main Episode #44 Nov 22, 2008 00:52:54

Transcript

[0:00] On this episode, we explore our feminine side with the romantic comedy, 27 Dresses.
[0:30] Hey everyone, welcome to Flophouse. I'm Dan McCoy.
[0:35] I'm Stuart Wellington.
[0:37] And I'm Elliot Kalin, but look who's back!
[0:39] Hey, it's me, I'm back.
[0:40] I'm glad you identified yourself, Stuart, because I thought that we were doing the show with Josh Brolin tonight.
[0:45] Why would that be, Dan?
[0:47] Maybe it's because of the awesome mustache that you grew in the two weeks since we saw you.
[0:53] So, Josh Brolin, not like Sam Elliott?
[0:56] No, it's more of a Josh Brolin mustache.
[0:58] but not what if what if i'll go as far as charles bronson yeah but not sam elliott no don't what do
[1:05] i need to do to be more not bushy enough it's a little dark okay it needs to it also it it ends
[1:12] basically at your upper lip and the sam elliott must go down go down further yeah almost over
[1:18] your whole mouth okay uh how does he eat does he not eat sloppily yeah i like to think that he gave
[1:24] up eating.
[1:25] He is rail thin. I like to think that he
[1:28] eats and then he has a little bowl
[1:30] of water and that's his mustache bath.
[1:32] And he dips his mustache in it to get the
[1:34] crumbs out of it. It's like a finger bowl. Yeah, exactly.
[1:36] It's called a
[1:38] mustachier or something.
[1:40] I know that this is an audio
[1:42] podcast. This is highly unorthodox. However,
[1:44] we will post a picture of Stuart's mustache
[1:46] on the blog, which is
[1:48] theflophousepodcast.blogspot.com
[1:51] Wait a minute.
[1:52] I didn't agree to that.
[1:54] That was my mustache talking, by the way.
[1:56] That was me.
[1:56] Your mustache has to sign a waiver.
[1:58] And I would ask you, the listeners, to write in, maybe,
[2:01] and say which celebrity you think Stuart looks like with his mustache.
[2:05] And if you say John Goodman with a mustache, I may give you a high five.
[2:09] Yeah.
[2:10] And that's the FlophousePodcast at gmail.com.
[2:13] We really should be vlogging this.
[2:14] Yeah.
[2:14] Mustaches aside, maybe we're talking about mustaches.
[2:18] Speaking of mustaches.
[2:19] No, it doesn't work at all.
[2:21] Here's a movie with none of them.
[2:22] Yeah, well, I was going to say.
[2:24] Yeah, there aren't any.
[2:24] This is about as far away as a mustache as you can get because it is a, let's be indelicate, let's say chick flick.
[2:33] We watched a chick flick.
[2:34] A rom-com?
[2:34] Yeah.
[2:35] I was going to say a feminine hygiene film.
[2:38] Yeah.
[2:39] In what sense?
[2:41] It's not an industrial film.
[2:42] We didn't wheel in a Super 8 projector.
[2:45] Oh, yeah, that's right.
[2:46] You know, we felt that we...
[2:48] We just watched it on a normal TV, Dan.
[2:50] It was a DVD.
[2:51] Thanks for clarifying that.
[2:53] It's cool.
[2:54] Don't worry about it.
[2:55] We felt that as three guys and as three guys who – real men's men, right?
[3:00] Yeah, rugged types, macho, tough, machismo.
[3:04] A lot of machismo in the room right now.
[3:06] I was going to go with sort of nerdy guys, but sure.
[3:09] I own a Leatherman knife set.
[3:11] I don't know.
[3:12] I have a mustache.
[3:13] I think we covered that already.
[3:14] That's true.
[3:15] Maybe just me.
[3:16] I do have a special kind of kick that has a name for fights.
[3:21] It's a straight-legged kick right up into the crotch of the other person.
[3:24] It's called a liberator.
[3:25] And they actually named it that in a dream.
[3:28] I had a dream where me and a friend of mine, my friend Brendan,
[3:32] were in a fight with two guys, and we paired off.
[3:35] You take that guy.
[3:36] I'll take this one.
[3:37] And I go, how about a taste of the liberator?
[3:40] And, like, in Trainspotting, the way that Robert Carlyle does.
[3:43] Are you liberating his nuts from him?
[3:45] I don't know.
[3:46] Do you shout Excelsior when you do it?
[3:48] No, I shout something about liberator.
[3:50] But it was, I woke up almost immediately after that and I said,
[3:54] that is the purest thing I've ever thought of because it came to me in a dream.
[3:57] Well, awesome dream aside, I wanted to say that.
[4:02] It's like Salvador Dali, yeah.
[4:03] As three real men's men, we usually watch the manly genres.
[4:08] Yeah, stuff with blood in it.
[4:09] Your thrillers, your horror films, your thriller horror films, your sci-fi thrillers.
[4:15] Yeah, like Next.
[4:17] Yeah, but this time.
[4:20] Or the half an inch.
[4:21] This time we decided to cast a wider net and watch what you ladies watch or so Lifetime has led me to believe.
[4:29] And that is 27 Dresses.
[4:31] It's by Catherine Heigl.
[4:33] That's how you pronounce that?
[4:34] I just pronounced hard G's as Catherine Heigl.
[4:38] I'm tired.
[4:40] I don't know.
[4:40] Cyclops was in this too, right?
[4:42] Yeah.
[4:42] Well, that was what made it a little easier for me to watch because every time it got to a scene with James Marsden,
[4:47] And I just imagined that at any moment Professor X was going to call him away to go on a mission.
[4:51] Yeah, he was wearing contacts or something, so it was eye-beaming.
[4:54] Ruby Quartz contacts.
[4:55] It's just like there was a – I was reading something a long time ago when –
[5:00] X-Men comics, that's what you were reading.
[5:01] Yeah, yeah.
[5:02] No, it's something when –
[5:03] On Katie X-Men, I think.
[5:03] What was the movie with Hugh Jackman and Ashley Judd that was based on the novel Animal Husbandry?
[5:08] I think you're thinking of X-Men.
[5:10] No, but there was –
[5:11] Was that the one where he goes back in time or forward?
[5:13] No, that was Kate and Leopold with Meg Ryan.
[5:16] It was where someone had written up a thing.
[5:18] No, the Prestige is with...
[5:20] Van Helsing?
[5:20] No, it wasn't Van Helsing.
[5:21] Someone had written up a thing on the internet where the idea was Logan was playing this character.
[5:27] And he was saying, I was having trouble because I kept thinking, pop your claws, Logan, that'll impress her.
[5:31] I don't remember whose blog I read that on, though.
[5:33] Sounds like a funny blog.
[5:34] So you're saying that you imagined that it was Cyclops.
[5:38] No, but let's pretend.
[5:39] Okay, but I kept imagining that he was playing the role.
[5:42] He was playing Scott Slim Summers, Cyclops.
[5:45] And Flophouse's favorite, charisma-suck Edward Burns was also in this film.
[5:50] The gravelliest voice of his generation.
[5:53] Yeah, and not much else.
[5:55] I want to do something with him and Harvey Fierstein called Meet the Gravels.
[5:58] Nice.
[5:59] And, yeah, he was very boring.
[6:02] And also, what's her name?
[6:04] Judy Greer.
[6:05] Judy Greer.
[6:05] Pam Greer's daughter.
[6:07] No, no, no.
[6:09] Wrong again.
[6:10] Kitty from Arrested Development.
[6:12] Yeah, and the romantic interest in the Hebrew Hammer.
[6:15] Yeah, and Melora Hardin.
[6:18] It was in three scenes.
[6:20] Jan Levinson Gould from The Office is awesome.
[6:22] And who played Katherine Heigl's sister?
[6:24] Yeah.
[6:25] Malene Ackerman, who was in the bad Goodbye Girl remake,
[6:30] the Peter and Bobby Fairley remake.
[6:33] Of the Goodbye Girl?
[6:34] Goodbye Girl is with Richard Dreyfuss, isn't it?
[6:37] No, what am I thinking of?
[6:39] Edit this out.
[6:41] Oh, I know it's on the tip of my tongue.
[6:45] Hold on, hold on, hold on, hold on.
[6:47] Oh, no, it's close, close.
[6:50] Oh, Sorrow and the Pity.
[6:51] No, no.
[6:53] M.
[6:53] No.
[6:54] Oh, Jesus Christ.
[6:55] Salo.
[6:56] Kevin and the Dr. Caligari.
[6:58] Oh, oh, maybe it was The Goodbye Girl.
[7:01] No, no, you're right.
[7:02] That's the Neil Simon play.
[7:03] But it's the one with Ben Stiller you're talking about.
[7:05] Yeah, what was that?
[7:06] The Heartbreak Kid.
[7:06] Heartbreak Kid.
[7:07] That's the remake of The Heartbreak Kid.
[7:09] Ouch, remake of The Heartbreak Kid.
[7:10] Oh, okay.
[7:11] Now I know who you're talking about.
[7:12] And, uh, yeah.
[7:14] Long came Polly.
[7:15] Ooh, just broke my heart.
[7:16] No, that was, wasn't that Jennifer Aniston?
[7:18] It was.
[7:19] There's a ferret in that movie.
[7:20] Okay.
[7:22] There's a ferret in Kindergarten Cop, too.
[7:24] I don't know how you brought that one up.
[7:25] I don't like you calling Philip Seymour Hoffman a ferret.
[7:27] No!
[7:28] Boop.
[7:29] Synecdoche, New York.
[7:31] Theater near you.
[7:32] So, to talk about this movie, it's a movie about a woman who was so besotted with weddings.
[7:38] She loves weddings.
[7:39] That she cannot turn down the opportunity or the obligation to be in one.
[7:43] So she has 27 bridesmaids' dresses.
[7:45] And here's where I thought the movie should have been called Wedaholic when I said this.
[7:50] Yeah, I mean, going into this movie, I don't know about you guys, but, like, movie trailers and, like, TV.
[7:55] Whenever you say, this is what I miss, whenever you say, I don't know about you guys, and then you say, the craziest thing in the world.
[8:00] I don't know about you guys, but some, I can't think of anything that crazy.
[8:05] TV and, like, movie trailers and stuff have really led me to believe that women are fucking apeshit about getting married.
[8:12] Huh.
[8:13] Yeah.
[8:14] You might even call them bridezillas.
[8:17] Yeah, I think that's a term.
[8:18] That's like a phrase, right?
[8:20] No, I made it up just now.
[8:21] Okay, that's pretty clever.
[8:23] Yeah, I'm not good.
[8:24] In Japan, they say brideziras.
[8:26] Okay, and they run screaming?
[8:29] Yeah.
[8:29] From kimono-clad crazy brides?
[8:32] before godzilla was made in america they called them bride kongs yeah here's here's uh something
[8:39] real brief she has 27 dresses and they're supposed to be because bridesmaid dresses are ugly so
[8:44] they're supposed to be really ugly stupid dresses and one of them is a kimono and then they show a
[8:49] brief like 30 second flashback of her at this wedding and everyone else in the wedding is an
[8:54] asian woman and it's like well you can't really say the kimono is a crazy bridesmaid dress if
[8:59] it's a japanese wedding well dude if other cultures are crazy yeah but if if we if one
[9:05] of us was japanese we would see this and be like oh my god that kimono is hideous oh yeah maybe
[9:10] that's true maybe it was maybe it was a very ugly kimono to the discerning eye i gotta say here's
[9:15] my problem it's starting off i was gonna make a scarlett johansson's butt joke for lost in
[9:19] translation but it's not worth it top top panty shot apparently they just it just beat out howard
[9:25] the duck we're really showing somebody ever told me really showing our sensitive side on this uh
[9:30] women's episode of the flop house listen whatever anyway you're saying the duck's awesome sure i
[9:37] don't all i remember about that movie is when leah thompson pulls the duck condom out of howard's
[9:42] wallet and she's like oh howard like like oh you rascal you rascal duck i just always having sex
[9:50] it's like it's like it's like out right it's loose or something yeah loose condom
[9:56] they can reuse them in the duck duck verse i didn't know that yeah uh you read that in the
[10:01] book i made it up uh i remember my favorite part of that movie which is when they're in the diner
[10:06] and the possessed jeffrey jones scientist is talking about the end of the world and the dark
[10:11] ones and it just cuts to howard and leah thompson going oh yeah yeah yeah like yeah there he goes
[10:17] again with the dark gods it was like a very funny moment to me because they've never heard this
[10:21] before but they're acting as if they hear it all the time by the way for people who've never seen
[10:26] howard the duck or haven't seen in years uh tim robbins is in that movie everyone yeah he is for
[10:31] you yeah but um i like him he's he was good in mystic river yeah i walked by him recently he's
[10:37] better when he's tall he is very tall but anyway back to the movie i'm gonna say that arlington
[10:42] Conception Road with Tim Robbins.
[10:43] Shawshank Redemption.
[10:44] Amazing movie.
[10:46] Even like a title level, like 27 Dresses bothers me a little bit.
[10:51] I mean, all right.
[10:52] I like titles with numbers in them.
[10:54] No, that's fine.
[10:55] But I'm saying like I'm a well-liked guy.
[10:57] Eight millimeters.
[10:57] Ooh.
[10:58] Eight millimeters.
[11:00] Okay, well, that's a bad movie with a number in the title.
[11:02] I have been a best man precisely once in my life.
[11:06] Okay.
[11:07] And then for my brothers, I have two brothers,
[11:09] and I think I was a groomsman in one of them,
[11:11] And I think in the other, I was just an usher.
[11:14] Wow.
[11:14] So for a woman to be a bridesmaid 27 times.
[11:19] She's not always the head bridesmaid.
[11:21] It's also that, keep in mind, she also goes out of her way to help the brides organize their weddings.
[11:29] But I don't even know 27 people well enough who would invite me to their weddings.
[11:34] No, but you're not a woman.
[11:35] They make a lot of friends.
[11:36] They live in elaborate networks of female companionship.
[11:39] I think you're making a good point.
[11:40] Like, nothing about this character in the rest of the movie would lead me to believe that she actually makes friends.
[11:46] Yeah, that's true.
[11:47] Plus, why can't it just be, like, 13 dresses?
[11:49] That's still an absurd number, but a believably absurd one, and you've got the whole unlucky 13 thing going on.
[11:54] That's pretty good, I guess.
[11:55] 27 rolls off the tongue, though.
[11:57] 27, think about that.
[11:58] It is a hilarious number.
[12:00] It's impossibly high.
[12:01] It's the funniest number.
[12:02] It's been scientifically proven.
[12:03] Mathematically proven.
[12:04] It's like the name Chuck.
[12:06] James Brolin does bring up a good point, which is that you never get the feeling from,
[12:10] Katherine Heigl.
[12:11] Wow.
[12:12] He's aged a lot.
[12:14] I look like an old bulldog.
[12:17] What was it like being married to Barbara Streisand?
[12:20] Oh, yeah.
[12:20] Barbara is awesome.
[12:21] They say Josh Brolin.
[12:24] Whatever.
[12:24] They're all Brolins.
[12:25] Sure.
[12:26] No, it's good.
[12:26] Anyway, Charles Bronson over there was saying that Katherine Heigl's character, Jane,
[12:31] she has these friends that she's bridesmaids with,
[12:35] but you never see them outside of those wedding scenes,
[12:37] and her character has no social life and no life whatsoever.
[12:40] And she's not very nice.
[12:42] And she's not very nice.
[12:43] She's an unsympathetic character in almost every way.
[12:45] Well, let me very quickly.
[12:47] Until she starts drinking, like every girl.
[12:49] Once she gets a couple drinks in her, she's way more fun.
[12:52] Let me very quickly sum up the basic premise.
[12:54] We'll talk about that later, though.
[12:55] Just rattle it off quick.
[12:57] Oh, yeah, we didn't do the lie yet.
[12:58] Katherine Heigl works for Edward Byrne.
[13:01] She's totally in love with him.
[13:02] Understandably.
[13:02] She has a big crush.
[13:03] Never said anything.
[13:05] She's always the bridesmaid, never the bride.
[13:07] Her sister, Malina Ackerman, comes into town.
[13:12] And immediately, of course, Edward Burns falls for her.
[13:15] Of course.
[13:16] And they're romancing each other.
[13:18] They're going to get married.
[13:19] Meanwhile, there's James Marsden, who sees Katherine Heigl at this wedding.
[13:26] Who writes the wedding pages for the New York Journal.
[13:29] The famous New York newspaper, the New York Journal.
[13:32] uses the same fonts and design layout as the new york times yeah i think of the times would
[13:37] sue them for that and it's a liberal newspaper yeah oh yeah i'm sure it was in the tank for
[13:41] obama the information they explained from the commitment section it was in the tank for obama
[13:45] and weddings but the point is he writes the commitment section and which is all about
[13:49] weddings and he gets you know he's got a real hates weddings he hates weddings but he has to
[13:54] go to all of them and he notices katherine heigl being at two weddings in the same day he's got a
[13:59] he's got a real nose for news elliot yes he does he's like mcgruff the news dog was his
[14:04] family killed at a wedding or something no his his he explains as they're registering for gifts
[14:10] for another wedding he got married and then his wife left him or his wife left him at the wedding
[14:15] it's not really explained that clearly oh right that was the scene where katherine heigl's character
[14:18] won the uh the legendary double bingo yes no no that's it right uh yeah that was she won double
[14:24] bingo and they registered for a gold pig statue katherine heigl does not know that he's just
[14:29] doing a feature story on her this is the crazy he's he wants to do a feature tell all on the
[14:33] how corrupt the wedding industry is it's a human interest story about this woman but his whole
[14:39] point is to show that the wedding industry is destroying lives i see but the point is she
[14:44] doesn't know that she's just a story to him all the while he's falling for her and as we said
[14:50] you can tell that he's gonna fall for her because he's the only other male character in the movie
[14:54] who's not her dad yeah and we were talking about this earlier we're talking about how like this
[14:58] would seem ridiculously contrived in a movie made today such as 27 dresses yeah but if this was the
[15:04] plot of a classic 1930s screwball comedy we'd be like oh this is great this is look like the
[15:09] plotting and if if preston sturgis had written it directed it and katherine heigl was played by
[15:13] jean arthur and her sister was played by claudette colbert and ed burns was played by ray maland and
[15:20] i think your sister would be a judy holiday probably okay i'll give you that and j oh that
[15:25] she was a little bit later but and james marsden was played by like eddie bracken then and this
[15:30] was like made in the late 30s or like 1941 then you'd be like oh it's brilliant the way that the
[15:36] the concepts oh of course he hates weddings but he writes for them and she loves wedding like
[15:41] it would be so much easier to take because it would be in this cartoonish 30s world
[15:45] as opposed to well also there would be clever post 9-11 world of today there may be a banter
[15:50] and jokes oh also it'd be a funny well-written movie with like characters roger rabbit or
[15:55] something exactly okay i can put that into context there you go yeah if you like that sounds great
[16:01] so you're saying there'd be cartoons that interact with those awesome
[16:05] wait with like modern technology right yeah exactly awesome but uh completely oh but anyway
[16:12] they uh blah blah blah blah and ed burns proposes to katherine heichel's sister katherine heichel
[16:18] gets mad the newspaper article runs the day after she sleeps with james marsden after a drunken uh
[16:25] sing-along to benny and the jets she gets mad at him and everything's set on a roller coaster ride
[16:30] to people ending up together and like any shakespeare play or greek play it ends in a
[16:36] wedding yeah except for many of the shakespeare plays and greek plays yeah they don't that don't
[16:40] end in weddings stuff stuff by sophocles that's all yeah his stuff is always pretty grim hated
[16:47] weddings but yeah it's more like an aristophanes play except again poorly written but um even then
[16:53] there were a couple moments of there were a couple genuine jokes in it but mostly it was not
[16:57] there was a lack of jokes like there were not a lot of gags in this comedy boner jokes than
[17:02] aristophanes play though if i recall uh in the aristophanes players boner yeah there's more
[17:08] boner jokes in 27 no no no like have you ever read lysistrata oh wait you're right the whole
[17:13] things boner jokes all flipped around yeah it was on the brain lysistrata is greek for boner jokes
[17:19] that's what it means the lysistrata is ancient greek for losing it and it's about a couple of
[17:26] it's about a couple of young greek teenagers on uh spring us break us who you know i guess that's
[17:32] more latin but that that is latin springophilus breakophilus that's what it is you remember
[17:37] your latin magnificently here's the secret to latin you're really transporting me for that time
[17:42] shelly long's in it the main problem with this movie there are a lot of problems this movie but
[17:48] the main problem is that katherine heigl i feel is a completely unlikable protagonist yes she is
[17:52] trapped in a prison of her own making she keeps going to these weddings now are you blaming
[17:56] katherine heigl the actress or katherine heigl's character a little bit of both because her
[18:02] character is a problem of writing directing and acting yeah her character complains about you
[18:06] you know, being always the bridesmaid,
[18:08] but she also is a complete doormat.
[18:11] And also she complains about her sister going for this guy,
[18:14] but she never makes it clear to her sister that she likes this guy.
[18:17] All she has to do is say, I've had a crush on him for years,
[18:20] and what you're doing is hurting me.
[18:22] And then she allows the sister to stay in her apartment for months on end.
[18:27] Which is awkward because I have to imagine she and Ed Burns
[18:29] were having incredibly loud sex on the couch.
[18:32] Yeah, absolutely.
[18:33] In the living room.
[18:34] That's where I would do it if I was the head of Urban Everest, a popular outdoors company.
[18:39] Let's not go back to my apartment.
[18:41] Let's go to my assistant's apartment, which is also your sister, and do it on her couch.
[18:45] Mainly because I've always thought about doing somebody on this girl's couch.
[18:48] Yeah, let's back up a moment.
[18:50] Eddie Burns, he's the, I guess.
[18:52] Eddie Burns, because you suddenly became a 70-year-old man from Hollywood.
[18:56] Eddie Burns!
[18:57] Back in the day, Eddie Burns was known for having the graveliest voice around.
[19:02] No personality, but a hell of a gravelly voice.
[19:04] He's the CEO, I guess, of Urban Everest.
[19:08] I assumed he was the founder-owner.
[19:10] Who, I guess, is meant to suggest...
[19:14] I think he might just be the CFO. I couldn't tell, though.
[19:15] That's a good point.
[19:18] Maybe he's just the top designer.
[19:21] Urban Everest is some kind of...
[19:22] It's like an Urban Outfitters store where it's led to believe.
[19:25] He says once he likes the outdoors.
[19:28] Yeah.
[19:29] But he's like a real green guy, I guess.
[19:32] He's an eco-nut.
[19:33] Yeah, a comet.
[19:35] Yeah, he's one of the planeteers.
[19:38] Yeah.
[19:38] Wait, are those the people who make Captain Planet with those rings?
[19:42] He's an Earth elemental.
[19:44] All those kids.
[19:45] I guess they recombine into Captain Planet.
[19:48] Well, the kids don't turn into Captain Planet.
[19:51] They just bring him out of their rings.
[19:52] I always wondered about the one ring.
[19:55] They're not the fucking forever people, Dan.
[19:58] They don't form into one superhero.
[20:00] Jeez, I'm sorry.
[20:00] God damn it.
[20:01] I never understood that one kid's, the Brazilian kid's ring, the one that...
[20:05] That's heart?
[20:06] Yeah, that never makes sense.
[20:06] We can talk to animals, and he's Brazilian, so he's got that Latin passion, so he can seduce women.
[20:10] Fiery.
[20:11] Yeah, that was the thing.
[20:12] Wasn't...
[20:12] They had the four elements, and then they're like, and heart.
[20:15] Yeah.
[20:16] I guess it's a precursor to the fifth element, where the fifth element was love.
[20:19] Yeah.
[20:20] That's true.
[20:20] I think Luc Besson probably kind of cribbed that from Captain Planet.
[20:24] He stole it from Captain Planet.
[20:25] Bring it on!
[20:26] Oh!
[20:28] Magnifique!
[20:28] I put it in my movie!
[20:30] Yep, he'll put a dash of Chris Tucker.
[20:32] In my brilliantly designed, poorly plotted movie!
[20:35] Ho, ho, ho, ho, ho!
[20:37] Wow, look at this on.
[20:40] It's so comically French.
[20:41] Yeah, he also wears a black and white striped shirt and a beret.
[20:43] And a red scarf.
[20:44] A red scarf carries a baguette everywhere.
[20:46] A bottle of wine.
[20:47] We have a lot to say about 27 Dresses.
[20:50] Obviously.
[20:51] Well, 27 Dresses was what we were kind of afraid it would be, I feel like.
[20:55] Like a bland movie.
[20:56] It was very professionally made, but very uninspired.
[20:59] Right.
[21:00] And, you know, the story structure was kind of there,
[21:03] but it was very loose and lackadaisical.
[21:05] Not even a lot of, like, chemistry between any of the characters.
[21:09] No.
[21:09] It was like, let's take a great rom-com example,
[21:13] like Fool's Gold, where you have the chemistry
[21:17] between powerhouses McConaughey and Hudson.
[21:20] This movie just doesn't compare.
[21:22] I will say, though, James Marsden, who in the X-Men movies is cardboard,
[21:27] In this, I thought it was very likable.
[21:29] Didn't he get turned into particles in the last one?
[21:31] Yeah, in the third one, he got killed.
[21:33] That was really weird.
[21:34] I saw him in...
[21:35] Yeah, well, they got rid of him.
[21:36] There's nothing they could do with him.
[21:37] I saw him in the movie version of Hairspray, the musical,
[21:40] based on the original Hairspray movie.
[21:42] And I also saw him in Enchanted.
[21:45] And he was actually really good in both of those movies.
[21:48] And I think that he has a talent for being in airy comedies
[21:52] that he cannot bring to being Cyclops.
[21:55] I think they thought that they were hiring Josh Hartnett when they hired him to play Cyclops.
[21:59] But maybe that's the thing.
[22:01] He's kind of like Brad Pitt maybe then, like that, where he's better at doing sillier roles almost.
[22:07] But because he's a handsome guy, it's like, you're going to be our serious leader.
[22:11] Like James Franco.
[22:12] Well, that's another problem with this movie.
[22:15] Yeah, I guess so.
[22:16] James Franco's good at being like a stoned-out slacker or something like that.
[22:20] Yeah, but he was great in the Spider-Man movies when he got wackier as they went on.
[22:26] No, I don't really think that was...
[22:27] Well, it's okay to be wrong sometimes.
[22:29] So, what you were saying...
[22:31] He really blew away that omelet-making scene.
[22:33] That scene was awesome.
[22:35] From the start, James Marsden's character is clearly much more likable than Edward Burns.
[22:42] And I feel like, at this point in time, for one of these movies to work,
[22:45] there has to be at least a little tension where you're like,
[22:48] I don't know which one of these guys I want her to end up with.
[22:51] Yeah, and that was not...
[22:51] But it's clear that...
[22:52] I hope she gets the financial security of Edward Byrne.
[22:56] And also, as you pointed out...
[22:58] That Urban Everest is doing great business.
[23:02] Also, as you pointed out,
[23:03] Katherine Heigl is at least as good-looking,
[23:07] if not better-looking, than Melina Ackerman,
[23:09] and they make her look like the dowdy one
[23:11] by putting her in a ponytail.
[23:12] Yeah, and she's got great boobs, man.
[23:14] I mentioned it like five times while we were watching.
[23:16] Well, at least five times.
[23:17] Oh, yeah, minimum.
[23:18] We'll say five times minimum.
[23:20] Even though we all agreed she has a kind of puffy face.
[23:23] Did we?
[23:23] Did we all agree?
[23:24] I don't know if we agreed to it, but I thought I saw, like, agreement in your eyes.
[23:30] You know, while we were watching the movie.
[23:31] You could tell I really wanted to agree.
[23:32] She has a very round face, but not round in, like, a Christina Ricci way.
[23:37] Yeah.
[23:38] Which is very cute, more round in kind of like a, eh, well, you know, you're pretty enough, I guess.
[23:43] Yeah, you'll do.
[23:44] Yeah, exactly.
[23:45] That'll do, pig.
[23:46] That kind of thing, you know?
[23:47] Sure.
[23:48] Ouch.
[23:48] Catty.
[23:49] Anyway, I'm not really a Katherine Heigl type.
[23:53] We'd like to point out, for those who are wondering,
[23:56] there is a montage of the film.
[23:59] Of her trying on the dresses?
[24:00] Every one of those 27 dresses.
[24:02] Well, that's the money shot of the movie.
[24:04] You had to have that scene.
[24:06] That was how the movie was pitched.
[24:07] I thought the money shot was the final shot
[24:09] where they show all the women who had weddings
[24:13] that she had to go to and buy these dresses
[24:15] and she makes these women wear those dresses.
[24:17] Which I don't understand because didn't she throw them out?
[24:20] And then the other thing was like, I would also assume they didn't actually have bridesmaids
[24:25] dressed from their own wedding because they were wearing fucking wedding dresses, right?
[24:28] Yeah, it doesn't make sense.
[24:29] But, um, I was like, that's like, that's money shot number two.
[24:33] Like the dress, the dress trying on montage is dollars and then the ending is cents.
[24:38] Okay.
[24:39] Two money shots.
[24:40] A lot of stamina in this movie.
[24:42] So, Stuart, if you were a lady.
[24:44] Okay.
[24:45] Give me a second.
[24:46] Okay, good.
[24:47] Would this give you warm romantic feelings and maybe turn you on just a little bit?
[24:52] Yeah.
[24:54] Yeah?
[24:55] Yeah, I mean, I'm pretty easy, though.
[24:57] I had some drinks.
[24:58] So what you're saying is you're a really dumb lady.
[25:00] Wow.
[25:01] Wow.
[25:02] That is an incredible value judgment.
[25:05] That is very harsh.
[25:07] I don't know if I'd say really dumb.
[25:09] I'm easy, that's the thing.
[25:11] Like, I don't go see 27 Dresses because I want, like, a fucking romance to last the ages or anything.
[25:18] No, you just want something you can see with your girlfriend.
[25:19] This is a movie, I feel like this is a movie where it's like, it's raining, you're not in a great mood, you're wearing sweatpants, maybe you're just in your pajamas still.
[25:27] Wow, who's trotting out the female stereotypes now?
[25:31] And you take out a pint of Haagen-Dazs.
[25:33] Yeah, maybe I'm on the rag.
[25:35] Wow, okay, that was a little much.
[25:38] But now it's a competition to alienate our female audience.
[25:41] Well, sometimes.
[25:42] It isn't even like this is comfort food or anything like that.
[25:47] It's just like a past-the-time pleasant movie for a woman to watch.
[25:52] Yeah, you get out a heating pad and put it on your tummy.
[25:55] To boil away the baby inside.
[25:59] Now, I'm not even to blame at this point.
[26:02] Ellie is making it worse.
[26:04] But the same way that I would throw on Westworld, I guess, which is not an amazing movie.
[26:09] I just watched that recently. It's really good.
[26:11] It is really good, but it's like, I guess Westworld isn't the right choice.
[26:14] It's like Jurassic Park for people who are cool.
[26:16] Yeah, maybe like Jurassic Park.
[26:18] It's a lazy day, I'm in my pajamas, I'm eating cereal out of the box.
[26:23] For me, it's The Running Man.
[26:24] Like, I just want to watch a movie with dinosaurs in it.
[26:26] The Running Man is my, if it's on TBS, I'll watch it no matter what rule.
[26:30] Like, I'll have to call in sick to work.
[26:32] You've gone through a lot of jobs.
[26:34] It's a good thing that Shawshank Redemption isn't that one,
[26:38] because you would never get to a day of work.
[26:39] Absolutely.
[26:40] It's like, oh, holy shit, it's being played back to back.
[26:43] Better go buy another box of Kleenexes because I'm going to be crying a lot.
[26:47] And another box of fucking Daws.
[26:49] The old man kills himself.
[26:51] He's been so institutionalized.
[26:52] That's the scene that does it for you.
[26:53] That makes you cry, huh?
[26:54] Yep.
[26:54] Because that's like halfway through the movie.
[26:56] That's the thing.
[26:57] Like, after, I don't even know what happens the rest of the movie.
[27:00] It's a fucking valentine.
[27:01] You assume that's the end of it.
[27:02] Yeah, I mean, it's, yeah, I can't say very well.
[27:04] It's a sad story about a man who's been failed by the penal system.
[27:07] Yeah, absolutely.
[27:08] That's it.
[27:09] But, yeah, the same way we would watch, like, an action movie or something.
[27:12] Sure, like Running Man.
[27:13] Yeah, like Running Man or, like, Commando.
[27:15] Or, like, oh, Commando's on.
[27:17] Yeah, like, oh, 27 Dresses is on.
[27:20] I guess I'll sit around and watch it.
[27:21] Like, it's a League of Their Own, almost, level movie that way.
[27:24] Yeah.
[27:24] Like, the League of Their Own was, I think, a movie that made no one cry or feel an emotion.
[27:29] But if it's on TV, like, we'll watch it.
[27:30] I would watch that movie if it was on, but for other reasons.
[27:33] Like, I thought that both Geena Davis and Laura Petty were cute.
[27:35] You have a big Lori Petty crush.
[27:37] I thought she was awfully cute in that movie, and then she disappeared.
[27:40] She was in that sitcom.
[27:41] She fell off the world.
[27:42] She made Tank Girl, and then she was in that sitcom, and then she disappeared.
[27:45] Lori Petty, if you're out there, please send us an email.
[27:49] We just want to know you're okay.
[27:50] And Tom Petty, just keep up the good work.
[27:53] You're doing a great job on King of the Hill.
[27:56] Well, good story about 27 Dresses.
[27:58] So, like, yeah, it's kind of weird.
[28:02] Like, none of the female characters, like, her sister isn't that likable either.
[28:05] Her sister's very unlikable, but she's supposed to be kind of unlikable.
[28:08] Which is kind of weird because Edward Burns' character doesn't really have a personality or anything,
[28:13] but you're meant to believe that he's desirable.
[28:17] Well, this is a movie that was written, directed, and stars women,
[28:22] and none of the characters are any better well-rounded or emotionally realistic than in a different movie.
[28:29] The women are not very likable, the men are not very likable.
[28:32] The only likable characters are Friend, right, played by Judy Greer.
[28:35] Who I would like much better in the lead role
[28:38] Yeah, you'd expect like a woman's touch
[28:40] Of some sort in the movie to make it more realistic
[28:42] But instead the woman's touch seemed to be like
[28:44] These are the kinds of dresses you wear at weddings
[28:46] Well also this movie
[28:48] Like the big moment of her standing up
[28:50] For herself is making a speech
[28:53] At I guess the rehearsal dinner
[28:54] For the wedding
[28:56] Pointing out that her sister has lied
[28:58] About a bunch of things to this guy
[29:00] However the things that she's lied about
[29:02] Are things like
[29:03] oh i love animals loving animals or hiking you know i don't eat i don't eat fatty food anymore
[29:09] and then she shows her eating like a plate of ribs i want to say one last thing i mean that
[29:13] wait a minute one last yeah we're not done no i'm just saying about the reveal of the deception
[29:18] oh the deception oh right to me it felt like the happening where like the big reveal is that
[29:23] zoe de chanel went out with a co-worker to have dessert like the same level of betrayal i feel
[29:31] yeah it was very i guess the wedding's off you need to it you need to know the it's like if uh
[29:36] my girlfriend doesn't like fish she doesn't eat fish it's like if we got engaged and then right
[29:41] before we got married no well i don't like the band fish the food she doesn't eat the band she
[29:46] doesn't eat the food fish oh like seafood she doesn't like seafood she also doesn't eat the
[29:50] band yeah but uh but if it's like if before the wedding i have something else to talk about for
[29:55] this podcast if before the wedding her sister showed a slideshow with pictures of her eating
[30:01] fish and was like actually she loves seafood i wouldn't be like oh my god this who is this woman
[30:07] i'd be like oh really i don't okay we should have fish at the wedding then however you would break
[30:11] up with her if you saw her rocking out at a fish concert i would fucking dump her yep you'd throw
[30:17] your glass of crystal on her face yeah because i'm because i'm jay-z so i throw crystal in her
[30:23] That's after your fucking pre-wedding, wait, rehearsal dinner.
[30:29] Rehearsal dinner, yeah.
[30:29] You'll have Cristal there, right?
[30:31] Yeah.
[30:31] I don't think so.
[30:33] Okay.
[30:33] And for my rehearsal dinner, we're going to be rehearsing scenes from Death of a Salesman.
[30:38] Oh, by the time I get married, I'm going to be running television.
[30:41] You'll be the king of television.
[30:42] I'll be the king of television.
[30:43] And I'll decide who lives and who dies.
[30:46] Gary, I'm married.
[30:47] You're dead.
[30:47] Oh, man.
[30:48] Bones, I'll let you live.
[30:51] But now, with the guy from Angel.
[30:53] Numbers, I like your moxie.
[30:55] You spelled your name with a number in it.
[30:56] I'll let you stay, too.
[30:58] It was like my old sketch.
[31:00] It was like the show Letters.
[31:02] The letters were spelled with a schwa.
[31:04] And he solved crimes with his knowledge of grammar.
[31:07] That's Ghostwriter, basically.
[31:09] That's the PBS children's series Ghostwriter.
[31:12] A group of kids and an alien that can read and write things
[31:16] and travel through computers that helps them solve crimes.
[31:19] Wait, there's a fucking alien?
[31:20] Yeah.
[31:21] I want to watch this shit.
[31:22] Is this anything like that show Early Edition on the PAX network?
[31:25] No.
[31:25] And Early Edition was a network show.
[31:28] That shit was awesome, dude.
[31:30] This one where he gets the newspaper a day ahead of time?
[31:32] Yeah, how do I sign up for that?
[31:33] That's a great service.
[31:35] It's a really expensive service.
[31:37] Right now I just have the weekender, but I'd love to have...
[31:40] The problem being, of course, that you feel compelled to stop crimes.
[31:44] What was the Oliver Platt show where he was a crusading newspaper reporter?
[31:48] I don't know.
[31:49] Deadline, I think.
[31:50] Maybe it was Deadline.
[31:51] Kolchak, the Night Stalker?
[31:53] No, that was a completely different character and actor and premise.
[31:57] That was Darren McGavin.
[31:58] Darren McGavin, and he was a...
[32:00] The father from A Christmas Story.
[32:01] And he was a private eye fighting monsters.
[32:03] So the question is, do we actually have anything more to say about 27 Dresses?
[32:07] It was very mediocre, but I feel good about us getting out of our comfort zone.
[32:12] Yeah.
[32:12] We could have watched, like, Saw IV, and instead we watched 27 Dresses.
[32:16] Yeah, you know, I actually, like, I had a good time watching this.
[32:19] I mean, you know, we're not at value judgments or anything yet.
[32:21] Well, no, let's do that right now.
[32:23] But compared to...
[32:24] I'll save it.
[32:26] I'll save it then.
[32:26] Let's do the final judgments about whether this is a good, bad movie.
[32:31] Starring Taskmaster Dan McCoy.
[32:32] A bad, bad movie or a movie you kind of liked.
[32:36] Well, I just didn't...
[32:37] Like, if we're going to talk about it, we should put it in its own section.
[32:39] That's all I'm saying.
[32:40] Section?
[32:41] Because it's a girl?
[32:42] God.
[32:43] You know, maybe it's like the weather, but, you know, or...
[32:48] You can't stop 27 Dresses.
[32:50] Or is it The Coors Light I drank while I watched the feature?
[32:54] I thought you were saying the movie was like the weather.
[32:56] No, you know, like, I'll give it a good, bad movie.
[33:00] I had a good time watching it.
[33:01] It was weird.
[33:02] I have a real hard time, actually.
[33:05] I feel like this falls outside of our categories.
[33:08] Yeah.
[33:08] Because it wasn't actually a good movie in any way.
[33:12] No, that's true.
[33:14] I wouldn't say it's a bad movie because it moved along at, like, a good clip.
[33:18] It wasn't a horrendous movie.
[33:20] It was easier to watch than so much that we watch.
[33:22] But it was not bad in any funny way either.
[33:25] It wasn't like the Bratz movie or something.
[33:27] Yeah.
[33:27] I never would have guessed that the Bratz movie would be our gold standard.
[33:31] Or I Know Who Killed Me.
[33:33] I mean, I feel like I had fun watching it, but only because I was with you guys.
[33:37] So I don't rate that.
[33:39] Wait, wait, wait.
[33:40] Let's put it into this kind of context.
[33:42] You go see this movie with your girl, right, guys?
[33:45] You know what I'm talking about.
[33:47] Your best girl?
[33:48] Yeah, you have to take your squeeze out to a movie, and you're going to watch a movie.
[33:56] What do you think?
[33:57] Is 27 Dresses one you put your little Walkman earbuds in and listen to the game on?
[34:04] Or do you actually watch the—
[34:07] Said by a man who doesn't watch sports, I guess.
[34:09] Or has used technology in the last 10 years.
[34:13] You know, listen to the latest sporting event.
[34:15] Get your transistor radio.
[34:16] Yeah, your hand radio.
[34:17] Listen to the Brooklyn Dodgers play the Hoboken Zephyrs.
[34:22] Well, as I think this movie came out in February, maybe,
[34:26] but only because there'd be nothing else in the theater.
[34:28] Oh, okay.
[34:29] If I went with my girlfriend, then I wouldn't be my first choice,
[34:35] but I wouldn't be like, oh, painful.
[34:38] It wasn't like when my mom once showed me Bridget Jones' Diary,
[34:42] which I found abominable.
[34:44] Yeah, I had to go see how Stella got her groove back in the theater.
[34:48] Wait, you're putting this above Bridget Jones' diary?
[34:50] Oh, certainly.
[34:51] That was horrifying.
[34:52] I don't know.
[34:53] This was pleasantly fake, and that was really...
[34:56] But that had Hugh Grant and Colin Firth in it, two fine comic actors.
[35:00] Yeah, they both made bad movies before.
[35:01] All right.
[35:02] Oh, but I did go on two movie dates with my girlfriend this weekend,
[35:06] and we saw Quantum of Solace and Frost Nixon, so you know what?
[35:09] I don't have to see them.
[35:10] Wait, Frost Nixon's out?
[35:11] No, we saw a screen.
[35:11] Wait, are you telling me that ladies can like good movies that aren't about weddings or romance?
[35:17] I guess what I'm saying is anybody can like any movie, and we shouldn't judge people by their gender.
[35:22] Surely not.
[35:22] Well, yes.
[35:23] That's the secret surprise message of this episode of The Flophouse.
[35:26] What the fuck?
[35:27] Go forth.
[35:28] And this is coming from a guy who...
[35:30] Whoa, did you just tell me to spread it?
[35:32] Yeah, that's weird.
[35:33] What the fuck, dude?
[35:34] We're here, dude.
[35:37] This is a very surprise ending of Flophouse if it ends in an anal rape, I guess.
[35:41] I didn't say spread them
[35:45] Elliot help me out of here
[35:46] Listen I don't want to be involved
[35:49] Well fucking stop him at least
[35:51] God damn it
[35:53] I'm very surprised
[35:54] Not even get him but spread him
[35:57] He didn't say
[35:59] Spread it
[36:01] He said spread which is worse
[36:02] Oh my god dude
[36:04] Jesus
[36:06] Well forget what I was going to say
[36:09] There goes my morals
[36:11] There's my moral for the episode
[36:13] I feel like I'm going to throw up
[36:14] Oh god I gotta take a shower
[36:18] Anyway but the same way that you know
[36:20] Guys can like musicals too
[36:21] There's no hard and fast rule here
[36:23] Gay guys especially
[36:24] But me also
[36:27] So I think we're all in agreement
[36:29] This was a great movie
[36:30] Moving on
[36:32] Man I'll tell you one thing
[36:34] I don't know if it's because you're here
[36:36] Or because 88 minutes was depressing
[36:39] but this is so much more fun than when we watched 88 minutes so uh hey we're going to talk about
[36:44] movies we saw recently you want to recommend right yeah let's do it man okay guys the movie
[36:50] the movie i like to recommend stars a certain creature of the night and it's going to be coming
[36:57] your way soon it's called twilight let me tell you right now you're recommending movie you haven't
[37:02] seen. I haven't seen, but I saw
[37:04] the trailers. And
[37:06] let me tell you, those vampires
[37:08] are hot!
[37:10] They're
[37:12] all underage. The dudes,
[37:14] those dudes aren't under...
[37:16] Oh my god, they are? I believe
[37:18] so. Oh, Jesus. I think they're all like 16, 17.
[37:20] Oh my god.
[37:21] Okay, well, then
[37:24] we're gonna have to... You're gonna have to revise
[37:26] all your gay vampire fantasies.
[37:28] Can I recommend
[37:30] something else, then? Sure. Please. Okay.
[37:31] Then I'll recommend a different vampire movie.
[37:34] It's called Let the Right One In.
[37:35] It's Swedish, I think.
[37:37] Oh, I want to see that.
[37:39] I saw it about a week ago, and it is totally awesome,
[37:42] aside from a couple weird CGI bits.
[37:46] But it's basically about a lonely little kid who is bullied
[37:50] and befriends this strange girl that just moved in next door to him
[37:54] who happens to be a vampire.
[37:56] Spoiler alert.
[37:58] Well, yeah, I mean, like, she's got blood on her face on the poster, dude.
[38:02] Maybe she fell down.
[38:04] Yep.
[38:05] Maybe I punched her in the face.
[38:06] It happens.
[38:08] But, yeah, it's totally awesome.
[38:10] If you like awesome horror movies or, like, if you like vampire movies at all.
[38:15] Well, if you like vampire movies that basically are good
[38:19] and are somewhat character-driven, yeah, it was really good.
[38:22] Totally good.
[38:23] Awesome movie.
[38:23] I want to recommend, and this is very appropriate to the theme of the night,
[38:28] uh rachel getting married it's uh why i don't i'm good at it it's about a wedding oh you know
[38:36] everything that you're tearing up thinking about rachel getting married i might be a little bit
[38:40] man that movie that movie i it made me cry everything uh that i've said tonight not
[38:45] withstanding i'm a fan of weddings i love going to weddings and what this movie accomplishes and
[38:52] you know all the critics have said this but what the credit this movie accomplishes make you feel
[38:56] like you've been to this wedding and you know you're introduced to these characters not as
[39:01] characters in a movie but as you would naturally sort of get to know people that you don't know
[39:06] over the course of an event like that and it's beautiful and it's a great jonathan demme movie
[39:11] i like jonathan demme most of the time and this is certainly one of his i think one of his best
[39:16] movies and it stars your buddy uh ann hathaway yeah my buddy who i don't even know that well
[39:22] Well, but you know her better than we know her.
[39:26] I guess so.
[39:26] Hey, tell her...
[39:27] Elliot went to school with Anna Hathaway.
[39:29] She went to the same high school as me.
[39:31] She was a year behind me.
[39:32] My mom and her parents are friendly, but I never really knew her that well.
[39:36] Hey, tell her what's up.
[39:38] I think she's on the show this week, actually.
[39:39] Our show?
[39:40] No, on the Daily Show.
[39:42] Not on the Flophouse.
[39:44] Do you know her well enough to say hi?
[39:46] No, I don't think so.
[39:48] She's not going to recognize you if you say hi to her?
[39:50] I don't think she would, and I would have nothing to say to her.
[39:52] Yeah, I'll get my yearbook signed by her.
[39:55] The yearbook I didn't buy because I hated high school.
[39:57] Somehow you forgot to sign this, Ms. Hathaway.
[40:02] I have a spot set out for you right there.
[40:04] Sign it to eBay customer.
[40:06] If you could subtly insinuate that we were involved somehow while we were in school.
[40:12] And also, wait, let me.
[40:13] It's weird to make the kind of jokes that I was making about Katherine Heigl and her, you know,
[40:20] And, like, you were – you know, we were making boob jokes before the recording because we're dudes, whatever.
[40:25] Yeah, she's got a really nice boob.
[40:27] We are what we are.
[40:28] It is weird for me to make those kinds of jokes about Annie Hathaway because just of knowing her family.
[40:35] You're BFFs.
[40:35] All right, well, here's –
[40:37] No, not BFFs.
[40:37] I make jokes about my friends' boobs all the time, you know, whatever.
[40:41] Oh, so you're, like, just BFFs.
[40:44] I don't think B goes into it.
[40:46] I've avoided bringing this up before, but since it came up organically –
[40:50] Now, we've had a discussion before about how Anne Hathaway has been topless in a couple of her roles, and you were saying how you were like, oh, I feel like I need to look away during those scenes because you've known her semi-personally in life.
[41:06] Well, it's just kind of like having seen her – because I have not seen her in person since high school, so it's like I think of her as someone I see in the halls in high school.
[41:15] Right.
[41:15] Now, here's what I have to say about that.
[41:17] Of course, when I was a high school student, there was almost no girl that I walked by that I didn't want to see.
[41:21] Right.
[41:21] Well, here's the thing.
[41:22] Here's what I want to say about that.
[41:23] Very gentlemanly of you.
[41:25] However, it blows my mind because, like, if I went to high school with a woman who was then topless in a movie, I would want to see that movie all the more.
[41:34] I want to see her naked all the more.
[41:35] People I didn't even care about seeing naked in high school, I would want to see naked in a movie just out of curiosity.
[41:41] Like guys, even.
[41:42] Like guys I knew in high school.
[41:44] Like, oh, well, that's what's going on there.
[41:46] Okay, fine.
[41:47] That's what his tackle looks like.
[41:48] Isn't that the premise of the new Kevin Smith movie, actually?
[41:51] I guess so.
[41:52] It's the reason they're making the pornographic movie
[41:55] is because they figured that people they went to high school with would buy it.
[41:58] Oh, that aspect of it, I don't know.
[42:00] Yeah, I didn't know that.
[42:01] They must have gone to a big high school if they hoped to make some money back from that.
[42:05] You just slipped that in there.
[42:08] I was trying to avoid admitting that I saw this movie.
[42:10] Neither of us would have made fun of you for seeing it.
[42:13] It's a movie that came out.
[42:14] But also, in passing, I want to say also, now that Obama's president, I saw No End in Sight, the Iraq War documentary.
[42:25] You know, just to look back on the mistakes of recent history.
[42:29] And if you want to see a movie that makes you feel sad and angry and scared, if those are emotions that you enjoy...
[42:38] 27 Dresses!
[42:39] I would recommend 27 Dresses.
[42:41] Imagine the guy in the video store who's got 27 dresses in one hand and 28 days later in the other hand.
[42:46] He's like, 28 is more than 27, so do I have to see 27 dresses first or?
[42:52] Elliot, what do you have to recommend?
[42:54] I don't remember if in the past I've recommended the movie The Fall or not.
[42:59] I think I might have, but I saw that again recently, and I think it's really great.
[43:03] What, Legends of the Fall?
[43:04] No, not Legends of the Fall.
[43:05] Wait, Tarseem Singh's The Fall?
[43:08] Yeah, Tarseem Singh's The Fall.
[43:09] The guy who directed The Cell?
[43:10] Directed the Cell.
[43:11] The most terrible movie.
[43:13] Which is a terrible movie, but this is like, you can tell watching it that this is the movie kind of,
[43:18] and I was just reading about it today, that basically he made a good amount of money making commercials,
[43:23] and he decided, well, this is the movie I'm going to spend this money on.
[43:27] And so he spent his own money and several years of his life in his spare time making this very beautiful to look at movie
[43:34] that I find very touching also.
[43:36] But when it came out, the reviews were very mixed.
[43:38] It was like, there's a lot of pretty pictures, but the story never really comes together.
[43:43] But it comes together very well for me.
[43:45] So I'd recommend that one if you haven't seen it, which you probably haven't because it was not released very much.
[43:51] And otherwise, I saw Frost-Nixon recently, and that was pretty good too.
[43:56] The Fall was a movie that I'm crying at the end of.
[43:59] Frost-Nixon was a movie I was like, that was a good movie, but that's coming into a theater near you.
[44:04] Wow.
[44:05] I went to see – I will say this is my business-dropping section of the podcast is I went to see that at a WGA screener where Ron Howard, one of the producers, were doing a discussion afterwards, and John Waters was in the audience sitting not too far away from where I was.
[44:22] And during the question and answer session, John Waters asked the most perfectly John Waters question when he goes – he goes, now you had Pat McCormick from The Bad Seed playing Richard Nixon's wife, Pat Nixon.
[44:36] Was that – that was a good – was that like a nice – like on purpose a cameo there?
[44:41] and ron howard's like no that was a coincidence that the woman from the but i just love that
[44:45] john waters is watching the movie and probably recognizes the woman playing nixon uh mrs nixon
[44:50] and then sees in the credits that it's uh the that it's the woman who you know 50 years ago
[44:56] played the little girl in the bad seed and made the connection in his head and it was like oh
[45:00] john waters you're a treasure never change that was i'm not a huge fan of ron howard as a director
[45:06] But I thought he did a pretty good job
[45:08] Frost Nixon
[45:09] Wait a minute, he did A Beautiful Mind
[45:12] He did A Beautiful Mind, which I hate
[45:13] That movie was quack-tastic
[45:15] I think that's the worst
[45:17] I would say it's the worst best picture
[45:20] Winner of the last 10 years
[45:22] But I think Crash edges it out
[45:23] Yeah, I guess so
[45:26] Gladiator's not a great movie
[45:28] Chicago's not a great movie
[45:29] They're not terrible movies
[45:30] Beautiful Mind is a bad movie
[45:32] I don't enjoy Gladiator, I enjoy Chicago
[45:36] chicago i enjoyed but it was like it was so disposable like that's just you just you love
[45:41] bridget jones diaries but we've come to terms with anything with renee zellweger you love
[45:46] that cold mountain cold mountain uh you love come on i can't even think of any jerry mcguire you love
[45:54] i'm having trouble thinking of renee renee zellweger movies uh appaloosa was she in that
[46:00] i don't know let's say she was the next generation oh my god that movie is the worst
[46:05] movie ever with matthew mcconaughey i know i want to kill myself i almost killed myself watching
[46:10] that movie it was so bad i like bad movies and i like them i like them and this one was really bad
[46:16] it's been a while since i've done this sort of thing on the show but um i want to say thank you
[46:22] to everyone who keeps going to podcast alley.com and voting for our show we get you know three or
[46:29] 244 votes a month steadily, which is great.
[46:33] And we're always ranked within the top 50 of comedy podcasts.
[46:38] Get us to number one.
[46:40] Well, I am declaring in November that this is the Flophouse pledge drive.
[46:47] You don't have to pay any money.
[46:48] Yes, you do.
[46:48] This is not like a PBS pledge drive.
[46:50] Oh, okay.
[46:51] But if you want a copy of Caesar's Writers on VHS, you will pay us money.
[46:55] Flophouse tote bag.
[46:56] You will have to give us money.
[46:58] But this is a pledge drive for listeners because, you know what, Elliot's fancy television job aside, this is a rinky-dink organization.
[47:08] We don't have a publicist.
[47:09] We don't have any advertising.
[47:10] All we have is listeners like you.
[47:12] You're the real backbone of this project.
[47:15] So I would urge you to go to Podcast Alley, vote for us, juke the stats.
[47:21] Don't vote multiple times.
[47:23] Don't juke them that much.
[47:24] That's what we should print up posters with our faces that says, juke the stats.
[47:28] Exclamation point.
[47:29] I don't even know what that means.
[47:30] They can put them up in elementary schools next to the soda machine.
[47:33] You're like a wire fan and you don't even know what juked the statue.
[47:34] Oh, I didn't know that was a real.
[47:36] Anyway, I'd like to thank all of the people who linked to us from their personal websites.
[47:41] We actually get a lot of traffic through links like that.
[47:44] If you're willing to put up a link for us, please do so.
[47:48] If you contact us, we could put up a reciprocal link on our website.
[47:52] Do whatever.
[47:53] And I'm saying this, if anyone can prove somehow that they've brought in a lot of new listeners,
[47:59] I don't know, maybe there's something in it for them.
[48:01] I don't know what it is.
[48:02] Well, we've got to start a new Flophouse contest.
[48:04] Yeah.
[48:05] Since the last one, the prize was technically never claimed.
[48:07] It's still there.
[48:08] We still have it.
[48:09] Well, the Hoopable prize was claimed.
[48:11] Okay, well, I meant the Flop It Up with the Floppers, whatever that contest was called.
[48:15] It's true.
[48:16] Yeah, I'd still do that, man.
[48:17] You know, get us some listeners, listeners.
[48:19] And if you want to write in, as always, the email is theflophousepodcast at gmail.com.
[48:26] Website, theflophousepodcast.blogspot.com.
[48:30] And that's all I want to say business-wise.
[48:32] I've sucked the air out of the room with that.
[48:34] I'm just touched by the sincerity of that thanks and plea for more assistance.
[48:39] I think making a joke right now would be unbecoming of me.
[48:43] It'd be kind of crass.
[48:44] Yeah.
[48:45] But would it be unbecoming of your mustache?
[48:47] No.
[48:48] My mustache wants to make a comment about boobs again.
[48:51] I'll keep it down, then.
[48:53] I got it under control.
[48:54] Oh, you know, oh, that's it.
[48:56] That's the movie I'm going to make.
[48:57] It's called Lustash.
[48:58] And you're, like, a very prim guy, but you grow a mustache, and the mustache is really horny.
[49:03] So you end up getting into sexy situations with mishaps and misunderstandings because of your mustache.
[49:08] That is an awesome movie.
[49:10] It's called Lustash.
[49:10] It's like a Dr. Jekyll and Mr. Hyde situation.
[49:12] Dr. Jekyll and Mr. Mustache?
[49:14] Yeah, and the mustache just wants to tickle ladies in special places.
[49:17] Yeah, sure.
[49:18] what dan just said is that yeah it'd be kind of like good luck chuck but but awesomer but instead
[49:26] of seeing dane cook in hardcore porn situations it'd be stewart wellington in hardcore porn
[49:31] situations i don't know if there'd have to be hardcore porn situations i mean come on this is
[49:35] pg-13 maybe oh it's a pg-13 movie with lust in the title okay well sure this is a this this is
[49:42] one of the disappointing usa up all nights yeah oh you mean all of them well sure they've all
[49:47] been edited for content however when i was a middle schooler oh no certainly i was excited
[49:53] whenever a bikini car wash listen i was excited just to see ronda sheer in the in the framing
[49:57] segment sure i mean at the gilbert godfrey not so much i think some of the key like see instead
[50:02] of hardcore sex there'd be like like a shot of a chick taking her top off and like a boing sound
[50:08] effect and the mustache hairs go yeah and like my hair would be shot up in the air like yeah
[50:14] that'd be awesome eventually the climax involves the mustache i guess trying to tear itself off
[50:19] of your face to get at a woman yeah like you chain yourself to a bed or something like that
[50:23] so make sure that mustache can't get you into any more trouble like at the end of 40 days and 40
[50:28] nights i haven't seen that where he ties himself to a bed and then gets raped by a girl that's
[50:34] it's a comedy it's supposed to be a comedy it's a horrible i feel like throw that throw that movie
[50:39] Throw it away.
[50:40] Buy it and throw it away.
[50:42] The person who's listening to this while holding a copy of 40 Days and 40 Nights.
[50:45] Throw it away.
[50:46] Unfortunately, I feel like we've just written like a trauma film, you know?
[50:50] What do you mean, unfortunately?
[50:51] Well, trauma, you know, that's a studio where I always feel like I should enjoy the movies.
[50:55] I'm glad that they exist.
[50:56] I'm glad that that company exists.
[50:59] But then I watch one of the movies, I'm like, yeah, all right.
[51:01] This will be trauma done right.
[51:03] It's kind of like Kevin Smith movies for me.
[51:05] Like, I'm glad he's making movies, but I'm always underwhelmed.
[51:09] Yeah.
[51:09] I like him more as a personality than I do as a director.
[51:12] Yeah.
[51:12] I like him more as the bald, bearded guy at the end of Southland Tales than anything else.
[51:18] Fucking dick.
[51:19] Nobody else saw that movie.
[51:21] Oh, you had...
[51:22] I saw that movie because I knew nobody else would see it,
[51:25] and I needed proof that it existed.
[51:27] I needed my memories.
[51:28] And all we have is our memories.
[51:30] On that note, thanks for listening to the Flophouse Dudes.
[51:33] My name is Dan McCoy.
[51:35] I'm Stuart Wellington.
[51:36] I'm Elliot Kalin.
[51:38] Good night.
[51:39] Southland Tales, huh? What the fuck?
[51:40] I thought you were going to say that Alabama Jones and the Busty Crusade was on.
[51:48] Or the Great Bikini Off-Road Adventure.
[51:51] Great, they haven't shown that movie in years.
[51:53] I know, but, um, so...
[51:55] At least Dan's was current.
[51:57] Dan, you raised a good question, though.
[51:59] Why didn't they continue the Alabama Jones series?
[52:02] Well, they started out with the last one.
[52:05] They didn't spoof...
[52:06] They should have started with Raiders of the Lost Boobs or something like that.
[52:09] Yeah, Raiders of the Panty Raiders of the Lost Ark.
[52:12] Yeah, Raiders of the Lost Bust.
[52:13] It has to have bust or boob or something in there.
[52:16] Yeah.
[52:16] Because that's their whole thing.
[52:17] Let's start the thing.
[52:18] Boobers of the Lost Bust.
[52:21] Boobers.
[52:23] Alabama Boobs and the...
[52:25] And the Boobs.
[52:26] And the Boobs Patrol.
[52:27] Alabama Breasts and the Boobers of the Lost Bust.
[52:31] Okay, that's...
[52:34] There's, like, the reality show I want to pitch to Fox, World's Most Unexpected Boobs.
[52:37] Situations where people didn't expect there to be boobs.
[52:43] But there are.
[52:45] I think that's every, like, European comic prank show.
[52:49] Can I be the host?

Description

0:00 - 0:32 - Introduction and theme.0:33 - 2:15 - Mustaches are much discussed.2:16 - 32:22 - We talk about the Katherine Heigel rom-com 27 Dresses, and show our affinity for the material by staying on-topic almost never.  Also: boobs.32:23 - 36:30 - Final judgments, in which 27 Dresses manages to SHATTER the Flop House categories.36:31 - 46:17 - The sad bastards recommend.  Plus, we learn another famous person Elliott has had tangential interactions with.  And also: even more boobs.46:18 - 48:46 - November-December is Flop House listener pledge drive season - but you don't have to pay us in cash-- just recruit new listeners.48:47 - 51:30 - We write the great lost sex comedy, "Lustache."51:31 - 52:55 - Goodbyes, theme, outtakes, and a whole heck of a lot more boobs.

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