Like people who've seen the exorcist only.
[1:02:00] So, uh, yeah.
[1:02:01] After the, after the priest, it's like that moment in that second star Trek, JJ Abrams
[1:02:05] movie where he goes, my name is con.
[1:02:07] And I wanted the characters to be like, okay, what does that con like?
[1:02:11] What does that mean?
[1:02:12] So you're caught.
[1:02:13] So what does con do?
[1:02:14] I don't understand.
[1:02:15] How's how you con what, uh, yeah.
[1:02:19] Is it C O N?
[1:02:20] Like you're a con man.
[1:02:21] You seem British.
[1:02:22] So that's a little confusing.
[1:02:23] Yeah.
[1:02:24] Are you like, are you related to share con the tiger from the jungle book?
[1:02:27] Cause that'd be weird.
[1:02:28] You're a person.
[1:02:29] I think it's the future.
[1:02:30] Maybe you're a tiger man.
[1:02:31] Like one of the Kazin, you know, there's a cat people, but still, yep.
[1:02:35] Or the Hakan, uh, Emirates, uh, trading alliance and twilight.
[1:02:39] Yeah.
[1:02:40] Dan, do you know any other fictional cat people?
[1:02:42] Not from the movie cat people don't say that.
[1:02:44] It's too easy.
[1:02:45] Sleepwalkers from the film.
[1:02:46] Sleepwalkers.
[1:02:47] Technically correct.
[1:02:48] Technically cat people.
[1:02:49] You got it.
[1:02:50] So, uh, allow it, put Dan on the board in the cat people game.
[1:02:54] Okay.
[1:02:55] Finally on the board.
[1:02:56] Yeah.
[1:02:57] You're in the, you're on the board.
[1:02:58] So this is where Vic tries to make a Victor tries to make a play, uh, to get in on the
[1:03:02] action.
[1:03:03] He takes the scarf, uh, uh, his wife's scarf and wraps it around Angela's neck.
[1:03:08] Uh, doesn't seem to really work.
[1:03:10] Uh, at this point, Tony, this is where Tony, uh, chooses his own daughter to save.
[1:03:16] He just says, I choose you.
[1:03:18] Uh, at which point Angela starts, uh, catches her in a little poke ball.
[1:03:22] Yep.
[1:03:23] Yeah.
[1:03:24] Uh, Angela starts to float up in the air.
[1:03:25] Uh, and then she barfs like a blood vortex on the ceiling and it's like all CGI blood
[1:03:32] vomit.
[1:03:33] It was so silly.
[1:03:34] This part should be scary, but it's super silly.
[1:03:36] And she gives her dad this like crazy head, but that throws him across the room.
[1:03:41] It's like, it's, it was, that was pretty cool.
[1:03:43] Yeah.
[1:03:44] And before this, when he gives her that scarf, he has also, Victor has also been reciting
[1:03:48] the Lord's prayer.
[1:03:49] He has got his faith back, which understandably, if you're like, I don't believe in God.
[1:03:53] And then the devil possesses your daughter.
[1:03:55] And the only thing that seems to stop her is saying Christ's name.
[1:03:57] Then I, that's a way to get your faith back.
[1:03:59] And then when it's not faith anymore, it's been proved the easiest way to get your faith
[1:04:03] back.
[1:04:04] I would jump on that so hard.
[1:04:05] I'd be like, okay.
[1:04:06] I mean, it's not even faith at that point because you're like, yeah, that's a proven
[1:04:09] thing that's happened.
[1:04:10] I have seen evidence.
[1:04:12] Yeah.
[1:04:13] You're no longer on faith.
[1:04:14] And God's like, oh shit.
[1:04:15] I screwed it up.
[1:04:16] I was, it was supposed to be faith.
[1:04:17] Oh, I think this means you're not saved.
[1:04:20] Sorry.
[1:04:21] Uh, and what if you just erase the memory of what happened from my mind so I can regain
[1:04:25] my faith?
[1:04:26] Hey, can't do it.
[1:04:27] That would be fussing with the rules.
[1:04:28] I'm on the board.
[1:04:29] I can't get, they'd take me off the board if I did that, you know?
[1:04:32] So Angela claps on the ground, she flatlines and we're like, Tony, what did you do?
[1:04:38] But then, and his daughter, Catherine seems to recover, but then we get some like flashbacks
[1:04:44] to the moment when, uh, her mother was getting her belly blessed.
[1:04:49] And then there's like a switcheroonie and Catherine flatlines and Angela wakes up.
[1:04:54] Is that the implication that she, she wasn't, she had extra help not because she wasn't
[1:04:58] baptized.
[1:04:59] I don't know.
[1:05:00] I don't know.
[1:05:01] That was like the first baptism in, in utero.
[1:05:02] Yeah.
[1:05:03] She had double reverse anti-possession.
[1:05:04] I don't know.
[1:05:05] Yeah.
[1:05:06] Yeah.
[1:05:07] She has the UNO reverse card on her.
[1:05:10] So you've been holding it in reserve and jokes on you, the master, you have to draw
[1:05:14] four wild.
[1:05:15] Oh, that's the worst.
[1:05:16] Uh, that's because at that point you're like, well, mash do is riding high on the horse
[1:05:23] and all of a sudden he's got a handful of cards and he is just like, well, I've got
[1:05:29] every card except green.
[1:05:30] At least he won't say green.
[1:05:31] And he goes green.
[1:05:32] Oh, I've got to keep drawing the cards.
[1:05:34] No, no, no.
[1:05:36] Okay.
[1:05:37] Defeat from the jaws of victory.
[1:05:38] Yeah.
[1:05:39] So Angela recovers and, uh, Dr.
[1:05:43] Bahibi reaches over and snuffs out one of two candles.
[1:05:48] What how meaningful, uh, everyone, uh, everyone tries to move on with their lives.
[1:05:53] Uh, and then in a, uh, in a, what a convalescence room, uh, Chris, uh, is sitting there and
[1:06:00] she is, uh, visited by her daughter Reagan from the first movie.
[1:06:06] What?
[1:06:07] Linda Blair's here.
[1:06:08] End of movie.
[1:06:09] Thumbs up from no one.
[1:06:10] Savage streets.
[1:06:11] He says.
[1:06:12] That's what it is.
[1:06:13] Right.
[1:06:14] We made it through.
[1:06:15] Extra's believer.
[1:06:16] Yeah.
[1:06:17] So, so there's two kinds of, there's two kinds of believing in this.
[1:06:19] So Victor, he regains his faith.
[1:06:21] He becomes a believer and also, uh, cause he's like, there's, that is my only option
[1:06:27] at this point.
[1:06:28] Yes.
[1:06:29] And that, but also like Chris McNeil has become like the ultimate believer.
[1:06:32] Like she believes in all religions cause they're all about demon fighting, but also
[1:06:37] I guess like Reagan at the end is now believer in like the need to have a relationship with
[1:06:43] their mothers.
[1:06:44] There's a lot of belief going on.
[1:06:45] Does the title make sense?
[1:06:46] That's what I'm saying.
[1:06:47] It's a great title.
[1:06:48] Yeah.
[1:06:49] It's this, this last scene, by the way, like it comes at the end of a bunch of crap and
[1:06:52] the movie doesn't earn it, but it's weird how effective, like it can be just on its
[1:06:56] own level of just like, oh yeah, they're back in the same room together.
[1:07:00] That's nice.
[1:07:01] There's a scene that, that affected me the most in Dial of Destiny, a movie that I thought
[1:07:03] was fairly mediocre at the very end when it's Harrison Ford and Karen Allen back in the
[1:07:07] same room.
[1:07:08] Yeah.
[1:07:09] You know, it's like, oh, I like them in that other movie and it's, I like that they had
[1:07:12] to spend time together another day, you know, for my amusement.
[1:07:15] I'm the puppet master.
[1:07:18] That's really ominous.
[1:07:21] I demand you get back together.
[1:07:23] Fictional characters who, yes, you were reunited once in another movie a while ago, but I kind
[1:07:27] of forgot that happened.
[1:07:29] That one was pretty weak, so yeah, this marginally better one is, um, okay, uh, so this believer
[1:07:38] should have it.
[1:07:39] So this was supposed to be the first movie in a trilogy and I don't know if they're making
[1:07:41] the other two because I believe they are because I think they're, there's a stipulation because
[1:07:46] they made, they spent, I was reading about it to the rights to make the, this series
[1:07:51] was like $400 million or something like that for the distribution rights.
[1:07:54] Uh, so, and this movie did not do that well.
[1:07:57] It didn't, it wasn't a huge failure, but it didn't do that well.
[1:07:59] But the believer should be the third one in the series.
[1:08:01] It should be like, it should be like the exorcist apostate and then like the exorcist conversion
[1:08:06] and then like the exorcist believers.
[1:08:07] I think the next one is exorcist deceiver.
[1:08:10] Oh, yeah.
[1:08:11] Oh, like the song dreamer deceiver or just deceiver.
[1:08:14] Oh, it's a great two song duo from juice.
[1:08:17] Yeah.
[1:08:18] I, I, because of international, uh, monies and such like this movie did well, actually
[1:08:24] this, it was a 30 minute million budget.
[1:08:27] It made 137 million.
[1:08:29] So it, it was a big return on investment despite being not for production made, but, but again,
[1:08:35] that doesn't cover marketing costs or just the cost of the distribution rights, which
[1:08:39] were so expensive.
[1:08:40] I understand.
[1:08:41] But you know, 30 to 130, like someone's making enough money off of this too, that it's not
[1:08:47] on the theory that like when they made those distribution rights, uh, they made that purchase.
[1:08:52] I'm assuming they, they had factored in that there was going to be three movies.
[1:08:56] Yes.
[1:08:57] I think that's fair.
[1:08:58] Uh, so you're right.
[1:08:59] Deceivers the second one, although it seems it has been removed from the schedule so far.
[1:09:03] And uh, I wonder if the third one's going to be like, um, the exorcist reaver.
[1:09:08] Yeah.
[1:09:09] What else we got receiver, uh, the exorcist Devo.
[1:09:16] I mean, if you have like a, like a certain accent, then it, that rhymes, uh, the exorcist
[1:09:21] John Cheever.
[1:09:22] Yup.
[1:09:23] Uh-huh.
[1:09:24] What else do you get?
[1:09:25] A little Caesar.
[1:09:26] You bring a beaver into the exorcist beaver.
[1:09:27] Yeah.
[1:09:28] It's a beaver.
[1:09:29] That's been been possessed by the devil.
[1:09:30] The exorcist dream weaver.
[1:09:31] Yeah.
[1:09:32] Yeah.
[1:09:33] The exorcist lever 2000.
[1:09:34] Yeah.
[1:09:35] Oh man.
[1:09:36] These are great.
[1:09:37] Okay.
[1:09:38] Uh, Oh, this is the part where we, the exorcist Steve-O.
[1:09:39] Okay.
[1:09:40] That doesn't, uh, it's a slant rhyme at best.
[1:09:41] Uh,
[1:09:42] what are we doing?
[1:09:43] Right.
[1:09:44] That's the main problem.
[1:09:45] The exorcist Steve-O is the third movie in the trilogy.
[1:09:46] He must be possessed by the devil.
[1:09:47] Yeah.
[1:09:48] Yeah.
[1:09:49] Yeah.
[1:09:50] Yeah.
[1:09:51] Yeah.
[1:09:52] Yeah.
[1:09:53] Yeah.
[1:09:54] Yeah.
[1:09:55] Yeah.
[1:09:56] Yeah.
[1:09:57] Yeah.
[1:09:58] Yeah.
[1:09:59] Yeah.
[1:10:00] Yeah.
[1:10:01] Yeah.
[1:10:02] Yeah.
[1:10:03] Yeah.
[1:10:04] Yeah.
[1:10:05] Yeah.
[1:10:06] Yeah.
[1:10:07] Yeah.
[1:10:08] Yeah.
[1:10:09] Yeah.
[1:10:10] Yeah.
[1:10:00] Definitely, he's stapling his testicles to his leg.
[1:10:02] No, actually, this is just what he does.
[1:10:03] This is kind of my thing.
[1:10:06] Is this a good bad movie, a bad bad movie,
[1:10:09] or a movie you kind of like?
[1:10:11] I'm going to say that for the first 30 minutes,
[1:10:14] it wasn't that I thought it was great, but I'm like, oh,
[1:10:16] this movie is a lot better than I was led to believe.
[1:10:19] And then it took a steep nosedive,
[1:10:21] and I will say it's just bad, bad.
[1:10:24] Stewart?
[1:10:26] Yeah, I mean, I think we've talked
[1:10:28] about a lot of the flaws of the movie.
[1:10:30] I feel like for the most part, kind of like Elliot,
[1:10:35] I have a little bit of trouble doing these demon possession
[1:10:39] movies, because they so often rely
[1:10:41] on an acceptance of Judeo-Christian bullshit,
[1:10:47] which is a hard hurdle for me to clear.
[1:10:52] I mean, I wish it had been a little more fun.
[1:10:56] I mean, I feel like I like evil deads, and when evil lurks,
[1:11:00] and that kind of gross out kind of possession.
[1:11:03] Even the first Exorcist movie, which
[1:11:04] is a very somber and stoic movie in a lot of ways,
[1:11:08] has fun parts and parts that are wild.
[1:11:10] And when audiences went to see it,
[1:11:11] they didn't walk out going, oh, that
[1:11:16] was a somber, rough experience.
[1:11:17] They walked out going like, did you see that?
[1:11:19] That was not!
[1:11:20] It was a huge hit, because it's kind of a fun movie to watch.
[1:11:22] And this doesn't have that.
[1:11:24] Yeah.
[1:11:24] But also, that movie, particularly at the time,
[1:11:27] was truly transgressive.
[1:11:28] It had some horrifying things for a child
[1:11:32] to be doing and saying about a major religion.
[1:11:37] And this movie does not even touch
[1:11:40] the idea of being transgressive in any way.
[1:11:43] This is a bog-standard horror movie.
[1:11:46] Yep.
[1:11:46] I think that's what it is for me.
[1:11:48] It feels just very, and it doesn't surprise me
[1:11:50] if it's true that it was kind of taken away and redid.
[1:11:54] It feels like a, ironically, for a movie whose message
[1:11:57] is all about how it takes a group working together
[1:11:59] to save a child, it feels like it's kind of a committee-made
[1:12:03] horror movie, where there's not a lot of real vision
[1:12:06] or excitement behind it.
[1:12:07] So it's a, yeah, it's kind of a disappointing movie.
[1:12:11] Yeah, I feel like probably a lot of the negative things
[1:12:14] that I would target the director with
[1:12:16] are mainly just complaints about general,
[1:12:19] like, nostalgia-bait, legacy-quel stuff,
[1:12:24] rather than any specific critiques of an individual.
[1:12:32] Have you ever wanted to know the sad lore
[1:12:34] behind Chuck E. Cheese's love of birthday parties?
[1:12:36] Or, are Saturday mornings reserved for cartoons?
[1:12:39] Or, have you wanted to know how beloved virtual pet site
[1:12:42] Neopets fell into the hands of Scientologists?
[1:12:44] Or, how a former Mattel employee managed to grow Sega
[1:12:48] into a video game powerhouse?
[1:12:50] Join us, hosts Austin and Brenda,
[1:12:52] and learn all of these things and more
[1:12:54] at Secret Histories of Nerd Mysteries, now on Maximum Fun.
[1:13:01] The following are real reenactments
[1:13:04] of pretend emergency calls.
[1:13:06] 911?
[1:13:08] My husband, it's my husband!
[1:13:09] Calm down, please.
[1:13:10] What about your husband?
[1:13:11] He, he loves to dishwasher wrong.
[1:13:14] Please help, please help me!
[1:13:17] Where are you now, ma'am?
[1:13:18] At the kitchen table.
[1:13:19] I was with my dad.
[1:13:20] He mispronounces words intentionally.
[1:13:24] There are plenty of podcasts on the hunt for justice,
[1:13:27] but only one podcast has the courage
[1:13:29] to take on the silly crimes.
[1:13:32] Judge John Hodgman, the only true crime podcast
[1:13:35] that won't leave you feeling sad and bad and scared for once.
[1:13:38] Only on MaximumFun.org.
[1:13:41] Hello there, before getting into our ads for this week,
[1:13:44] I just wanna mention that we have
[1:13:47] some exciting live shows coming up.
[1:13:50] You can check out flophousepodcast.com slash events
[1:13:54] for upcoming live shows.
[1:13:56] Didn't we just go on tour?
[1:13:57] Yes, we did, but we have a hunger for going out there
[1:14:00] and hobnobbing with all you beautiful people
[1:14:04] on Sunday, March 31st, that is Easter Sunday
[1:14:08] at the Bell House in Brooklyn, New York.
[1:14:11] There's a show where the doors open at seven
[1:14:13] for our 7.30 show, and for our first shows ever,
[1:14:18] ever outside of our home continent,
[1:14:21] we'll be doing two shows in Oxford, England
[1:14:24] on May 24th at Oxford Town Hall
[1:14:28] as part of the brand new Oxford Podcast Festival.
[1:14:32] There will be an early and a late show,
[1:14:34] one at seven, one at 9 p.m.,
[1:14:37] and at one, we're gonna discuss The Avengers
[1:14:40] from 1998, starring Ralph Fiennes and Uma Thurman,
[1:14:44] and the other one, we'll be talking Spice World,
[1:14:47] of course, classic of British cinema, Spice World.
[1:14:52] So again, go over to flophousepodcast.com slash events
[1:14:57] for all the information and ticket links
[1:14:59] for those shows in Brooklyn, New York on March 31st
[1:15:02] and in Oxford, England on May the 24th.
[1:15:07] And also, we have a couple of sponsors for this show.
[1:15:10] Our first sponsor is Rocket Money.
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[1:18:18] Hey, now it's time to answer some letters from listeners,
[1:18:22] listeners like you.
[1:18:25] This first letter is-
[1:18:26] If you like sending us letters
[1:18:28] and having us tell you stuff,
[1:18:31] if you like asking us questions,
[1:18:34] cause one question's not enough,
[1:18:37] then maybe send in a letter
[1:18:40] by the mail or the internet,
[1:18:43] and we'll answer it someday
[1:18:46] if we haven't gotten to it yet.
[1:18:49] Okay, that's a song about somebody writing a letter
[1:18:53] to a podcast that they like
[1:18:54] because they think their partner doesn't like that podcast.
[1:18:56] Yes, exactly.
[1:18:57] The thing is, their partner wrote the same type of letter.
[1:18:59] Yeah.
[1:19:00] Is that podcast.
[1:19:01] Wow.
[1:19:02] Oh yeah, that's O'Henry's gift of the podcast.
[1:19:06] This is from Brad, last name withheld, who writes,
[1:19:08] Brad Lander?
[1:19:09] I was in Barcelona for my 40th birthday,
[1:19:12] and I took a run along the beach
[1:19:14] while listening to the peaches discuss Kangaroo Jack.
[1:19:17] The old beach peach, yep.
[1:19:19] During the podcast,
[1:19:20] Elliot brought up Blue by Eiffel 65,
[1:19:24] which I probably hadn't thought about for over a decade.
[1:19:28] The next day, I was in the Picasso Museum,
[1:19:31] and when I stepped into the room
[1:19:32] showcasing his Blue period,
[1:19:34] that song was instantly stuck in my head.
[1:19:36] The same song you listened to when he was painting those,
[1:19:38] that's why he did it that way.
[1:19:39] Yeah, that makes sense.
[1:19:40] My first thought was, you did this, Elliot, you did this.
[1:19:45] Thanks for all the wonderful podcasts.
[1:19:47] That's from Brad.
[1:19:48] You're welcome.
[1:19:49] I will actually tell a true story from my life,
[1:19:51] which is that just the day before yesterday,
[1:19:54] I was with my older son, Samuel,
[1:19:57] at a Cub Scout thing
[1:19:58] where people had to wear different color vests,
[1:19:59] and they were.
[1:20:00] saying, okay, what vest are you?
[1:20:01] And someone said, I'm blue.
[1:20:02] And then it was all over after a little bit.
[1:20:03] And I said to Sammy, I applaud your self-restraint
[1:20:06] that you didn't say, daboo-dee, daboo-die,
[1:20:08] when the guy said, I'm blue.
[1:20:09] And Sammy was like, oh, I didn't even think about that.
[1:20:11] And I was like, it's the first thing I thought of.
[1:20:13] It's the first thing I always think of.
[1:20:14] Yeah, yeah, yeah, are you even my son?
[1:20:16] Yeah, yeah, yeah.
[1:20:18] Well, you're welcome.
[1:20:20] You're welcome, you're welcome, Brad.
[1:20:21] For that fifth down.
[1:20:22] Yeah. Yeah.
[1:20:23] Borderline novelty songs of the past lane.
[1:20:27] Borderline?
[1:20:28] Well, it's not like a, you know,
[1:20:30] it's not like a flying purple people-eater,
[1:20:32] you know, hello, bother.
[1:20:33] It's pretty close.
[1:20:34] I mean, they're both about aliens of different colors.
[1:20:36] Yeah, I guess.
[1:20:38] This, yeah, of all the novelty songs, Dan,
[1:20:40] you picked the wrong one as a counterexample.
[1:20:43] Dan brought receipts, but they were the wrong receipts,
[1:20:45] and he could not return the item.
[1:20:47] There was nothing in the song about a bikini
[1:20:50] that was itsy-bitsy.
[1:20:51] And also about colors.
[1:20:53] It's also about the object's color, Dan.
[1:20:55] Oh, boy.
[1:20:56] But now I wish both of those had spoken word intros.
[1:20:59] Let me tell you about a story about a bikini.
[1:21:03] This bikini was yellow with polka dots on it,
[1:21:06] and everyone who saw it was like, what a bikini.
[1:21:09] And then the song starts, and you're like, oh, okay.
[1:21:11] B-R-N-I-T-S-Y-B-I-T-S-Y.
[1:21:14] Here's a story about a guy who's purple and eats some flies,
[1:21:17] but he, or he eats purple people, it's not quite clear.
[1:21:21] But anyway, the thing is, he wants to be in a band.
[1:21:23] Now the song.
[1:21:25] Yeah.
[1:21:26] Now the song.
[1:21:28] That's how the end of that part.
[1:21:31] Now that you are adequately prepared for the song.
[1:21:34] Now that we've made it so you won't have surprises.
[1:21:38] This letter.
[1:21:39] Because we're worried that your heart might be too weak
[1:21:41] to take a song premise you're not prepared for.
[1:21:46] Very thoughtful narrator.
[1:21:48] This one is from-
[1:21:49] Now here's a story about a sandman who is entering.
[1:21:52] He wasn't there, and now this sandman's gonna enter.
[1:21:55] So when I say exit light and enter night,
[1:21:58] you know it's the sandman who's entering in.
[1:22:00] Ella, you're also bringing up a song
[1:22:01] that basically has a spoken word section in the middle.
[1:22:04] Yeah, that's true.
[1:22:05] But I mean, they're just saying, you know,
[1:22:06] they're just branding it.
[1:22:07] That's just to give you a break from the song.
[1:22:09] The song was rocking too hard.
[1:22:10] We were worried about you.
[1:22:11] We gotta-
[1:22:12] You need a break, yeah.
[1:22:13] You need a rest to have some orange slices, and yeah.
[1:22:15] Yeah, rehydrate.
[1:22:17] This one's from Tim.
[1:22:20] You're just so dehydrated from all that rock.
[1:22:23] This is from-
[1:22:24] All that headbanging is just shaking the sweat
[1:22:25] right out of your head.
[1:22:26] You need to replenish it.
[1:22:28] Tim, last name withheld.
[1:22:30] Who writes?
[1:22:31] Yeah, probably.
[1:22:32] Hey, Peaches, I started listening to your podcast in 2015,
[1:22:36] but dropped off in 2017.
[1:22:38] Oh.
[1:22:39] Now I'm listening again in 2023.
[1:22:41] Yay.
[1:22:42] So what did I miss?
[1:22:43] So what did I miss?
[1:22:45] Oh, wow.
[1:22:46] What did I miss?
[1:22:46] Not one of Leslie Odom's songs in that show,
[1:22:48] but he's in that show.
[1:22:49] Yeah.
[1:22:50] That's one of Daveed Diggs' songs.
[1:22:53] I don't know, man.
[1:22:54] What did we miss?
[1:22:54] Oh, there was a COVID thingy.
[1:22:55] We did some stuff during that.
[1:22:57] We do a lot of minis now.
[1:22:59] They're pretty good.
[1:23:02] Pretty hilarious.
[1:23:04] We covered the first of the Rogue Moon movies,
[1:23:06] and I think that catches us up.
[1:23:07] Rebel Moon, which I'm glad that it made such an impression
[1:23:10] that you got the name right.
[1:23:11] Oh, yeah.
[1:23:12] Oh, Rogue Moon I think is a novel.
[1:23:15] That old Rebel Moon, yep.
[1:23:16] Looking to see-
[1:23:18] I got married.
[1:23:19] I got remarried somewhere in there.
[1:23:20] That's a-
[1:23:21] Yeah, that's true.
[1:23:22] Oh, yeah.
[1:23:22] I think that happened.
[1:23:23] Yeah, that's true.
[1:23:24] We worked various jobs.
[1:23:26] There's a strike.
[1:23:27] We did a strike.
[1:23:29] Dan, my union went on strike.
[1:23:30] That's true.
[1:23:31] I got like super buff.
[1:23:33] Yeah, it's true.
[1:23:34] That is a thing to have.
[1:23:35] Yeah, super buffed up, super buffed, yeah.
[1:23:37] Yeah.
[1:23:38] He's got school.
[1:23:39] Yeah.
[1:23:40] Yeah, it's all...
[1:23:41] Elliot probably had like four more babies or something.
[1:23:44] Look at Treadmill Kalen over here.
[1:23:46] Yeah, my wife and I had another litter of children.
[1:23:49] Yeah.
[1:23:50] Yeah, I feel like that's not going to be
[1:23:53] Elliot's next line of work is Treadmill influencer
[1:23:56] who's like talks about how the ideal situation
[1:23:59] is like living on a farm and making like raising cows
[1:24:03] and making all your own food and I don't know.
[1:24:06] I don't think I do very well at it.
[1:24:07] Yeah.
[1:24:10] When you said Treadmill, I thought you said-
[1:24:11] Yeah.
[1:24:12] I thought you said-
[1:24:13] Treadmill.
[1:24:14] I thought you said Treadmill
[1:24:14] and I was like, I can get one of those.
[1:24:16] I thought you said Trandmill, like a Trandoshan,
[1:24:18] like Bosque and I was like, I could be a Bosque.
[1:24:20] Yeah, sure.
[1:24:21] Yeah, yeah, that's what I meant.
[1:24:22] Yeah, that's what I meant when I said Tread.
[1:24:23] Now, what if the TV show Bosque-
[1:24:24] I'm glad that, yes, go on.
[1:24:25] Was about Bosque.
[1:24:27] I guarantee you there is somebody who's already
[1:24:30] fucking made like a mashup poster
[1:24:32] and sells it as a T-shirt.
[1:24:34] Yeah, probably.
[1:24:34] I guarantee you, no question.
[1:24:35] Yeah.
[1:24:36] And some Star Wars fan bought it for their dad
[1:24:39] who loves Bosque and he's like,
[1:24:41] I guess I'll wear this thing.
[1:24:43] And the dad's like, what the hell is this?
[1:24:44] I don't understand.
[1:24:46] I buy all my clothes at Costco,
[1:24:48] so I guess I can wear this non-Kirkland shirt.
[1:24:51] I was tickled by-
[1:24:52] This is worse than the Eric Zuckersberg shirt
[1:24:55] you made me.
[1:24:57] I enjoyed a recent Josh Gondelman tweet,
[1:24:59] which was about his dad trying to explain
[1:25:01] a TV show to him by saying,
[1:25:03] it's kind of like Bosque, but not that,
[1:25:06] but kind of not like Bosque.
[1:25:08] And it turned out the show was justified
[1:25:10] and I'm like, I guess that's true.
[1:25:13] That's a fair description.
[1:25:15] It is kind of like Bosque
[1:25:16] and they're both detective shows.
[1:25:19] And feature-
[1:25:20] And feature-
[1:25:21] Kind of not like Bosque.
[1:25:22] Shedwood Alums.
[1:25:23] Yeah.
[1:25:24] Yeah, yeah.
[1:25:25] Fits the bill.
[1:25:26] So if you're looking for a show
[1:25:28] that's kind of like Bosque, but not like Bosque,
[1:25:31] check out Justify, it's streaming now.
[1:25:35] Hey, this is the part of the show
[1:25:37] where we recommend movies that are a better use
[1:25:39] of your time than what we do with our time.
[1:25:42] Oh, okay, yeah.
[1:25:42] We just watch movies for the-
[1:25:44] Tell me about it.
[1:25:45] While we were on the road,
[1:25:48] this is an appropriate recommendation-
[1:25:49] We just got back from our tour,
[1:25:50] from our Errors West Coast tour,
[1:25:52] which we should mention,
[1:25:53] we should have mentioned this at the top, maybe.
[1:25:55] Actually, you know what?
[1:25:56] This episode's gonna come out,
[1:25:57] even though we're recording this before a mini,
[1:25:58] it's gonna come out after a mini.
[1:25:59] So during the mini, let's talk about
[1:26:00] how great our tour went
[1:26:02] and how proud we are of our audiences.
[1:26:03] Some reverse planning going on.
[1:26:04] Let's do it.
[1:26:06] Dan, I can't help it that I have memento syndrome.
[1:26:09] Anyway, what I was saying is,
[1:26:12] appropriate to this podcast,
[1:26:16] I will recommend a William Friedkin movie
[1:26:19] that I saw on the road.
[1:26:22] We had one night off and I was like,
[1:26:24] what am I gonna do with that night off?
[1:26:26] I'm gonna go to the movies.
[1:26:27] How could I best appreciate the nightlife of Los Angeles?
[1:26:31] I know, I'll go to a movie theater.
[1:26:32] To be fair, we were both located
[1:26:36] in not-so-beautiful downtown LA in our hotel.
[1:26:39] Wow.
[1:26:40] I'm making no friends today.
[1:26:43] I don't think anyone who lives in Los Angeles
[1:26:45] is gonna argue with me about this.
[1:26:47] No, no, it's, yeah.
[1:26:48] I mean, downtown is the place to go
[1:26:50] if you wanna try out a new restaurant,
[1:26:51] but to get there, you have to walk down a block
[1:26:53] that smells like human feces.
[1:26:55] Yeah, and I didn't wanna hop in a cab
[1:26:58] and go somewhere far away,
[1:26:59] which is what you gotta go do in LA.
[1:27:01] But six minutes away from where we were staying,
[1:27:04] lo and behold, they were playing Sorcerer,
[1:27:08] the William Friedkin movie that I had never seen.
[1:27:10] I had never seen Sorcerer,
[1:27:11] and I had been waiting to see it on the big screen,
[1:27:14] and there had been a couple-
[1:27:16] Lady Bird star Sorcerer Ronan.
[1:27:18] A couple of screenings that I couldn't go to.
[1:27:21] I was like, I keep missing my chance,
[1:27:22] and I finally saw it on the road.
[1:27:25] Did I almost fall asleep towards the end
[1:27:28] because we had been doing a grueling tour schedule?
[1:27:30] Yes, but I stayed awake and I really enjoyed it.
[1:27:34] I would say that the Wages of Fear,
[1:27:36] which Sorcerer is based on the same source material,
[1:27:40] although taking it in a very different way.
[1:27:42] Wages of Fear, one of my favorite movies.
[1:27:46] I think that if you feel the need to compare them,
[1:27:50] I still like Wages of Fear's approach a little bit better,
[1:27:53] but man, Sorcerer's good.
[1:27:55] It haunted me afterwards.
[1:27:57] It has some just very frightening set pieces in it,
[1:28:03] Roy Scheider is so good at being both tough and sensitive.
[1:28:08] You can see how his mind is falling apart
[1:28:11] over this grueling experience.
[1:28:14] All the other actors are tremendously compelling.
[1:28:18] Tangerine Dream, of course, did the score.
[1:28:21] How can you go wrong?
[1:28:23] So, I don't know.
[1:28:26] If you're a film buff and like me,
[1:28:28] somehow hasn't seen this major work, I like it.
[1:28:32] Dan, did you get the answer to the question
[1:28:34] of whether androids dream of electric tangerines?
[1:28:36] Mm-hmm.
[1:28:38] I did not, I did not.
[1:28:39] I forgot to say,
[1:28:41] I assume that was answered in an end credits sequence.
[1:28:44] Yeah.
[1:28:46] Yeah, so I'm gonna recommend a musical.
[1:28:50] I'm gonna recommend Dick's the Musical.
[1:28:52] I don't think we've recommended that one yet.
[1:28:54] It is a-
[1:28:56] Based on the Sporting Goods Store.
[1:28:57] It is based on the Sporting Goods Store.
[1:29:00] It is a-
[1:29:01] These balls gotta stock them up at Dick's Sports Hall.
[1:29:04] It's a very silly, queer musical
[1:29:09] about two long-lost twin brothers
[1:29:12] who meet while working at the same job,
[1:29:16] selling basically widgets,
[1:29:19] and they're working for Megan Thee Stallion,
[1:29:21] and they decide to get their mother and father
[1:29:24] to get back together. It sounds like you're making
[1:29:25] the movie up as you go along.
[1:29:26] And they're a, what I was not expecting
[1:29:30] were the prominently featured puppet sewer boy monsters
[1:29:36] that take up a large portion of the plot of this movie,
[1:29:39] these two little monster guys, and they are great,
[1:29:41] and it is the hardest I've laughed at a movie in years,
[1:29:44] I would imagine.
[1:29:46] It is such a silly thing,
[1:29:48] and it is, it's one of those movies,
[1:29:51] it's a movie where I'm like desperately hoping
[1:29:53] just regular, regular old Megan Thee Stallion fans
[1:29:56] are like, oh, what's this movie?
[1:29:58] I'll watch it, and then be like.
[1:30:00] have their minds blown by how strange this thing is.
[1:30:03] Yeah, I've heard great things.
[1:30:04] I really want it.
[1:30:05] It's really funny.
[1:30:07] So we're talking about The Exorcist.
[1:30:09] So I wanted to recommend a horror movie.
[1:30:11] So I'm recommending a movie called Carrie.
[1:30:13] Not the one you're thinking of.
[1:30:15] This is Carrie from, yeah.
[1:30:17] We just both recommend movies with,
[1:30:19] let's say horror elements in them.
[1:30:21] So I think we're on brand here, Ellie.
[1:30:23] You don't have to shame us.
[1:30:24] I think so, we'll see.
[1:30:25] So this is Carrie from 1952, directed by William Wyler.
[1:30:28] It's an adaptation of the novel Sister Carrie
[1:30:31] by Theodore Dreiser.
[1:30:31] And it's about the horror of needing money
[1:30:35] and how you live in a system where if you don't have money,
[1:30:38] your dreams are unattainable.
[1:30:40] And if you choose love over money, you will suffer for it.
[1:30:43] And so it's the story of a young woman, Carrie Meeber.
[1:30:46] She leaves her small town and goes to Chicago.
[1:30:48] And along the way, becomes the girlfriend,
[1:30:51] live-in girlfriend of a salesman who will not marry her.
[1:30:54] He's just too happy with his life and his freedom.
[1:30:57] But she falls in love with a restaurant maitre d'
[1:31:02] named Hurstwood.
[1:31:02] It was played by Laurence Olivier.
[1:31:03] Carrie Meeber was played by Jennifer Jones.
[1:31:05] And it kind of becomes Laurence Olivier's movie
[1:31:08] from that point on where he falls in love with Carrie,
[1:31:12] but he has a wife, he has a family,
[1:31:14] and he has this ostensibly lucrative, respectable job
[1:31:19] as the maitre d' at a very respectable restaurant.
[1:31:22] And he puts all that at risk for his love of Carrie.
[1:31:24] And he pays for it dramatically as his life falls apart.
[1:31:28] And it's funny because they kind of,
[1:31:32] they made the ending of the movie a little bit
[1:31:34] slightly more positive than the ending of the book,
[1:31:36] but it's still pretty grim.
[1:31:37] I mean, the book has a very grim ending,
[1:31:39] but it still feels like a very grim kind of like-
[1:31:42] It's like Dead or Alive, the Takeshi Miyake movie.
[1:31:44] Exactly, yeah.
[1:31:45] Which is also based on a Theodore Dreiser novel, yeah.
[1:31:48] I think that's based on Jenny Gerhardt, yeah.
[1:31:51] The, but it's a, it's still a, it's a real bracing movie.
[1:31:56] It's a movie where characters continue to have life
[1:31:58] smack them in the face over and over again.
[1:32:00] And the ending is still fairly rough,
[1:32:02] even though it's sentimental.
[1:32:03] And it's from 1952.
[1:32:05] And I wonder if it was taken at the time
[1:32:08] for the way I was taking it,
[1:32:10] which was very much a movie about, like I'm saying,
[1:32:12] the need for money and how if you don't have money,
[1:32:15] if you're not well off, if you're not stable in that way,
[1:32:19] you cannot have the things in life
[1:32:20] that other people desire or sometimes take for granted.
[1:32:23] And it's, I found it very powerful in that way.
[1:32:26] So that's Carrie,
[1:32:27] not the Carrie about the telekinetic girl.
[1:32:30] That's also a good movie,
[1:32:31] but it's a different movie called Carrie.
[1:32:34] Wow, we did it.
[1:32:34] I don't know, it sounds pretty complex.
[1:32:36] I'll just watch the telekinetic girl one.
[1:32:37] I mean, if anything, the plot,
[1:32:39] so this is about a man who falls in love with a woman
[1:32:41] and it wrecks his life.
[1:32:42] Carrie the telekinetic is a movie about a girl
[1:32:45] who upon puberty, she has superpowers.
[1:32:47] I'm telling you it's too hard for my brain
[1:32:49] to fathom that there's another movie named Carrie.
[1:32:52] So I'm just gonna watch it.
[1:32:53] Oh, I see.
[1:32:55] Hey, this podcast is on the Maximum Fun Podcasting Network.
[1:33:01] We're getting ready to gear up for Max Fun Drive.
[1:33:04] They've got a lot of great shows over there.
[1:33:07] Why don't you check out maximumfun.org.
[1:33:10] Check some of those out.
[1:33:12] Thank you to our producer, Alex Smith,
[1:33:15] who goes by HowlDotty on the internet.
[1:33:18] And he does a lot of great work of his own podcasts,
[1:33:22] music, check that out.
[1:33:25] And if you have the time and the inclination,
[1:33:28] leave us five-star review on iTunes, maybe.
[1:33:33] Leave us a five-star review.
[1:33:35] A definite article would help that sentence out.
[1:33:39] And if you don't have the inclination-
[1:33:39] Please don't take off a star for that.
[1:33:41] Maybe do it.
[1:33:42] I'll be leaving five one-star reviews, Dan.
[1:33:45] Ha, ha, ha, ha, ha.
[1:33:47] It's me, the straw man.
[1:33:49] It's me, LaMashtu.
[1:33:51] If you don't- The straw man.
[1:33:53] If you don't like the show,
[1:33:55] don't put the energy into trying to take us down.
[1:33:57] Really, what's the point, you know?
[1:33:59] Yeah, what's the point, man?
[1:34:00] We're the let live.
[1:34:01] Yeah. What would be the point?
[1:34:02] Why would you do that?
[1:34:03] YOLO, you know?
[1:34:04] We're such small peaches.
[1:34:05] Why would you take us down?
[1:34:06] Yeah. Yeah.
[1:34:07] We're little peaches.
[1:34:08] We can't defend ourselves.
[1:34:09] We're fuzzy and- We'll get squashed.
[1:34:11] Yeah, we'll get smooshed.
[1:34:13] Uh, but, uh, you know what?
[1:34:15] This has been The Flop House,
[1:34:16] and for The Flop House, I've been Dan McCoy.
[1:34:18] Hey, I've been Stuart Wellington.
[1:34:20] I'm Elliot Kaelin.
[1:34:23] Uh, okay, bye, buh!
[1:34:25] But did you expect another song,
[1:34:26] so another Imagine Dragons reference?
[1:34:28] Why did that take everybody by surprise?
[1:34:29] Come on.
[1:34:31] Bye.
[1:34:35] I got a bad one.
[1:34:37] Can I try this bad one?
[1:34:38] Yeah, of course you can.
[1:34:39] On this episode, we discuss
[1:34:40] the exorcist believer.
[1:34:43] You made me a, you made me a exorcist.
[1:34:46] An exorcist.
[1:34:50] That's a hot song.
[1:34:50] That's a popular song now,
[1:34:52] or was it two years ago?
[1:34:53] No, a long time ago at this point.
[1:34:55] But it's still terrible, so.
[1:34:57] Is that Imagine Dragons?
[1:34:58] Yep.
[1:34:59] Hey, Dan, Dan, imagine some dragons.
[1:35:02] Okay.
[1:35:03] Okay, I'm having a better time
[1:35:04] than listening to the music.
[1:35:07] Maximum fun.
[1:35:08] A worker-owned network.
[1:35:09] Of artists-owned shows.
[1:35:11] Supported.
[1:35:12] Directly.
[1:35:13] By you.

Description

It takes a brave creative team to give Exorcist II: The Heretic a run for its money as worst "Exorcist" film, but at least part two was lovably batshit and a work of care and pearsonal vision, even if that vision was really weird. Exorcist: Believer on the other hand? Oof. You'll have to listen to find out.

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Wikipedia page for Exorcist: Believer

Recommended in this episode:

Sorcerer (1977)

Dicks: The Musical (2023)

Carrie (1952)

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