liveshow Episode #290 Oct 14, 2017 01:24:20

Transcript

[0:00] On tonight's episode, we discuss Rings.
[0:03] The movie, not the things.
[0:07] And we're in Los Angeles.
[0:30] And there's no change to the original lineup, dude.
[0:42] All right, let's start the actual podcast.
[0:44] Works nicely.
[0:46] Beautiful intro.
[0:47] Michelangelo the Ninja Turtle has long been a member of the cast.
[0:51] Okay, let's start it up.
[0:53] Hey, everyone, and welcome to the Flophouse.
[0:55] I'm Dan McCoy.
[0:56] I'm Elliot Kalin.
[0:57] And I'm Jordan Morris.
[0:59] Sorry, I was still doing my Stewart impression in the first syllable of that.
[1:02] I'm Jordan Morris, filling in for Stewart Wellington.
[1:04] Hi.
[1:05] And we are live at the Regent Theatre in Los Angeles, California, USA.
[1:16] Now, we've already explained to the live audience,
[1:20] but we should explain to the people at home that Stewart cannot be here for this live show.
[1:23] Stewart, unfortunately, is lame.
[1:26] Yeah, well, literally.
[1:29] A literal sense of lame.
[1:31] That's not a word I should have used.
[1:33] Stewart hurt his back.
[1:35] Through some combination of having a week back
[1:39] and playing eight hours straight of board games,
[1:44] he somehow hurt his back, and he could not be here with us tonight.
[1:47] But we have filling in the ever-capable, ever-also-white-guy-with-brown-hair,
[1:53] Jordan Morris.
[1:56] Now, you're a listener of the podcast, right?
[1:59] Yes, I'm a fan, so I feel like I've won a contest or something.
[2:04] It's like a real-life Judas Priest story right up here on stage.
[2:09] Yeah, no, I mean, I actually...
[2:11] Care to explain that reference?
[2:13] For a while, Judas Priest was led by a frontman
[2:16] who had previously been the frontman of a Judas Priest tribute band.
[2:19] All right. Carry on, Jordan.
[2:22] They made two albums together.
[2:25] Not their best. There's a few okay songs on there.
[2:27] And then it was primed for the glorious return of the man himself, Rob Halford.
[2:31] Oh, yeah! Let's listen to another one of Rob Halford's great hits.
[2:35] Play it.
[2:39] We're supposed to play... You got another thing coming.
[2:41] Okay. Did not have the rights to that.
[2:44] Did not clear that.
[2:46] You gotta clear these bits with me beforehand.
[2:48] Yeah, I just... I thought you had a magic music machine.
[2:51] Mm-hmm.
[2:52] Which would be a great kids' show.
[2:54] Is this going to affect my interpretive dance to Hey Jude
[2:57] that's going to be in the second act?
[3:00] Yeah, so, you know, speedy recovery to Stuart,
[3:04] both for his benefit...
[3:07] Yeah, we want him to feel better.
[3:08] ...and for the listeners' benefit.
[3:09] Yeah, because they want to hear him, too.
[3:11] Yeah. But tonight, it's the scariest time of the year.
[3:16] Tax season. Am I right, everybody?
[3:19] Come on. Come on.
[3:23] All right.
[3:25] Guys, let's rap. Let's be honest about a few things.
[3:28] The government is taking things from us that belong to us.
[3:32] And it's time for us to stand up.
[3:34] Hey, everybody.
[3:35] I want to talk about an organization that's gotten kind of a bad rap
[3:38] in the news these days.
[3:39] It's called People Who Hate Other People for America.
[3:43] Now, hatred's gotten a bad rap,
[3:46] but you know what comes out of hatred?
[3:48] What comes out of hatred, Dan?
[3:49] Give me a positive thing that I can spin.
[3:51] What comes out of hatred?
[3:52] Yeah.
[3:53] You know what comes out of hatred?
[3:55] The song You're So Vain.
[3:57] Everybody loves it.
[4:00] Thank you. I'll sit down now.
[4:03] So, Dan, what do we do on this podcast?
[4:05] Oh, this is a podcast where we watch a bad movie
[4:09] and then we talk about it.
[4:10] To return to my original thought, though,
[4:13] this is the time of year where we watch scary movies.
[4:16] Oh, yeah. It's Shocktober.
[4:18] Yeah.
[4:19] And so tonight we watched a movie that was terrifying in its derivativeness,
[4:27] Rings, the third sequel.
[4:30] Well, the second sequel, the third movie in the Rings.
[4:32] Nice catch.
[4:33] I was going to jump all over you for that.
[4:36] If anything, like, Elliot, you've taught me to be a better man
[4:41] by being consistently mean to me.
[4:44] So I'm worried about whether you're going to attack me.
[4:46] I'm like your own private Marines drill sergeant.
[4:49] Yeah.
[4:50] Now, Rings, let's just get one thing off the bat.
[4:53] We're not talking about the Lord of the Rings movies.
[4:55] That's different Rings movies.
[4:57] And we're not talking about Say Yes to the Ring,
[4:59] a wedding show that doesn't exist.
[5:03] Are we talking about what's on the base of my penis right now?
[5:10] Dan, Dan, can I talk to you about our substitute co-host?
[5:13] Let's wrap a little.
[5:15] Yeah.
[5:16] He's amazing.
[5:18] He's doing a great job.
[5:19] He's doing a fantastic job.
[5:21] But don't.
[5:22] Don't tell Stuart.
[5:23] Don't let him know that and don't let Stuart know that.
[5:24] Okay.
[5:25] Because I'm going to tear him down so I can build him up.
[5:26] All right.
[5:27] Now we're talking about Rings, which is, what, the third in the Ring?
[5:30] It's the third in the Rings cycle.
[5:32] Wagner's classic works telling the story of the Ring of the Nibelungen.
[5:38] And the downfall of the Norse gods.
[5:41] Only at a live podcast do you get an applause break for a Wagner joke.
[5:46] A live podcast or the Metropolitan Opera?
[5:50] I think that if you had a Wagner joke at the Metropolitan Opera,
[5:54] the reaction you would get is shh.
[5:57] Very fair point.
[5:58] That's a good point.
[5:59] Only one way to find out, to the opera, gentlemen.
[6:02] No one's ever done a comedy set at the opera.
[6:04] We'll be breaking new ground.
[6:07] After that, can we go to the races?
[6:09] Spend a whole day there and then we'll have a monkey business.
[6:12] And then we'll go to the circus where things will not be quite as funny
[6:16] because the circus is already a crazy place.
[6:18] So to unleash crazy people there is not a weird thing.
[6:20] Natural juxtaposition is not one that creates a lot of comedy.
[6:24] But let's talk about Rings.
[6:26] Okay.
[6:27] So we're all familiar with the main deal of the Ring movies.
[6:30] There's a creepy videotape.
[6:32] You watch it and you're like, this is creepy.
[6:33] This is like a Nine Inch Nails video.
[6:35] And then you get a phone call.
[6:38] Ring, ring.
[6:39] Hello.
[6:40] And a voice says, seven days.
[6:42] Now, that means you have seven days left to live.
[6:45] But it could mean anything.
[6:46] The voice provides very little context.
[6:48] It's up to you to figure out what's going on.
[6:51] So then they made two other movies.
[6:54] What, originally, where was that movie from originally?
[6:58] The original one, yeah.
[7:01] It's a Japanese movie.
[7:02] And then where did the other ones come from?
[7:04] Gore Verbinski.
[7:05] Okay.
[7:06] Very true.
[7:08] So this is in the Gore Verbinski series.
[7:10] And should we just jump into the plot?
[7:12] Let's jump into the plot of Rings.
[7:13] The movie starts in the most hilarious way possible.
[7:16] We're on a very turbulent plane.
[7:18] And this guy is really nervous.
[7:20] And this girl across the aisle is like, hey, what's wrong?
[7:21] It's okay.
[7:22] And he goes, he literally says, you ever hear about this videotape that kills you when you watch it?
[7:26] It's like, this movie is wasting no time.
[7:33] Allow me to exposition.
[7:35] He then tells her about it and gets a nosebleed.
[7:38] He runs to the bathroom and her friend shows up and says, what was that all about?
[7:41] And then she tells her friend, there's this video that kills you when you watch it.
[7:44] Also, why isn't she sitting next to her friend?
[7:48] I mean, I assume her friend either went to the bathroom or it's like one of those musical chairs planes where everyone keeps moving around.
[7:53] Oh, yeah.
[7:54] Musical chair air.
[7:55] Musical chair air.
[7:56] You don't need a seat number.
[7:59] Oh, so it's Spirit.
[8:01] Yeah.
[8:02] Or Southwest.
[8:03] Yeah.
[8:04] Then the girl is like, her friend is like, wait, he said what?
[8:08] Both of them have seen this ring video.
[8:10] Suddenly, it's all bumpy and turbulency.
[8:13] The ring video, which, again, is a bunch of crazy, surreal scenes, black and white, grainy, that end with a creepy girl coming out of a well.
[8:21] And the ring video starts appearing on people's seat back.
[8:24] On the radar screens, the cockpit, on people's seat back.
[8:27] Everybody's just thinking to themselves, is this the weirdest episode of the Big Bang Theory ever?
[8:32] They're like, oh, I clicked on the version in flight, like the special stuff that they just make for the plane.
[8:39] Wanted to find out how they clean the plane.
[8:42] Yeah.
[8:43] I didn't need to see a creepy centipede crawling under a table.
[8:47] But it also, I like to believe that a thing came up that said, the following movie has been modified for your screen.
[8:52] Yeah.
[8:53] And then starts playing through.
[8:54] They have three categories in version.
[8:56] They have new releases.
[8:58] They have music.
[8:59] And then they have omens.
[9:00] Yeah.
[9:01] If you accidentally select omen.
[9:03] Don't select that by accident.
[9:04] Because then, like, someone behind you catches a glimpse of it.
[9:06] Now, they're going to die in seven days.
[9:08] Yeah.
[9:09] There's sludge and bugs suddenly everywhere in the plane.
[9:12] Hey, it kind of sounds like Spirit Airlines, huh?
[9:15] I mean, we kind of did a Spirit Airlines joke, but.
[9:18] Piggybacking off Dad's Spirit Air joke that was very popular.
[9:21] This is the Spirit House.
[9:24] All talking about Spirit Airlines.
[9:26] Oh, a ghost on the plane.
[9:28] More like Spirit.
[9:29] OK, sorry.
[9:34] I gave Jordan, for the listeners at home, I gave Jordan a sly.
[9:37] Come on.
[9:38] Look.
[9:39] Like, come on, wise guy.
[9:41] Let's knock it off.
[9:42] We've got a show to do.
[9:43] And then, star of the Ring movies, Samara, the Ring girl herself, climbs out of the screen.
[9:49] And suddenly, your screen at home or in the movies goes to static.
[9:52] And then, everyone's favorite, ever since the Bratz movie, everyone's favorite group of words that can come up on screen.
[10:00] two years later oh it's so sweet two years later which which doesn't really
[10:08] need to play into the like it could literally just been like a week later
[10:13] and everything would have been exactly the same two years is the perfect time
[10:16] because it's long enough for everybody to forget that a plane crashed because
[10:19] of crazy ghost girls and it's not so long that you're like this tape would
[10:23] have deteriorated by now yeah and I guess I guess that that brings me to one
[10:28] of my first pieces of confusion about the movie later is that I know I have
[10:32] not this was the first ring movie I have ever seen and it seems like you can die
[10:37] an audible gasp in the crowd sorry ring heads they're called Ringo's there they
[10:46] call us all stars or Ringo's yeah so it seems like you can die two ways in this
[10:52] movie you can get ringed or you can get final destination it's what we'll get to
[10:57] that this move at a certain point Samara must have seen one of the final
[11:00] destination movies or all of them yeah and she's like they look like they're
[11:05] having fun it would save me a lot of well-crawling out of time if I can just
[11:10] arrange for crazy accidents to kill people the limits of her power are pretty
[11:15] blurry in this movie and they only get blurrier two years later it's a flea
[11:19] market of some kind and this kind of punkish girl is looking at a VCR and she
[11:23] seems to meet Johnny Galecki but it's later established that they've known
[11:28] they already know each other but their conversation appears to be two people
[11:31] who have never met before he's a collector he loves old vintage VHS stuff
[11:35] and he mentions I heard all this VHS stuff came from the family of a guy who
[11:38] died in a plane crash because this movie if here's what I learned from this movie
[11:43] people love telling each other urban legends all the time if you know an
[11:47] urban legend about anything anyone's gonna want to hear it bystanders your
[11:52] mom I don't know an interesting thing about the flea market is they're panning
[11:56] across this stuff the VCR and they show VHS tapes of both Jurassic Park and
[12:01] alien and I think that breaks a cardinal rule of filmmaking is don't remind
[12:06] people of good movies in your shitty movies a lot of times when they do that
[12:10] movies it's like this is a little bit of a challenge we're gonna beat these
[12:14] movies at their own game yeah all I could think about from that point I was
[12:16] like I wish I was watching alien yeah they should just show you like shark
[12:22] nato and demolition man it's like it could be worse right uh demolition man
[12:26] holds up pretty well thank you we got some head heads out here that's a
[12:33] demolition man that's called themselves we got some sheet seashell wipers yeah
[12:36] some fans of the least motivated nude scene ever oh you mean when someone
[12:41] literally cold calls Sylvester Stallone nude and then goes oh wrong number and
[12:45] oh it's like it's so funny and then he has a look on his face like oh like I
[12:52] don't even know that was gonna happen the future's not so bad I guess people
[12:57] still have nude bodies under their clothes in the future I thought you're
[13:00] all gonna be a bunch of robo people time to eat some Taco Bell and get this
[13:03] seashell out of my ass if you've seen demolition man it all makes sense so
[13:09] Johnny Galecki is a collector later back at his apartment with this woman that
[13:13] until the moment you see her in his apartment you thought was a stranger he
[13:17] goes he's she leaves and he watches the tape classic gets the phone call says
[13:21] seven days he goes who is this a CGI fly emerges from his joints not his elbow
[13:26] joint like he's smoking time and rain starts falling upward Oh rings title
[13:33] sequence now we cut to the next storyline because for a little bit it's a
[13:37] little hard to tell who's the main character this movie yeah it's not the
[13:40] guy who died on the plane I think I thought it was Johnny Galecki but then
[13:43] he disappears for a while maybe it's this girl Julia who's with her boyfriend
[13:47] who proceeds to tell her the story of Orpheus for no reason but he's got one
[13:52] of the original urban legend I'd love to be a mythology professor and be like you
[13:58] know in a way Greek myths were the original urban legends yeah in that
[14:02] Athens was a city-state and a legend is meant to explain a thing as our myths
[14:12] everybody turn my chair around let's talk about how Greek myths relate to our
[14:17] life now for instance one time I pissed off a god and he made it so everything I
[14:21] touched turned to gold mm-hmm so then Zeus turns into a swan and says you up
[14:34] explain the Lita story yeah okay now I should mention this is something that
[14:37] bothers me in movies that her boyfriend has which is it this is the same thing
[14:41] you've seen a lot of movies where a really attractive guy has one of those
[14:45] like every man New York Boston accents that's supposed to make you feel like I
[14:50] just a regular guy even though he's got like a 13 pack and very strong eyebrows
[14:56] but he's like he's like yeah she goes all the way down to hell just to get his
[15:00] girl yeah you know it's yeah and it's like stop it come on like you got a big
[15:06] weakness relatable I just don't like it it's like it's good like an Anakin
[15:10] Skywalker as a grown-up voice where it's like hey you're gonna make this guy down
[15:14] to earth we'll make it sound like he's from the Northeast but anyway I like
[15:19] that you're making fun of that voice and not the fact that the main woman
[15:22] character is clearly foreign but doing like a like a inexplicable accent yeah
[15:28] she is right yeah she definitely I I had to look up her country of origin yeah I
[15:33] was like I swear I was hearing some boots yeah I thought I was Canadian but
[15:39] she's Italian yeah it's out and yeah like it's she hides it pretty well but
[15:43] she'll be like it in that you don't know she's Italian but you know she's not
[15:46] American yeah it's like we've got to get out of here mama Mia yeah a few
[15:51] mama Mia's escape out yeah yeah at one point she's like she's like we got us
[15:56] we've got it we've got to set the spirit free manja manja yeah yeah she's just
[16:00] walking around humming that's from our Italian American of Italian stereotype
[16:07] show three slurs in the mountain
[16:10] Sylvester Stallone is walking out yeah I can handle the demolition man shit but
[16:15] this only one person does Sylvester Stallone around here hey guys I just
[16:26] have to be and I couldn't help but hear you were talking about my movie
[16:28] demolition man you are gonna hate my letters song anyway I should let you
[16:36] guys talk about rings maybe later we can talk about Copland yeah that was
[16:44] really supposed to be your your serious acting debut what did it yes serious
[16:49] acting debut Dan I starred in a movie that won Best Picture it's called Rocky
[16:55] I'm sorry I'm not familiar with that work uh well we made like eight of them
[16:59] it's about a guy who he's a flying squirrel yeah okay and he's living in
[17:05] Philadelphia and he's like why am I running up these stairs I could be
[17:08] flying up cuz I'm a flying squirrel but here's what you don't know Dan and it
[17:11] comes out in the movie flying squirrels don't actually fly no they just glide on
[17:17] the skin yeah there's only one mammal that can actually fly I'm sure you know
[17:21] what it is I don't here's a hint there's a superhero based on one of them
[17:30] we're just gonna sit in silence and it's gonna be great audio great audio for a
[17:35] podcast well I was gonna say a joke animal but it's a bat Dan I'm just
[17:38] disappointed you know that's why mammals there's a Batman character again I was
[17:46] gonna I was gonna say something silly but I was so stupefied by your
[17:51] inability to remember that bats exist so okay moving back on to rings Elliot
[17:59] takeover I'm gonna go now jetpack maybe you're more of a booster gold fan over
[18:04] here I guess you were too busy thinking about all yeah I don't know like a dark
[18:10] hawk or somebody yeah I was thinking a speedball not even an animal so okay
[18:19] he's he now this girl Julia her boyfriend who we learned later is named
[18:23] Holt because I guess he's a cowboy or a gun I don't know he's right it's like
[18:30] they were running through names are like okay we could call him chunk or
[18:34] punch or let's call him a Holt yeah something that could maybe pass as a
[18:39] last name yeah but we've never heard as a first name he's going to college she
[18:43] says he says in that it's good to you to stay behind take care of your mom we
[18:47] never find out what that means oh yeah well her mom never appears and when she
[18:51] thinks her boyfriend is in trouble she gets in a car drive away clearly yeah
[18:55] it's pretty they have a pretty tearful goodbye when but when shit hits the fan
[18:59] she just drives up there it's not that far away and he gives her his shirt oh
[19:03] you don't run by from his smell you know what something spooky is he says I'll
[19:08] see you on Columbus Day first of all it's spooky that she doesn't call it
[19:12] indigenous peoples day very good point thank you thank you
[19:18] lock her so you're like a social justice Bernie bro oh I'm just on drugs
[19:31] Ellie anyway six weeks later let's we got to get to okay say it let me get to
[19:37] the last day what's the tomorrow on the eve of this podcast recording Columbus
[19:44] Day oh tomorrow on the eve of this podcast yeah yeah get him Elliot Jordan
[19:56] Eve usually refers to the night before something happened
[20:00] The night after something happens is referred to as HBO's The Night After.
[20:06] It's called The Night Of, I don't know, whatever.
[20:08] It's called Boxing Day.
[20:10] The Night After is when Chris Hardwick talks about The Night Of.
[20:15] He does every show, every show.
[20:18] Yeah, we gotta get through this thing, man.
[20:20] Yeah, we're like halfway through our allotted time for it,
[20:22] and we're like a tenth of the way into the movie.
[20:24] Six weeks later, video chat, we learn he's taking experimental biology.
[20:27] I do not believe it.
[20:30] Their call is interrupted by his strangely multi-ethnic bros,
[20:33] like a gang from an 80s movie.
[20:36] They hustle him away to have some fun.
[20:38] She's woken up that night by a dream that he has returned
[20:41] to have sensual relations with her,
[20:43] but suddenly there's too many hands everywhere,
[20:45] and one of them is a scary ghost hand.
[20:47] It's just a dream.
[20:49] She gets a Skype call from a frantic girl named Skye,
[20:52] who's saying, he's a dead man.
[20:54] There's no stopping her. Find him.
[20:56] But she drives off, leaving voicemail after voicemail for Holt.
[20:59] Holt, at this point it's established,
[21:01] he's not a character who lives in real life.
[21:03] His name is Holt, he has that accent,
[21:05] and his voicemail outgoing message is,
[21:07] this is Holt, you know what to do,
[21:09] which, nobody does that, come on.
[21:11] People go through the motions of saying leave a message,
[21:14] or I'm not here, or something like that.
[21:16] Holt's dorm is unlocked,
[21:18] and she finds phones with texts from Skye on it,
[21:20] but then the battery dies.
[21:22] Her interest is piqued by perhaps the least interesting-looking
[21:25] bulletin board in the history of bulletin boards.
[21:27] It does have an Afghan wigs poster on it, I noticed.
[21:30] Maybe that's what throws her off.
[21:32] She's like, he's not a fan of the Afghan wigs.
[21:34] But she does find a key on it.
[21:36] Uh-oh.
[21:38] Enter, return to the movie,
[21:40] Johnny Galecki, in the part of Gabriel,
[21:42] a super cool professor who's given a lecture
[21:44] about how consciousness can affect the material world,
[21:47] and the universe is affected by people watching it,
[21:49] but he mentions sex and drinking,
[21:51] so you know he's a cool pro.
[21:53] It's one of these movie lectures where the professor
[21:56] just seems to be talking in vague, wide-ranging terms,
[22:00] and the class seems to last two minutes,
[22:03] and it's like, okay, well, next week, I guess,
[22:05] we'll talk about, I don't know, the world.
[22:08] It's very hard to understand what the lesson is about
[22:11] and what the class is,
[22:13] and I have to assume that the final exam is just like,
[22:16] the question is just like, bullshit a little bit.
[22:20] And then at the end, after he sends him out,
[22:22] he's like, all right, go get drunk.
[22:24] I'm wondering how often he can do that.
[22:27] I bet he just has to, because if that's the first class,
[22:30] I feel like he, in subsequent classes,
[22:32] he'll have to say, all right, go shoot heroin.
[22:34] He's got to heighten it.
[22:36] All right, everybody, go overdose.
[22:38] All right, guys, go thrill-kill a drifter.
[22:40] And the students are like, there's one nerdy,
[22:42] I wish there was one nerdy student where he goes,
[22:44] okay, go up and get drunk.
[22:46] And the nerdy student's like, is that the assignment, sir?
[22:49] Like, will we be graded on our intoxication?
[22:52] Do I have to remain that drunk until we return to class?
[22:56] But unfortunately, the movie leaves that money on the table.
[23:00] Julie is there, and Galecki tells him,
[23:02] he doesn't know Holt, she should just move on.
[23:04] Seems suspicious.
[23:05] She follows him to a secret floor of a building
[23:08] that needs a special elevator key,
[23:10] the key that she got from a bulletin board,
[23:12] because there's a key on it.
[23:13] This is the moment at which it really feels like
[23:15] you're playing a video game,
[23:17] and you lose key on elevator.
[23:20] Like, the fact that she, like, picked up a key in the first place
[23:23] is like any number of role-playing games,
[23:26] where you just come across the thing,
[23:28] it's like, well, there's a thing on a desk,
[23:30] got to pick it up, put it in my bag,
[23:31] it's going to come in useful somehow.
[23:33] There's another draft of the movie
[23:34] where she's just trying to shove his Afghan wigs poster
[23:37] into the keyhole.
[23:38] It's not working.
[23:39] I picked the unusual thing.
[23:41] Should have put his Scissor Sisters poster in here.
[23:45] She finds on the seventh floor a video camera,
[23:48] I don't know why that's there,
[23:49] and an academic paper about Samara
[23:52] written by Galecki's character, Gabriel,
[23:54] which I guess is just left out on a desk in the hallway
[23:56] for someone to read while they're waiting to be let in?
[23:58] I don't know.
[23:59] She walks into their special lab,
[24:01] where she sees a wall of photos of victims of Samara,
[24:04] or people have watched the video,
[24:06] and you know that because their faces are kind of distorted
[24:08] as if the camera doesn't quite work,
[24:09] or there's water on the lens or something,
[24:11] or it's through a keyhole or something like that.
[24:14] And it's the style of the lab that she's in,
[24:16] it's kind of like a science lab
[24:17] slash the place that they hang out in in Hackers,
[24:20] where there's a lot of loud music and couches
[24:23] and everyone's a little too cool for school.
[24:25] Yeah, it's like a really sexy A.V. club.
[24:28] Yeah.
[24:29] It's kind of like the way that in Flatliners,
[24:31] in the old one, I haven't seen the new one,
[24:32] because it's not out yet,
[24:33] in the old one, the operating theater
[24:35] that they're all learning in is dimly lit
[24:37] and there's tapestries on the walls everywhere.
[24:39] I'm sorry, George, when you say really sexy A.V. club,
[24:43] I feel like you're being redundant.
[24:46] I just, you know, I didn't want that to pass.
[24:54] It's only right, it's like when I said
[24:56] fuckable Renaissance fair.
[24:58] Exactly.
[25:00] 20% of the audience just went, hey!
[25:05] On the wall of photos, one of them is Holt,
[25:08] and she overhears Skye talking to Gabriel about Holt,
[25:11] and it's like, this is wrong, what we're doing,
[25:13] he's promised me a tail, blah, blah, blah,
[25:15] and there's countdown clocks for each of the characters.
[25:17] What does that mean?
[25:19] Then Julia runs into Skye in the parking garage
[25:21] and goes, hey, I'm looking for Holt.
[25:22] They go to Skye's dorm, where Skye's painted
[25:24] a ring design on the ceiling.
[25:26] It's artsy, you know?
[25:28] And Julia manages to text Holt from Skye's phone
[25:31] and Holt says, don't watch, don't watch,
[25:33] and Julia locks herself in the bedroom
[25:35] as Skye sets the ring video up playing on her laptop.
[25:38] Uh-oh, or does it play on its own?
[25:40] I don't remember.
[25:41] She smashes it, gets a nosebleed,
[25:43] and an alarm goes off.
[25:45] That's the amount of time that was allotted to her
[25:47] by the phone call, and she's not dead yet,
[25:49] and she's like, I won, bitch!
[25:50] That's what she yells, channeling Freddy Krueger
[25:52] for a moment.
[25:54] But even though she unplugs her TV,
[25:56] Samara shows up and scarifies her in such a way
[25:59] that she's frozen into a horrifying rictus
[26:02] that also looks like a pretty funny Halloween
[26:05] set dress decoration.
[26:07] Like you'd find it like an abracadabra store?
[26:10] You say that as if that's something I know about.
[26:13] Dan, if ever anyone,
[26:16] I understand the audience doesn't know abracadabra stores,
[26:19] if ever anyone is going to know it, it's you,
[26:21] a guy who loves magic and Halloween decorations
[26:23] and corny stuff like that.
[26:25] Yeah, that's true.
[26:26] And does it maybe have like a sideshow feel about it?
[26:29] Quite, yes.
[26:31] And there's just a wall of costumes of sexy versions
[26:33] of things that are not very sexy.
[26:36] Can we go there right now?
[26:39] After the show.
[26:40] So Samara comes out and kills her.
[26:42] Dan's just hoping they have a sexy meter reader.
[26:45] Yeah, there's a song about it, Rita.
[26:47] Meter maid.
[26:49] He goes on a date with her.
[26:51] I haven't heard this song.
[26:52] But her sisters are there, so they don't really get that much going on.
[26:54] But there's a lot of heavy breathing in the song at one point.
[26:57] So you gotta assume that she has a dog that he pets.
[27:00] And that's just the dog panting.
[27:02] Now, Elliot.
[27:04] This better be about Rita Meter Maid, the song.
[27:07] No, no, no.
[27:08] Far be it from me to critique your synopsizing prowess.
[27:12] But you're synopsizing as if we are doing our normal two-hour long show.
[27:15] Oh, you're right.
[27:16] Okay, so anyway, here's what you need to know.
[27:18] Well, I do want to mention that Julia finds Skye's body sitting in a chair,
[27:21] which means that Samara killed her and then set her up in the chair,
[27:24] which was very nice of her.
[27:26] Holt is there.
[27:27] And it turns out, let me just break it down to you.
[27:29] We don't need to go scene by scene on that.
[27:31] Gabriel is studying the ring phenomenon.
[27:33] And the way he does this is by having his students watch the video
[27:36] and find somebody that they can show the video to lift the curse off of them.
[27:39] And that's called a tail.
[27:41] But it's too late for Holt.
[27:43] The tail is too late.
[27:45] So while he's sleeping, Julia decides to sacrifice herself.
[27:48] And she watches the video.
[27:50] Uh-oh, gets the death call.
[27:52] But she starts hallucinating.
[27:53] She's in a creepy dungeon.
[27:55] She goes for a door handle.
[27:56] It burns her hand.
[27:57] It's actually a phone.
[27:58] There's braille burned into her hand we find out later.
[28:00] Yeah.
[28:02] That'll be important later in the second movie that's in this movie.
[28:05] Yeah, that's what I was about to say.
[28:07] Up until now, the movie has had kind of an interesting idea,
[28:10] which is let's take the ring and let's see what would happen
[28:13] if some scientists were trying to science-ify this and study the ring.
[28:18] Because there should be a scientific explanation
[28:20] for how a ghost girl can use a videotape to kill people in seven days.
[28:24] And I think it's a critique on academia,
[28:27] like getting loose on this college campus.
[28:30] Like, here's some college kids who really need a safe space.
[28:36] What I wish is that I wish it was about a technology company that was like,
[28:44] Scenario's killing people in seven days.
[28:46] We believe we can cut that in half.
[28:49] We want to make the ring more efficient,
[28:52] and we want to unlock those efficiencies.
[28:55] A ring subscription will cost $300.
[28:59] But yeah, this is the part of the movie where it gets into the second movie,
[29:03] which is basically just a rehash of The Ring.
[29:05] Because, oh, except in that, when Julia sees the video,
[29:09] there's stuff in it that's never been in the video before.
[29:12] It appears Samara is talking directly to her through the video
[29:16] with clues of some kind.
[29:18] And are they going to try to solve those clues?
[29:21] You better believe it, Buster.
[29:23] Was that my line?
[29:25] You better believe it, Buster.
[29:27] That's what I have written down right here.
[29:29] So they go off.
[29:31] Johnny Galecki has to stay to talk to the police
[29:33] because I don't think they hired him for enough days
[29:35] to have him go to the rest of the movie, really.
[29:37] And yeah, it goes from the first movie,
[29:39] which is the idea of studying The Ring,
[29:41] and it's loose on a college campus,
[29:43] to the second movie, which is,
[29:44] they're going to go to a small town and investigate
[29:46] the mystery of Samara, the girl from The Ring.
[29:48] Now, if you've seen the first movie, The Ring,
[29:50] you're like, they solved that mystery.
[29:52] She's a dead girl who got thrown down a well,
[29:54] and now her ghost comes out and kills people.
[29:56] Hey, do you ever think about the story of Samara's mom?
[30:00] um and how is Vincent D'Onofrio involved at all this? I hope he does a extravagant performance.
[30:09] In some ways it's actually pretty dialed down. It's a little restrained for Vincent D'Onofrio.
[30:13] Considering I once saw him in a play. That's right it's time for Elliot Kalin's
[30:17] all right famous people. Everyone's favorite podcast within a podcast. Elliot Kalin theater
[30:23] name dropper.
[30:32] Now that you're in LA your name drops will go from like oh I saw this person in a play to
[30:37] I saw this person at a CVS. Can't wait. And they were giving a very hammy performance. I saw
[30:44] Vincent D'Onofrio in a play and I was in the front row and there were times when I thought he would
[30:48] jump off the stage and murder me because he was so intense. He was like stamping the ground and
[30:54] breathing really hard and I was like this man was been possessed by a rhinoceros.
[30:58] And this is the weirdest production of the music man I have ever seen.
[31:03] I'm a librarian.
[31:09] So they go to this town. Julia's hallucinating things that are related to the video. She
[31:13] hallucinates a pregnant woman. What do you want to bet that's Samara's mom that she's seeing visions
[31:17] of. They go to the church where. Talk about a pregnancy from hell.
[31:25] A pregnancy from hell. Please stop. Please give me my personal space. Okay.
[31:33] This is where the pregnancy from hell I'd rather fly on Spirit Airways.
[31:37] I'm a bad little boy.
[31:51] You're very bad. Very little boy. You're very committed to this character.
[31:56] A little stinker.
[31:56] Oh no. Is that a lollipop? What is that? He's miming something. Anyway.
[32:05] They call me the anti-improv. I'm like what is that you're doing?
[32:10] You're crazy. Here's where we start to realize that maybe Julia is not the best crime solver
[32:14] because they're like we got to find her body so we can burn it and set her free.
[32:18] It takes them a few steps to realize maybe start at the cemetery. That's where the bodies go.
[32:23] They do manage to find an unmarked crypt or rather a demarked crypt. The cross was removed.
[32:28] She gets stuck in it. She finds carved into the wall the words she will find you Julia.
[32:33] And there's a lot of hallucinations where she's getting pulled into a well. Luckily they're saved
[32:36] by a man with a dog who takes them to Vincent D'Onofrio the blind caretaker who says oh so
[32:42] you're looking for the girl. It turns out D'Onofrio saw Samara's visions too and was blinded.
[32:47] That would be cool if he if he was like I'm blind now but while I could see I
[32:52] fought a blind guy and then it's fucking daredevil.
[32:58] Would that be so fucking cool? It would be very interesting for the ring to suddenly
[33:04] become part of the Marvel Cinematic Universe. Yes yes. And then Stanley is like I don't see
[33:09] what's so bad about this video. I don't know where where along the way they would do it is he
[33:17] would crawl out of the well first. It's so dirty down there. Enough said. Anyway we'll move along
[33:24] faster. Okay. Gabriel comes to try to warn them about something but in the most final destination
[33:30] anything of all there there the road has been blocked. They can't leave town. Nobody seems to
[33:35] notice his overturned car with him in it until Julia just stumbles on it. They have roped off
[33:40] the whole crime scene before they discover the other dead guy. Yeah. And I want to make clear
[33:46] Gabriel is coming because he has discovered that the burn on Julia's hand is Braille.
[33:52] Is Braille. Which you would think would come in to play with the blind man. Like the blind man
[33:58] would like touch her hand at some point. My guess was that Samara would have somehow written in
[34:02] Braille the video on there. Yeah. When the blind man was like what's this Braille.
[34:08] It says it says centipede girl in a well. Static static woman brushing hair mirror static
[34:17] girl gets out of well. Oh no. Which what are the rules of the of the ring. If you had a flip book
[34:23] version of the ring would that work. A flip book version. Yeah sure. Of the video I mean. Yeah.
[34:28] None of the movie. That would be a long flip book. Or one of those like things with like
[34:33] little slits. Zoetrope. Yeah. Yeah. Or just a podcast of Ira Glass explaining all the images
[34:39] to you. Tonight in four acts. Creepy stuff. Act one. Everyone knows that the ring is a videotape
[34:49] but what if it wasn't. Tonight in four acts. Production from my boss Tory Malatia who says
[34:56] nail going into fingernail. So this is where it gets Final Destination because he's like dying
[35:02] and he's like I got this thing to tell you. And then a telephone pole falls down and smashes
[35:08] into the car and a live wire electrocutes him. And it's like did Samara do that or is the
[35:12] infrastructure bad in this town. Yeah. Seems awfully coincidental. At this point my notes
[35:19] say movie really seems to be spinning its wheels as the characters hang around the bed and breakfast
[35:24] they're staying out for a while. They find themselves watching the video again. Just like
[35:29] we're already dying. Yeah. Bad bad bad Wi-Fi in the B&Bs. Yeah. Well I finished all of Kimmy
[35:35] Schmidt so they're like what do we got here. We got the video. I've heard good things about Bojack
[35:40] but I don't know if I'm really in the mood for it. Yeah. It's an exploration of depression. So
[35:45] I don't know if I'm already pretty sad because I'm going to die in a couple of days. It's also
[35:49] this point that I'd completely lost track of the timelines like do they have one day left or six
[35:53] days. Yeah. But Julia breaks into the church at night to investigate. And meanwhile her boyfriend
[36:00] goes to the much less dangerous route of going to the local diner and interviewing the proprietor
[36:04] of the bed and breakfast to ask her who's there was that girl in the picture that my girlfriend's
[36:09] been hallucinating. Tell me what that is. Julia finds a trapdoor in the bottom of the church
[36:14] finds a cell of some kind where someone was taken prisoner and realizes this was where Samara's mom
[36:20] was being held while she was pregnant. Which is kind of like making this movie a kind of a
[36:24] dark Kimmy Schmidt. Yeah. I guess you're right. Yeah. Dark Kimmy Schmidt is my favorite Marvel
[36:31] character from the 80s by the way. Yeah. They wanted to like grim and gritty of Kimmy Schmidt.
[36:36] Right. Just give her the Phoenix Force and then. Thanks bearded guy down front who
[36:44] honestly laughed a little too hard when I said Phoenix Force. Honestly the Phoenix Force joke
[36:48] was going to be gotten by a bearded guy. Yeah. Oh I know. I'll see after the show.
[36:54] Anyway Julia is one of those movie characters where she doesn't piece clues together so much
[36:58] as hallucinations pop in when she needs to to tell her what's going on. It is a it's a video game
[37:02] like cut scenes show. Yeah. When she finds certain clues a cut scene will show up that just appears
[37:06] that it just tells her what was going on. She finds out there was this priest that did it and
[37:12] that that kept her hostage and the priest went blind. Wait a minute. We know someone blind.
[37:19] That's right. That's right. We do. We do know someone Stevie Wonder Stevie Wonder.
[37:26] Next turns out has never been blind at all. It was all a ruse all a ruse to get that sweet
[37:33] blind money. That's like that's like a real conspiracy theory. There's Stevie Wonder truthers.
[37:40] Yeah. What about Ray Charles though in the Ray Charles truthers.
[37:44] Have I confused my blind guys. No I'm just wondering. No there's still like this. I've
[37:48] seen like a video that people post where it's like Stevie Wonder catches something that's
[37:52] like falling over and his radar sense and stick taught him how to do that. Yeah. Yeah. Daredevil
[37:59] Daredevil Daredevil Daredevil on Netflix. Yeah. Also in comic books apparently. Anyway Julia
[38:09] goes to the priest and is like hey or this this act she doesn't know that Vincent D'Onofrio was
[38:15] the priest to kidnap this woman and she shows up and she's like hey that woman that went missing
[38:20] that was Samara's mom and it kind of she kind of figures out what's going on when he starts
[38:25] attacking her. Yeah. And he gets out a bat and says she didn't take my sight. I did. I had
[38:30] visions too. I had visions of giving life to a child who would change the world and she did
[38:36] and she's running away from him and the movie turns into a really quick like five minute version
[38:42] of the movie. Don't breathe for a while. He turns out the lights and the house seems to be just as
[38:46] bright with the lights off which leads me either. She drove up to the house and did not turn her
[38:51] headlights off. Oh that's no good. The battery is going to be drained later on. Or like for a moment
[38:56] they were like originally we wanted this town to be above the Arctic Circle so it's daytime all the
[39:01] time and then we changed that in the scripts. It's fine that it's still light all the time everywhere
[39:06] right. She is running around. He's running after her. He starts yelling you're the 12th person who
[39:11] tried to help Samara but I've stopped all of them. No one got this far before though. Yeah. And I
[39:15] should have just let Evelyn that's the pregnant woman. She wanted to kill Samara. I should have
[39:19] just let her. And Julia pushes him down a flight of stairs and he is knocked out at the bottom of
[39:24] the flight. Dead maybe. We don't know. She finds out. If I know horror movies he is.
[39:30] There is no reason to check on it. She gets to a room full of bird cages. No not the movie The Birdcage.
[39:39] That would have been more my boyfriend's VHS tapes.
[39:45] Sometimes you hurt me. And she starts getting a nosebleed which I guess tells me that either
[39:51] the seven days are up or allergies and her nasal passages are pretty dry. She finds there's a
[39:56] plastered over part of the wall and she breaks it open and there's a
[40:00] Skeleton inside Samara's skeleton bump bump bump now was I remembering correctly?
[40:05] I thought they found Samara's body at the end of the first ring movie. Yeah, I it's I
[40:10] Haven't seen it since it was in the theaters
[40:13] But like it certainly feels like they found Samara's body like did I didn't see a ring, too
[40:17] Did they put her body in like a local history museum, and then it got stolen in the middle
[40:23] They put a FedEx box and mailed it off at the end of the movie. You're like where did that go?
[40:27] It was actually in the original
[40:29] Tom Hanks and Castaway mix it up. That's what that's the end of the movie when he delivers that one box
[40:36] Samara's body I
[40:38] Don't know if you remember the advertising for this movie, but the tagline was you thought they found her body
[40:44] Don't worry about it. I
[40:48] Feel like the tagline move is rings. Do you remember the first movies that well? Well, we don't either
[40:53] Anyway
[40:56] Finds the body, but Colt walks into the house, but the priest isn't lying at the bottom of the stairs. Uh-oh
[41:01] Hits him with a bat
[41:03] D'Onofrio attacks, or he shouts a lot of random religious malarkey cicadas are swarming all over the house
[41:09] Suddenly Julia's phone starts playing the ring video and Julia starts flashing back to the clues in the video
[41:14] And it's like yeah, I remember I got it. I've been watching the movie
[41:17] And Samara tells Julia don't leave me in her in her head. I guess and Samara comes out of the phone
[41:23] Heals D'Onofrio's eyes and kills him and it's like wait a minute
[41:28] Hold on this seems like a very new power for Samara to suddenly have yeah
[41:32] It's like the end of Superman to when Superman takes the like super ass off his and just throws it at the guy
[41:37] He kisses Lois Lane, and she's like I don't remember anything anymore
[41:40] Yeah, sir. Mrs. Megan. I mean that's at least true the Superman comics. We're in the old Jermaine comics
[41:45] They'd be like I can always do this and he does this does the thing yeah?
[41:48] There's that one where I guess it's called Superman's new power
[41:51] where he gains the power to shoot a miniature Superman out of his hands and
[41:55] The miniature Superman has all of his powers and gets really popular and Superman starts getting really sad
[42:01] He's not as popular anymore. There's a little miniature Superman like I don't remember that story ends
[42:06] Maybe he eats the little Superman. I don't know I don't remember
[42:11] But anyway, it's kind of like that
[42:13] I got nothing to add to that. It's like what powers does Samara have come on
[42:18] They burn Samara's body, and they say you're free Samara. That's the end of the movie
[42:22] It's a horror movie so that it's closure is what you get right?
[42:25] No, what you get is the same twist from the first movie where they're like. Oh, you know helping her out
[42:30] No, that was a bad thing to do because Holt he gets Gabriel's message that it was Braille finally
[42:35] He looks up the mark on Julia's hand. He looks it up on a Braille translator that hit takes him so long to type in
[42:41] Julia's enough time to take a shower peel some skin off of her hands and then hock up a bunch of Samara's hair
[42:48] which a bug crawls out of and
[42:51] Then it finds out it turns out the Braille means rebirth
[42:54] Oh
[42:55] Suddenly like some kind of Russian virus bot it takes over all the contacts and Julia's email contacts
[43:01] And it's just emailing them all the ring video and as anyone would when they get a suspicious video from someone
[43:08] I know they watch it immediately
[43:11] They don't say like what is this? Why did you send me?
[43:14] This is someone trying to in Nigeria trying to get money from me. I don't understand. Did you get hacked?
[43:18] They all watch it and they all write back stuff like crazy video. What's that mean Julia?
[43:22] What's this all about ill gross like everybody's at their computers? I guess maybe their phones
[43:26] They are not doing anything that they cannot stop and immediately watch a video. That's an email to them
[43:31] They're all so close to Julia that they would they're gonna take the time to watch it
[43:35] Yeah, I gotta tell you friends of mine
[43:37] Close friends will email me things they've worked on and it will take me forever to watch it
[43:43] Or even if you start watching the video if I feel like if I started watching the video I would start it
[43:48] I mean like oh, there's no cat in this
[43:51] Think maybe Samara started throwing in cats just a couple cute cats
[43:55] I would literally I would look at how long the video isn't and be like, mm-hmm 25 seconds. No, thanks
[44:01] Drag drag drag and and Samara calls was like, uh four days because he watched it so fast
[44:09] 20 years now they freed Samara because I guess her bones were holding her back
[44:13] even though she seemed to have total control of time and space before this and she is free to attack the whole world and
[44:19] Julia wipes the mirror front of steam and Samara's there and it made me think like so did she become Samara?
[44:26] I believe that's the implication like this is a kind of an evil version of the Santa Claus
[44:29] Really?
[44:30] She became Samara this movie connects so many fictional universes
[44:36] It's also in that uh, so saying elsewhere universe. Yes. Yeah
[44:41] I'm so less scared of the ring knowing it's all inside that kid's head
[44:44] Yeah, and like the ultimate evil in this is like a Rick roll that killed you
[44:51] That would be what if it ended with never gonna give you up at the end of it never gonna kill this guy
[44:57] Never gonna say goodbye
[44:59] Anyway, no good. Well done. So
[45:02] So it's almost like went going into this movie
[45:05] I was like, it's probably they're probably gonna update it and it's gonna be that like the videos up on YouTube
[45:09] That's it. It's like that doesn't kind of happen until the end of the movie
[45:14] Yeah, the most obvious thing they could have done but I guess at that point you could have dealt with actually it would have been
[45:19] Really great if you dealt with the ring is released on the video not the movie
[45:23] Until the videos on you movies on the ring is released on DVD
[45:25] The ring is released on DVD the that the the Samara videos on YouTube and people start like making memes and gifs out of it
[45:35] Just as fake and gay underneath
[45:40] Samaras feelings are really hurt. Yeah, I can't kill anybody. I'm a human being this
[45:46] I want like I want to see a still I like a freeze-frame of Samara with her head cocked to the side and in big
[45:51] Blocks answer of letters. It just says like please tell me about your problems. I'm very interested
[45:57] When Bay says you only have seven days to live
[46:02] This could have been us but
[46:05] Yeah, this could have been us but you a ghost
[46:09] And
[46:10] Then someone does the thing where it like it pauses and then sunglasses animate down onto Samara's face joint goes in her mouth
[46:17] Yeah, yeah popcorn all that stuff Samara drinking tea. It's all great. Yeah
[46:22] I think I if that had been the movie I would have liked yes rings
[46:28] We should do our final judgment so we can actually get some time and talk to the audience talk to the people
[46:34] so the shocktober categories
[46:37] This scarily scarifying. Okay, so really scarily bad good
[46:43] Totally snort flying guys as a fan of the show or frighteningly funny
[46:47] I think I speak for everyone when I say the shocktober shits confusing
[46:52] It is to me, too
[46:54] It is to me, too. I don't I'm not always sure what the line is between snore flying and frighteningly funny
[47:01] And what is it frightening about how funny it is?
[47:04] It's just a literate of Elliot. I
[47:08] mean you're a guy who in the beginning your presentation for you said that Clark Kent was an
[47:12] Example of alliteration and I don't know if that's technically true. Yeah, that's the same sound from two different letters
[47:18] Oh the sound it's not the letters sound is what makes a little hands right in yeah
[47:25] Right into it's the letters not the sounds care of the flop house one, two, three Elliot's right Street
[47:31] Dan's wrong USA 2400 that well, I understand the
[47:36] Categories perfectly. So why don't you go first? I'm gonna say this is invented them totally snore a fine
[47:41] Okay
[47:41] I'm gonna go with you on snore a fine because it was it's there were a lot of times when it felt like we were
[47:46] Watching just like the direct-to-video
[47:48] Version of the ring. Yeah, and but that but they kind of teased you in the beginning with like a crazy movie
[47:53] We're at college professors are having like a symposium on the ring video, which would have been amazing
[47:58] But Jordan, I think you might have had a different feeling. Yeah. No, I think I will go. I will go slightly snore a fine
[48:04] I think there are worse. There are worse movies to watch if a
[48:09] Podcast hosts hurts himself and you have to fill in for him. Yeah, there are words all been that very specific
[48:16] Circumstances. Yeah, ever you guys can relate, huh?
[48:21] Yeah, there are worse movies are a couple a couple of good scares a couple of kind of cool
[48:25] Yeah, one of the good scares. I liked when she was yep
[48:28] No, no say and then I'll say my least favorite scare in the whole movie
[48:30] I thought it was pretty creepy when she was locked in the tomb. I think I I'll give you that
[48:35] Yeah, scary situation to be in. Yeah much like I felt when I was a kid watching Nickelodeon's
[48:39] Are you afraid of the dark? Sure. I said this is not scary. But if it happened to me, I'd be pretty scared. Yeah
[48:45] There's one thing that I think is supposed to be a jump scare
[48:48] I'm not sure where it's very quiet for a while
[48:51] As they go to the church, they go that church isn't a church anymore and they walk in
[48:54] I think there's an a meeting going on which is still they do in churches
[48:57] So yeah, yeah, not very good evidence for not like I expected them to go, you know
[49:00] It's not a church anymore and they go in and it's an Arby's I
[49:05] Would that is clearly not a church with the AA meeting right? It's still a big you it's very
[49:11] Kind of church
[49:15] They go in there it's very quiet and then suddenly here and it's the sound of an umbrella being opened outside
[49:21] Yeah, and I was like was that supposed to unnerve me? Like that's the lamest jump scare like no, it's an umbrella
[49:28] It's raining out
[49:31] Thank you Elliot, isn't that scary
[49:35] It's gonna get frizzy
[49:38] You didn't bring a raincoat your your shoes are suede
[49:48] You put suede protector on and but you've properly sprayed it
[49:53] This is a very specific ghost
[49:56] Make sure to coat thoroughly next time
[50:00] Judge John Hodgman ruled in my favor.
[50:05] Judge John Hodgman ruled in my friend's favor.
[50:07] Judge John Hodgman ruled in my favor.
[50:10] I'm Judge John Hodgman.
[50:12] You're hearing the voices of real litigants, real people
[50:15] who have submitted disputes to my internet court
[50:18] at the Judge John Hodgman podcast.
[50:20] I hear their cases. I ask them questions.
[50:22] They're good ones.
[50:23] And then I tell them who's right and who's wrong.
[50:25] Thanks to Judge John Hodgman's ruling,
[50:27] my dad has been forced to retire
[50:29] one of the worst dad jokes of all time.
[50:31] Instead of cutting his own hair with a Flowbee,
[50:34] my husband has his hair cut professionally.
[50:37] I have to join a community theater group.
[50:39] And my wife has stopped bringing home wild animals.
[50:42] It's the Judge John Hodgman podcast.
[50:44] Find it every Wednesday at MaximumFun.org
[50:47] or wherever you download podcasts.
[50:51] Thanks, Judge John Hodgman.
[50:58] Hey, you with the headphones.
[51:00] Just between you and me, the MaxFun Store
[51:02] just got some of that sweet, sweet new merchant stock.
[51:05] You know, that merch from your favorite MaxFun shows?
[51:08] Could be posters, tote bags, shirts, stickers, patches, aprons.
[51:11] We got it all.
[51:13] Well, we got a lot.
[51:15] Point is, there's some new stuff.
[51:17] Go to MaxFunStore.com.
[51:20] Hey, it's Stan here, flying solo again.
[51:23] Thanks for listening to our live episode.
[51:25] We had a lot of fun in L.A.
[51:27] We had a lot of fun with Jordan Morris.
[51:29] We were sad that, of course, Stuart couldn't make it there.
[51:32] But we're hoping to have a lot of fun with him in Toronto.
[51:35] We got a few ads for you.
[51:37] The first is for ZipRecruiter.
[51:39] What if hiring could be easier,
[51:41] more streamlined, and less time-consuming?
[51:44] Well, with ZipRecruiter, you can post your job
[51:46] to over 100 job boards with just one click.
[51:49] And ZipRecruiter doesn't depend
[51:51] on the right candidates finding you.
[51:53] It finds them by actively notifying
[51:56] qualified candidates about your job.
[51:58] No wonder 80% of employers who post on ZipRecruiter
[52:01] get a quality candidate through the site in just one day.
[52:04] And right now, our listeners can post jobs
[52:06] on ZipRecruiter for free.
[52:08] Just go to ZipRecruiter.com slash Flophouse.
[52:11] That's ZipRecruiter.com slash Flophouse.
[52:15] So that's a great message for all the business owners out there,
[52:18] people who are not me because I could never understand
[52:21] anything about business if you explained it to me
[52:24] like a child for three days running.
[52:27] But I hope that it's useful to you.
[52:31] We're also sponsored by Blue Apron.
[52:35] For less than $10 per person per meal,
[52:38] Blue Apron delivers seasonal recipes
[52:40] along with pre-portioned ingredients
[52:42] to make delicious home-cooked meals.
[52:45] This week, or not this week, but upcoming,
[52:48] what do we got?
[52:50] Now listen to this.
[52:51] We got cheesy chicken and black bean enchiladas
[52:53] with salsa verde.
[52:55] That's green salsa for those of you
[52:58] who don't understand Spanish.
[53:01] We got shrimp marinara with spaghetti, spinach, and parsley.
[53:06] Maple gravy smothered pork chops
[53:08] with stewed collard greens and sweet potatoes.
[53:12] I like anything that's got smothered in it.
[53:14] We got spiced cauliflower and pepper with jasmine rice
[53:17] and cilantro yogurt sauce.
[53:19] It all sounds great.
[53:20] Check out this week's menu and get $30 off your first meal
[53:23] with free shipping by going to blueapron.com.
[53:28] That's blueapron.com.
[53:31] It sounded so delicious that Archie jumped up on the table
[53:34] as if to say,
[53:36] give me some of that sweet Blue Apron treat.
[53:39] I don't know if that's a good slogan,
[53:41] sweet Blue Apron treat.
[53:44] It felt right in the moment because it rhymed,
[53:46] but it doesn't actually, I don't know.
[53:49] Anyway, moving on.
[53:52] We got a couple of Jumbotrons out this week,
[53:55] and I dearly hope that the people who bought these Jumbotrons
[53:59] are still getting their money's worth
[54:01] and people didn't turn off the radio machine.
[54:04] Let's call your phone a radio machine, guys.
[54:06] Let's get that started.
[54:08] Didn't turn off the podcast
[54:10] as soon as they heard my voice alone doing ads,
[54:13] but we can only hope.
[54:15] The first Jumbotron is for the Smash Fiction Podcast.
[54:20] The Smash Fiction Podcast settles the unsettlable.
[54:24] When beloved fictional characters clash,
[54:27] which one will win?
[54:29] Smash Fiction is a comedy podcast
[54:31] where a rotating cast of geeks
[54:33] debate on behalf of their chosen characters,
[54:35] and an impartial judge decides the winner.
[54:38] Dr. Strange vs. Voldemort,
[54:40] Mal Reynolds vs. Han Solo,
[54:42] a yearly Nick Cage four-way cage mash
[54:45] inspired by our favorite movie podcast.
[54:47] Plus, every month we do an ongoing RPG
[54:49] where we play fictional characters
[54:51] in an epic crossover adventure.
[54:53] So that's Smash Fiction.
[54:55] And it's apparently run by a rotating cast of geeks.
[54:59] They don't specify whether this is a film geek
[55:02] or whether they are biting the heads off chickens
[55:05] in the middle of their podcast.
[55:07] The only way you can figure that out is by listening.
[55:10] And the second message is for Charlene,
[55:14] the Blade of Honor.
[55:16] And it's from Rosie and Chris,
[55:18] soon-to-be-same-last-name-withheld.
[55:20] Dearest Charlene,
[55:22] thank you for being our unicorn,
[55:24] but not the way kids these days mean it.
[55:26] I really was wondering, so thanks for the clarification.
[55:29] You made Rosie's hidden party frightfully fun,
[55:32] and will keep the wedding from becoming
[55:34] totally scarifying or totally snorifying.
[55:37] Hopefully soon we can all live on a corgi ranch together.
[55:40] Well, I mean, if you're the unicorn,
[55:43] I mean, you're confusing what kind of unicorn it is,
[55:46] because now you want to live on a corgi ranch together.
[55:49] Anyway, going on.
[55:51] We promise not to get divorced,
[55:53] as that would be for the drobs.
[55:55] Love you.
[55:57] I don't know the word drobs.
[55:59] I've been taught a new term today.
[56:01] I'll look that up.
[56:03] But while I look that up,
[56:05] back to listening to The Flophouse,
[56:07] live in Los Angeles.
[56:09] So now is when we should move on
[56:11] to talk to the audience.
[56:13] There's two microphones, I think, set up.
[56:16] There's two, yeah.
[56:18] One on each side of the theater.
[56:21] Thank you for helping me.
[56:23] You seem so unsure of the words.
[56:25] So if people have questions,
[56:27] they can come up to the microphones.
[56:29] We'll try and get as many as we can.
[56:31] We're going to try to get some in.
[56:34] Unfortunately, you ran long.
[56:36] We just don't have a lot of time for things
[56:38] that'll take time up.
[56:40] We don't have time for filler.
[56:42] Let's get straight to the questions.
[56:44] We just don't have time
[56:46] for anything other than questions.
[56:48] Let's take a question,
[56:50] perhaps a suggestion,
[56:52] an interjection, maybe a question.
[56:54] That's right, I said questions twice.
[56:57] Because your questions are awfully nice,
[57:00] and I appreciate your being here in Los Angeles.
[57:03] Nothing I can think of rhymes with Los Angeles,
[57:06] except perhaps the composer Vangelis
[57:09] that rhymes with Los Angeles.
[57:11] Blade Runner 2049,
[57:14] in theaters now.
[57:16] A sequel to Blade Runner.
[57:18] Which Vangelis did the music for?
[57:20] That's the way that I explain that reach.
[57:24] All right.
[57:26] Thanks, guys.
[57:29] Thank you.
[57:31] But really, we should move on
[57:34] to the second part of the song.
[57:37] That's right, it's a cycle.
[57:39] It goes on too long.
[57:41] Hey, everybody, remember when I said
[57:43] that we didn't have time for a lot of stuff?
[57:46] Well, I was right.
[57:48] Tonight, don't fight.
[57:50] Turn on the lights.
[57:52] Or, Spider-Man, turn off the dark.
[57:56] Some kind of alarm went off.
[58:00] All right.
[58:02] Sam, are you okay?
[58:04] Are we doing this now?
[58:06] Yeah, we're going to do questions now.
[58:08] Because it's question time
[58:10] for the Clubhouse tonight.
[58:12] What Elliot would normally say at this point
[58:14] is just think about your question
[58:16] before you ask it.
[58:18] Think, would I care about this
[58:20] if it's not me asking it?
[58:22] And then if the answer is no,
[58:24] that's my abbreviated version
[58:26] of the speech that Elliot gives.
[58:28] Thank you for being the bad cop tonight.
[58:30] Let's give Dan a hand.
[58:32] So, sir.
[58:34] You can go.
[58:36] You better go before I start singing again.
[58:38] Hi, I'm Scott. I just have a question.
[58:40] Guys, have I told you about
[58:42] Baby, Secret of the Lost Legend?
[58:44] Have you told us what?
[58:46] Have I told you about Baby, Secret of the Lost Legend?
[58:48] Baby, Secret of the Lost Legend?
[58:50] The dinosaur movie, Baby, Secret of the Lost Legend?
[58:52] Did you hear what Dan said earlier?
[58:54] Hey, Jordan.
[58:56] Don't question shame, people.
[58:58] But no, thank you. I'm very familiar with that movie.
[59:00] I saw it as a kid, and I do not remember
[59:02] much of what happens in it.
[59:04] I feel like we should go back and forth,
[59:06] because there's a mic over here, too.
[59:08] Yeah, let's go to the other side.
[59:10] Hi, this is Daniel, last name withheld.
[59:12] So, Jordan was a great co-host,
[59:14] fill-in host tonight.
[59:16] What?
[59:18] I hear a but coming.
[59:20] I was wondering if you could pick
[59:22] any person to be your guest co-host
[59:24] for the Flophouse,
[59:26] who would you pick?
[59:28] Oh, boy.
[59:30] Well, everyone knows I'm mad about Mads.
[59:32] Mads Mikkelsen, that is.
[59:34] And I feel like he'd have a lot of great stories
[59:36] about his Hagar the Horrible movie,
[59:38] about Hollow Rising.
[59:40] I think I would pick
[59:42] someone that Elliot knows personally
[59:44] and has worked with,
[59:46] Jule Hodgson.
[59:48] We owe him a huge debt,
[59:50] which we will never be able to repay.
[59:52] Or we'll try to.
[59:54] Maybe I'll ask him sometime.
[59:56] Yeah, why not?
[59:58] I'm promising nothing.
[1:00:00] Let's move on.
[1:00:02] Hi, my name is Ed, last name withheld.
[1:00:04] Hi, thanks for coming.
[1:00:05] If the three of you were on a tour of Willy Wonka's Chocolate Factory,
[1:00:08] in what horrible yet ironic way would you be killed?
[1:00:12] That's a good question.
[1:00:15] That's a good question.
[1:00:17] That question was actually from my daughter, Charlotte,
[1:00:19] who is not able to come tonight, so she asked me to ask you.
[1:00:25] So, okay.
[1:00:27] Okay.
[1:00:29] Is there some sort of sadness candy that exists?
[1:00:33] It's like a salt water tear taffy, maybe?
[1:00:35] Yeah.
[1:00:37] You fall in a big vat of it and you're like,
[1:00:39] I'm drowning in my own tears and these.
[1:00:41] That seems appropriate.
[1:00:44] I think, yeah, I don't know.
[1:00:47] Do they make fried chicken at Willy Wonka's Factory?
[1:00:51] Maybe.
[1:00:52] It's like a Cadbury egg.
[1:00:54] That's not the same thing at all.
[1:00:58] Here, I'm here to buy a car, here's a shoe.
[1:01:02] They're both modes of transportation.
[1:01:06] I think, probably, there'd be something involving talking a lot.
[1:01:13] Jawbreaker.
[1:01:14] Yeah, Jawbreaker, nice.
[1:01:16] Yeah, I'd be watching the movie Jawbreaker,
[1:01:19] listening to the Judas Priest song Jawbreaker,
[1:01:22] and my jaw would get broken.
[1:01:24] Jordan, what about you?
[1:01:25] I would get killed by a bullet meant for Stewart.
[1:01:30] Thank you.
[1:01:31] So heroic.
[1:01:32] Yeah, one of those Willy Wonka snipers is aiming for Stewart,
[1:01:35] and then I walk in front.
[1:01:36] No, I just imagine Oompa Loompas with sniper rifles strapped to their back,
[1:01:40] hurling themselves to the ground before they get a good shot.
[1:01:44] Sir, you in the hat.
[1:01:48] The person who's at the microphone.
[1:01:51] My name is Michael, last name with ho.
[1:01:53] Hello, Michael.
[1:01:54] Hello.
[1:01:55] My question is, with Jordan here instead of Stewart,
[1:01:58] how would that change the order you'd be in the Flophouse Human Centipede?
[1:02:02] Oh, good question.
[1:02:04] How would that change the Flophouse Human Centipede?
[1:02:06] Because usually the order is you in the middle,
[1:02:09] I think Stewart's in the back, and I'm in the front.
[1:02:13] I think you called front.
[1:02:15] You better believe I called front.
[1:02:18] I feel like we need to have a little talk about that.
[1:02:22] You snozzed and you lost, Dan.
[1:02:23] Swept in.
[1:02:26] Jordan, do you think with Dan would you get bumped up to middle then?
[1:02:30] No, you're still in the middle.
[1:02:32] Would you get bumped back to back?
[1:02:33] I don't know that it would change it too much.
[1:02:35] Yeah, I'm sorry, Jordan.
[1:02:37] I'm afraid that you're first.
[1:02:41] I'm just going to try and make the best of these seven days.
[1:02:45] I've got to try and finish BoJack, of course.
[1:02:48] I feel like there's no winner in a human centipede.
[1:02:51] It's just like someone who loses a little less.
[1:02:54] And that's the front.
[1:02:58] Yes, sir?
[1:02:59] Hey, Castleton shirt, cool.
[1:03:01] Nice, yeah.
[1:03:02] Castleton snob.
[1:03:04] You are the third and fourth people ever in me wearing this shirt who have gotten that,
[1:03:08] so thank you.
[1:03:10] You're talking to somebody who'd never pulled the trigger on buying a Castleton shirt,
[1:03:13] but certainly thought about it a lot.
[1:03:15] I have drunkenly Googled Castleton shirt as well,
[1:03:18] but then I'm like, can a man have too much pussy?
[1:03:25] This is, for anyone not familiar with it,
[1:03:27] it's a shirt that was in the Time Chasers episode of Mystery Science Theater 2000.
[1:03:31] Great episode, solid, wonderful episode.
[1:03:33] Yes.
[1:03:34] My question's not about that.
[1:03:36] In the last New York Live show, Elliot,
[1:03:39] you were asked what New York movie was most representative of your time in New York,
[1:03:42] and now that you live in L.A.,
[1:03:44] I was wondering so far what L.A. movie is best representative of your time in L.A.
[1:03:48] Interesting.
[1:03:49] It's hard to pick a representative movie because I've only been here a couple months,
[1:03:52] so I guess Cobra.
[1:03:55] Yeah.
[1:03:58] Look, the way I work is dirty, but I get results.
[1:04:01] And I recently took down an axe-murder cult that was trying to kill Brigitte Nielsen.
[1:04:09] I think, to be honest, probably...
[1:04:14] All I can think about is Cobra, to be honest.
[1:04:16] That's why I shouldn't have mentioned it.
[1:04:18] I mean, that's just the way you live is all you can think about is Cobra.
[1:04:21] Because I like to eat cold pizza by cutting it up with a pair of scissors,
[1:04:24] which he does in Cobra.
[1:04:27] Yeah, I feel like that's a good answer.
[1:04:29] Yeah, okay, sure, yeah, thanks.
[1:04:30] I'll think about a better one next time we do an L.A. show.
[1:04:32] Ask me again.
[1:04:34] Sir, over here.
[1:04:35] Hey, my name is Nico, last name withheld.
[1:04:38] Case?
[1:04:39] Sorry.
[1:04:40] What?
[1:04:41] I was playing Elliot's role of making up last names for people.
[1:04:44] He had already started talking.
[1:04:45] Yeah, I'm sorry.
[1:04:46] And you were being very rude.
[1:04:47] I'm sorry.
[1:04:48] And I want you to apologize to our guest.
[1:04:50] No, go on, I'm sorry.
[1:04:51] That's okay.
[1:04:52] Case is a better last name than my real last name.
[1:04:54] So they're making these, I guess, Dark Universe reboots of the classic Universal Force.
[1:05:00] They're sure trying to.
[1:05:01] And God is doing his best to stop them.
[1:05:05] Well, so I was just curious, what is a sort of classic monster that you think either hasn't
[1:05:10] gotten its due or hasn't had a movie at all made about it that you think there should
[1:05:14] be in the Pantheon of Monsters?
[1:05:17] Hmm, of the Universals particularly?
[1:05:19] I guess I would say more broadly.
[1:05:22] I mean, yeah, a reboot of the Universal movies or just any monster.
[1:05:27] Like a Wendigo or a Golem.
[1:05:29] I mean, Wendigo is never real.
[1:05:31] It hasn't gotten its due.
[1:05:32] Wendigo, there was that movie with the kid from Malcolm in the middle in it years ago.
[1:05:36] And Golem, there hasn't been a good Golem movie since the 1920s.
[1:05:39] So pretty good.
[1:05:41] But I think I'm probably going to say, and this will be controversial, Gilman from the
[1:05:46] Creature from the Black Lagoon movies.
[1:05:48] Because even the original movies are not very good.
[1:05:50] And that creature design is so sharp.
[1:05:53] What?
[1:05:55] I haven't seen it yet.
[1:05:57] Thanks for ruining it for me.
[1:05:59] I didn't know it was a soft reboot of the Gilman series.
[1:06:02] I do want to see Shape of Water.
[1:06:04] Okay, then maybe that's it.
[1:06:05] I'll come up with a different one.
[1:06:06] Dan, you answer.
[1:06:07] I mean, I already, I mean, he said Wendigo and that's what I was going to say anyway.
[1:06:11] Really?
[1:06:12] Yeah.
[1:06:13] All right.
[1:06:14] Well, just because it's not the thing that there's been like a good movie about.
[1:06:16] There was that Larry Fessenden movie, I think it was.
[1:06:19] I say Wendigo.
[1:06:21] Yeah, let's call the whole thing Wendigo.
[1:06:25] The movie Wendigo Man?
[1:06:26] About the guy who's swearing in the Wendigo video?
[1:06:29] I would like to see another Gilman movie too.
[1:06:32] Because I was thinking that the funny thing to me about watching Monster Squad is at the
[1:06:37] end, how like every other monster has like a particular way that you have to kill them.
[1:06:42] And then like the Gilman, they just like blast him with a shotgun.
[1:06:45] They just shoot him.
[1:06:46] Because he's the everyman.
[1:06:47] Yeah.
[1:06:48] You know?
[1:06:49] You can kill him a normal way.
[1:06:50] Yeah, exactly.
[1:06:51] And then the fat kid gets to say, my name is Horace.
[1:06:53] That's true.
[1:06:54] I'm just remembering.
[1:06:55] No, tell us more about Monster Squad.
[1:06:57] Yeah.
[1:06:58] Wolfman has nards.
[1:06:59] We all remember it.
[1:07:00] Wolfman has nards.
[1:07:01] Yeah.
[1:07:02] Let me begin by saying that Wolfman has something that you might not expect him to have, despite
[1:07:04] having the word man in his name.
[1:07:07] Over here again.
[1:07:08] Hi.
[1:07:09] Oh, whoa.
[1:07:10] That's loud.
[1:07:11] I'm so sorry.
[1:07:12] My name is Brennan.
[1:07:13] Last name withheld.
[1:07:14] And since it's Shocktober, I thought I would ask.
[1:07:16] Very well done.
[1:07:17] Yes.
[1:07:19] What is the dumbest horror movie that actually scared you at any point during the movie?
[1:07:24] Oh, Troll 2.
[1:07:25] Oh, yeah.
[1:07:26] When I was a kid, Troll 2 was genuinely scary to me.
[1:07:29] With the stick fingers.
[1:07:30] Yeah.
[1:07:31] Well, it's the part where he's talking to his grandfather, and he goes, I was talking
[1:07:34] to Grandpa.
[1:07:35] And they go, Grandpa's not there.
[1:07:36] And he looks, and the chair's empty.
[1:07:37] When I was a kid, that scared the shit out of me.
[1:07:40] I couldn't watch the rest of the movie for a long time.
[1:07:42] Well, it also has the bleakest ending.
[1:07:45] They go home, and you think everything's all right.
[1:07:47] And the kid goes upstairs or whatever, and the shower's going, and the parents have turned
[1:07:52] into green goo.
[1:07:53] And it's Patrick Duffy.
[1:07:54] Yeah, it's green goo.
[1:07:55] But also, the idea that that kid, I feel so bad for the kid in that movie, because the
[1:07:59] grandpa's just yelling at him to take care of things.
[1:08:02] And he's a kid.
[1:08:03] And Grandpa's a ghost with magic powers.
[1:08:05] Yeah.
[1:08:06] And he's like, go blow up all those trolls.
[1:08:08] I'm disappointed in you, grandson.
[1:08:09] It's like, oh, so much going on in that movie.
[1:08:13] I had to have my mom take me out of Tremors.
[1:08:19] I really admire that your mom took you to Tremors.
[1:08:21] Yeah.
[1:08:22] I think I was just afraid of the vaginal imagery.
[1:08:27] Considering that, when I wanted to see Fern Dolly, my mom said, we are not going to see
[1:08:30] that.
[1:08:31] And I said, why not, Mom?
[1:08:32] And she goes, I don't want to see that.
[1:08:35] I don't approve of wrapping bats.
[1:08:37] It was the first time that I was like, wait, parents can do that?
[1:08:41] They can just say no to movies?
[1:08:44] Are you looking at me for something?
[1:08:46] Leadership in this time of crisis.
[1:08:49] When I saw, even watching the Mystery Science Theater version of this, Man with the Hands
[1:08:54] of Fate disturbed me.
[1:08:56] It feels like a snuff film.
[1:08:57] Yeah, because as Joel says in it, or Crow says in it, I think, every frame looks like
[1:09:03] someone's last known photograph.
[1:09:05] And there's something about really badly made movies that can capture this weirdness and
[1:09:14] sense of something wrong with the world that good movies can't.
[1:09:18] Yeah.
[1:09:19] But that would be my answer.
[1:09:21] Okay, that's a good answer.
[1:09:22] Yeah.
[1:09:23] Thank you.
[1:09:24] What side are we?
[1:09:25] That side.
[1:09:26] Yes, side.
[1:09:27] Hey there.
[1:09:28] I'm Todd Lassen with Held.
[1:09:29] Hello.
[1:09:30] So another Shocktober question.
[1:09:32] And how the bit where Mrs. Star Trek is remembering her sister, and that is by far the most terrifying
[1:09:36] part of that movie for me.
[1:09:38] What other movies are there where the most memorable or the most terrifying moment is
[1:09:42] not the main conceit of the movie?
[1:09:44] Because I don't remember much else about that movie.
[1:09:46] I know there's something about a dead baby, but God, the neck is so scary.
[1:09:51] The back, something.
[1:09:52] I don't know.
[1:09:53] Terrifying moment.
[1:09:54] Not main conceit.
[1:09:55] That's it.
[1:09:56] I mean, I kind of feel like my answer to the last question works, that like, Troll 2,
[1:09:58] the trolls were not scary.
[1:09:59] It was this guy's relationship.
[1:10:00] Relationship with his grandfather
[1:10:02] Most that was the most memorable. Oh, there's there's a there's a scene in is it what movie is it?
[1:10:08] It's not the crazies
[1:10:09] There's this there's some horror movie where someone needs to use a phone and the person who's who's is so
[1:10:14] Crazy that they have to borrow a phone they borrow a phone from and it's like this is get out of this scene
[1:10:20] This is really frightened might have been sisters or so. I don't remember. There's a scene
[1:10:25] in the Exorcist
[1:10:27] We're like the devil stuff fine. It's scary enough, but I get it. He's wearing Prada
[1:10:33] the part that really scared me is there's a part where they take Reagan to get tests and
[1:10:39] There's like a machine that like makes like a chunk chunk chunk chunk
[1:10:42] And I'm like not sure what it does
[1:10:44] But she's like getting like a spinal tap or something and that was the thing that made me like go like I can't watch this
[1:10:52] So that would be my answer. I don't like any movie where people buy plane tickets last minute
[1:11:00] Because like
[1:11:03] How expensive must that be to just walk up to the counter and you're gambling that they even have seats available
[1:11:10] So like all home alone movies
[1:11:14] Like being left at home because I figure I can like rig up some traps, okay
[1:11:19] But the thought of like having to buy a plane ticket last minute
[1:11:22] Yeah, I'm down. I'm stressed out. Just thinking about it
[1:11:26] on this side
[1:11:28] So I'm Mandy last name withheld and my friend throughout most of today has been making fun of me saying that I look like
[1:11:35] the best friend of an 80s movie
[1:11:38] Yeah, I'll buy that. Yes. Yeah, like
[1:11:41] Why any type shirt knotted at the at the midsection? Yeah, okay, and some sort of
[1:11:47] 1940s Carnival Barker hat
[1:11:50] There's a lot of overlap. Yeah, can I get a ride back to Silver Lake by the way?
[1:11:57] So local humor over reference, yeah
[1:12:00] So I wanted to ask or Portland
[1:12:02] Sorry, what makes a good best friend in a movie and what would you want out of your in your movie?
[1:12:08] What would your 80s best friend be?
[1:12:11] Well, it makes the best for a good best friend movie well that you eventually end up with them
[1:12:15] Yeah, or if they're played by Judy Greer, that's a good. Yeah, she is she does a very good best friend in movies
[1:12:23] Yeah, it's good to have a best friend who you wish had a little more to do
[1:12:28] Yeah, a best friend who doesn't really have much of a job and is available at all hours of the night
[1:12:32] Yeah to help you out with stuff
[1:12:35] And my best friend in an 80s movie if I wasn't the best friend, which I probably would be
[1:12:40] But my best friend would probably be like, I don't know like a talking robot dog with magic powers
[1:12:46] And we'd end up together at the end
[1:12:49] I I feel like I have I have fantasy best friends and
[1:12:55] Through circumstances. I got to be on stage with two of them. Oh, that's right stuff. You should know
[1:13:05] You bastard
[1:13:08] Yeah, that's a fine podcast though it is good they do a good job
[1:13:11] This is the name of this podcast should be like stuff you is not real
[1:13:16] Are you looking to me for what was the last part of the question who you would want here?
[1:13:19] What's your a what's your best friend in your 80s movie gonna be like, I know I would just want booth from Teen Wolf
[1:13:25] Basically, yeah moves the best 80s best friend. Yeah
[1:13:28] I mean could could someone be booth from Teen Wolf and I could just is any is blue from Teen Wolf in the audience
[1:13:34] What are her characteristics she puts up for the best friend, even though he's a jerk to her
[1:13:38] Yeah, she doesn't like him because he's a werewolf. She likes him for who he is, even though he's a jerk to her
[1:13:43] She's more attractive than the big romantically. Yeah, she wears a lot of cute sweaters
[1:13:49] This guy's, you know, just everyday sense of style on a budget
[1:13:54] Apparently, that's what I'm looking for. I should just put that in an ad. Yeah
[1:13:59] M for B men for booth
[1:14:02] Seeking a no-drama booth me Emmy-winning comedy writer you booth
[1:14:12] And people across America being like
[1:14:14] What what does this mean? Like honey? Could you come here? Look at that in the game subculture? What is a booth?
[1:14:21] If I don't know if I'm it or not. Yeah, it does that does sound like a subcategory on grinder. Yeah
[1:14:28] hot local booths
[1:14:32] All right, we should keep it moving because we I think we might actually get through everyone
[1:14:36] We've got three people
[1:14:36] So if you've got another question write it in to us and say I was at your show and I didn't get asked question and maybe
[1:14:42] We'll answer it. I don't know how it works. Sir. You've got a question. Hi, Derek. Last name are held. Hello
[1:14:47] I think I saw a nightmare on Elm Street when I was about seven just because my aunt let us
[1:14:51] But my question was what movie did you see that?
[1:14:54] You probably shouldn't have seen at a young age either due to your own sneakiness or just complete parental neglect
[1:15:01] I think I believe I've told this story before on the podcast and when I was I think eight years old
[1:15:04] My dad said hey, my friend. Let me Robocop. He says it's really cool
[1:15:09] Let's watch it. And when Edie 209 shot that guy in his chest exploded
[1:15:14] I put my hands in front of my eyes and then I slowly pulled my hands out
[1:15:21] It's movies that we shouldn't have seen any young age
[1:15:24] Well, I think I told it actually on the podcast before that my brothers like I have two older brothers
[1:15:29] One's 10 years older than me one's 13 years older than me
[1:15:32] so they like to torture me and they like they
[1:15:36] Pulled all the curtains closed in the living room made it as dark as possible and forced me to watch poltergeist and aliens
[1:15:43] So, I mean, this is a lot better than the other thing that they would do which is put a pillow over my head
[1:15:49] Try to kill you until it was very close. All right, Dad. We're Toby Hooper completists. Yeah
[1:15:56] My parents are big Caligula heads next question, okay
[1:16:02] They're like look at this amazing cast
[1:16:05] You don't think they'll fuck but did they do it was a different time it was the 70s they were all on blow
[1:16:12] Hi guys, I'm Mary Kate
[1:16:15] There's something that the flophouse has taught me actually
[1:16:17] I've probably always known this but
[1:16:19] When a movie starts with, you know, my mother always told me this story or prophecy foretells of so like
[1:16:26] What are your other like rules for like bad movie when something happens in the movie and you're like, oh, no
[1:16:32] It's gonna be like this. Like what is your bad movie signifiers like that?
[1:16:38] I just want to say Toby Hooper wrote alien. That was why I made that Toby. He did not write alien. Did he not?
[1:16:44] Bannon
[1:16:45] Huh?
[1:16:47] anyway
[1:16:48] And I also think you said aliens I said a really you're all over the map, but let's answer this question
[1:16:54] I mean, it's hard to top when there's like a prophecy of some kind in the movie anytime a movie has a prophecy in it
[1:17:01] I'm like, well, you just removed the agency of all the characters in the movie and I kind of don't care anymore
[1:17:06] So anytime there's like there's a legend
[1:17:08] Duh-duh-duh-duh-duh or a prophecy foretells be bubbly bubbly, you know
[1:17:12] Like it turns out you're not a you're not a person who through hard work and circumstance became a hero
[1:17:17] Your mom is an alien and that's why I knew and you were destined to do this. I don't like it
[1:17:22] This is not exactly the answer to this question
[1:17:25] But you know, it's more like just something I don't like in movies
[1:17:28] But any comedy that seems built around the idea of some misunderstanding ruining someone's life slowly
[1:17:35] Like any movie like that just like that's not funny
[1:17:47] Just can't take it. I can't take that in a movie. I would have trouble with that in sitcoms
[1:17:51] Yeah, I have you watch the moment where like somebody walks in on somebody and it looks like they're cheating on them
[1:17:56] Yeah, they're making out with another girl
[1:17:57] I'd be like, I know this is gonna be explained away in ten minutes, but I don't like it
[1:18:01] Like I don't like this feeling of yeah tension and embarrassment. And yeah, yeah
[1:18:06] I'm an anxious person. It's basically what that comes back. Yeah
[1:18:10] The airline ticket thing again. I can't handle it. Don't want to see it. Don't want to see it
[1:18:15] Thank you
[1:18:17] All right, that's in it
[1:18:22] My name is Johan
[1:18:23] When I was six or seven and when I used to live here in LA my mom my mom took me to watch Terminator 3 in
[1:18:28] the theater
[1:18:29] Wait, how old were you in Terminator 3 came out?
[1:18:32] I don't I don't work I was I was young and I still lived in LA
[1:18:34] Which means that I was at least at most eight. Okay. Well, you made me feel like an old man
[1:18:38] So I know it was t3 because I believe I was in college when that movie came out
[1:18:42] Oh, I'm in college now. Should I jump out of college? I'm just kidding. Oh
[1:18:46] So, hey, did you ever watch a movie young? I think someone loses. Um, I was traumatized by that movie
[1:18:52] Like I would open the curtain to make sure there was a Terminator
[1:18:54] I would walk away from cars that were parked because she makes one come alive. There's a scene right?
[1:18:59] Has there been a movie that you watch maybe too young that traumatized you for like months maybe
[1:19:04] Yeah traumatized that still happens to me
[1:19:07] Like I'll be like there's nothing
[1:19:09] there's nothing scarier to me than the idea that
[1:19:11] I'm gonna suddenly turn and there's someone standing there looking in a window at me or like if I'm lying in bed
[1:19:17] This especially happens if my family for whatever reasons out of town or I'm out of town
[1:19:21] I'm lying bed
[1:19:22] the scariest thing I can think of is that someone's just gonna walk through a doorway and that I don't expect to be there it
[1:19:27] Frightens me so much and I lie there thinking about just that so like any mood
[1:19:31] So I went to see so some other recently and there's so many scenes in that where
[1:19:35] She'll like turn on the light and there's somebody outside looking at her through a window and I'm like, oh god
[1:19:39] Oh, that's and so that's been happening to me a lot lately where I go around my house at night
[1:19:43] Just making sure the doors are locked and I look away from the windows
[1:19:46] Cuz if there's a creepy guy looking at me through the window, I don't want to know about it
[1:19:50] Don't want to see it don't want to know about it
[1:19:52] Yeah, this isn't a this isn't a childhood thing either but like I watched lights out the short that the movie
[1:20:00] out was based on I did not I saw the full-length movie lights out I was like
[1:20:06] this is kind of boring I don't know whatever but the short is like such a
[1:20:09] simple premise like a monster that just comes when the lights are out and after
[1:20:15] that like that evening I was like I was scared of the dark again I was walking
[1:20:21] around just like all right I'm in this room gotta turn the light on all right
[1:20:24] now before I get over this other I gotta turn the light over here before I turn
[1:20:27] the other one like I'm staggering my lights across the way going to bed so
[1:20:37] that one got me Jordan I just fear a future where all restaurants are Taco
[1:20:41] Bell that would be sad demolition man yeah be tough thank you would solve our
[1:20:47] nation's dangerous gordita shortage all right last question the last question a
[1:20:53] lot of pressure a lot of pressure I know big pressure my name is Cruz
[1:20:57] Flores middle name withheld Oh Cruz yes hi I know your brother too you've done a
[1:21:05] lot of you've watched a lot of movies and most of them have been either
[1:21:09] terrible or forgettable but have you ever either watched a flop house movie
[1:21:15] again a second time or even just thought about it and had good feelings about it
[1:21:20] that more than you thought you would I'll tell you this the sappy answer is
[1:21:24] every time I think about these movies I have good feelings because reminds me
[1:21:26] of hanging out with my friends talking to the talking to movies talking to two
[1:21:31] movies talking about movies but otherwise no Dan wait what did you say
[1:21:37] I said otherwise no I think about like oh it's fun when I stay there with Dan
[1:21:41] Stewart but it's I don't know that there's any of the movies reference I'm
[1:21:43] like you know what I'm second thought 10,000 BC had some good I know who
[1:21:52] killed me I know a good movie yeah I think that maybe we should just end on
[1:21:57] that heartwarming note that you just gave about friendship because I can't
[1:22:02] think of one either doesn't to me you know the flop house isn't just about
[1:22:05] movies it's about three best buds hanging out it's inseparable together
[1:22:11] forever where one goes all three go yeah always together never ever apart
[1:22:18] just you and me and no but that's yeah it's it's all yeah good bit very good
[1:22:30] bit kind of kind of petered out at the end you know no I thought it was great
[1:22:34] thought it's great you did great oh thanks buddy so that's it I mean that's
[1:22:40] what we do let's have kind of a bigger ending that's what we do that's what we
[1:22:44] do that's the way it works folks and so Dan yeah for the flop house who have we
[1:22:52] been all right well I was gonna thank everyone for coming out because it's
[1:22:55] very special to be here on the west coast for the first time someone say the
[1:23:00] best goes pander pander pander pander pander for the flop house I've been Dan
[1:23:08] McCoy I've been Elliot Kalin I'm Jordan Morris filling in for Stuart
[1:23:12] Wellington thank you so much for being here everybody so Dan usually we start
[1:23:32] off by doing our little intro really yeah that's what the movie is and then I
[1:23:37] say something or Stewart says something or in this case Jordan yeah thanks for
[1:23:42] explaining thanks for mansplaining my podcast to me Elliot I just want to make
[1:23:46] sure you understand these things hey you seem tense this whole night is taking a
[1:23:53] turn I don't care for also I don't like the implication that I'll have to say
[1:23:58] something very fair all right oh wait we got a delay again cuz Dan has to open a
[1:24:04] thing once it was a phone now it's a bottle what's it gonna be next time a
[1:24:08] chrysalis that has formed around him delicious
[1:24:14] maximum fun org comedy and culture artist owned listener supported

Description

We discuss Rings, live at the Regent Theater in downtown L.A., with special guest Jordan Morris of Jordan Jesse Go!

Wikipedia synopsis for Rings

 

LIVE SHOWS

Oct. 21 –  Toronto, at the Royal Theater

Dec. 9 –  San Francisco, at the Marines Memorial Theater

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