main Episode #149 Sep 1, 2012 01:01:13

Transcript

[0:00] On this episode, we discuss Journey 2, The Mysterious Island.
[0:05] Probably the most faithful adaptation of any Jules Verne work ever.
[0:30] Hey everyone, and welcome to The Flophouse.
[0:38] I'm Dan McCoy.
[0:39] Hey Dan, I'm Stuart.
[0:40] Stuart Wellington.
[0:41] Thanks for introducing us.
[0:42] Hey Stuart and Dan.
[0:43] I'm Elliot Kalin, your friend.
[0:44] So it's been a while, guys.
[0:45] It's good to meet you.
[0:46] It has not been a while.
[0:47] It's been, what, a couple of weeks?
[0:48] It's not been.
[0:49] We've actually been stacking these up quite a bit because here's a little peek behind
[0:50] the Flophouse curtain.
[0:51] We did a couple in a row.
[0:52] Oh, I'm not dressed.
[0:53] We did a couple in a row because Stuart was going to go off to Gen Con, the gaming convention.
[1:00] And because Dan and I will be heading to the RNC and DNC, the corruption conventions.
[1:07] Yeah.
[1:08] Ooh.
[1:09] Take that.
[1:10] Rage against the machine.
[1:11] Exactly.
[1:12] And so forth.
[1:13] So to ensure that you, the valued listener, doesn't get an interruption in their Flophouse
[1:19] service.
[1:20] You were about to say get an erection.
[1:22] Didn't you?
[1:23] Yeah.
[1:24] I mean, it's just a certain level of professionalism.
[1:25] I want to make sure that they do get erections.
[1:26] Oh, okay.
[1:27] On the regular.
[1:28] On the regular?
[1:29] On the regs.
[1:30] Is that a phrase that anyone has ever used?
[1:31] I think so.
[1:32] But yeah.
[1:33] So we've been doubling up.
[1:34] People expect professionalism when they tune into the Flophouse podcast.
[1:38] Oh, yeah.
[1:39] That's the watch word for our show.
[1:40] Yep.
[1:41] Professionalism.
[1:42] Yep.
[1:43] Just like that movie with Gene Renaud, the professionalism.
[1:46] It's Gene Renaud?
[1:47] Yeah.
[1:48] Gene's Renaud.
[1:50] After he named himself after his favorite pants.
[1:52] If you want amateur professionalism, tune into another podcast.
[1:56] Go somewhere else.
[1:58] I thought you were going to say, go suck an egg.
[2:01] Nope.
[2:02] Because I'm not a 100-year-old man.
[2:04] No, no.
[2:06] That was good stuff, though.
[2:07] I think you should keep it up.
[2:08] So just to recap.
[2:10] So to recap, Dan uses, in his everyday speech, the phrases, go suck an egg and on the regular.
[2:15] Well, we've learned a lot today.
[2:18] Thanks for listening.
[2:19] Good night, everybody.
[2:25] Now, for newish listeners, because I feel like we have a fair number recently.
[2:29] We've been picking up listeners like a snowball rolling down a hill.
[2:32] They pick up listeners?
[2:33] Snowballs?
[2:34] Well, they pick up snow.
[2:35] I mean, they're probably listeners, unless they roll over like it's a deaf person hill or something.
[2:40] Yeah.
[2:41] All right.
[2:42] Fair enough.
[2:43] I take it back.
[2:44] That's a thing, right?
[2:45] Deaf people hills?
[2:46] Yeah.
[2:47] Deaf people, yeah.
[2:48] This is a podcast where three guys take a look at a movie, a movie that was a critical or a financial flop.
[2:54] Take a look at a movie.
[2:55] We watch it.
[2:56] We watch it from front to back.
[2:58] Never back to front.
[3:00] We do not glance at the DVD cover and toss it out the window.
[3:02] We don't just glimpse.
[3:03] We don't just flip through the stills.
[3:05] We watch a whole movie.
[3:07] We watch it, and we listen to it, because many of these movies use sound as an element.
[3:11] Yeah, a critical or a commercial flop, and then we talk about it afterwards on the air.
[3:14] Yes.
[3:15] Which is what we're doing now.
[3:16] And tonight we do it in a house, so it's a flop in a house.
[3:20] No, I don't think that's actually this.
[3:22] Yeah, that's where the title comes from.
[3:24] Okay.
[3:25] Tonight we watched a little movie called Journey 2, The Mysterious Island.
[3:30] Now wait, Dan, do you mean Journey 2, colon, The Mysterious Island?
[3:34] I don't think there's a colon.
[3:35] No, there isn't.
[3:36] I wanted Dan to say no.
[3:37] I mean Journey numeral 2, The Mysterious Island.
[3:41] So you're saying...
[3:42] I don't mean Journey T-O, The Mysterious Island.
[3:45] So you're saying that this is the second flop house movie we've watched
[3:49] that is a sequel that uses the number 2 instead of the word 2 in the middle of the title.
[3:55] Yeah, that seems odd.
[3:56] Wait, was that the Twilight movie we watched?
[3:58] No, Step Up 2, The Streets.
[4:00] Oh, right, right, right.
[4:01] Not Twilight 2, The Moon.
[4:03] You're saying unlike, say, Teen Wolf 2.
[4:06] T-O-O.
[4:07] Yeah.
[4:08] Or Look Who's Talking 2, T-O-O.
[4:09] That's an extra Teen Wolf.
[4:11] Yeah.
[4:12] Although Journey 2, The Mysterious Island wouldn't work as well.
[4:15] No, it wouldn't at all.
[4:16] It doesn't make sense, but it's indicating to the viewers who are big fans of Journey 1
[4:21] that this is the second movie in the series.
[4:24] Or just fans of the band Journey.
[4:26] Oh, they finally made a Journey movie.
[4:28] They're indicating two things.
[4:29] Number 1, this is a sequel.
[4:31] Yes.
[4:32] Number 2, and this one, they're not going to the center of the earth.
[4:36] Which is the first movie.
[4:37] They're going to numeral 2, The Mysterious Island.
[4:40] So that this movie is investigating a different Jules Verne book.
[4:43] Yeah.
[4:44] So luckily, the rest of the movie was way better than the cool title naming convention, right?
[4:49] In a way, but we'll get to that.
[4:51] I mean, I think it's worth noting, though, you said that it's based on a Jules Verne book.
[4:56] The weird thing is this is based on a Jules Verne book that is a sequel to 20,000 Leagues Under the Sea.
[5:01] It's not a sequel to Journey to the Center of the Earth.
[5:04] That's true.
[5:05] So they're mixing and matching Jules Verne.
[5:07] Well, the original Mysterious Island, the book, also didn't have Luis Guzman as a goofy helicopter pilot.
[5:13] Fair enough.
[5:14] Or The Rock getting berries flicked at his pecs.
[5:16] We'll get there.
[5:17] They took a lot of liberties with the established material.
[5:20] Don't make the mistake that this movie made and get rid of all the best material up front.
[5:25] Should we talk about what happened in this movie?
[5:27] Yeah, let's discuss the plot a little bit.
[5:28] Okay, now I haven't seen the original Journey to the Center of the Earth, but I assume...
[5:32] They go to the fucking center of the earth and come back, probably.
[5:34] It's about a kid and Brendan Fraser and they go to the center of the earth.
[5:37] Yeah.
[5:38] In this one, the kid is back.
[5:39] Brendan Fraser's not.
[5:40] And the kid...
[5:41] Brendan Fraser's busy making furry vengeance.
[5:43] Making furry vengeance and having cameos in the G.I. Joe movies.
[5:46] Yeah, perfect.
[5:47] The kid in this, who you may recognize as PETA from the Hunger Games movie,
[5:51] is this irritating teen kid who intercepts a secret transmission in code that his stepdad, The Rock,
[6:00] not a rock, but Dwayne The Rock Johnson.
[6:03] The Rock.
[6:04] The Rock.
[6:05] Who doesn't go by the name The Rock anymore, but just by his real name, Dwayne Johnson.
[6:08] Who Dwayne Johnson, his stepfather, decodes.
[6:10] Apparently, this message says that the book The Mysterious Island by Jules Verne is actually true.
[6:17] And Vernians, which the kid considers himself one of and which exists in this world, I guess,
[6:22] believe the island was real.
[6:24] You know people who subscribe to Vern Beat, Vern Fancy, all the top Jules Verne magazines.
[6:28] Yeah, Tiger Verne.
[6:29] Yeah.
[6:30] Popular Vernanics.
[6:31] With the decline of the print industry, there wouldn't be as many Vern magazines.
[6:35] Vern is keeping that whole thing alive.
[6:37] GV, that's Gentleman's Vernically.
[6:39] Vernopolitan.
[6:40] Yeah, play Vern.
[6:41] I'm trying to think of a good Ernest-based joke.
[6:43] You guys might have to help me work on that.
[6:45] Sports Vernistrated.
[6:46] No, well, that's the thing.
[6:47] In the Ernest movies, when he would say, know what I mean, Vern, he was talking to Jules Verne.
[6:51] No kidding.
[6:52] Because Jules Verne predicted so much in his literature that Ernest assumed that Jules Verne
[6:56] had predicted his different adventures, going to jail, camp, scaring stupid, that kind of thing.
[7:00] It turned out that Jules Verne did know what he meant.
[7:02] Well, only because he did write a book called Journey to the Saving of Christmas.
[7:07] Yeah.
[7:08] So anyway, the message tells him that this island is the same island that inspired Treasure Island
[7:16] and Gulliver's Travels.
[7:18] And using information in those books, by which I mean a drawing that's on the front page of each of those books,
[7:23] they construct a map with coordinates of where the mysterious island is.
[7:28] Yeah, it's basically Goonies, right?
[7:29] Yeah.
[7:30] It's not basically Goonies.
[7:32] Goonies didn't invent finding a treasure map and then going to find the treasure.
[7:35] Well, and Goonies, didn't they have like a light box in their attic?
[7:39] I was bothered by the idea that like...
[7:42] To make a map?
[7:43] Didn't they find a map or something?
[7:45] Were we to believe that these were first editions of all three of these major works in literature?
[7:51] I assume so.
[7:52] I mean, that's the real treasure, isn't it?
[7:55] Why do they have to go find a fucking golden volcano?
[7:58] He rips out the maps and like overlays them in all three cases.
[8:02] And I'm like, so either these are first editions or we live in a world where like the map has,
[8:07] like the fake-ass map for this fake-ass place is the same in every book.
[8:11] Well, also because those books all came out at wildly varying times.
[8:15] Yeah.
[8:16] It's like the beginning of In the Mouth of Madness.
[8:19] In the Mouth of Madness when he rips the covers.
[8:21] But in each of those, Sutter Cain, the horror novelist, has designed the covers for his own books.
[8:26] And those could all be paperback first editions.
[8:28] That's a contemporary author.
[8:30] But this kid somehow has first editions of Treasure Island, Journey to the Mysterious Island.
[8:38] I'm getting my television set up.
[8:39] That's not the name of the title.
[8:40] No, it's just the Mysterious Island.
[8:41] And also Gulliver's Travels, which, correct me if I'm wrong, is way older than either of the other two books.
[8:45] Yeah, I think you're right on that.
[8:48] So Jonathan Swift was like, I'll just put part of this map here.
[8:51] And hopefully my brothers of the written word will pick up the mantle and carry my torch so that someday some whiny kid
[8:58] and his wrestler stepfather can go to this island because that's what they do.
[9:03] They go to Palau, which is the closest place to the island,
[9:06] and take up with helicopter pilot Luis Guzman and his sexy daughter, Vanessa Hudgens, who the kid is.
[9:14] We needed a character like that to show up at that exact moment.
[9:17] A character like what, a goofy character or a sexy character?
[9:20] Or both?
[9:21] A little bit of both.
[9:22] A Guzman-Hudgens type character.
[9:26] A Gudgens.
[9:27] I like to think that Luis Guzman is actually Gooseman.
[9:30] He's bitten by a goose and he has goose powers now.
[9:34] So they go in the helicopter.
[9:36] They fly right into a storm.
[9:38] The helicopter gets torn apart and they land on the shores of the Mysterious Island.
[9:43] Seems kind of boring initially, right?
[9:45] A little bit. It's just this rocky shoreline.
[9:47] Then they travel through a cave.
[9:49] But I mean they're alive.
[9:50] They are alive, yeah.
[9:51] That's pretty good.
[9:52] They crash their helicopter.
[9:53] Crash their helicopter in the middle of a hurricane.
[9:55] And they seem none the worse for wear.
[9:58] It's a movie.
[9:59] It's a miracle.
[10:00] I mean, God is obviously watching over them.
[10:02] That's the hidden message of Journey to the Mysterious Island.
[10:05] Have you heard the good news, by the way?
[10:07] Have you heard the good news?
[10:08] The Mysterious Island is real.
[10:10] The gospel according to Michael Caine's character,
[10:12] who shows up soon afterwards.
[10:14] They're walking through a cave
[10:17] and they enter on a verdant paradise.
[10:19] Waterfalls, tropical trees and whatnot,
[10:22] and also giant butterflies and tiny elephants,
[10:24] which gives the movie the title I gave it,
[10:27] Wrong Size Animals, the movie.
[10:30] Wrong Size Animals, colon, the movie,
[10:33] based on a true story.
[10:34] Yeah, of course.
[10:35] Just like Hot Dog, the movie.
[10:37] They put the movie at the end of the title.
[10:39] Oh, I thought it because it was based on a true story.
[10:41] Well, no, you'd look up at the marquee
[10:42] and you'd say, Wrong Size Animals.
[10:43] I wanna see this exhibit.
[10:44] No, it's a movie.
[10:46] But there are tiny elephants that you see for like a minute.
[10:49] The rock literally picks one up, they taunt it,
[10:51] and then he puts it back down again.
[10:54] So.
[10:55] Oh, they taunt it.
[10:56] And then Luis Guzman talks about how he wants to
[10:58] keep it and knit it a trunk warmer.
[11:00] That's true.
[11:00] That's the only animal that is normally large
[11:03] and is small in the movie, right?
[11:05] No, there's tiny sharks at one point.
[11:07] Oh, yeah, you're right.
[11:09] And the elephants were so much cuter.
[11:11] That's true, that's true.
[11:12] Well, they got trunks and everything.
[11:13] Okay, so we all agree on that, right?
[11:15] Yeah, the elephants were the cutest thing in the movie.
[11:17] Tiny elephant.
[11:18] Tiny elephant is amazingly cute.
[11:19] Goose flesh.
[11:20] Yeah, it goes tiny elephant, Luis Guzman,
[11:22] Vanessa Hudgens, and I guess Michael Caine?
[11:25] Yeah.
[11:26] In order of cuteness.
[11:27] Sure.
[11:28] Not necessarily attractiveness, just cuteness.
[11:29] Cuteness.
[11:30] Adorability.
[11:30] Yeah.
[11:31] So, they're walking through the forest.
[11:33] Uh-oh, they stumble on a field of giant eggs,
[11:36] giant lizard eggs, and there's the giant lizard.
[11:38] Ah, it's chasing him around, it's chasing him around.
[11:41] And then a giant.
[11:43] Were we supposed to throw in sound effects there?
[11:44] I mean, Dan, if you could add those in after the fact.
[11:47] Crash, chain mail.
[11:48] Lizard sounds.
[11:49] Crash, crash, crash.
[11:50] Running, running, scared.
[11:53] That's sound effects, right?
[11:54] When you just say what's happening.
[11:55] And then a giant log on vines swings by
[11:58] and hits the lizard, a la the Ewoks.
[12:02] It was a trap set up by Michael Caine,
[12:05] the boy's grandfather, who sent them the original message
[12:08] to draw them to the mysterious island.
[12:10] It seems he's a Vernian, too, and he discovered this island
[12:13] and wanted to lure his son there, I assume, to kill him?
[12:16] I don't know.
[12:17] Or his grandson.
[12:19] And I did it in code for some bullshit reason.
[12:23] Thank you.
[12:24] Man, how long have we been doing this
[12:26] and we just did Michael Caine?
[12:27] Still, only now broke out the Morris Micklewhite.
[12:30] Takes so much out of me, Stuart.
[12:33] Yeah, you only have so much Michael Caine inside you.
[12:36] And when I lose it all, I die.
[12:38] It's just like a thousand Michael Caines,
[12:39] the Eddie Murphy movie.
[12:43] There's a bunch of tiny Caines.
[12:45] So Michael Caine tells them it's gonna be another two weeks
[12:48] until the communication satellite is in a place
[12:51] where we can send another message.
[12:54] Let's explore this island.
[12:54] But then they find the ruins of Atlantis.
[12:56] It's very exciting.
[12:57] But uh-oh.
[12:58] For like two minutes, it's exciting.
[13:01] Because then the rock notices that salt water
[13:03] is leaching up through the soil.
[13:04] Turns out this island is sinking.
[13:06] Michael Caine says, don't worry, it sinks all the time.
[13:09] We have 14 years until it sinks.
[13:10] And doing an amazing amount of mental math,
[13:13] the rock says, nuh-uh, we've got a couple days at the most.
[13:17] We've gotta get off this MFN island.
[13:19] He doesn't say MFN, but.
[13:20] Yeah, but it's implied.
[13:23] And it's around.
[13:24] Look at his posture.
[13:25] It's around here when they're exploring
[13:26] and getting somewhere that maybe the best scene
[13:31] in the movie takes place where the rock says,
[13:34] hey, stepson, I know you've got a crush
[13:37] on Vanessa Hudgens.
[13:38] You are not.
[13:39] That much is clear.
[13:40] You are not sealing the deal with her.
[13:41] Here's how you do it.
[13:42] You have to make your pecs dance up and down.
[13:45] And he does that for like 30 minutes.
[13:47] You just see his pecs dancing.
[13:48] And then he says, flick a berry at me.
[13:50] Come on.
[13:51] And the berries bounce off of him and at the viewer,
[13:53] because this movie was originally shown in 3D.
[13:55] But he has to really push his stepson
[13:57] to flick one berry at him.
[13:59] And like finally he caves in.
[14:01] Yeah, and that's what's great.
[14:02] Like the screenwriters at this point,
[14:05] they're like, okay, we have this great joke.
[14:07] Let's start, let's work it.
[14:08] Let's work the audience a little bit.
[14:10] We got a berry flying at us.
[14:12] And then what happens, Dan?
[14:13] Well, the great thing is he is so,
[14:15] like the stepson is so.
[14:18] Let's just give him a name.
[14:19] I think his name is Alex.
[14:21] Seth, okay.
[14:22] Really?
[14:23] He is so embarrassed by this whole pectoral dance.
[14:26] He does not want to flick a berry.
[14:27] And then into the scene,
[14:29] he shuffles Louis Guzman.
[14:31] His name was Sean.
[14:32] Sorry.
[14:33] That's okay.
[14:34] We were both wrong.
[14:34] Into the scene, shuffles Louis Guzman.
[14:36] Who's like, I'll flick berries at you.
[14:39] He cannot be more excited.
[14:40] And grabs a whole handful.
[14:42] And just throws them.
[14:42] And Dwayne Johnson is like, yeah, go for it.
[14:45] Do it.
[14:46] Go.
[14:47] They're bouncing all over the place.
[14:47] They're bouncing here.
[14:48] They're bouncing there.
[14:49] And then Suzman bounces back into Louis Guzman's mouth.
[14:52] It is the most weirdly subtextual homoerotic scene
[14:56] I've seen in a children's movie in a long time.
[14:58] This is not counting later on when they both,
[15:00] they both ride someplace on a giant bee.
[15:02] And Louis Guzman says, can I ride with you?
[15:04] And the Rock looks a little exasperated,
[15:07] but a little excited about it.
[15:07] And then he grins.
[15:09] The naked enthusiasm at this man on man relationship
[15:12] is almost, it's infectious.
[15:15] I mean, Suzman really brings his A game to this movie.
[15:17] He is all energy, all the time.
[15:20] Constantly selling, even lines like,
[15:24] when a lizard is about to eat them.
[15:25] And he says, I hope it likes food
[15:26] that just pooped in its pants.
[15:28] Even that, he sells.
[15:30] He is a professional.
[15:31] Bravo to you.
[15:32] Bravo to you, Mr. Guzman.
[15:33] I think he at all times seems like a living teddy bear.
[15:36] And even him, none more so than in this movie.
[15:38] He's gooby, basically, is what you're saying.
[15:40] For about 15 minutes of the movie,
[15:41] he's riding on the back of that bee
[15:43] with giant bird shit all over him.
[15:46] He could not be happier.
[15:48] Yeah, exactly.
[15:48] Okay, so let's get to the bee part, huh?
[15:51] There's a giant volcano that spits gold.
[15:53] Let's not get into that.
[15:56] There's a volcano that spits gold.
[15:59] A volcano that spits gold.
[16:01] Let's not get into that.
[16:03] They've got to get to the top of a mountain
[16:04] so they can get across the island to find the Nautilus,
[16:08] Captain Nemo's famous submarine.
[16:10] Cause that's the only way they're gonna be able
[16:11] to escape from this island.
[16:12] This mysterious island, if you will.
[16:14] I mean, if it sinks, why don't they just swim away?
[16:16] Because they're in the middle of the Pacific Ocean.
[16:18] Yeah, hundreds of miles from Palau.
[16:20] So they would die.
[16:22] Okay, no, you're right.
[16:23] Okay, just wanted to let make sure you knew
[16:24] that people can't see.
[16:25] Why don't they ride on one of those giant bees?
[16:27] Even the bee probably wouldn't go that far.
[16:28] Bees can only survive on the mysterious island.
[16:30] And okay, so they've got to get to the top of this mountain.
[16:33] How are they gonna do it?
[16:34] Topless?
[16:35] They've got to get to the top of topless mountain.
[16:38] That's great.
[16:39] The thing is the mountain has winds that whip around it
[16:41] that tear the shirts off people's backs.
[16:44] They've only sent expeditions of busty bikini clad women
[16:46] up this mountain.
[16:47] Very sexy expeditions.
[16:48] Some might call it a great bikini off-road adventure,
[16:51] but not the great bikini off-road adventure.
[16:54] To save some kind of a rec center or some kind of a...
[16:56] It's a rec center and a dude ranch and a car wash.
[17:00] All in one.
[17:01] And I think it might be a school
[17:02] for special needs children too.
[17:03] Anyway, so any who, as I should say.
[17:06] Sure, thanks.
[17:07] They say, how are we gonna get to the top of this mountain?
[17:08] We're gonna fly up.
[17:09] And Michael Caine goes,
[17:10] I knew you were good for something to Dwayne Johnson
[17:12] because he's been ragging on Dwayne this whole movie.
[17:15] Of course.
[17:16] And suddenly Michael Caine is on top of a giant bee
[17:18] just flying around, laughing like a madman,
[17:21] like a drunk Santa Claus at a mall.
[17:23] Just like laughing his fool head off.
[17:25] Suddenly they're all riding giant bees,
[17:27] steering them somehow.
[17:29] I don't know.
[17:29] You yank on the back of their bee heads.
[17:31] I guess so.
[17:33] You got one antenna in both hands, each hand.
[17:37] The left antenna to go left.
[17:39] I don't think that's how bees work.
[17:40] Does the other thing.
[17:42] Listeners, go to your backyard, catch a bee,
[17:45] start yanking on its antennas and tell us what happens.
[17:50] Just tell us.
[17:51] Yeah, just do it.
[17:51] Just tell, or videotape it, I guess.
[17:53] So they're flying giant bees around,
[17:55] but what eats giant bees?
[17:56] Giant birds.
[17:58] So the birds chasing after them.
[17:59] The giant birds and the bees.
[18:02] You have your parents talk to you about it.
[18:04] Your giant parents.
[18:05] Don't you have the giant birds and the giant bees.
[18:08] So they're flying around.
[18:10] It's all this high-tech stunting
[18:12] where they've got to use evasive action
[18:14] to get away from these birds.
[18:15] The bees steer amazingly well.
[18:17] They handle like a dream.
[18:19] And at one point, to get these birds off their backs.
[18:22] To put you in one of these giant bee cages.
[18:23] Basically, imagine it's the speeder bike chase.
[18:26] The pollen undercoating, they put that in the factory.
[18:28] We can't take that out.
[18:29] Basically, just imagine the speeder bike chase
[18:31] from, what is that, Return of the Jedi?
[18:34] But instead of speeder bikes, swap in bees.
[18:38] And birds.
[18:39] Well, yeah, birds instead of stormtroopers, duh.
[18:41] It was just like that hit movie,
[18:43] Bag That Bird, AKA Catch That Kid.
[18:46] Because let me tell you,
[18:47] the birds wanted to catch that kid,
[18:48] and the kid wanted to bag that bird.
[18:50] And by bag, I mean escape from.
[18:52] So they were chasing each other, flying around.
[18:55] And my favorite part of it is that
[18:58] Michael Caine and Dwayne Johnson have a plan.
[19:01] They're going to play chicken, zooming towards each other,
[19:04] and then steer out at the last minute
[19:06] and let the birds chasing them hit their heads.
[19:08] And they're flying at each other, going, ah!
[19:10] And then the bees put on a sudden burst of speed
[19:13] and then get out of the way, and the birds hit each other.
[19:15] And it's like, so what?
[19:17] Did they just turn on the nitro boosters on the bees?
[19:20] Did the bees fart and go much faster?
[19:22] How did that happen?
[19:23] Probably sort of.
[19:23] The two birds explode in a cascade of feathers.
[19:26] They don't explode with flames.
[19:27] Yeah, but there's all these feathers,
[19:30] and the bee zooms out of that with Michael Caine on the back.
[19:34] And I think that was when my wife walked into the room,
[19:36] and I was like, what is going on?
[19:39] Let me tell you, I'm sure we've all had the same.
[19:41] And what was going on was three grown men
[19:43] sitting on couches, giving each other high fives.
[19:46] And the image of an overjoyed Michael Caine,
[19:50] laughing like crazy at the back of a bee
[19:52] as he flew through a cloud of feathers.
[19:54] I tell you, sometimes movies are magical.
[19:58] That's why, you ask why the.
[20:00] Lumiere brothers invented the booby camera. It is for that. So
[20:04] Melies wishes he had he had created this scene. Let me tell
[20:08] you. So anyway, they long story short, they get split up. Luis
[20:14] Guzman runs off on his own to look for gold because he wants
[20:17] to be able to send his daughter to college. Well, Dwayne and
[20:20] Sean are going to get the Nautilus and they got to swim
[20:23] underwater. There's a giant electric eel. They use that to
[20:25] repower the Nautilus. Uh oh, the island is crumbling and
[20:30] collapsing. Are they going to be able to get to the other heroes
[20:32] in time? Probably not. They do. Okay. And oh, thank God. And
[20:37] they and they all escape and that's pretty much it. Guzman
[20:41] keeps the Nautilus and becomes a rich tour guide leader. Does
[20:45] our young hero, does he get to keep his girlfriend? Vanessa
[20:49] Hudgens is now his girlfriend. She's moved all the way to the
[20:53] to go to college and be with him. And on his birthday, I guess
[20:57] he gets, he gets a letter in the mail from, uh, where's it from?
[21:01] Cameroon? And he's like, a letter from Cameroon? Who could
[21:04] this be? Oh, it's my grandpa. It's like, yeah, fuck. Of course
[21:07] it's your grandpa. Like he's your weird, weird world explorer
[21:11] grandpa. Who else do you know is gonna be Cameroon? Anyway. So,
[21:14] and then suddenly, maybe it's a letter from like a Cameroon
[21:18] prince asking for his bank info. Then third best moment in the
[21:23] movie after Barry's flicked at Dwayne Johnson's pecs and
[21:26] riding a giant bee through a cloud of feathers. Third best
[21:29] moment, Michael Caine walks in, duded up like a leather bike
[21:32] rider. Yeah. Imagine Rob Halford in like 40 years. But like in
[21:38] better shape than Rob Halford. The third like homoerotic moment
[21:41] in the movie too. Cause it was not like a leather bike rider. I
[21:43] mean, he was like a leather daddy. Like he was like an
[21:45] elderly. He was wearing a helmet. I mean, he had a little
[21:49] little cap on. Yeah. Like a little fucking strap. He wasn't
[21:53] wearing, he wasn't wearing like chaps. It wasn't like he, like
[21:58] we'd walked into that stereotypical gay bar in the
[22:00] police Academy movies is what you're saying. No, not really.
[22:05] That was a gay bar? That was terrible. I just thought that
[22:08] was a mustache club. Homophobia. I think that was, well, that
[22:13] was the scene that was originally meant for cruising.
[22:15] But it somehow got into the script for police Academy. Oh,
[22:18] but anyway, so he says, I'll go to blah, blah, blah, blah, blah
[22:22] in his voice, Dan, you do better. But he's like, oh, are
[22:24] you ready for another adventure? Because guess where we're going?
[22:27] And he holds up Jules Verne's from the earth to the moon.
[22:30] That's right. They're going to go to the moon. He said, we'll go
[22:33] into the motherfucking moon. That's what, that's why he said
[22:36] it. But without the swear word. Hot guitar lick. Kristen
[22:41] Stewart does a, wait, is that her name? What's her name?
[22:44] Kristen Davis. Kristen Davis. Yeah. From Sex and the City
[22:48] plays Sean's mom. So she then does like a spit take or
[22:51] something. She's like, uh, no way. And Dwayne Johnson goes,
[22:55] come on. It's just the moon camera zooms back out of the
[22:58] house, zooms back out of the continent, zooms back out of
[23:00] the planet, whips around the moon. We see the moon is there.
[23:04] Which is that's supposed to be a reveal. The existence of the
[23:09] moon is confirmed. And that's the end of the movie. And so I
[23:12] guess journey three, the moon is going to be the sequel. They
[23:16] have greenlit a sequel where I assume they go to them. Yeah.
[23:19] Where they assume they'll either go to the moon or maybe they'll
[23:24] just go around the world in 80 days, which seems like kind of
[23:27] a letdown.
[23:29] Yeah. I mean, they could, you could do that super easy. Just
[23:32] get on a plane.
[23:32] Yeah. But, uh, they're going to go to them with the, here's the
[23:35] thing.
[23:36] I feel like they can modernize journey to the center of the
[23:39] earth. They can modernize the mysterious island. If they
[23:43] modernize from the earth to the moon, they're just going to go
[23:45] to the moon. And they're like, there was a bunch of gray dust
[23:47] up there.
[23:48] Yeah. Not, uh, not bug aliens that they can frolic with.
[23:52] It should be, it should be oversized animals though. Right?
[23:56] Uh, if they, if they go to the moon and it turns out on the
[23:58] moon, animals that are normally big on earth are bigger and
[24:01] animals that are normally small on earth are smaller. So like
[24:05] turtles are the size of beetles and elephants are the size of
[24:08] skyscrapers.
[24:09] Okay. I mean, that's pretty great. I gotta say.
[24:12] Yeah. Also, uh, for some reason, sex is better on the moon. I
[24:16] don't know if they're going to talk about that. But it's a
[24:18] waitlist thing. And yeah, yeah. It's a waitlist thing. It's very
[24:23] hard to get into the moon. You, and you have a lot of sex on the
[24:29] moon. You may have a lot of, you may have a lot of
[24:32] extracurriculars. You may be a legacy. You're still going to
[24:34] get waitlisted because a lot of people want to have that moon
[24:36] sex. Look, maybe you got straight A's. Straight A's. You
[24:40] can be the valedictorian. There's a, it's a lot of
[24:43] competition. You know, you're better off going to a safety
[24:45] moon for safety sex. Just better chances. Just play the numbers.
[24:51] So wait, so is this like a weird like college sex comedy?
[24:55] Yeah, on the moon. It's called moon you. Get it? Because it's
[24:59] like they're mooning you, but also moon university.
[25:01] When you're having this moon sex, are you in some sort of
[25:04] like dual like space suit that covers both of you at the same
[25:08] time? Or you're on a moon base. You can't have sex on the
[25:13] surface of the moon. Actually, you can. They're called fun
[25:15] suits. But you know, that's what I would imagine. I would
[25:17] imagine a little flap. I imagine. Yeah, it's called moon
[25:20] you and the tagline is in space. No one can hear you come.
[25:24] And the lack of air kind of intensifies the organs. Oh,
[25:27] yeah. I mean, it's like you mean you don't strangle yourself.
[25:30] It's auto moonrock.
[25:33] Yeah, so that was gross. But I the in the book, I'm kind of
[25:38] curious to see how they would do it. Because in the book from
[25:40] the earth to the moon, they put a giant bullet shell inside of
[25:44] an enormous gun and fired at the moon. And I hate to break it to
[25:48] you guys. That's not a feasible way in these modern times of
[25:50] getting to the moon. So how do they get? They just kind of get
[25:55] back in and fall. Okay, I don't remember if they set off an
[25:58] explosion on the moon, I think the bullet just kind of falls
[26:00] back to earth. That sounds pretty good. That works. Yeah,
[26:03] that's science. So we watched this long movie now wasn't that
[26:08] long? It was originally an hour and 34 minutes. It was
[26:11] originally presented in all three dimensions. Do you feel we
[26:13] lost anything watching it in only two? Well, I hate to be a
[26:16] pedant. But we did watch it in three dimensions, with height
[26:21] and time. Okay, just because we didn't have the dimension of
[26:23] depth does not mean it was not a three dimensional movie. If
[26:25] anything, it should have been Journey to the Mysterious Island
[26:29] 4D. Okay, well, pardon me for a second while I drown Elliot in
[26:34] the tub. In what? He's got a he's got a cloth with a bathtub
[26:39] over there. Yeah, at least it's a classy bathtub we drown in.
[26:43] But yeah, this was originally a 3D movie. What we missed out on
[26:46] was a helicopter flying at our face, berries bouncing off of
[26:49] the rock's chest, bouncing in our face, a lizard jumping in
[26:53] our face, birds and bees flying in our face, that kind of stuff.
[26:58] A zoom in on the moon, perhaps? Yeah, although I don't know how
[27:01] that would work so well exactly in 3D because it's not like the
[27:03] moon is flying at your face is what would happen. That's how it
[27:06] would work. I also imagine a lot of the 3D was devoted to Vanessa
[27:10] Hutchinson's cleavage. I don't think so. The big part of this
[27:13] movie. I don't think really that it's a big part of the movie.
[27:16] It is a big part of this movie. If anything, it's the fact that
[27:18] she wears her shorts really low. Yeah, you kept pointing out
[27:21] those weird lines.
[27:25] You had a horrific, disgusting name for those lines. I just
[27:28] called them pelvic.
[27:29] I think it is a valid observation to say that this is
[27:33] a modern family film. And one thing that you don't normally
[27:37] get in a modern family film is the movie version of the TV show
[27:40] Modern Family. That sounds fucking great.
[27:44] A story that's big enough for whatever that family is that I
[27:47] can't remember their name.
[27:48] It's a family film made in our prudish age that has like our
[27:53] prudish, vivid video advertising on billboards in the public
[27:57] age.
[27:57] Like I feel like either things are pornography or they're
[28:00] scrubbed.
[28:00] No, you're right. Because for instance, when they do remakes
[28:03] of older movies, now they clean them up. The remake of Fame,
[28:07] they cleaned it up considerably. The remake of Straw Dogs,
[28:09] which is not a kid's movie, but they still cleaned it up
[28:11] considerably.
[28:12] And this is like a straight family film. And Vanessa
[28:15] Hudgens is wearing a noticeably like low cut top and tiny shorts
[28:19] through the entire thing. And I feel like the camera lingers on
[28:22] that.
[28:22] It's innocent, sexy. It's like a Frank Tashlin film.
[28:24] Yeah, sure. And I think I think the ladies get some too, dude.
[28:28] Dwayne Johnson is flexing his pecs a lot.
[28:32] And at least Guzman, you got you got both worlds. You got you
[28:35] got the hunky teddy bear. You got the cuddly teddy bear
[28:38] genius. I don't think he was a genius. He's a genius. No, he
[28:43] thought gold would be worth a lot of money. And then it's
[28:48] genius. Something everyone knows.
[28:50] Yeah, he doesn't even get the gold. He's rich because of the
[28:52] Nautilus tour. Yeah. Okay, the Nautilus that he didn't, he
[28:56] didn't find right now.
[28:57] Well, no, I don't know why he got to keep it.
[29:00] Because he was so good at driving it.
[29:01] But he almost killed them.
[29:02] It's like, you know, a submarine chooses its owner.
[29:06] It is like a magic sword.
[29:09] Exactly.
[29:10] So the Nautilus is like the sword in the stone.
[29:12] Exactly.
[29:13] One thing I'll mention that's not really related to the movie
[29:16] is that during the making, during the watching of this
[29:18] film, let's say the making of this film, during the watching,
[29:20] I came up with a term to describe Ewoks that I liked,
[29:24] which was teddy bear cavemen.
[29:28] You did come up with that. So listeners, write that down.
[29:33] Years when people are always using that phrase.
[29:35] You know, I invented it. And I'll get a shiny nickel every
[29:38] time.
[29:40] Yeah, so this is a pretty, this was a pretty colorful,
[29:44] cartoony movie that moved really fast, I got to say, until
[29:48] the end, the ending, it got kind of boring.
[29:49] Yeah, well, there's a little soul searching at the end,
[29:52] which it didn't need.
[29:53] For considering this a movie where they just ride around on
[29:56] giant bees, you didn't need soul searching.
[29:58] Although soul searching did lead to...
[30:00] The other thing that I never expected to see in a movie, which was Dwayne The Rock Johnson
[30:04] playing the ukulele and singing a song about flying around on giant bees.
[30:09] Maybe we forgot to mention this part, is that Sean, the kid, hurts his leg, and in order
[30:14] to take his mind off the pain, Michael Caine says that music is nature's painkiller, which
[30:19] is not true.
[30:20] No, painkillers are nature's painkillers.
[30:23] They have a ukulele because Louise Guzman plays the ukulele, and Dwayne Johnson plays
[30:27] the ukulele and sings, I guess, a parody version of What a Wonderful World, with lyrics tailored
[30:33] to the adventures they've had up to that point.
[30:35] It's probably on the CD soundtrack, right?
[30:37] Oh, I have to assume.
[30:38] Yeah, from Elektra Records.
[30:39] It's on iTunes.
[30:40] It's on Relapse Records.
[30:46] So yeah, so there's also a scene where Louise Guzman, while standing on a giant lizard egg,
[30:51] falls inside and then has a moment where he yells at a baby lizard.
[30:55] An unborn baby lizard, yeah.
[30:58] I mean, Louise Guzman is delightful.
[31:00] He's just really, he's likable through almost the whole movie, even when he's being stupid.
[31:04] Probably the best character.
[31:05] He's an American treasure.
[31:06] He's by far the best character.
[31:07] He is an American treasure.
[31:08] I think I could have watched more of a movie of Dwayne Johnson and Louise Guzman getting
[31:12] an adventure.
[31:13] And they'd match buddies.
[31:14] I have to say, like, I've never been a huge fan of Dwayne Johnson, but he has an undeniable
[31:18] charisma, and in this, he's like a really fun guy to watch in a movie, and he manages to
[31:23] carve out this character who is not a big, strong, dumb guy, and he's not, like, a know-it-all.
[31:30] He's like a very competent adult who, like, is a big, strong guy, but he never uses his
[31:36] strength in the entire movie, pretty much.
[31:39] Like, you could have Dustin Hoffman play the same role, basically, and you wouldn't have
[31:43] to tailor it too much, except for the peck scene would obviously get cut or made longer.
[31:49] But, like, Dwayne Johnson is just very, like, likable and plays a character who is very
[31:53] likable, and it helps cover up the fact that the kid, Sean, is a total cypher and not interesting
[31:59] at all.
[32:00] But, like, if the sequel was just Louise Guzman and Dwayne Johnson just having an adventure,
[32:05] like, that'd be awesome.
[32:06] Like, that'd be a great TV series.
[32:07] Yeah, go to the moon.
[32:08] I'll follow.
[32:09] Here's the TV show.
[32:10] Just lead.
[32:11] Here's the TV show.
[32:12] We call it Adventure Buddies.
[32:14] It's Louise Guzman, Dwayne Johnson.
[32:16] They have adventures.
[32:17] Sometimes they don't have adventures.
[32:18] Maybe their adventure is just going to the supermarket.
[32:20] It's an everyday adventure.
[32:21] Maybe they've got to return a library book before the library closes.
[32:23] And that's based on Everyday Adventures by Jules Verne, right?
[32:26] Yeah, it was during Jules Verne's very Seinfeld-inspired phase, when he just wanted to write about
[32:32] everyday things, yeah.
[32:34] There's that episode where, there's that volume where Captain Nemo has to wait for a table
[32:40] in a Chinese restaurant.
[32:41] It's terrible.
[32:42] Very funny, though.
[32:43] It would really weigh on his status as a Sikh Hindu guy or whatever.
[32:51] He's a prince.
[32:52] A Sikh Hindu guy.
[32:55] Two different religions.
[32:56] He is a prince.
[32:57] No, it's basically the same thing, right?
[32:58] He's a real prince.
[32:59] Well, they go with the Indian version of Nemo and not the Polish version of Nemo.
[33:01] There's two different versions of Captain Nemo.
[33:04] What?
[33:05] What?
[33:06] That's right.
[33:07] There are two different Nemos.
[33:08] You might even say there's Nemo than you expected.
[33:10] No, I wouldn't say that.
[33:13] Especially because it barely makes sense.
[33:15] Hey!
[33:16] Mo' Nemos, mo' problems.
[33:17] That's what I'm saying.
[33:18] When you're standing around the water cooler, you could say that all the time.
[33:22] When the character Captain Nemo comes up around the water cooler, I'll be sure to make that
[33:27] joke.
[33:28] Hey, Nemo problems.
[33:29] Nemo money, Nemo problems.
[33:30] He'll be like, oh, I'm so tired of that.
[33:33] Hey, I found Nemo.
[33:34] Found him, everybody.
[33:35] I found Nemo.
[33:36] Every time 20,000 leagues under the sea comes up, makes the same joke.
[33:41] Well, that reminds me of the great Saturday Night Live sketch where everyone's misinterpreting
[33:46] the phrase 20,000 leagues under the sea.
[33:48] 20,000 leagues under the sea.
[33:49] So we're 20,000 leagues under the sea.
[33:51] No, we are traveling 20,000 leagues while we're under the sea.
[33:55] What a funny sketch based on a very small misunderstanding.
[33:59] Tiny misunderstanding about the way.
[34:02] About the title of a 19th century book.
[34:04] About depth versus length.
[34:07] So anyway, journey to the center of the invisible world.
[34:10] We should move on to our final judgments on this.
[34:12] Was this a good, bad movie?
[34:13] A bad, bad movie?
[34:14] A movie you kind of liked?
[34:15] Elliot, go.
[34:16] You know what?
[34:17] I have to be honest with myself.
[34:18] I have to say a movie I kind of liked.
[34:19] It was really goofy and cartoony and stupid and not like a really good movie.
[34:24] But on the other hand, I enjoyed almost all of it.
[34:26] It showed me things I never thought I'd see in a movie such as Michael Caine riding a
[34:29] giant bee and Dwayne Johnson picking up a tiny elephant and then just putting it back
[34:33] down again.
[34:34] And even the part with the dancing pecks, which I did not like when I saw the trailer
[34:38] for this movie.
[34:39] In the movie, the movie knows that this is a stupid, crazy thing it's doing.
[34:42] So yeah, I kind of enjoyed it.
[34:45] Yeah.
[34:46] There's so much delight from Louis Guzman.
[34:47] He could not be happier.
[34:48] This is one of the few movies we've watched.
[34:50] It's his naked enthusiasm.
[34:52] This is like the innocence of a child.
[34:54] One of the few movies we've watched from Flophouse where I feel like the people involved in it
[34:59] at some point must have felt good about themselves, whereas most of the movies we see the people
[35:04] involved seem to hate themselves in some way.
[35:06] Some sort of deep shame.
[35:08] But what about you, Dan or Stuart?
[35:09] I would say that I actually also like this movie.
[35:12] I mean, I mean, it was very, it was short, but that doesn't mean like, you know, a lot
[35:18] of movies that we watch, we think, okay, this is 90 minutes long.
[35:22] It'll go by like a breeze.
[35:23] And then it just seems like a slog.
[35:25] Passion play was 90 minutes long and it felt like it was a hundred hours.
[35:28] This movie moved along very quickly with its plot developments.
[35:31] And there was always something sort of interesting going on.
[35:34] And if there wasn't something new would come along next.
[35:37] And I like seeing a movie with big monsters running around.
[35:40] I like seeing a movie with the cleavage running around.
[35:44] I like seeing a movie...
[35:45] She's like 14, Dan.
[35:46] She's not 14.
[35:47] Maybe 11.
[35:48] She's like 23 in this movie, at least.
[35:53] But she hasn't gone to college yet?
[35:55] Well, her father can't afford it.
[35:57] This is...
[35:58] She wants to go to the Palau state, but I'm going to fight in Palauans.
[36:00] This woman is a movie teenager, which means that she's in her mid twenties.
[36:03] Yeah, or in her forties.
[36:05] But yeah, I thought this movie was actually kind of fun and I enjoyed it.
[36:09] Stuart?
[36:10] Yeah, I mean, I agree.
[36:12] Everything you've said, I agree with.
[36:15] Louis Guzman, amazing.
[36:17] Vanessa Hudgens.
[36:18] Yeah, sure.
[36:19] She's got dimples.
[36:21] Around every corner, there's new vistas to explore.
[36:25] I will say, a lot of the effects are really obvious, kind of cheesy CGI, which works here
[36:30] because you're not supposed to take it too seriously.
[36:32] So watch it in super HD.
[36:34] Stuart kept saying throughout the movie, where did they shoot this?
[36:36] It's beautiful.
[36:37] I want to visit this place.
[36:40] Where do they find this field of giant lizard eggs to fall on?
[36:43] Yeah.
[36:44] Well, if you build it, they will come.
[36:48] That was the lesson of Field of Giant Lizard Eggs starring Kevin Costner, starring Kevin
[36:52] Cosney.
[36:53] So...
[36:54] I was just changing his name up.
[36:56] To an egg name?
[36:57] To an egg name.
[36:58] Yeah.
[36:59] Kevin Ostrich.
[37:00] Before we get into the letters, I've got a few pieces of business to...
[37:06] Best part of the show, but not yet.
[37:08] Sweep up.
[37:09] Best part of the show, wait a minute.
[37:12] Dan's got some thing that he's got to do.
[37:14] I don't know what it is.
[37:16] So let's hear what it is in a minute.
[37:19] Go ahead.
[37:20] But first...
[37:21] So, I'd like to first thank Dimitri T, Jessup W...
[37:25] Rawr!
[37:26] Yeah!
[37:27] And Robert...
[37:28] Oh, man.
[37:30] Hold on a second.
[37:31] The house cat is here.
[37:32] Okay.
[37:33] Hello, house cat.
[37:34] Oh, he left.
[37:35] He walked out.
[37:36] Rawr!
[37:37] He's back again.
[37:38] No, I'd like to thank Dimitri T, Jessup W, and especially Robert D for their generous
[37:45] donations.
[37:46] Thank you very much, all of you.
[37:47] Thank you, one and all.
[37:48] Thanks for helping us make this world go round.
[37:50] Just a few minutes more.
[37:51] Yeah.
[37:52] Whatever that means.
[37:54] in...
[37:55] It's been a long time since we've...
[37:56] It's been a long time...
[37:57] What?
[37:58] ...since we've actually...
[37:59] Getting from there to here.
[38:00] All right.
[38:01] Stop singing your Star Trek themes.
[38:02] It's been a long time...
[38:03] Sorry.
[38:04] ...since we've actually mentioned a few things on the show, one of which is the website address.
[38:11] Okay.
[38:12] We have a website.
[38:13] www.flophousepodcast.com, where you can go and see show notes and see plugs for other
[38:20] things that we're doing and get a link to the Facebook page, where we have a rich and
[38:25] engaged...
[38:26] Oh, yeah.
[38:27] ...fan community.
[38:28] The Floppies on the Facebook are always ready to discuss anything.
[38:30] They're a bunch of great folks, and they make crazy jokes up, and I love talking to them.
[38:33] Yeah.
[38:34] So you should, too.
[38:35] And you can also find a link to the Flophouse wiki, which is...
[38:39] If you ever want to stir up a really intense conversation about DuckTales, Nicolas Cage...
[38:46] The Sight and Sound Top Ten list...
[38:48] Sure.
[38:50] ...or what Dan is, just go to the Flophouse Facebook page.
[38:53] You just really want to insult me in a way that seems funny at the time, but just chips
[38:58] away at my self-esteem over the years.
[39:00] The Flophouse Facebook page is a safe place to do that.
[39:03] Yeah.
[39:04] And the Flophouse wiki is, as always, wonderful, well worth spending a couple hours or a couple
[39:09] hundred hours exploring.
[39:10] Yes, especially if you're new.
[39:11] Or like 10 million hours.
[39:12] It's a good...
[39:13] It'll clue you in on some old in-jokes.
[39:15] Either that or it will confuse you further about those in-jokes, but for the very least,
[39:18] you'll find the plot for my screenplay pitch, Million Dollar Getaway, which I'm still willing
[39:23] to sell to Hollywood for $700,000.
[39:25] And I also wanted to mention the Flophouse email.
[39:28] The longest email in podcasting, which is theflophousepodcastatgmail.com.
[39:34] Theflophousepodcastatgmail.com.
[39:37] Any dashes or spaces or...
[39:40] No.
[39:41] Terrible, terrible email address.
[39:42] One long word.
[39:43] One very long word.
[39:44] Are we plugging stuff now, or should we wait later to let the letters...
[39:45] We should wait till later, but...
[39:46] Okay.
[39:47] After the letters, we'll do some plugs.
[39:49] So...
[39:50] People have probably turned off their podcast machines already.
[39:52] They're called iPhones.
[39:55] But we'll move on to letters.
[39:57] This first one is from Stefan, last name without...
[40:00] I assume the last name is Raquel.
[40:02] Possibly.
[40:03] It's a letter from Stefan Raquel, the cool version of Steve Urkel that he gets when he
[40:07] drinks a potion or he gets into a machine or some shit?
[40:09] I don't know.
[40:10] Yeah.
[40:11] So wait, it's cooler than Steve Urkel, but that guy's really smart and gets really good
[40:14] grades, Elliot.
[40:15] Shouldn't he be cool?
[40:16] Hmm.
[40:17] Well, let me explain some things to you, Stuart, after the podcast.
[40:20] This is an apt email for tonight's movie.
[40:23] It's titled 3D or Not 3D?
[40:25] It's titled, Why Don't You Guys Watch Journey to the Mysterious Island?
[40:28] Well, we did, Stefan.
[40:29] Thanks.
[40:30] Why don't you go fuck yourself?
[40:32] Whoa.
[40:33] Whoa.
[40:34] Whoa.
[40:35] You are putting words in my mouth that I thought but did not say.
[40:37] So this is titled 3D or Not 3D?
[40:40] It's 3D.
[40:41] Of course.
[40:42] I mean representatives of the house of flop.
[40:44] Thank you.
[40:45] I've been a longtime fan of the podcast.
[40:47] I've gone through the entire archive several times.
[40:49] You never fail to entertain with your fantastic movie pitches, growing list of original Batman
[40:54] villains, discussion on the intricacies of DuckTales, and, of course, words that sound
[40:59] like other words.
[41:00] That's what we do.
[41:01] Recently, I was helping my parents pick out a new TV.
[41:04] Like all other mundane tasks, this reminded me of the flop house.
[41:08] My father, who unironically loves bad movies and is unaware of their crapitudinny, wanted
[41:14] a new television with 3D displaying possibilities.
[41:17] Of course.
[41:18] As the original pitches may have noticed, many recent flops have been released in 3D.
[41:21] Much like tonight's.
[41:22] To help the failing movie industry get more butts in theater seats, as most people seem
[41:26] to prefer watching movies in the comfort of their own home to sitting in an overpriced
[41:29] movie theater.
[41:30] I would say it's really more to squeeze extra dollars out of ticket sales.
[41:33] It's basically the same thing, though.
[41:35] Nope.
[41:36] Have you floppers considered upgrading your movie watching setup?
[41:39] Why don't they do some kind of a deal where when you buy a ticket, you get a free bag
[41:43] of popcorn?
[41:44] Well, popcorn is where the movie theaters make their profits.
[41:47] So what if you buy a bag of popcorn and you get to see a movie for free?
[41:51] Again, then the studio doesn't make any money.
[41:54] Okay.
[41:55] Anyway.
[41:56] We'll hash this out.
[41:57] Those are both unfeasible.
[41:58] Have you floppers considered upgrading your movie watching setup to be able to watch
[42:03] your beloved bad movies in shitty post-conversion 3D, the way marketing executives intended
[42:08] them to be seen?
[42:09] I'm thinking specifically of movies like Drive Angry 3D, Rated R, or the inevitable and
[42:14] justified Flophouse entry, Ghost Rider Spirit of Vengeance.
[42:18] So basically anything with 3D with Nicolas Cage and his vast array of wigs.
[42:21] So this movie, this letter was written before we watched Ghost Rider Spirit of Vengeance.
[42:24] A blast from the flop past.
[42:26] It's like the past is talking to the future.
[42:29] It's like that episode of The Saved by the Bell where they unearth that.
[42:32] The Saved by the Bell.
[42:33] Someday I'll make it through an entire episode.
[42:34] Oh, I remember that time capsule episode from the old, and they bury their own at the end,
[42:37] right?
[42:38] Yeah, and they're the only ones who get to contribute.
[42:40] I feel so bad for all the other students who don't get to contribute.
[42:44] The subtext of Saved by the Bell is just like the Twilight Zone episode, It's a Good Life.
[42:48] Zack, Kelly, Screech, Slater, and Jesse, our heroes, and Lisa have mind powers that
[42:53] allow them to change reality.
[42:55] They cut Bayside off from the rest of the universe a long time ago, and they run that
[42:59] place.
[43:00] That's how they can go into Mr. Belding's office whenever they want.
[43:02] Sure.
[43:03] And can't Zack Morris stop time?
[43:05] Okay, well, things will make more sense if you don't interrupt me.
[43:08] And a homeless man in his house.
[43:11] So read it.
[43:12] Meaning this digression.
[43:13] No, I can't when you're talking over me.
[43:15] If so, what would it take for you to make the switch to 3D, and would it involve an
[43:19] eccentric millionaire, and how would boxing alligators figure into the equation?
[43:23] Oh, good question.
[43:24] Very good question.
[43:25] That's from 7LastDanWithheld.
[43:26] Well, if we found an eccentric millionaire who boxed alligators, a la the happiest millionaire,
[43:31] then I think maybe Dan would take a 3D TV.
[43:33] But Dan, you actually have some TV news.
[43:35] He's just got a new TV.
[43:36] He upgraded the television.
[43:37] I avoided a 3D television.
[43:39] And why?
[43:40] What was your thinking behind that?
[43:41] Because they're terrible, and they make everything look awful.
[43:44] But why else?
[43:45] Well, but on top of that, elaborate.
[43:48] In the process of buying a new television, like, it's no secret to long-time listeners
[43:52] that I live in a Brooklyn apartment, and Brooklyn apartments are not huge.
[43:56] Spacious.
[43:57] Speak for yourself.
[43:58] I live in a palace.
[43:59] You do live in a palace.
[44:00] A golden palace, with the three surviving golden girls.
[44:03] You've been a television writer longer than I have.
[44:05] And only one surviving golden girl.
[44:07] Oh, my God.
[44:08] I've got two golden girl corpses in my apartment.
[44:10] But I found in the course of shopping for a new television that you no longer can get
[44:17] a reasonable-sized TV.
[44:19] They only make the big ones.
[44:20] They only make big ones.
[44:21] They either make, like, small ones that you're supposed to put in your kitchen, because apparently
[44:25] you have to watch television while you're in your kitchen now.
[44:27] I grew up in a house with a TV and a kitchen, okay?
[44:30] So we're not crazy.
[44:31] We're not hill people, all right?
[44:32] We're not monsters, just because we have a TV in the kitchen.
[44:35] Yeah, it's not like you're watching the TV and, like, burning your hands on hot French
[44:39] fry grease.
[44:40] Why would you need that?
[44:41] Look, if the other TV is in my parents' room and my sister has friends over and they're
[44:44] in the basement, where am I going to watch USA Up all night but on the kitchen TV?
[44:47] Okay, fair enough.
[44:48] But the point is...
[44:49] I rest my case.
[44:50] You can't get a television that fits in a reasonable apartment size anymore.
[44:55] No.
[44:56] You have to get, like, a 50-inch fucking...
[44:57] Well, they want you to mount it on your wall.
[44:59] Yeah.
[45:00] And I feel like that's...
[45:01] 50 inches would actually be very small for a whale, but continue.
[45:04] But that's where, like, you get into all these crazy accoutrements, which I don't want
[45:08] in the first place.
[45:09] Yeah.
[45:10] So we're left with two options.
[45:11] Okay.
[45:12] Either this giant TV and we have to sit in somebody else's apartment and watch it through
[45:16] the window, or this teeny little TV and Elliot has to sit on my lap and Dan has to kind of
[45:21] snuggle in there.
[45:22] Wait, I don't understand why we're squeezing together when the TV is so small.
[45:25] There's more room in the room.
[45:26] We need to get closer to each other.
[45:27] I don't know.
[45:28] I don't understand either, but Stuart says it's the only way, so I think we should try
[45:31] that.
[45:32] All right, well, let me get on your lap.
[45:33] So today we watched Journey 2 in somebody else's apartment while your wife, Sarah, held
[45:39] a cell phone up to the speaker and we could listen to it.
[45:43] It worked great.
[45:44] It was kind of in three dimensions.
[45:46] I would say I still am having... and maybe it's because I'm an old-time fuss budget and
[45:50] a curmudgeon, but I have trouble believing that 3D television really is the way of the
[45:55] future because the things that are on television are not shot so as to look good in 3D.
[46:01] I don't mean they're not taking advantage of the depth of field.
[46:06] I mean you don't get a lot of shows that have full figure people walking around.
[46:10] Are you going to want to see a big 3D close-up of Drew Carey's face or the characters on
[46:17] True Blood or whatever?
[46:18] No, of course not.
[46:19] Even sports is not going to look good in 3D.
[46:22] I think 3D TVs is a fad unless they somehow change the way television is shot and presented.
[46:28] And the first thing I imagine when they present these 3D TVs where you have to wear a set
[46:34] of glasses to watch it is guys getting up to go to the bathroom and bumping their legs
[46:38] on their coffee table.
[46:39] Or bumping their legs on the TV people that are now three dimensions.
[46:42] Yeah, exactly.
[46:43] I also, just me and myself, am not a huge fan of 3D movies.
[46:46] I find it makes my head hurt and it makes it harder for me to take in the whole screen
[46:49] as one composed image.
[46:50] So no thank you, Beowulf 3D.
[46:52] That was one of the better ones.
[46:56] So this next one is a recommendation from Paul, last name withheld.
[46:59] Paul Lind.
[47:00] I admit I'm going to read it mostly for the postscripts, so keep tuned in.
[47:05] Okay.
[47:06] I wanted to send you a quick recommendation.
[47:08] I recently watched Gareth Edwards' little scene 2010 film Monsters, which while not
[47:13] perfect, is an interesting contrast to films like Cloverfield or, insert Dan style sigh,
[47:19] Godzilla.
[47:20] It's contemplative and thoughtful while those are frenetic.
[47:23] Apologies if you've already seen it, but I thought I'd suggest it just in case.
[47:26] P.S.
[47:27] Dan, I thought you'd like to know that my wife, when hearing the podcast, said that
[47:32] the sad sounding fellow who steered the conversation was her favorite.
[47:36] P.P.S.
[47:37] Okay, that's a lie.
[47:39] What she actually said was, huh, and hasn't listened to another episode.
[47:43] Sounds like Elliot's wife.
[47:45] P.P.P.S.
[47:46] She's definitely listening to the episode part.
[47:48] P.P.P.S.
[47:50] But to head off Dan's inevitable question, yes, my wife has a nice ass.
[47:54] Paul, it's amazing how well you predicted Dan's mind at that point.
[48:00] Thank you for your ass news.
[48:03] As usual, that should be sent to theflophouseasscast at gmail.com, but understandable since Dan
[48:10] does talk about wives' asses on this show.
[48:13] I did it once.
[48:16] While we were watching the movie, he talked about that ass.
[48:19] Vanessa Hudgens's?
[48:20] No, the other one.
[48:21] Michael Caine's?
[48:22] That was Elliot!
[48:24] You're now attributing things that Elliot said to me.
[48:26] You agreed with what I said, though.
[48:28] Yeah, but I thought it in my brain.
[48:30] You said it a lot.
[48:31] You said it like two seconds before you were going to say it.
[48:34] I said, and I quote, Kristen Davis has a nice caboose.
[48:37] And you said, I was just thinking the same thing.
[48:40] Although I don't know if you were thinking the word caboose.
[48:42] Yeah, I wasn't as charmingly old-timey about it.
[48:45] But Monsters is an interesting movie.
[48:49] On the subject of wife asses, Monsters is a good movie.
[48:53] Thanks.
[48:54] So this is from Flophouse superfan Remy Lastname Withheld.
[48:58] Hi, Remy.
[48:59] She says, the universe cries in agony because of this unexplored avenue of comedy.
[49:05] When I heard you mention that the house cat is practicing for a Shakespeare play,
[49:10] I was expecting a patented Flophouse tangent.
[49:12] I think you forgot that we forget things as soon as we say them.
[49:15] The entirety of creation was sorely disappointed when no such tangent materialized.
[49:19] God damn it, guys.
[49:20] Now all of creation is in a state of chaos.
[49:23] I demand you rectify this.
[49:24] The scales of time cannot be off balance for more than two months.
[49:28] Otherwise, the gates of eternity will collapse.
[49:30] Very true.
[49:31] P.S. Hey, Stuart, what did you think of The Dark Knight Rises?
[49:33] Does it compare well to Castle Freak?
[49:35] When you think about it, Batman lives in a mansion, which is kind of a castle.
[49:39] Also, Batman's kind of a freak because he's a weirdo who dresses up like a bat.
[49:43] Is he a better Castle Freak than the original?
[49:45] The question then is, does Batman rip his own ding dong off?
[49:49] The answer is yes, just like in the original movie, Castle Freak.
[49:53] Directed by Stuart Gordon, starring one Jeffrey Combs.
[49:57] Would Batman be a better Castle Freak than me?
[50:00] yes it would be a better castle freak than the actual freak now of course
[50:04] i'm sorry remi
[50:05] but nice try
[50:06] uh... put that one over on me
[50:09] but this uh...
[50:10] this this this shakespeare play uh... yeah it was i forgot that the house cat
[50:13] was uh...
[50:15] well like a king leer type figure
[50:18] cat leer it's called
[50:20] he divides up the litter box between his three kittens thinking they'll love him
[50:24] more but in fact
[50:25] two of them
[50:26] catterall and regat love him less
[50:29] and of course cat delia always loved him
[50:32] but wouldn't make a big show of it
[50:34] and there's all the others there's the subplots of the two twin brothers catward
[50:37] and catmund and of course uh... puster
[50:40] their father okay so everybody you're welcome i just gave you a chance to see
[50:45] how much uh... stuff elliot knows about shakespeare well king leer i know
[50:49] quite a bit about but some of the other ones don't ask me to do any timone of
[50:53] athens stuff oh no no coriolanus riffs from you except that timone of athens is
[50:58] the only shakespeare play to star emmy or cat
[51:01] to me to me out of athens
[51:05] to me out of athens
[51:07] okay good stuff moving on
[51:11] this letter is from john last name withheld uh... hey john
[51:15] hi john thanks for writing in
[51:17] it's a letter titled
[51:18] elliot doesn't know what a zeppeli is
[51:21] and it goes on to say what kind of new york podcast is this
[51:26] p.s. write a pilot for thepheus and stelios tv series and i'll work on that
[51:31] pilot
[51:32] uh... as for zeppelis
[51:34] that was a food thing right yeah i don't give a rat's everything it's an italian
[51:38] fried dough
[51:40] yeah but have you ever been to a street fair in new york i avoid them because i
[51:43] don't that's not where i want to buy my underwear socks or funnel cakes
[51:47] but they have the softest socks the sign says that the socks are the softest
[51:51] the world's softest it's rare that i'm in the market for mismatched socks bras with holes in them
[51:57] or uh... gyros so you know
[52:00] how about watercolor paintings of the new york skyline nope don't want that either
[52:05] alright
[52:06] uh... or t-shirts for local bands
[52:08] okay so uh... yeah and i'm not a fan of i don't know anything about zeppelis
[52:13] of course zeppeli marks i'm familiar with
[52:15] the least funny of the marks brothers
[52:18] but the most fried
[52:20] uh... and this last
[52:21] this last uh... flophouse letter
[52:25] comes from dan last name disclosed berube
[52:28] or berube
[52:29] and it's titled way to disclose that name dan mccoy i'm making fun of dan mccoy here
[52:34] not you dan he doesn't have a phonetic uh... dan berube or beruba
[52:37] if you really wanted to disclose his last name he would have had a phonetic spelling
[52:41] but uh... as someone whose last name is mispronounced all the time i
[52:45] sympathize with him and thank you for writing and thank you for writing and
[52:48] listening his letter is titled vindication
[52:52] dear the flophouse
[52:53] as the guy who wrote that ding dong gate letter almost a year ago
[52:58] i would like to thank dan mccoy for having the courage to support my
[53:01] campaign for the truth
[53:03] courage is that rosa parks there is no ding dong ripping and cash a freak
[53:08] mister wellington
[53:09] the american and canadian people have spoken
[53:11] dan you are truly the bernstein to my woodward
[53:14] and for that i thank you stewart that makes you richard nixon
[53:17] and elliot i guess you're ben stein okay i look forward to your hilarious game show
[53:22] and misguided climate change documentary well my life goal is really the clear
[53:27] eyes commercials and i've always dreamed
[53:29] of of turning on a shower head over a beach ball
[53:33] just like ben stein if the end result of me telling you that a dude rips his own dick
[53:37] off in a movie
[53:38] got you to watch castle freak then i've done a service to both you
[53:44] dan who i'm sure was sitting here at two in the afternoon
[53:47] furiously writing down the time of his dvd player for when that scene actually
[53:52] happened so he could prove to be
[53:54] that didn't happen
[53:56] uh... i did you all service and you know what
[53:59] that makes me pretty great i'm not quite sure why i was ben stein in that scenario
[54:04] uh... very at least i should be like spiro agnew
[54:08] uh... jerald ford
[54:09] how about a mcnamara
[54:11] uh... mcnamara just one of them
[54:14] just one of the many mcnamara's littering the floor
[54:17] just lying around pick up any mcnamara it doesn't matter you'll be that one
[54:22] so uh... we all got a little bit of burned in that letter segment yeah we
[54:26] did those letters those letters took no prisoners
[54:30] there's a distinct lack of respect among the fans something tells me we have
[54:34] engendered this among the fans
[54:36] you know they're always keeping us on our toes guys
[54:40] can't just can't be slouches
[54:42] it isn't always letters written by dan about how great dan is
[54:47] so uh... this final segment of the show is where we recommend movies that we
[54:52] usually seen recently not necessarily
[54:54] but movies that we like
[54:56] in contrast to the usual dross we watch although we all kind of enjoyed journey
[55:00] to dross oh well
[55:03] uh... look at alfred lord tennyson over here
[55:06] is there a movie you would like to recommend
[55:08] uh... i do this afternoon before i drink a bunch of beers
[55:12] i sat in my living room and watched the raid
[55:15] colon redemption i want to see that for american that was for american release
[55:20] which is i guess indonesian
[55:24] no matter it's uh... it's a great movie about a bunch of uh... swat team dudes
[55:28] who go into this tenement building and then have to beat all these dudes up
[55:33] if you like to meet each other up and like grunting a lot and shouting those
[55:37] are things i like
[55:38] uh... and for a movie that features a fair amount of cgi blood
[55:43] you guys all know i'm an outspoken opponent usually a deal-breaker for you
[55:47] in this case even when zatoichi himself is spraying that cgi blood
[55:51] in this case it didn't bother me as much
[55:53] uh... i guess it might have been the grunting or the shadows
[55:57] uh... so run don't walk to my living room and watch
[56:01] the raid after colon redemption
[56:05] that's where it's playing right now? that's where i want to watch it again so you should come
[56:08] over and watch it with me
[56:10] thanks
[56:11] love stewart
[56:14] uh... i you know i a little bit
[56:17] ago i re-watched uh... i was home
[56:20] at night
[56:21] uh... the wife was out
[56:23] yeah paint us a weird picture of your life
[56:25] just get to the movie would you? i wanted to watch something fun
[56:28] i wanted to watch something fun and light
[56:30] and i re-watched... so the sorrow and the pity
[56:33] cello
[56:34] i re-watched uh... galaxy quest which i don't think i've seen in full since i saw it
[56:41] uh... in the theater when it came out i've seen bits and pieces obviously on television
[56:44] because i feel like it's always on television
[56:46] but um...
[56:47] i really enjoyed it and watching it again
[56:50] it sort of struck me
[56:52] that it wasn't necessarily that
[56:54] it's the most hilarious comedy like i didn't find myself laughing out loud a
[56:57] lot at what was happening loling the kids call it uh... yeah i mean other than
[57:01] i actually thought that tony shalhoub's line readings as like the weird
[57:06] totally sort of spaced out possibly stoned
[57:08] uh... actor
[57:10] were really funny
[57:11] uh... but in general it wasn't necessarily that
[57:13] it was a comedy where the jokes were so hilarious but it was so well constructed
[57:18] that's tony shalhoub's character? yeah
[57:20] i thought that was uh... sam rockwell's character? sam rockwell is the nervous guy who
[57:24] thinks he's going to get killed oh okay i got it mixed up
[57:26] but um... and he's very funny too but but but by and large what i found most
[57:31] enjoyable about it was it was just a super well constructed movie
[57:35] where
[57:36] everything pays off really nicely and
[57:39] you feel really good about all the character arts it's just a movie that makes you feel
[57:43] good about what happens in it like prometheus exactly like prometheus
[57:48] speaking of galaxy quest that tim allen guy you know he's he's a rising star
[57:53] one of these days he's going to get his hit
[57:56] he's had many
[57:58] okay so elliot i'm surprised you didn't mention sigourney weaver's cleavage
[58:02] since that's your thing
[58:04] yeah that's my thing
[58:06] it's my thing dan alone of all men of all men i enjoy cleavage
[58:11] i don't get the big deal at his own mouth yeah it's
[58:15] you know whatever it's like a chest butt
[58:21] well said stewart you're the poet of modern age
[58:24] he's the poet laureate of filth
[58:27] uh...
[58:28] i am going to risk
[58:30] cliche
[58:31] about my being a brooklyn indie movie watcher and i'm going to recommend a
[58:35] movie i saw this weekend
[58:37] that i liked a lot called beasts of the southern wild which you've probably heard
[58:40] of
[58:41] oprah liked it it's one of those indie movies that
[58:44] gets a huge marketing campaign and everybody's talking about it as if they
[58:47] assume nobody else has heard of it because it's a small movie
[58:50] but everyone's heard of it that's i call it blur witch project syndrome
[58:53] where everyone would say
[58:54] have you heard about this movie blur witch project? yeah of course i have
[58:57] there are commercials for it all the time come on people
[58:59] but uh... elliot's recommendation comes with a heaping help
[59:03] helping of irritation that's me
[59:05] uh... but i actually enjoyed a lot i found it to be
[59:08] both
[59:09] touching and funny and
[59:11] very well put together
[59:12] and especially for a movie that's very episodic or rather or picaresque if you
[59:16] will
[59:17] uh... i will
[59:18] it holds thank you thank you for doing that
[59:20] it holds together nicely and has some really great performances in it by some
[59:25] non-professional actors and i really liked it a lot
[59:28] so that's what i'd recommend beasts of the southern wild
[59:31] so guys we've come to the end of another quest
[59:35] another
[59:36] it's the laziest quest
[59:39] to sit in a rodeo
[59:41] what are you trying to do over there? well we found curly's gold everybody
[59:46] turns out there was less of it than we anticipated
[59:49] so we actually lost money on this expedition turns out he didn't have a lot of gold
[59:53] we had to outfit people with mules
[59:56] pickaxes shit's way expensive we had to take that old map
[1:00:00] like burn it around the edges to make it look really old.
[1:00:02] I see your coffee all over it, so I apologize to all of you, but the podcast turned out
[1:00:07] okay.
[1:00:08] Yeah.
[1:00:09] Yeah.
[1:00:10] It turns out Curly's Gold is inside all of us.
[1:00:11] I give it a hundred.
[1:00:12] We shouldn't have eaten Curly's Gold.
[1:00:13] We thought it was gelt.
[1:00:14] We thought it was chocolate.
[1:00:15] It's really way heavy in my stomach.
[1:00:16] Yeah.
[1:00:17] It's not good for you to eat.
[1:00:18] So we should go past that probably.
[1:00:19] TMI.
[1:00:20] For the Flophouse, I've been Dan McCoy.
[1:00:31] I'm still Stuart Wellington.
[1:00:33] And I am as ashamed as can be to admit I am Ellie Kaelin.
[1:00:36] Good night, everyone.
[1:00:37] So I'd say like 97%, maybe 100%.
[1:00:38] What do you think?
[1:00:39] Of what?
[1:00:40] This podcast.
[1:00:41] Is what?
[1:00:51] It's a comedy dynasty.
[1:00:53] His father was in comedy.
[1:00:54] He was in comedy and his daughter's in comedy.
[1:00:56] Like the show Dynasty.
[1:00:57] Nope.
[1:00:58] It's worthless.
[1:00:59] Wait.
[1:01:00] Wait.
[1:01:01] What was that show about?
[1:01:02] It was about a comedy dynasty.
[1:01:03] The Manchu dynasty.
[1:01:04] Comedy dinosaurs?
[1:01:05] Yeah.
[1:01:06] That was the show Dinosaurs.
[1:01:07] False comedy.
[1:01:08] Let's do this.

Description

Apologies for the lack of more detailed show notes, as 2/3 of the Flop House are busy traveling for the GOP and Democratic conventions.

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