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Ep.#446 - Kraven the Hunter
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On this episode, we discuss Kraven the Hunter.
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No prey is too powerful for Kraven.
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In this movie, he kills an entire family of non-Spider-Man-related movies.
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That's pretty good.
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Hey, everyone, and welcome to The Flophouse.
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I'm Dan McCoy.
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I'm Stuart Wellington.
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And I'm Elliot Kalin.
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And wait, do you guys do you guys feel that in the air?
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A sort of sense of endless possibility, a rush of pure joy and excitement.
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The anticipation that someone of the three of us will spend today asking other people
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for money.
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Yes.
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Yes.
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All those things and more.
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It's MaxFunDrive, everybody.
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Yay.
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It's MaxFunDrive.
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The one time of the year when MaxFun shows celebrate those generous, brilliant and sexually
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attractive listeners who become members of MaxFun.
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And we remind them.
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Dan, are you saying they're not attractive?
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And we remind them.
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I'm not saying anything.
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And we remind them.
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Strategically.
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And we remind those members that the only reason this show exists at all is because
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you, you, you generous, brilliant, sexually attractive MaxFun member, you support it for
[1:25]
at least five dollars a month or more.
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We'll talk more about the MaxFunDrive, what it means to us, what it means to you.
[1:30]
But if you just can't wait to become a member or upgrade your membership, you can find out
[1:34]
more at MaxMunFun.org slash join.
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Yeah.
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In honor of our founder, Maxwell Fun.
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Um, so Maxwell Funker Bean of the of the Funky Winker Beans.
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The name was was was scrambled at Ellis Island.
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Yeah.
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So we're doing.
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What do we do here?
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And this is a podcast.
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has either the audiences or the critics rejected or both or neither.
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Talk about it.
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And of course, as we announced because of MaxFunDrive, we're doing our special theme
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month, which is no Spider-Man's movies that do not make any Spider-Man featuring no Spider-Man.
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And do we want to do want to mention each of the movies that we'll be doing as part
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of the series?
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Yeah.
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Of course, there's a Crave in the Hunter.
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We're talking about now Venom, The Last Dance and Heart Beeps.
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Heart Beeps.
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Classic Paul Schrader.
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There's a slice of...
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Heart Beeps starring Andy Kaufman and Bernadette Peters.
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And it fits the theme.
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There's no Spider-Man in it.
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Still one of the most baffling bits to me.
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Why it was decided that Heart Beeps was Paul Schrader.
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This is one of my favorite.
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It's all going to make sense when we watch it.
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It'll be.
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Yeah.
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Look for that listener.
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It's going to turn out Heart Beeps is about a robot who falls in love and keeps a journal
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and kills somebody or tries to kill somebody at some point.
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Strap some bombs to him.
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But to save the environment.
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Yeah.
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That's what he does.
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This happens in every Paul Schrader movie.
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Well, one I can think of, but.
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This is a movie, of course, particularly notable for its lack of Spider-Man.
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It's part of Sony's, hey, we don't have the rights to Spider-Man per se universe.
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And so, yeah, they've been trying to make all this happen.
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But they do.
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They own a lot of names and some kind of like vague relation.
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There's rumors of a Spider-Man.
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They have.
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So Sony has the rights to the Spider-Man family of characters.
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Characters that fall under it.
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But they have made an agreement with Marvel or Disney, rather, that Spider-Man himself
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would appear in the Marvel Cinematic Universe.
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What does that mean?
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It means they've got to create their own universe of all these other characters whose only reason
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for existing in the comics is because they fight Spider-Man.
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And they also have to flip them all into, you know, at least anti-heroes, evil protectors.
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And they were the original plan.
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I don't know when they dropped this plan was to make a Sinister Six movie where these characters
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would all kind of come together.
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But again, the Sinister Six is a team that only exists to kill Spider-Man.
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That's all that they do.
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I mean, I would argue every single one of these characters is defined by their relationship
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to Spider-Man and are made more interesting by that.
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And when removing a Spider-Man, they become kind of bland.
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It's very well.
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It's like if it's with the exception of Madam Web, which is a perfect movie, which is, yeah,
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which is wonderful and is not doesn't doesn't in any way feel like it's missing a connection
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to Spider-Man.
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Also, it does not fit the theme because Spider-Man's in that because in the movie, because Peter
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Parker is born in that movie, I was just thinking that to remove a Spider-Man sounds like a
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lost Harper Lee novel.
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Yeah.
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Sorry.
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No, it's I was I was going to try to come up with another example of like how you could
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try to remove the central, most essential character from a world and then try to make
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something around it.
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And I feel like there's some there's some places you can do it.
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Star Wars at one point, you're able to do that.
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Yeah.
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You just yank Godot out of that bitch and it's going to be tons of fun.
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That's what happened.
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So you do the Vladimir movie, the Etrigan or Estragon movie.
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You do the Potso movie and then they all come together finally in the Waiting for Godot
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movie.
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Doesn't that make sense?
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Like, how did Potso get that servant who only who has talks in those weird speeches?
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We don't know.
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I don't remember his name, the character.
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But so I believe that, Stuart, you'll be doing the summary day for Kraven the Hunter.
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First, should we talk at all about our relationship to the character of Kraven the Hunter?
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Did you I was going to ask you to do this.
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OK.
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As I as I mentioned in a most likely deleted pre-show bit, I my my relationship with Kraven
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is mainly like I was a big Spider-Man fan.
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Not as big as Elliot, obviously, but I you know, I've read all the Sinister Six stuff.
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I read a bunch of his various appearances, including Kraven's Last Hunt, which is kind
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of like is one of the great Spider-Man stories.
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Yes.
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In my opinion.
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And I was which I was looking up and apparently it started its life not a Spider-Man story.
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It started out as a Wonder Man story, which is kind of funny.
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Well, even before that, it was originally it was pitched as a Batman story to DC and
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by that by the the writer of it, JMD Mateus, I think was the writer of it.
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And and then he brought it over and made the Spider-Man Kraven story.
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But it's so good that you kind of wonder how it could be a story for any other character
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because because it fits so well into the Spider-Man themes and the Kraven themes.
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Here's the thing, though, I would call Kraven's Last Hunt perhaps the one great Kraven story.
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And if you were being a real stickler, maybe the one good Kraven story, which is not fair.
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Since then, there've been a couple of good Kraven stories.
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There was one called the Grim Hunt for four years ago that I actually enjoyed a lot.
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And there were and Kraven for a little while became a supporting character in the Squirrel
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Girl comic where he was like a more positive version of himself.
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But up until Kraven's Last Hunt, which would probably fit as a lead in a movie better than
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what we what we did.
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Squirrel Girl or that version of Kraven?
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Like that version of Kraven, like a more positive, like slightly silly, I'm assuming.
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Yeah, he's a slightly silly.
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He's still Kraven, but he cares about the about the environment.
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And that's where he and Squirrel Girl, you know, share a common bond.
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He can't he can't stop Kraven.
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But I would say, yeah, he's great.
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He loves White Castle.
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He's always getting those Krave Sacks.
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Was there a movie tie in?
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Call up Matt Singer.
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Was there a movie tie in with White Castle for this thing?
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I don't think so.
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Yeah, they had it was a Krave Sack of 10.
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And each one of the each one had a different animal's meat in it.
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Oh, I love that.
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But there are particular Dan fans out there who are dismayed by how little I've been talking.
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I'm just letting these two run because I'm trying to work themselves out, you know.
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Here's the last thing I want to say about Kraven.
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Until Kraven's Last Hunt, he's a pretty, in my opinion, at least, he's a pretty mediocre
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character.
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He's the idea of this big game hunter.
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He's the kind of guy who goes out and captures animals.
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He looks like a really cool wrestler.
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And he's a silly guy, even in his earliest appearances, I think is kind of a silly character.
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And the idea I'm just kind of baffled by which Spider-Man characters they chose for these
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movies because it feels like except for Venom, who is who is hugely popular, it feels like
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they kind of went out of their way at times to pick characters who they could graft onto
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pre-existing story formats rather than characters that had a lot of name recognition or were
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a big fan base or even were cool characters, you know, this is me.
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I've never found Kraven a cool character, partly because of his clothes.
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He wears these funny tight capri pants and these little slip-on shoes, and he has a vest
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that seems to be made out of a lion's face, which I don't know how you do that.
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But it's very cool.
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He looks like a wrestler.
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He does look like a wrestler.
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Now, before there's one other Kraven story I do want to talk about.
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Yeah, Dan.
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Oh, no, no.
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I thought you were.
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No, I didn't know if you're leaving this topic at all, because I wanted to say my relationship
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to the character, as I was queried, and it is that I read the Wikipedia plot summary
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of Kraven's Last Dance when I discovered that Kraven's Last Dance, no, when I learned that
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this was going to be a character that a movie was going to be made about, I was like, OK,
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what's the deal with this Kraven?
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And that's that's the main thing that got referenced.
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So I was like, OK, well, he's like on the lives himself because he he killed Spider-Man.
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He thinks that's right.
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Yeah.
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But Kraven's Last Hunt is that this thing, the defining moment for this character spoilers
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for the comic storyline, the 40 year old storyline Kraven's Last Hunt.
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The defining moment for this character is when he kills himself, having succeeded in
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defeating Spider-Man, he thinks in his mind.
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So it's always a problem when you're supervillain turned antiheroes.
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The defining moment in the comics is when he takes his own life rather than like does
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a cool thing, you know, does something impressive, you know, so well, that shows, you know.
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Courage of his convictions now, but then for me, and then for me, like, uh, I, I didn't
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initially, you know, I didn't initially get to Craven's last hunt.
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I, my first, uh, uh, you know, I've been exposed to Craven before, but also it was the in a
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public bathroom.
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Yeah.
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Yeah.
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It was, uh, it was the, the Spider-Man, the, the new Todd McFarlane Spider-Man series,
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the first, the first arc, the torment arc with Calypso introduces Calypso and also introduces
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like moments of visions of Craven as like a zombie guy.
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So, so Calypso was a preexisting character before that storyline, but so little had been
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done with her.
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I feel like that, that Todd McFarlane kind of made her his own in that, but that's the
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one where like the lizard becomes a servant of Calypso, right?
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And all that.
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Okay.
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And I remember, I don't remember being like particularly good, but it was like, you know,
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it's classic McFarlane.
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There's webs all over everything.
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Yeah.
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Let's, uh, let's move into discussion of the movie.
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I think that I know something about it.
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Let's go.
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Let's go.
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Sure.
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Sure.
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Great.
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So wait, wait, I just want to say if people think, oh, Elliot's going to jump on this
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because he hates Craven the way he hates Morbius.
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No, no, no.
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I, Craven was never one of my favorite Spider-Man villains, but he was never so far down at
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the bottom as Morbius or as I've mentioned, my least favorite Spider-Man villain, Molten
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Man.
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Continue.
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Um, but, uh, Elliot, at the end of the episode, I'm going to have to ask you, uh, no, I was
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going to, we're doing definitive ranking after Venom, I'd imagine.
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But I was going to say, think of any Spider-Man rogues gallery characters who would make good
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solo movie, non Spider-Man related.
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I'm going to try to think about it.
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That's a tough one.
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That's a hard one.
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So movie begins.
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We have a bunch of logos.
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The movie opens in a, with a prison transport truck, uh, driving through Siberia, going,
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heading to an isolated prison, uh, stowed aboard this truck in disguise is our hero
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Craven the Hunter.
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Uh, he gets taken into the prison.
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He meets his new roommate.
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He was a large man who seems to suffer from some kind of deformity, which I'm not always
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happy with that.
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It's constantly like, Hey, isn't the joke is the guy's got some deformity.
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Um, so he, uh, he's supposed to look like a big threatening guy.
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Yes.
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He, uh, he picks a fight with some gangsters in order for them to take them, take him to
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their leader who the lead gangsters is like arms dealer operating out of the prison.
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Turns out he reveals that's, that was his plan all along.
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He wanted to be captured because he's a hunter and he kills this gangster like Rorschach
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style, not doesn't kill him Rorschach style, but you know, the locked up in here with me
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sort of thing.
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Yeah.
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Uh, so he kills this gangster with a tooth from a tiger, a carpet, a tiger for carpet.
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Um, and then he had foolishly been allowed to keep in his jail cell.
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Yeah.
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Yeah.
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Well, I mean, I feel like the guy is basically, he's, he's one of those like criminal masterminds
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more, uh, for this protection of being in prison and less, uh, as a impediment.
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Uh, yeah, I can see that.
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I can see that.
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Um, so he, he kills this guy and then he escapes using superhuman parkour skills.
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Now Elliot, as, as I said, I was not a Craven, uh, connoisseur.
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I did not know anything about this gentleman other than presumably he hunted, um, tracking
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down information online, correct me if I'm wrong.
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So in the comics, it's not like Craven has like these like animal powers, his serum that
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gives them strength basically.
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And he has kind of like potions and like, you know, he knows the secret secrets of the
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jungle that can enhance your, your abilities in some way.
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There's always like Matt, there's always like kind of berries or herbs you can take in,
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in comic books that make you a slightly tougher person.
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But the idea that he could, there are parts of this movie where he is essentially just
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running along sheer walls, uh, as if with, with, as if gravity doesn't affect him and
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not being damaged at all.
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And yeah.
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And the fact that he gets that he gets so knocked around in this movie and it doesn't
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hurt him at all.
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And that is not the Craven I know.
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And I, and also he has super zoom vision, which I don't believe Craven has.
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I don't remember that.
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And his eyeballs become like lion eyeballs.
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Yes.
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Yeah, exactly.
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And I think, uh, in this movie he is, he is clearly the product of a combat, an unholy
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combination of some kind of voodoo and also lion blood as we'll see later.
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And so that gives him the amazing powers to do with superhuman things.
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But in the comics he is, he's one of these many characters who is the serums they take,
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put him at peak human condition, like captain America, you know, or something like that,
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as opposed to the man with the power of the animals that would be animal man, a DC character.
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Yeah.
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Although most, you know, peak humans I know get crushed under like rubble.
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That's true.
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Most of them when they're, when they're exploded, it, it hurts them.
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Yeah.
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Yeah.
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I mean, I feel like he, in this movie he's presented as basically like a slightly tougher
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than captain America type character.
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Yes.
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Yeah.
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Okay.
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Um, so he escapes using these super abilities.
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He runs off into a giant snowstorm, he faces down a really cool CGI wolf, and then he boards
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a waiting cargo plane that is piloted by a pilot friend who we never really see ever
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again.
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I don't know if this was, I don't know if there's a reference to, yeah, he just has
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like a, a pilot on call.
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And I think this is supposed to be making him seem like kind of a cool James Bondy type
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who has like a network of support people or something, or just a pilot that he can talk
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to regularly.
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But nothing is made of this character.
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I don't know if there's a character loosely based on any one of the comics, the way that
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a lot of the others are.
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It just seems like an easy way for him to get around is he just Indiana Jones style
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in the plane.
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You know, he can like pop around the world at, at, at will.
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Orville Redenbacher.
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He's popping around the world.
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He is.
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That's not the only similarity.
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We'll get to that though.
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Okay.
[15:48]
So guys, you know what time it is?
[15:49]
It was originally called Craving the Popcorn.
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Yeah.
[15:51]
What time is it?
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Time for a little bit of a flashback.
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Now we, you know, this is a long movie.
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There's like, it's over two hours.
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It's over two hours.
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It's too long.
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But similar to its lead actor, there is not an ounce of fat on this thing.
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I think that is not necessarily true.
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Aaron Taylor-Johnson.
[16:00]
Aaron Taylor-Johnson.
[16:01]
Aaron Taylor-Johnson.
[16:02]
Aaron Taylor-Johnson.
[16:03]
Aaron Taylor-Johnson.
[16:04]
Aaron Taylor-Johnson.
[16:05]
Aaron Taylor-Johnson.
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Aaron Taylor-Johnson is sliced up.
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He is shredded.
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For a guy who's described as nature's perfect predator, I'm like, if this guy has any sugar
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it will fuck him up.
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He is too skinny.
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You have to imagine, if he was lost in the woods or the jungle and did not have access
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to food, he would die.
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Like, he has no, his body has no stores of energy.
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He needs to eat like seven little protein packed meals a day.
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He has to like have a meal at 4 a.m. just to survive.
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Just to keep going.
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He's like a little baby.
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When little babies literally can't hold enough food in their body to last through the night.
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Which is, you know, speaking of Aaron Taylor-Johnson, that was one of the fun jokes in The Fall
[16:55]
Guy when Ryan Gosling is making jokes about how this guy is too skinny, he needs to eat
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carbs, your body needs glucose to survive, etc.
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Okay, so flashback 16 years.
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We meet Sergei and Dmitri Kravinoff, two brothers, well half-brothers, who are attending an American
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prep school.
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They are taken out of school because their mother has died.
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She's committed suicide.
[17:22]
Now I want to ask you a question here, whether you guys had the same experience I did.
[17:27]
Because they're informed that their mother died by their father, Russell Crowe, in his
[17:36]
late period.
[17:37]
Russell Crowe playing Nikolai Kravinoff, not Russell Crowe as himself.
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His late career extravagant accent period that he's in, that we all love, elevates every
[17:47]
scene.
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Everything he does.
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No question.
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Gun to my head, I'd be like, he's the best thing in this movie.
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He is self-evidently like a super villain.
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So him just appearing and telling that his wife is dead, were you set up for some kind
[18:03]
of reveal?
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Either that he is lying about that, and she's still alive, and he's just doing this to cart
[18:11]
the kids away, or that there was something really insidious going on with the mom.
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It seems like maybe she was killed by him, but also maybe it's just true that that's
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what happened.
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Maybe I was just so happy to see Russell Crowe show up that I'm like, I'm just taking
[18:30]
these expectations.
[18:31]
I just feel like I had these expectations.
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To be honest.
[18:33]
But there was some payoff for that.
[18:34]
Yeah, I think it was just supposed to be a tragic backstory.
[18:36]
I think that I had a different feeling where later on I thought that Russell Crowe would
[18:40]
be involved in a bigger twist than he was.
[18:43]
There's a minimal twist, but I thought he was going to be involved in a much bigger
[18:45]
twist.
[18:46]
A squander Russell Crowe.
[18:49]
He is evil right off the bat.
[18:50]
Everything about him is evil.
[18:51]
I thought you were going to say, did you have the same experience I had where I could not
[18:55]
quite figure out how Russian or how American these characters were supposed to be because
[19:00]
their accents were a little malleable at times.
[19:04]
And for much of it, Aaron Taylor Johnson is doing the same kind of mumbly, cool guy, vaguely
[19:11]
New York, vaguely Marlon Brando-y voice that a lot of guys, especially if you're watching
[19:15]
this right after Venom, The Last Dance, where with each movie, Tom Hardy's voice has gotten
[19:19]
more cartoonish as Eddie Brock.
[19:21]
I was like, okay, he's doing a similar kind of voice.
[19:23]
Having watched this movie very close to Venom 3, it's not good for Aaron Taylor Johnson
[19:30]
because Tom Hardy is so much more fun in that movie.
[19:35]
I feel like Tom Hardy has nothing to prove anymore in the Venom movie.
[19:38]
So he's just like, whatever.
[19:39]
I'm a slob.
[19:40]
I'm walking around.
[19:41]
I'm mumbling.
[19:42]
I'm crazy.
[19:43]
Whereas Aaron Taylor Johnson has to get across that he's cool in this, which is hard to do
[19:46]
when you're Craven, an uncool character.
[19:49]
An uncool character.
[19:50]
So yes.
[19:51]
These two boys are the sons of a Russian oligarch gangster who lives in a mansion outside London.
[20:00]
in London. Their dad picks them up and he's like, you know what, your mom's dead. It's
[20:05]
time for you guys to reconnect with nature. Let's go on a hunting trip to Ghana. So they
[20:09]
go to Ghana because there has been reports of a legendary lion named Czar.
[20:16]
And they go, this lion has killed two to three thousand men over the years. It's like, no
[20:19]
way that's possible. I know. I'm like, way the way I said it. I thought it was like it
[20:26]
sounded like the subtitles were wrong. I'm like, it can't be a thousand.
[20:33]
There's no way that's possible at all. This lion is the most prolific serial killer known
[20:37]
to man. Yeah, he's the real suspect zero. Unless this lion is rounding people up into
[20:42]
concentration camps. There is no way he's killing that many people.
[20:45]
This lion is both the ghost and the darkness. He's a man killer. How many has he killed?
[20:51]
One thousand three thousand. OK, so this country is something like the other lines
[20:58]
are like, damn, like I feel like like young lions are like, I have to live up to this
[21:02]
guy. They're like, the pressure is enormous. Unrealistic expectations. All those other
[21:07]
lines are bad. I'm cool, man. Teach me, dude. OK, so yeah, this lion went through a small
[21:15]
town and just murdered everybody in it. Really? And no one tried to stop him at any point.
[21:20]
No, couldn't do it. Too good a lion. Yeah, he's just jumping around and stuff.
[21:28]
Lions are known for their jumping. Yeah. As just like crazy. Yeah. So this this hunting
[21:33]
trip, it's you know, there's a bunch of other guys along. There's and there's also a guide.
[21:38]
There's a native guide who like adds a little bit of flavor to the specifics of their hunt.
[21:44]
And there's also another a young gangster who seems to be struggling with some kind
[21:48]
of like asthma stuff who we will later know is known as the Rhino. Yeah. But also this
[21:54]
is Alessandro Nivola, who I thought was pretty fun in this movie. He was the most fun. It's
[21:58]
pretty fun. Yeah. Russell Crowe, though, dismisses him so heartily that I'm like, no, man, you're
[22:04]
creating an Iron Man three villain right now. Yeah. Well, it or or or or an Oppenheimer
[22:10]
villain like in it. All these guys in movies are so, so have such poor self-esteem that
[22:16]
one negative comment turns them into a villain. I must rush them. Yeah. They got they got
[22:22]
to become the Joker. And I would think that was crazy, except that our president and the
[22:25]
shadow president behind him are basically the same guy. Yeah. Like one insult. So rectum
[22:30]
that they were like, well, now I have to hurt everybody. This is terrible. OK, so, yeah.
[22:34]
As we said, Rhino makes overtures to join with with Nikolai Kravinoff, but he is rebuffed
[22:41]
and humiliated verbally. Yeah. Meanwhile, quietly, I don't think anyone else heard it.
[22:47]
Yeah, I don't I feel like everyone's listening, you know. OK. Meanwhile, on a lion nearby,
[22:53]
we are introduced to a young girl named Calypso who's visiting her grandmother. Her grandmother
[22:57]
is some kind of magic. And she introduced everyone's grandmother is some kind of magic
[23:02]
story. She introduces her to the magic of tarot cards and then some kind of old family secret
[23:09]
potion. Yeah. Unspecified. Just a magic potion that will maybe help somebody bring them back
[23:15]
to life. I don't know. Give them animal powers. They read the tarot cards and it basically explains
[23:20]
what's going to happen over the course of the next the rest of the movie. There is a lion attack.
[23:27]
Sergei and Dimitri find czar and Sergei almost seems to be cowing czar with his natural what
[23:34]
is. And then pretty much is that blast the line with a shotgun and the lion attacks
[23:41]
Sergei and drags him off, bleeding into the underbrush.
[23:46]
Calypso sneaks away from her parents who are on safari and she finds she finds the lion
[23:52]
and Sergei. The lion is bleeding into Sergei's wounds. Oh, that's how it happened. Yeah. And
[23:58]
then the lion the lion leaves and then she gives him a taste of this magic potion and puts the
[24:05]
tarot card for strength, which features a fucking lion in his hand. Now, things look bad for Sergei.
[24:12]
Yeah, things look bad for Sergei. They take him to a nearby hospital. He's pronounced dead,
[24:17]
but then he almost immediately revives. But I think they say he was dead for three minutes,
[24:22]
much less three days that your lord was dead before reviving. Not mine. My lord. Yeah. Yeah.
[24:28]
Well, Dan's maybe Dan's family's lord. Lord Krumm of the mountains.
[24:33]
Krumm gives you only the strength to get to survive. And that's all the. So do you guys
[24:38]
think this was this was on purpose that they're making Craven into kind of a Christ parable
[24:42]
and a parallel thing that Christ should track down Russian oligarchs? He's got like all beard
[24:47]
and cool hair. I mean, you know, he is ripped, too, because he didn't get a lot of food. He was
[24:50]
also pretty skinny. But like, you know, there are muscles coming through, right? I've I've been to
[24:54]
some churches in Bay Ridge and he is looking tight. I mean, the one difference is that he
[24:59]
benches. How much do you think Christ benches? Oh, man, at least 315. The one difference is.
[25:03]
So when people say, could God make us a rock so heavy, even God couldn't lift it? He probably
[25:07]
can't. Yes. Just a little theological, a little theological, you know, teachings here. Like the
[25:14]
one difference is once Christ was risen, he didn't make a list of people he then had to kill.
[25:19]
Didn't he, Dan? Didn't he? Where's Pontius Pilate today? Answer me that.
[25:25]
He got a blow dart to the neck.
[25:30]
OK, so let's see. His dad takes him back home to London where they have a confrontation
[25:39]
and Sergei gets mad. And we see his father has given him the gift of Tsar the Lion's head,
[25:48]
which is stuffed and mounted. He doesn't want it. He doesn't want to be part of this family.
[25:51]
So in the middle of the night, he runs off, leaving his brother Dmitri, who's a little bit
[25:57]
weaker, but has a knack for doing impressions, leaves him to the mercies of his dad and runs off.
[26:03]
Let's talk about this. Dmitri is very much the Fredo brother. You know, he's the weaker one.
[26:07]
He's the one. He's the half brother who is the who's the product of an affair that father doesn't
[26:11]
respect him. He can imitate anyone. Which is also like that is that is like the laziest,
[26:17]
shittiest fucking writing. You make the half brother just like weaker.
[26:21]
Yes. Like I hate that kind of like eugenics, weird garbage.
[26:25]
And so what he's saying, he's he can imitate anyone's voice perfectly because they're just
[26:29]
playing the audio from someone else's voice when he lip syncs it. But they go,
[26:33]
you always were a chameleon. Now, guys, are chameleons known for their
[26:37]
mimicry of voices and sounds is I mean, parrots are, but I don't really think of chameleons as
[26:43]
being voice mimics. You know, what do you think, Dan? Have you do you have any experience?
[26:47]
I mean, I understand it as a metaphor. You can blend in. It only exists because
[26:53]
that character eventually becomes the he eventually becomes the Spider-Man villain,
[26:57]
the chameleon. But the idea that he can do anyone's voice and they're like, what a chameleon,
[27:01]
that's not the word you would use, I guess. Yeah, no, he wouldn't really like it doesn't
[27:05]
indicate that you're fitting in and people think that you're a person just because you the voice.
[27:09]
It's like, oh, good impression, dude. To pull the curtain back a little bit.
[27:13]
Years ago, I was potentially being set up with a young woman to go on a date.
[27:20]
So I looked at her. I looked at her MySpace page to prepare. I don't know,
[27:24]
you know, to look at her bio. Yeah, cyber stock. Yeah, she. Yeah, of course.
[27:29]
Cyber stock hadn't been invented yet. Only silk stockings had been invented.
[27:34]
But under under her bio, she was describing herself. And one of the things it was like
[27:40]
a questionnaire. And one of the questions was like, what kind of animal would you say you are?
[27:45]
And she said, I would say I'm a cammy lion. And it took me like 10 minutes to realize she
[27:50]
was trying to say chameleon. We did not go on a date. I just I couldn't. Yeah.
[27:55]
You thought she meant a lion that was dressed like cammy from Street Fighter,
[27:59]
which I'd be like, yes, sign me up. Which I meant. So so this this character,
[28:03]
Dimitri, is spoiler alert. He will become by the end of the movie the chameleon,
[28:08]
a different Spider-Man villain. These are two characters that were always kind of linked in
[28:12]
the comic books, but it wasn't many years after they were introduced that it was revealed that
[28:17]
they were actually half brothers. So this is from the comics. And they have brothers.
[28:20]
It continues the theme of animal characters in this movie.
[28:25]
Mm hmm. Every everybody's got an animal inside him, as the rhino later explains.
[28:29]
Everyone has two animals inside of them. A rhino, a chameleon and a lion. I guess that's three.
[28:34]
Those are the three animals. So Sergei runs off. He boards a steamship to Russia and he runs off
[28:43]
to live on the land that his mother owned, I guess. Yeah. In like eastern Russia,
[28:50]
which is basically like an untouched wilderness filled with one giant herd of wildebeests and
[28:57]
a couple of like snow leopards. I think they're like I think they're like they're like oxen or
[29:01]
something like that or mussels. I don't know if they're wildebeests, but OK, well, I mean,
[29:05]
hey, listeners, write in if you know what they are. Right. Dan McCoy,
[29:09]
real street address to come. Right. Katie Hunter. Yeah. That's a special
[29:15]
next one. Stretch goals. Dan shares his address. How about some feed pictures?
[29:22]
Oh, man. OK, so he more privacy. So young Craven goes off to the woods. He there's like a little
[29:29]
training montage where he learns about his superhuman abilities that he has gained from
[29:33]
lion blood and magic potion. And then he goes and starts killing poachers. What?
[29:38]
Now, he does a leap in this. And it really showed to me a kind of there's a lot of leaps in this
[29:44]
movie where it's very clearly wire work, where they've erased the wires. That's OK. I don't
[29:47]
expect them to literally launch someone into the air or to for him to have to climb up a tree
[29:52]
or for him to learn how to jump that high or for him to learn how to jump across a crevasse.
[29:56]
But when he jumps and this is and they do in a lot of these movies, you don't.
[30:00]
see like his legs bend and then push off.
[30:03]
Instead, he just kind of lifts into the air
[30:05]
while his legs are still pinwheeling as if he's running.
[30:08]
And it looks very silly.
[30:09]
And I realized like, oh, they do this a lot in movies
[30:11]
and it looks particularly silly here.
[30:13]
This is not how a jump works, you know.
[30:14]
It's not like you're just running in the air, you know.
[30:16]
I mean, I wonder if that's part of the way
[30:18]
that the like stunt effects work
[30:21]
or the way that like, I don't know, but you're right.
[30:22]
I mean, it does look silly.
[30:23]
It's possible, it's possible.
[30:24]
It looks silly, but maybe that's the safest way to do it.
[30:26]
In which case, do it that way.
[30:27]
Do it the silly way if it's safe.
[30:29]
But it looks more like he's being jerked into the air
[30:32]
by a wire than it is that he's jumping under his own power.
[30:36]
Yeah, yeah, that he has made some kind of contract
[30:39]
with Aeolus, the Lord of the Winds.
[30:40]
And those winds lift him off the ground.
[30:43]
Exactly.
[30:44]
Okay, so years later, he is still doing the same shit.
[30:49]
He's living in the woods, killing poachers,
[30:51]
and he's looking at that tarot card with a lion on it.
[30:54]
Go on, Dan.
[30:54]
Now, the words years later
[30:58]
roused me from my slumber
[30:59]
to make a point that I wanted you to.
[31:01]
Yeah, please.
[31:02]
Dan sleeps in R'lyeh at his house dreaming
[31:05]
for the moment that someone says years later, yeah?
[31:07]
Now, this whole opening sequence,
[31:11]
this like long flashback.
[31:13]
Do we need it?
[31:14]
The answer is no, Dan.
[31:15]
Absolutely not, no.
[31:17]
Yeah, we don't need it.
[31:18]
And arguably, like,
[31:20]
I don't know how you guys feel about this.
[31:22]
I love it.
[31:23]
Arguably, I feel like if you're going to have it,
[31:25]
which I would not recommend keeping it,
[31:28]
if you're going to have it,
[31:29]
arguably for me,
[31:31]
I'm so sick of the cold open
[31:33]
and a lot of movies were like,
[31:34]
we have to show you what it's gonna be like eventually.
[31:37]
Because in a way, when things slow down from it,
[31:39]
I'm like, why can't we just go back
[31:41]
to that exciting thing I just saw?
[31:43]
Why are we suddenly like hitting the brakes?
[31:46]
I almost, if you're gonna have it,
[31:48]
like would prefer a shorter version
[31:50]
that just starts with him as kids
[31:51]
and we just do it that way.
[31:53]
Or the best option again, cutting it.
[31:56]
And if we need any of this information,
[31:57]
it can be smaller flashbacks scattered in the movie.
[32:00]
Well, Dan, you texted something to us
[32:02]
while you're watching it,
[32:03]
which is that you said the biggest mistake
[32:04]
the movie made was that it acted
[32:06]
like it's supposed to be a serious movie
[32:08]
that wants us to take it seriously.
[32:09]
And I think that's exactly,
[32:10]
they're telling this like it's a serious story
[32:12]
about fathers and sons and-
[32:15]
Fathers, sons, being Jewish.
[32:17]
Being a rhino.
[32:18]
Being a rhino, exactly.
[32:19]
And it shouldn't be.
[32:21]
It's a story about a super powered poacher,
[32:23]
a super powered hunter who fights poachers
[32:26]
and wears a lion's head vest.
[32:28]
And so it should be kind of silly.
[32:30]
And the movie is, at its most fun,
[32:34]
kind of the sillier it gets.
[32:35]
But you're right, they spend a lot of time
[32:37]
trying to build up this character
[32:38]
so you're gonna care about Craven the hunter.
[32:41]
And it's like, it should not be working at that level.
[32:44]
It should be working on a much more surface fun level,
[32:46]
probably.
[32:47]
Yeah, by the end, at the moment,
[32:49]
there's a part where like a literal rhino man
[32:52]
is fighting him in a stampede.
[32:54]
And I'm like, yes, finally something
[32:56]
that feels like it should be in this movie.
[32:58]
I was waiting for it.
[32:59]
Yeah, although I have some issues with that one.
[33:00]
We'll talk about that scene when we get to it.
[33:02]
Okay, so Craven, now all grown up and looking hot,
[33:08]
heads back to London where he tracks down Calypso
[33:11]
and they reunite.
[33:13]
Played by the second Academy Award winner in the movie,
[33:16]
Ariana DeBose.
[33:17]
So there's two Academy Award winners in this movie,
[33:20]
which is also silly.
[33:22]
I don't like being hard on actors.
[33:24]
Like I've liked her in other things.
[33:26]
I find her performance here very strange.
[33:29]
My guess is that this was not a role.
[33:32]
I mean, her role barely exists in this movie.
[33:35]
They don't give her much to do.
[33:36]
And who knows, maybe there was such a focus
[33:38]
on the action stuff in the filmmaking
[33:40]
that she wasn't getting the support she deserves.
[33:43]
This movie is directed by J.C. Chandor,
[33:44]
who also did Margin Call, which I think is a great movie.
[33:47]
And All Is Lost, which is an interesting movie too.
[33:51]
And it's just a very, it's a very weird,
[33:54]
it's a weird choice.
[33:55]
It's a weird choice to have him doing this
[33:56]
because it feels like the movie is fighting
[33:59]
between who's in control,
[34:02]
him or the idea of a super powered hunter.
[34:07]
And it gets, and so I think Ariana DeBose's character
[34:10]
kind of gets lost in the whole thing.
[34:11]
I mean, in Wikipedia it describes her
[34:14]
as a voodoo priestess who aids Craven.
[34:16]
No, she's not.
[34:17]
She's a lawyer who works at a high class
[34:20]
London law firm and helps him track down people.
[34:22]
She just, and at one point she uses a bow and arrow.
[34:25]
But like, it would be more fun if she was a voodoo priestess.
[34:27]
She dabbled in having a potion once when she was a kid.
[34:31]
You have one potion, suddenly you're a voodoo priestess.
[34:35]
Don't worry, we'll see that voodoo potion again.
[34:38]
So he also, he has another reason
[34:40]
for going back to London,
[34:41]
and that's because it's his brother Dimitri's birthday.
[34:44]
So he parkours up the side
[34:46]
of his brother's apartment building.
[34:49]
And they reunite.
[34:50]
Like a fish, like using his fish powers.
[34:53]
They reunite, they go out in the town.
[34:55]
Now his brother at this point, grown up,
[34:56]
is played by, what, Fred Hetchinger?
[34:58]
Hetchinger, I don't know.
[34:59]
He's had a great, he's had a great run.
[35:01]
You know, he was in White Lotus.
[35:02]
He was the dopey grandson in Thelma.
[35:06]
He was one of the two twin emperors in Gladiator 2.
[35:10]
Yeah, he's just killing it right now.
[35:12]
And in this one he gets to, you know,
[35:15]
borrow people's voices for a little while as the chameleon.
[35:19]
Well, and he basically,
[35:21]
does he own or run this nightclub
[35:23]
where he just performs there?
[35:24]
He performs at a nightclub
[35:26]
where he sings in the style of other singers.
[35:28]
Yes, I think he owns it, yeah, I would imagine.
[35:32]
That it's like his nightclub that his dad hangs out at.
[35:36]
Because that's what you want
[35:36]
when you run your own nightclub,
[35:38]
is your dad there all the time.
[35:39]
And for you to be the only performer
[35:43]
who has to do multiple shows a night, I guess.
[35:46]
But I guess maybe that's the fun of it, you know?
[35:48]
He was there for the performing.
[35:49]
He's not that interested in whether the nightclub
[35:50]
operates perfectly well, you know?
[35:52]
Around now, Rhino starts to make some moves.
[35:55]
He's taking advantage of the gangsters
[35:58]
that Craven killed back in the prison.
[36:00]
And he starts consolidating power.
[36:02]
And then he makes a play
[36:03]
to try and take out Nikolai Cravenoff at that nightclub.
[36:07]
Doesn't work.
[36:08]
Nikolai Cravenoff is a tough old bear.
[36:11]
Not literally.
[36:12]
You know?
[36:13]
I was worried I missed a big plot point.
[36:16]
You'd be mistaken if you couldn't understand it.
[36:18]
I mean, he does have a run-in with a big old bear later.
[36:21]
You know, so maybe if he wasn't a big old bear,
[36:22]
it'd be better for him, yeah.
[36:24]
So yeah, he's making a play, he's making moves.
[36:27]
And then after Dimitri and Sergei celebrate his birthday,
[36:34]
Sergei has to go sleep out in a park
[36:37]
because he just can't handle being cooped up
[36:39]
inside an apartment building.
[36:41]
Guys, I gotta admit,
[36:41]
I spaced out for a minute when bears were being mentioned
[36:45]
to think about the country bears.
[36:48]
Sure, yeah, okay.
[36:49]
Is Craven killing them?
[36:51]
Well, you said that there was a bear,
[36:53]
and I thought a country bear, but I didn't say it.
[36:55]
But then I got onto the thought of country bears,
[36:57]
and I was like, man, if country bears had been a hit,
[37:00]
100% the sequel would be called City Bears, right?
[37:03]
It would be fish out of water, bear stuff.
[37:04]
Oh my God, that's...
[37:07]
Like, we gotta revive the franchise
[37:09]
just so we can do that.
[37:10]
Dan, slap a TM on that bad boy
[37:12]
so we can take advantage of this.
[37:15]
I mean, there's so many more you could do.
[37:17]
City bears, jungle bears, underwater bears,
[37:20]
you could do all sorts of, you send them anywhere,
[37:22]
and it's good, mountain bears, space bears.
[37:24]
There are bears in space, but the saying, it's perfect.
[37:27]
It's perfect for the anyone.
[37:29]
It's fun that you bring up country bears
[37:31]
because that's a movie that we talked about
[37:33]
during the Max Fun Drive.
[37:35]
We did a commentary for the Max Fun Drive a little bit ago.
[37:39]
Elliot, you were saying something about the Max Fun Drive
[37:41]
at the start of the episode.
[37:43]
I was.
[37:43]
This is a great time to take a break from all this action,
[37:45]
all this Russian gangster animal action
[37:48]
to talk about the Max Fun Drive.
[37:50]
What's the Max Fun Drive?
[37:51]
I'm so glad you asked.
[37:52]
It's the one time of year when we come to you, hat in hand,
[37:55]
and invite you to support our show
[37:56]
by becoming a Max Fun member
[37:57]
or boosting or upgrading your membership.
[37:59]
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Morally, yeah, fracking, exactly.
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Yeah.
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We did it, phew.
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And I may talk about more about,
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I think about our specific bonus content later in the show,
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appreciate it. I'll be back later in the show to talk more about MaxFunStuff. But for now,
[40:26]
let's get back to the story of the Craven brothers, the brothers Cravenovosnov. And
[40:31]
we're at the chapter titled Rhino Makes a Move. So as I said, Rhino makes a move. He
[40:42]
consolidates power. He tries to kill Nikolai Cravenov. And he also enlists the aid of a
[40:48]
superhuman assassin called the Foreigner, played by Christopher Abbott, which I was
[40:53]
very excited by. I was hoping this meant he was going to be abused by a woman in a
[40:58]
hotel room over and over since that seems to be his specialty these days. I know him
[41:03]
best still as Marnie's ex-boyfriend from Girls. I have some movies I could introduce you to.
[41:09]
I know one of the movies you're talking about. What's the other one? What was the one that
[41:16]
was based on like a Murakami book where he's? I don't know. That was fun. He was in that one
[41:24]
that was like, is this like role playing or not? Right. Yeah. Margaret Qualley. Yeah. What was
[41:30]
that called? Sanctuary. OK. Yeah. I saw him in Possessor. He's great in Possessor. Yeah. He's
[41:38]
a fun one. He's just a good weird. Like if you need a weird dude and I think he brings the goods
[41:46]
in this movie, he's a weird dude in this. He is a weird dude in this one. He is a he. And so the
[41:51]
foreigner in the comics is just another one of these guys who's just like, he's the greatest
[41:54]
assassin of all. He's the greatest martial arts expert. Oh, yeah. He's great. And poor things
[41:59]
as the like weird husband at the end. Oh, I forgot that was him. That's right. But the he's
[42:06]
the foreigner in this movie has some sort of strange superpower where he kind of starts
[42:10]
counting. And here is the is the movie where he also gets beat up. I can't I couldn't figure out.
[42:15]
And maybe you guys could figure it out. Is his power that he can then move faster than time or
[42:20]
is it that he put someone in a trance and they don't notice him? I think it's the trance thing,
[42:26]
because otherwise, like what's the one, two, three? Like they seem to be like getting like
[42:29]
queasy or whatever. So, yeah, it's we're kind of seeing it from their perspective. And it seems
[42:34]
like you move fast because they black out kind of doesn't he have this superpower in the comic
[42:39]
books, the foreigner? He does not know. This is one of several characters in the movie who are
[42:44]
or in Marvel movies in general who are very loosely based on the characters whose names
[42:48]
they supposedly thought the foreigner was Jackie Chan, right? Yeah, I think you're right. He was
[42:53]
bedeviling Pierce Brosnan. No, the foreigner wants to know what love is and he wants you to show.
[42:57]
Oh, that's right. Oh, yeah. I got in trouble last time I showed it like that.
[43:06]
OK, so and also Rhino makes the play. He has his guys go and break into Dimitri's flat and
[43:13]
they capture Dimitri. They were hoping to capture Sergei, we later learned, but Sergei was sleeping
[43:20]
and sleeping in the park, sleeping in the park. Yeah. So we get a little action sequence where
[43:24]
Craven is chasing after his brother and these goons in a van. I like this sequence. Yeah,
[43:30]
I got to say, like, like, you know, you got to find the the wheat in the chaff or whatever.
[43:35]
And the I thought the sequence was kind of genuinely exciting. And maybe it's because
[43:39]
it's the first time in the movie that I feel actual like urgent stakes for anything. Yes.
[43:45]
Because before that, like, yeah, I hate illegal poachers. So it's kind of fun getting them all
[43:50]
like murdered by Craven. But it doesn't have the same sort of like personal investment or
[43:55]
like reason reason like Craven might be worried about something. And this is the first time that
[44:00]
we see an action sequence where Craven does not handily just destroy everybody. Yeah. With no
[44:04]
challenge where he don't worry, there's going to be more of those. That's true. Yeah. Thank
[44:08]
goodness. But this is one where Craven is on the back foot and he is at a disadvantage, even if
[44:13]
he can absorb unlimited hit points of damage. And at times it seems like the car that he's
[44:18]
chasing stops for a couple of seconds so that he can catch up to it. But but overall, he is he has
[44:23]
a disadvantage here. And it's a it's a fun chase for sure. Yeah. He's got super armor every time
[44:27]
he jumps. Yeah. So he they managed to get away after dragging him through the river and with
[44:35]
a helicopter. Yeah. He made the odd choice in my mind to, like, use that netting to try and pull
[44:40]
the helicopter back rather than climb up. I also wondered why he didn't. I also wondered why he
[44:45]
didn't climb up the helicopter. Yeah. He was in the moment. He was all caught up. It do all
[44:50]
helicopters. It seems like they only do two things, which is they fly up in the air and they all have
[44:54]
a beeping thing that goes off when the bad guys are being chased by a good guy. And as soon as
[44:59]
that net hits the helicopter, it immediately there's that like beep, beep, beep. Oh, we got
[45:04]
a net alert here. The old helicopter alarm is flashing. Thank God Thomas T. Helicopter.
[45:12]
Good day. Or else we wouldn't know that Craven was chasing us. Yeah. Crazy coincidence. The name.
[45:19]
So it's like Outer Bridge, the bridge that's named after a guy who's named Outer Bridge.
[45:25]
That blew my fucking mind when I first learned that. I mean, that that guy for years was like,
[45:31]
I got to do something with this name. So I've got to. The Outer Bridge Baby Food
[45:37]
Company is not making the most sense. I got to drop that and do something else. Yeah.
[45:41]
Uh, cool. So, uh, they get away. But Craven has been. Sorry. Now, for some reason,
[45:46]
I'm thinking about the story of Jezidiah Whoopi, inventor of the Whoopi cushion.
[45:55]
Yeah. And the Whoopi pond. Everyone else with that name is like our name used to mean good
[45:59]
cheer. Whoopi, you ruined it with your invention. Yeah. Yeah. All the family reunions were big
[46:04]
battles from that point on. Yeah. So they managed to get away. But Craven got Mr. Whoopi.
[46:11]
When was the last time you talked to your son? I have no son.
[46:15]
Uh, the bad guys get away, but Craven manages to get a good look at the leader
[46:19]
and the type of cigarettes. He's not the leader. The Marvel character who is in Captain America,
[46:24]
Brave New World. No. Oh, I don't remember. Yeah. Yeah. Oh, they don't call him the leader.
[46:28]
Is it Tim Blake Nelson? Oh, brought him back. It's nice to see him back. They really wasted.
[46:34]
Oh, just like the first time. Yeah. OK, so Calypso, he used the aid of Calypso to track
[46:43]
down these these mercs, these mercenaries. Turns out that they are operating out of a
[46:49]
what a Turkish monastery castle or something. And she's like, I tracked him down to his family
[46:54]
owned Turkish monastery castle. And I'm like, all right, whatever, whatever, whatever, whatever
[46:59]
reason you're going to set a set piece at this place. But it turns out this whole thing was a
[47:03]
trap that the rhino and the foreigner are trying to trap, trap Craven. Yep. Which is kind of weird.
[47:12]
We should mention that we should mention they make a point out of how his name is
[47:15]
Sergei Cravenoff, but he started calling himself Craven. And at multiple times,
[47:18]
characters are like Craven. I guess that's what he's calling himself now.
[47:22]
And it's very silly to me that they bothered to call attention to that.
[47:25]
And it's also funny that at one point somebody calls him Craven and he's like,
[47:29]
how do you know that name? I'm like, well, you are Craven off. Like, I don't know.
[47:33]
It's not that difficult. But and he's I did we ever talk about how he is a mythical figure
[47:38]
among these characters that they call the hunter who hunts down bad guys. And they literally have
[47:43]
the dumb line that's in every single one of these goddamn movies. The hunt, the hunter.
[47:47]
That's a fable. It's a myth. It's a story to scare criminals. And can we just ban that that line of
[47:53]
dialogue when someone says the such and such? It's a fable. It's not real. It's a myth. I hate it.
[47:57]
I've heard it so many times in movies now. It's so lazy.
[47:59]
It has lost whatever power it once had to. Yes, exactly.
[48:03]
Like help juice up a character so that you think they're cool before they do anything.
[48:07]
Yeah. Okay. So it turns out this whole thing's a trap, but it doesn't matter.
[48:13]
It's actually a concert that he's taking his daughter to so they can capture him there.
[48:17]
He has a trap looking only to luckily he locates a friendly concessions man who
[48:25]
wants to stop making me think of that movie. So he heads to he heads to this monastery.
[48:30]
He does some he does some hunting and kills a whole bunch of mercenaries.
[48:34]
There's a couple of fun bits where he's like sneaking around,
[48:36]
like crawling around on all fours. I like those bits.
[48:38]
It is there. They're both fun and also silly that he is just behind some guys
[48:42]
crawling around on all floors. And they just don't notice because he's behind them.
[48:46]
It's like the scene in the movie Three Iron where the guy learns the secret
[48:49]
of how to always be in somebody's blind spot. So he is stalking behind people,
[48:53]
just going, just kind of like always turning his body slightly.
[48:57]
It would have been really funny if there was one shot of a guy kind of sitting in another
[49:00]
room as they went by and like, see this guy like shadow and be like, what?
[49:05]
And he could say what? Because this is an R-rated movie.
[49:08]
This is just go and I don't know. I guess it's their thing.
[49:14]
It's as if the movie realizes as it's going that it's an R-rated movie because
[49:17]
characters start to swear more and more as the movie goes on.
[49:20]
Yep. So he cuts his way through all these mercenaries.
[49:25]
He captures the leader just in time for them to blow up the monastery with a missile launcher.
[49:31]
He gets just enough information from this guy that the rhino is the one who set him up and has
[49:38]
doomed them to death. Of course, Craven's fine.
[49:41]
He gets hit by a bunch of masonry, but he's OK.
[49:44]
Calypso. Turns out Calypso is being tracked down by the rhinos guys as well.
[49:48]
She has to escape. She's on the run.
[49:50]
So Craven uses his pilot friend just burning through fuel nonstop.
[49:56]
I guess he doesn't care about the environment.
[50:00]
I guess he's got this movie.
[50:01]
Yeah, I got it.
[50:02]
Boom.
[50:03]
Take that, Raven.
[50:04]
He flies Calypso to his land in Russia, where he now has an airstrip because I guess he's
[50:12]
in and out all the time.
[50:13]
And he lives in like a geodesic dome.
[50:14]
Yeah, like a cool little greenhouse.
[50:16]
Yeah.
[50:17]
And his kitchen has flip-down panels full of hunting knives and swords and things like
[50:23]
that.
[50:24]
Which is insane, because it's like, are you having guests a lot, dude?
[50:27]
If people are here, there's no need to hide it, like just leave it out.
[50:33]
I think it's all tiny home type stuff.
[50:34]
It's just about using the space the best, you know?
[50:37]
Yeah, I guess you're right.
[50:38]
This table is also a bed.
[50:39]
Like, this bed is also a chair.
[50:40]
The sink is also a toilet.
[50:42]
It's a tiny home.
[50:43]
You know, everything has a double use, you know?
[50:45]
Yeah, that's pretty cool.
[50:48]
The toilet is also a shower.
[50:50]
If you stand underneath me and I pee on you, and Calypso's like, I don't think that that
[50:54]
works.
[50:55]
God.
[50:56]
It's OK.
[50:57]
I have the world's greatest environmental diet, so my pee is super pure and clean.
[51:01]
I drink so much water, because again, I'm always working out, that my pee is just pure
[51:05]
water at this point.
[51:06]
Yeah.
[51:07]
Yeah, I don't know.
[51:08]
I feel like with all the protein powders he has to be eating, it's got to be messing with
[51:12]
his restraint.
[51:13]
That's probably true, yeah.
[51:14]
So they have a little bit of time where they're just like hanging out in the woods, and he's
[51:18]
like showing her stuff, and they're, you know, they're connecting.
[51:21]
But it doesn't really reach, like, actual romantic interest.
[51:26]
Meanwhile, the rhino and the foreigner managed to, you know, they intimidate Dimitri, they
[51:33]
chop off one of his fingers.
[51:34]
We found out that they tried to get money out of his dad, and his dad's not interested.
[51:39]
He doesn't care.
[51:40]
He's like, they're going to kill him anyway.
[51:42]
Russell Crowe's accent is way more fun.
[51:44]
Yeah.
[51:45]
Yeah.
[51:46]
I want to suck your blood.
[51:47]
Blah, blah, blah.
[51:48]
So they, but they, using the, the foreigner finds some trace poison from one of Craven's
[51:55]
blow darts, and he tracks down where that flower is from, this pea, is only a very small
[52:04]
part, small forest in Russia, so they're like, we got him.
[52:08]
So they fly over there with Dimitri, and they're going to track down Craven.
[52:12]
Like Sherlock Holmes, he wrote a monograph on that particular plant, so he happened to
[52:16]
know that.
[52:18]
So they bring a bunch of mercenaries, and they go to track down Craven.
[52:21]
Craven gets all his gear on, and they, we get a little bit of a fight.
[52:27]
Craven murderizes a whole bunch of mercenaries with a bunch of Ewok-style traps.
[52:31]
They all step in exactly the right places that they need to step to set off the traps,
[52:36]
which is very funny.
[52:37]
He's a super hunter.
[52:38]
He's a super hunter.
[52:39]
Yeah.
[52:40]
He knows exactly where someone's going to set their boot.
[52:41]
He understands.
[52:42]
That's correct.
[52:44]
He runs afoul of the foreigner who attacks him with his nightmare gun, which has some
[52:51]
kind of poison that gives you nightmares before killing you.
[52:54]
Of course, his nightmares are all spiders.
[52:56]
You know, uh, you know what, spiders?
[52:59]
Yeah.
[53:00]
Why would it be spiders?
[53:01]
Because there's a fucking Spider-Man, baby.
[53:02]
Because there's no Spider-Man in this universe where the movie takes place, but, you know.
[53:06]
I was just taken by the phrase nightmare gun, and I was like, thinking it's like, is that
[53:10]
a better, like, direct-to-video movie, or is it like a pulp paperback, maybe, nightmare
[53:17]
gun?
[53:18]
Why does it have to be one or the other?
[53:19]
It could be all of them.
[53:20]
Yeah.
[53:21]
Metal band.
[53:22]
It makes sense.
[53:23]
If you know Kraven's a Spider-Man character, it makes sense he has this spider dream.
[53:25]
I mean, it also, it harkens back to Kraven's last hunt where there's a sequence where he's
[53:28]
just eating handfuls of spiders.
[53:31]
They're crawling all over, and he's just picking them up and eating them.
[53:33]
So he can become the Spider-Man, right?
[53:36]
Yes.
[53:37]
So he can become the spider, exactly.
[53:38]
Because then he puts on Spider-Man's costume, and he says, I'm going to be better than you,
[53:41]
and I'm going to do the things you couldn't do.
[53:43]
But it is very silly to me that this guy who's like the ultimate hunter and has kinship with
[53:49]
all the animals is afraid of spiders.
[53:51]
Something that is just a normal thing everybody encounters pretty much in daily life.
[53:54]
It would have been so funnier if his nightmare was that, like, the forest was replaced with,
[54:00]
like, a city, and he was wearing a suit, and he had to carry a briefcase.
[54:04]
I have a counterpoint.
[54:05]
That'd be great.
[54:06]
Briefcase, you know?
[54:08]
But spiders are really weird looking.
[54:10]
That's true.
[54:11]
Spiders are weird looking.
[54:12]
They're super freaky.
[54:13]
Again, it's less that spiders are inherently strange or scary, but rather that Kraven has
[54:17]
been built up to us as a man of nature, a man of the wild.
[54:21]
And so the idea that a little spider would scare him seems like a strange Achilles heel
[54:26]
for a guy who, I guarantee you, has woken up with bugs and spiders crawling all over
[54:30]
him many times in his life.
[54:32]
So I'm sure he uses them as a source of protein.
[54:36]
He has to.
[54:37]
He's microproteining all day.
[54:39]
Yeah.
[54:40]
We get a little fight between the foreigner and a drugged up Kraven.
[54:43]
It's mainly Christopher Abbott doing some cool kicks and knee moves.
[54:47]
It's pretty cool.
[54:48]
I like it.
[54:49]
I like knee moves.
[54:50]
He really takes his time.
[54:52]
He takes, instead of just shooting Kraven in the head, he takes his time kind of stunting
[54:56]
the whole time.
[54:57]
Yeah, of course.
[54:58]
And he even goes so far, he's got Kraven where he wants him, and he dismisses the other mercenaries.
[55:04]
He's like, oh, this is done.
[55:06]
You can leave.
[55:07]
So they leave and tell their boss, like, yeah, I guess Kraven's dead so we can go.
[55:12]
But before you do the inexplicable, I'm sorry, I know you watch Reacher.
[55:17]
I watch Reacher all the time.
[55:18]
Are you up to date on Reacher?
[55:19]
Heck yeah, I am.
[55:20]
There is an episode.
[55:21]
I don't want to spoil anything too much for people, so, you know, jump ahead if you're
[55:24]
worried at all.
[55:25]
But there's an episode where Reacher's like, I'm going to let you go do this thing alone.
[55:28]
And I'm like, no, Reacher, why would you do that?
[55:32]
You're the big burly one.
[55:34]
He's got to be there.
[55:35]
This is not going to end well anyway.
[55:38]
Sorry.
[55:39]
So the Farner then alone with Kraven kills him, right?
[55:44]
He's about to do his coup de grace and he starts doing his count off.
[55:47]
But of course, he is interrupted.
[55:48]
Calypso shoots an arrow through his eye socket, killing him instantly.
[55:52]
She gives us a little tagline, like three, bitch or something.
[55:57]
He counts one, two, and then she just goes three, motherfucker.
[56:00]
And it's like, what a cool move.
[56:02]
And also, like, so did she hear him mumbling the numbers to himself from far away?
[56:06]
Yeah, I don't know how magic works.
[56:09]
She comes over, Kraven's dead from all the toxins.
[56:14]
She gives him a little nip of the old super juice, a little swig of that, a little hair
[56:18]
of the dog that brought you back to life.
[56:21]
Brings him, puts him back in the game.
[56:23]
He gets a one up.
[56:24]
And I wish, I wish it's not Pilgrim style, a one up had then just gone ding and floated
[56:30]
up to the top of the screen.
[56:32]
He's a whimsy in the whole movie.
[56:37]
So the Rhino manages, and we find out the reason he's called the Rhino, and we're gonna
[56:41]
learn more in a second, is that both out of his attitude, that like a Rhino, if he sees
[56:47]
an opportunity, he charges forward without thinking.
[56:50]
But more importantly, in his quest to overcome his physical frailty, he underwent experimental
[56:58]
treatments from a doctor in New York.
[57:00]
A doctor in New York, he drops the name Dr. Miles Warren, who is another Spider-Man villain,
[57:05]
the Jackal, who is better known as the creator of the Spider-Clone.
[57:09]
And he's the guy who's behind every cloning thing in Spider-Man.
[57:12]
He's a real crappy villain.
[57:16]
He's the kind of villain who is not that interesting to look at, not that fun to see stories with,
[57:19]
and he has caused way more trouble than it's worth.
[57:21]
But anyway, he says, Dr. Miles Warren, he's the one who gave me this treatment to make
[57:25]
me stronger.
[57:26]
And what kind of treatment is it, Stuart?
[57:27]
The treatment, it seems to have been some kind of a failed treatment, because what it
[57:32]
does is it makes him very strong and indestructible.
[57:34]
His skin turns hard like a Rhino's.
[57:38]
It makes him indestructible like a Rhino, and I'm like, I'm sad to report, Rhinos are
[57:43]
not indestructible.
[57:44]
No, they are endangered, actually, because they're so easy to kill, yeah.
[57:48]
But if he is not connected to some kind of a medicine, his body rapidly crusts over into
[57:57]
this, like, armored form, basically, right?
[58:00]
Yeah.
[58:01]
He looks kind of like the Thing or like the Rhino, basically.
[58:05]
But also, just kind of-
[58:06]
He looks like the character of the Rhino, yeah.
[58:09]
I kind of love how, like, low-tech it feels, because it feels like he's just got, like,
[58:12]
a gas can, like one of those plastic rubber gas cans, like, hooked up to his back.
[58:18]
Yeah, he's got, like, a Camelback backpack that just goes into a port in his side and
[58:22]
just fills him full of no Rhino juice.
[58:24]
What's this liquid?
[58:25]
This is what keeps me from being a Rhino.
[58:27]
Yeah, and I mean, like, it is a thing where he kind of dresses like a little kid going
[58:32]
to school wearing a little backpack, so I could see why other gangsters might not take
[58:36]
him seriously, but-
[58:37]
Yeah.
[58:38]
So, Rhino and his remaining goons scoop up Dimitri, they're like, I guess we'll try and
[58:43]
ransom him anyway.
[58:45]
And they start driving off, they're like, job's done, Kraven's dead, hooray.
[58:50]
Of course, now Kraven shows up with a stampede of, what do you say, oxen, I call them wildebeests,
[58:56]
some kind of large-
[58:57]
I think they're some kind of large-
[58:58]
There's some kind of large pack animal.
[58:59]
Large-
[59:00]
Quadruped.
[59:01]
Cattle-like quadruped.
[59:02]
Rontos, are they Rontos?
[59:03]
They're probably Rontos.
[59:04]
Yeah, they might be Rontos.
[59:05]
Yeah, they could be, yeah.
[59:06]
And they smash into the convoy, they smash all the stuff, all the goons get smushed.
[59:12]
They used to have a great big convoy.
[59:14]
That's a joke for, I guess, people who remember novelty songs from the 70s.
[59:21]
Sure, yeah.
[59:22]
Feels like our audience, yeah.
[59:23]
That's the right podcast.
[59:24]
Guess so.
[59:25]
So, Dimitri gets knocked around, but he's okay, Rhino's like, it's Rhino time.
[59:32]
So he unhooks himself and he gets all crusty and he grows a couple of horns on his head,
[59:37]
that looks cool.
[59:38]
I want to talk about the Rhino, I want to pause for a minute to talk about the Rhino
[59:41]
design.
[59:42]
So the Rhino is a fully CGI character at this point.
[59:45]
You're not seeing a real actor, it's probably even a mo-cap thing, but they decided for
[59:49]
some reason, it also means that this character has been a very talkative character up to
[59:53]
this point.
[59:54]
When he's the Rhino, he just bellows and screams and roars, he doesn't have any lines of dialogue.
[1:00:00]
I know in the comics is a pretty like a pretty big round guy like he has a body like a rhino
[1:00:07]
like he's like a walking tank.
[1:00:09]
He's huge.
[1:00:10]
Yeah.
[1:00:11]
Whereas this rhino has a very tiny waist and is super cut just like Craven.
[1:00:14]
And I thought this looked hilarious to me that this rhino has like a wasp waist.
[1:00:18]
No, you're right.
[1:00:19]
Huge shoulders and huge pecs.
[1:00:20]
It kind of looks like they at all for this guy.
[1:00:22]
Yeah.
[1:00:23]
Vin Diesel had a rhino head.
[1:00:25]
Yeah.
[1:00:26]
Sort of.
[1:00:27]
Yeah.
[1:00:28]
I don't know why they don't work out their lower body.
[1:00:31]
I don't know.
[1:00:33]
It's kind of cool that like his shirt rips off, but his pants stay pristine.
[1:00:37]
Yeah.
[1:00:38]
He has those stretch pants that can move with with rhino muscles.
[1:00:41]
He has scrunched butt yoga pants.
[1:00:45]
His waist was just so narrow that I kept thinking that Craven was going to snap him in half.
[1:00:49]
Like it seemed like a like a real weak point.
[1:00:50]
I was trying to think of like where you buy the Hulk pants like H&M Hulk and Monsters.
[1:00:56]
Is that where you get the stretchy pants?
[1:00:59]
Yeah.
[1:01:00]
That's the fast casual place for pants that you wear when you're when you're a surprisingly
[1:01:03]
more expensive than than you would think.
[1:01:06]
Yeah.
[1:01:07]
So, yeah.
[1:01:08]
So they fight.
[1:01:09]
There's a couple of like jokes here and there about how heavy Rhino is eventually like and
[1:01:13]
it seems like Rhino is getting getting the best of Craven.
[1:01:18]
He's like punching him and throwing cars at him and stuff.
[1:01:21]
It is kind of weird, though, because I feel like because becoming the rhino causes him
[1:01:25]
so much pain, he wouldn't actually like train as Rhino very often.
[1:01:30]
Right.
[1:01:31]
Like, I would think so.
[1:01:32]
Like the trained fighter would probably do better.
[1:01:36]
I don't know, because the rhino is so much bigger and stronger that if Craven didn't
[1:01:40]
have protagonist protection, then you would think that Rhino would very easily just pick
[1:01:45]
him up and tear his head off, especially since he's recovering from a fatal dose of poison.
[1:01:50]
Well, also, he also had a non-fatal dose of magic potion CBD.
[1:01:54]
So, yeah, that's the cancels out, but also like until Craven like notices, oh, right.
[1:02:01]
The rhino is useful.
[1:02:02]
Like there's literally no weakness on the rhino that he can take advantage of.
[1:02:08]
Rhino thick skin.
[1:02:09]
Yeah.
[1:02:10]
Unfortunate for the rhino.
[1:02:11]
Yes.
[1:02:12]
He does have an open medical port on his side and his shirt ripping off reveals that, yeah,
[1:02:17]
which is which is probably helpful that he has that that that's his route into the rhino
[1:02:23]
when he stabs a pipe into the end of the port and he starts bleeding everywhere.
[1:02:28]
That is a cool way for him to stop it.
[1:02:29]
What if he had to do that and like blast his eyeballs out or something?
[1:02:34]
So that he could create a vacuum, like you're siphoning oil, so the blood will just pour
[1:02:38]
out of him.
[1:02:39]
Well, and then he drinks all the blood and then his skin becomes rhino skin and then
[1:02:43]
we have an equal battle.
[1:02:44]
Oh, no, that would be cool.
[1:02:45]
So he blasts him and the rhino is pretty fucked up at this point.
[1:02:48]
And then he wraps a tow chain around him and then throws the tow chain into the herd of
[1:02:52]
wildebeests who then drag him around and he gets all trampled.
[1:02:57]
But then his chain disappears like and then he's he's he's dragged on and trampled.
[1:03:02]
And then when Craven goes over to him, the chain is gone.
[1:03:04]
And I'm like, all right, well, I guess that I guess the wildebeest took it.
[1:03:07]
The wildebeest are like, oh, a free chain, let's untie you so we can use it.
[1:03:11]
Do you know what they say?
[1:03:12]
Fuck off.
[1:03:13]
Yeah.
[1:03:14]
Yeah.
[1:03:15]
Well, we're going to we're going to create a society built around the beautiful worship
[1:03:18]
of the chain.
[1:03:19]
Oh, we worship the chain.
[1:03:20]
We finally have something to protect our boat.
[1:03:26]
Yeah.
[1:03:27]
Yeah.
[1:03:28]
To wrap around our tires when it gets snowy.
[1:03:32]
What?
[1:03:33]
Tintin's dog?
[1:03:34]
Snowy?
[1:03:35]
Yes.
[1:03:36]
When Tintin's dog Snowy shows up, you need to have chains on your tires.
[1:03:41]
Otherwise, you cannot drive over it.
[1:03:43]
Oh, I understand.
[1:03:44]
That makes sense.
[1:03:45]
I won't drive over Snowy.
[1:03:46]
Don't do it.
[1:03:47]
He's such a cute little terrier.
[1:03:48]
Oh, no.
[1:03:49]
I'm a drunk sea captain.
[1:03:50]
And that's you know, I'm going to be driving over the snowy.
[1:03:54]
And that's when Tintin goes out for revenge.
[1:03:56]
Like, and it's like John Wick, but it's Tintin.
[1:03:58]
Oh, man.
[1:03:59]
Oh, man.
[1:04:00]
That's two things mushed together.
[1:04:02]
That's 90 percent of the T-shirts that are sold to me on Facebook.
[1:04:05]
Is that what the movie Tin Men is?
[1:04:07]
That's what Tin Men is about.
[1:04:08]
Yes.
[1:04:09]
Tintin is grown up.
[1:04:10]
Snowy is dead.
[1:04:11]
He's a salesman now.
[1:04:12]
Terrible.
[1:04:13]
Yeah.
[1:04:14]
And then the last one is the Tin Commandments where he explains his philosophies of life.
[1:04:23]
Yeah.
[1:04:24]
That's when he goes up to the mountain when he comes down there worshiping a golden snowy
[1:04:29]
and he has to smash it.
[1:04:30]
So.
[1:04:31]
He goes up and the drunken sea captain is like, I guess we need a different religion
[1:04:37]
now.
[1:04:38]
Let's worship the dog.
[1:04:39]
Yeah.
[1:04:40]
The sea captain throws his bottle of booze at him.
[1:04:41]
Where's it gone now?
[1:04:42]
Never again.
[1:04:43]
Yeah.
[1:04:44]
So.
[1:04:45]
Yeah.
[1:04:46]
So Craven approaches a thoroughly stompified, rapidly dying rhino who is missing.
[1:04:53]
There's no chain anywhere to be found.
[1:04:56]
Huge flaw.
[1:04:57]
Rhino's dying.
[1:04:58]
Someone out there.
[1:04:59]
And this is where the rhino reveals he's like, he's like, of course, you know, he he hints
[1:05:07]
at how he was able to find out Craven's true identity, which we'll later find out was that
[1:05:13]
his father had leaked the information.
[1:05:15]
This is also where the rhino says his final words are, I wish I'd never met you Craven
[1:05:22]
off.
[1:05:23]
Yeah.
[1:05:24]
No shit.
[1:05:25]
It went real bad for you, dude.
[1:05:26]
Yeah.
[1:05:27]
I had so much potential.
[1:05:28]
Look at what I accomplished.
[1:05:30]
Your life would have been much better without meeting the Craven off.
[1:05:32]
Yeah.
[1:05:33]
You wouldn't be a rhino man for one thing.
[1:05:34]
So rhino's dead.
[1:05:36]
Everybody's happy.
[1:05:37]
Now we now we begin to get up.
[1:05:41]
Now we begin.
[1:05:42]
There are now multiple locks now.
[1:05:44]
Now celebrate that the end of the rhino tyranny is common.
[1:05:47]
They topple statues.
[1:05:48]
There's fireworks.
[1:05:49]
And you're like, oh, great.
[1:05:50]
The movie's over.
[1:05:51]
Nope.
[1:05:52]
We have a bunch of epilogues.
[1:05:53]
There's more epilogues in this movie than in fucking Venom three.
[1:05:57]
Both movies were movies where I'd be like, oh, we're in this is that has to be the end
[1:05:59]
climax of the movie.
[1:06:00]
And I'd pause it.
[1:06:01]
And there would be twenty five minutes left in the movie.
[1:06:02]
Although what?
[1:06:03]
Luckily, Stuart, out of the two, you're summarizing the one that doesn't have credit sequences.
[1:06:09]
What?
[1:06:10]
We'll get to it.
[1:06:11]
OK, so epilogue one, this is where Craven tracks down his father, who is on a solo hunting
[1:06:17]
trip somewhere.
[1:06:18]
He they talk some shit a little bit.
[1:06:21]
He's not hunting with the Marvel hitman Solo, who is another character who does not is not
[1:06:26]
in this movie, but is a more solo from the movie Solo would be pretty cool if Solo and
[1:06:30]
maybe like Silver Sable showed up.
[1:06:32]
Sure.
[1:06:33]
Yeah.
[1:06:34]
Silver Sable, Farner's ex-wife in the comics.
[1:06:37]
Yeah.
[1:06:38]
Yeah.
[1:06:39]
That played by played by what?
[1:06:40]
Allison, what's her name?
[1:06:41]
Marnie from.
[1:06:42]
That would be amazing if it's Allison Williams playing Silver Sable and it was a girl's reunion.
[1:06:47]
Yeah.
[1:06:48]
I love it.
[1:06:49]
That's the fans.
[1:06:50]
That's what Marvel fans are craving is a girl's reunion.
[1:06:54]
This Marvel fan is anyway.
[1:06:55]
Continue.
[1:06:56]
OK, so there's a so they talk some shit.
[1:07:00]
You know, they they're like, you know, because because what's her name?
[1:07:04]
Mammoth, who's also in girls.
[1:07:05]
She was in Madden.
[1:07:06]
Yeah.
[1:07:07]
Yeah.
[1:07:08]
We're just one.
[1:07:09]
We're just Allison Williams and Lena Dunham away from a nose from a from a Sony.
[1:07:12]
Sure.
[1:07:13]
One.
[1:07:14]
Oh, yeah.
[1:07:15]
Jenna.
[1:07:16]
Jenna.
[1:07:17]
That's right.
[1:07:19]
Yeah.
[1:07:20]
She could be the she could be the kangaroo, you know, just make that character of a woman
[1:07:23]
instead of a man.
[1:07:24]
Yeah.
[1:07:25]
So we they they talk some shit.
[1:07:27]
There's the like, we're not so different, yada, yada, yada.
[1:07:30]
And then Craven wanders off and then a giant bear shows up and kills his dad and he has
[1:07:35]
taken his dad's bullets.
[1:07:36]
So he's taking his dad is helpless against this bear.
[1:07:39]
Yeah.
[1:07:40]
Yeah.
[1:07:41]
We don't actually see him die.
[1:07:42]
So we might show up later.
[1:07:43]
It's like a bear man.
[1:07:45]
I mean, there's there's a Spider-Man villain called Grizzly.
[1:07:49]
He could come back as that.
[1:07:50]
Yeah.
[1:07:51]
Yeah.
[1:07:52]
Epilogue two.
[1:07:53]
This is technically a year later because it's Dimitri's next birthday.
[1:07:56]
They're hanging out at Dimitri's club.
[1:07:58]
They're catching up.
[1:08:00]
Dimitri Dimitri has a bit of a heel turn.
[1:08:03]
It turns out that he has now taken over his father's empire and he is now the supervillain,
[1:08:07]
the chameleon, and he can morph his face and voice.
[1:08:10]
But also he like basically like dresses down Craven for being like, oh, you're like so
[1:08:16]
high and mighty.
[1:08:17]
You think you're so moral.
[1:08:18]
You're just like dead.
[1:08:20]
And like Craven's sort of like attitude at the end of the movie kind of suggests that
[1:08:23]
he accepts that this is true.
[1:08:26]
And in a slightly better movie, I kind of thought this was sort of cool at the end.
[1:08:31]
The brothers like, hey, guess what?
[1:08:33]
If you're just going out and murdering a list of people, maybe you're not the hero.
[1:08:39]
What happened to dad?
[1:08:40]
Hunting accident.
[1:08:41]
Hmm.
[1:08:42]
Yeah.
[1:08:43]
But let's not forget.
[1:08:44]
Let's not forget the funny part of this, which is when to reveal his power to meet Dimitri
[1:08:50]
walks off and Sergei is like, hey, hey, talk to me.
[1:08:52]
And Dimitri turns around and he has Craven's head on his much shorter body.
[1:08:57]
And it is hilarious to see this guy looking at a shorter version of himself.
[1:09:02]
And he's got a smirk on his face like, I see what I can do.
[1:09:04]
Oh, that's what I'd look like as a shorter man.
[1:09:06]
He went to doctor.
[1:09:07]
Exactly.
[1:09:08]
So he went to Dr. Miles Warren and got chameleon face powers.
[1:09:12]
But it is very funny.
[1:09:13]
This is just like to be confronted by a much shorter version of yourself.
[1:09:17]
Mm hmm.
[1:09:18]
Yeah.
[1:09:19]
You're like, is this what I look like as a kid?
[1:09:20]
No, no, no.
[1:09:21]
I didn't have a beard back then.
[1:09:23]
OK.
[1:09:24]
And then we have a final epilogue.
[1:09:25]
This is where Craven returns to his father's house.
[1:09:28]
Everything is packed up in boxes.
[1:09:30]
But there is a gift for him with a note.
[1:09:32]
He opens up that box.
[1:09:34]
You know what that shit is?
[1:09:35]
It is his it's his cool lion vest.
[1:09:38]
The whole time you're like, why isn't Craven dressed like Craven?
[1:09:41]
It's because they had to wait till the very fucking end like they always do.
[1:09:44]
He puts on this cool vest, takes his shirt off so you can see all those fucking abs.
[1:09:48]
He's got the fucking King's Hawaiian fucking abs there.
[1:09:51]
It's amazing.
[1:09:52]
It's really like he has he has extra abs that other human beings don't have.
[1:09:56]
It's and then he and then he sits down in the big.
[1:10:00]
throne style chair from the classic Craven pose and he like you know man
[1:10:05]
spreads sits in that chair with that cool-ass fucking vest and you're like
[1:10:09]
hell yeah that's what I've waited this whole movie to see yeah sitting down but
[1:10:15]
didn't they just put that shit on the poster like yes come on I mean that was
[1:10:18]
that it was one of the posters so you have to wait the whole movie to get to
[1:10:21]
the image that the poster shows you yeah and then that's the end were there I
[1:10:26]
don't recall there were there were no I think by the time this movie was coming
[1:10:31]
out I think there was an understanding writing was on the wall that this
[1:10:34]
experiment had run its course this no spider-man spider-man universe and they
[1:10:38]
might have they might have at some point intended one of the at least one of
[1:10:43]
those epilogues to be a post-credits as possible yeah I could see that I could
[1:10:47]
say I could definitely see if the the chameleon scene being a mid-credit scene
[1:10:50]
instead of a instead of a and then in the chairs the very is the final
[1:10:56]
post-credits yeah yeah okay so that was co-co-co-co-co Craven thank you for
[1:11:02]
taking on summary duties and now for our several judgments our final judgments of
[1:11:09]
whether this is a good bad movie a bad bad movie or a movie we kind of like I
[1:11:14]
I'm just gonna say like I apologize if this is sort of getting ahead of
[1:11:17]
ourselves I don't know if we'll return to this topic with the venom episode
[1:11:22]
which we're recording later I don't know which one we're releasing first but I
[1:11:26]
think this is at the bottom of my spider-man without spider-man Sony
[1:11:33]
villain films because it is so just sort of joyless like it does not have either
[1:11:42]
the wacky fun of Madame Web which is my favorite love it or even you know Tom
[1:11:50]
Hardy's joy in making venom movies like clearly this is the love of his life
[1:11:55]
whether the movies are that great or not this just feels like unfortunately they
[1:12:02]
made a worse movie by trying to make a better one yeah and well I think it's
[1:12:07]
bad but we'll talk about the venom movies probably when we talk about venom
[1:12:10]
three but I feel like makes sense the venom movies are very feel like
[1:12:15]
straightforward movies that managed to fit a lot of weirdness into the margins
[1:12:19]
yeah and this movie for the most part is very straight-faced and very boring I
[1:12:25]
like that there were kind of more like super villains than I expected like I
[1:12:30]
the as soon as Christopher Abbott showed up I'm like okay I like this stuff but
[1:12:36]
yeah it's this this one's kind of this this is a fairly boring mess it's like
[1:12:41]
it it I just don't know who it's for like who yeah it feels like destined to
[1:12:48]
just like be a like an afternoon action movie like direct you know like cable
[1:12:55]
launch you know what I mean I agree that I'm that this is one I feel similarly
[1:13:00]
it's it's a movie that is kind of afraid of having fun or of being a fun which is
[1:13:05]
strange for a Kraven the hunter movie yeah and I agree that there's a
[1:13:09]
surprising amount of like superpowers in it for a movie that I expected to have
[1:13:12]
none I thought this was gonna be like a just a guy just stabbing guys in suits
[1:13:17]
basically who fire guns at him and so it's nice that they could they really
[1:13:21]
leaned into the fact that some of the characters have have extraordinary
[1:13:24]
powers but it really wants to which wants you to take it seriously which I
[1:13:29]
think is a hard ask for this movie and with the venom movies at the very least
[1:13:33]
they don't want you to take it fully seriously all the time where does this
[1:13:37]
portrayal on-screen portrayal of the Rhino fit for you is this better or
[1:13:42]
worse than Paul Giamatti as the Rhino I feel like that was that was a little bit
[1:13:48]
too much having fun instead I mean that would that's the kind of the opposite
[1:13:51]
where there they were like we're not even gonna bother trying to take anything
[1:13:54]
any of this seriously so I don't know I feel like the I like his performance
[1:13:57]
until he becomes the Rhino yeah visual on screen and there I feel like that
[1:14:03]
visual doesn't quite doesn't quite work for me he has a little ways he's got
[1:14:06]
tiny hands but huge shoulders so there's something very kind of like weirdly at a
[1:14:12]
proportion with him that instead of creating a sense of power and strength
[1:14:15]
to me created a sense of like oh I hope this guy's okay you look like an action
[1:14:20]
figure based on a cartoon yeah he's Johnny Brock he does look like Johnny
[1:14:24]
Bravo yeah there's something very Popeye about him too the so uh but this movie
[1:14:29]
is um I was gonna say in terms of these no spider-man spider-man movies that
[1:14:34]
we've watched it's also pretty far down and in some ways like I think Morbius is
[1:14:39]
a worse movie but I think it is a more fun movie to watch than this one I
[1:14:43]
totally agree actually competently dull for the most part yeah at least Matt
[1:14:48]
Smith has fun in and there's wacky stuff like when they're like they cut to that
[1:14:53]
Chiron that's like international waters and you start rubbing your hands like oh
[1:14:58]
he can do his bad he works at a New York hospital but he has a secret man
[1:15:07]
sized cylinder full of bats boss the cleaning crew was in here just dusting
[1:15:15]
things they found this cylinder of bats in your office it's okay the guy we
[1:15:20]
hired is a Nobel Prize winning scientist and also a vampire so it's okay boss
[1:15:24]
you're a chewy order showed up it's the guano delivery guy I got a I've got a
[1:15:33]
call to come to this hospital and remove some guano so I can deliver it oh yeah
[1:15:37]
just a sideline I have selling the guano yeah big money in guano anyway I think
[1:15:44]
you had something else to say maybe at this point I did have something else to
[1:15:48]
say at this point I mentioned bonus content before let's talk a little bit
[1:15:52]
about it it's the max fund drive I've told you a couple times I won't I'll
[1:15:55]
tell you this time and at least one more time before the show is over bonus
[1:15:59]
content what is it it is a library of episodes of your favorite podcast that
[1:16:03]
you can only listen to when you're a max fund member and that library just grows
[1:16:07]
every year there's not it's not like each year we clear out the vault and put
[1:16:11]
new stuff in it just grows so the library has gotten really big over the
[1:16:14]
course of the past I don't know what decade or more that we and other shows
[1:16:18]
have been putting together bonus content some of these are team ups between
[1:16:22]
different maximum fun hosts some are maximum fun hosts taking over each other
[1:16:25]
shows episodes of special guests and as we've said we've done some audio
[1:16:28]
commentaries for movies we've done extra episodes where we talk about different
[1:16:33]
movies last year we did three extra full episodes talking about the the movies of
[1:16:38]
great and Clark I believe it was and the including the all-time video game
[1:16:43]
classic joysticks and this year we are going back to the game playing well very
[1:16:49]
excited about it we are once again doing a flop tails or as it's called
[1:16:53]
this time slop tails game where Stuart has run us and our good friends you've
[1:16:57]
been praying through a new role-playing adventure set in a new setting but using
[1:17:02]
variations of our beloved characters what are you doing going out and slopping
[1:17:05]
the pigs wouldn't you guys have fallen into my restaurant trap oh yeah it's a
[1:17:11]
restaurant themed role-playing game and it was super fun I had such a good time
[1:17:15]
doing it we got to play characters that were a little bit at least in my case
[1:17:18]
out of my usual comfort zone and it was it was really fun it was I think you're
[1:17:23]
really gonna enjoy it I like it when you sort of provide notes of what sort of
[1:17:29]
genre tone we're aiming for in there like I enjoyed the dog ones because it's
[1:17:34]
like oh you're you're like a Don Bluth cartoon and this one you're like oh
[1:17:37]
you're in kind of an old-fashioned three camera sitcom set in a restaurant and so
[1:17:43]
I think that was a lot of fun it worked out really well so if you join or you're
[1:17:46]
already a member you get access the entire library bonus content every
[1:17:50]
single maximum fun show hundreds of hours of extra entertainment that you're
[1:17:54]
gonna need to get through these hard times we're living in when you join it
[1:17:57]
just five dollars a month and higher than that you get extra stuff but you
[1:18:01]
still get access that bonus content and if you're thinking strictly about value
[1:18:04]
that's a great value five dollars a month for hundreds of hours of extra
[1:18:08]
shows and we're excited about the bonus content we're doing this year it was like
[1:18:12]
I said super fun it's I think you're really gonna enjoy it it's a great game
[1:18:15]
that Stewart brought us through and it was great to have our friends you've been
[1:18:19]
coming in and joining us because he always brings a little bit extra comic
[1:18:22]
spice as I said while we were recording it there's nothing funnier to me than a
[1:18:26]
jubin performance as a character who is a tempting to exude confidence and
[1:18:31]
authority and failing consistently to do that so to listen to that show to listen
[1:18:36]
to all of our bonus stuff will you please join us as a member by going to
[1:18:40]
maximumfund.org slash join and either joining at the five dollars a month
[1:18:44]
level or upgrading or boosting your membership and one last thing I want to
[1:18:47]
talk about this is a different kind of bonus from your membership it's not
[1:18:51]
bonus content that affects you necessarily but it is a way that this
[1:18:55]
show affects other people we just to toot our own horn for a minute we hear a
[1:18:59]
lot from people who say thank you for doing this really ridiculous show
[1:19:04]
because I had a hard time and it really got me through it or something you know
[1:19:08]
tragic or sad happened in my life and I needed to laugh about something that was
[1:19:12]
goofy or ridiculous or dumb and you guys helped me with it and it is your
[1:19:17]
membership that helps us to keep this show alive that makes that possible so
[1:19:21]
you're not just providing entertainment for you you're providing the kind of
[1:19:25]
escape valve that so many of us need when stressful things happen in our
[1:19:30]
lives I've had a very stressful past year and a half to two years and doing
[1:19:35]
this show has provided such a necessary thing for me to have fun and to enjoy
[1:19:40]
myself to be with my friends to feel like I am making other people laugh it's
[1:19:44]
been really wonderful and so your membership makes it possible not just
[1:19:47]
for you to enjoy it but for other people enjoy it especially at those times when
[1:19:50]
they need enjoyment the most. I want to hop in for a second sorry and just say
[1:19:54]
something about gift memberships just because you kind of bring up this area
[1:19:56]
sure I'm very it's nice to think that MaxFun has
[1:20:00]
done where you can actually gift a membership to someone else. And I know that this is like a very
[1:20:06]
weird time right now. I don't think we need to get into it, but I'll just leave it there.
[1:20:11]
And if you feel like it's not a time that you can do this sort of supporting,
[1:20:16]
certainly understand. But these gift memberships are kind of nice because people who are in a
[1:20:20]
better position, maybe are no Maximum Fun fan can be like, you know what, I'm going to get a
[1:20:26]
membership for you. And I think that is sort of a sweet thing that the network allows to happen.
[1:20:33]
Yeah. As Rabbi Hillel famously said, if I'm not for myself, who will be?
[1:20:36]
If I'm only for myself, what am I? And if not now, when? So do something for yourself,
[1:20:41]
do something for others, do it now. Go to MaximumFun.org and join or upgrade or boost
[1:20:49]
your membership to keep the Flophouse rolling along, singing a song side by side.
[1:21:02]
Hey, you. Yeah, you with the Giga Pet. Me? Do you like supporting artist-owned podcasts?
[1:21:08]
Totally. What about limited edition gifts, hours and hours of bonus content and more?
[1:21:14]
Sounds sweet. Then stay tuned for Max Fun Drive 2025.
[1:21:20]
www.maximumfun.org on the World Wide Web next week.
[1:21:29]
Hi, I'm Alexis. And I'm Ella. And we're the hosts of Comfort Creatures. We could spend the next 28
[1:21:34]
seconds telling you why you should listen. But instead, here's what our listeners have said
[1:21:37]
about our show, because really, they do know best. The show is filled with stories and poems and
[1:21:41]
science and friendship and laughter and tears sometimes. But tears are from your heart being
[1:21:45]
so filled up with love. A cozy show about enthusiasm for animals of all kinds, real and
[1:21:50]
unreal. If you greet the dog before the person walking them or wander around the party looking
[1:21:54]
for the host's cat, this podcast is for you. So come for the comfort and stay for Alexis'
[1:21:58]
wild story about waking up to her cats giving birth on top of her. So if that sounds like your
[1:22:03]
cup of tea or coffee, Ella, we're not all brits, then join us every Thursday at MaximumFun.org.
[1:22:09]
Um, shall I read some letters, boys? Yeah, why not? Okay, sure. Individual ones. G, K, R.
[1:22:21]
That's certainly the kind of joke that's worth $5 a month, right? Sorry, guys.
[1:22:29]
Yeah, well, that's what we need the money for. You gotta keep buying that serum.
[1:22:32]
Yeah. Um, this, uh, this, uh, this letter is what's in this episode. This letter is from Sam
[1:22:39]
Lasting Withheld, who writes, Oh, yes, Samity, Sam. Yeah. Hey, guys. Dear Flophouse. Oh,
[1:22:44]
that varmint. Oh, bracken, fracken. Sam says, Hey, guys. New listener. Longtime MaxFun supporter.
[1:22:51]
I've got a weird prompt for you. One of my favorite small pleasures in life is the feeling
[1:22:55]
of bathing after doing something that makes me feel real grimy. Oh, hiking, camping, yardwork,
[1:23:01]
et cetera. So whenever I'm watching a movie where a character has gone through a really
[1:23:05]
harrowing physical experience that leaves them filthy and disheveled, I like to imagine how
[1:23:09]
satisfying the subsequent bathing experience is. A great example is John McClane at the end of Any
[1:23:16]
Die Hard. Yeah. Shawshank Redemption tries to deliver that satisfaction, but presumably that
[1:23:20]
pond was full of sewage, which seems like a real vibe killer. Is this something you can even relate
[1:23:25]
to? And if so, what movie's characters come to mind? Thanks. Love the show, Sam. I mean, this
[1:23:31]
absolutely looks like a weird stress comes upon me when someone seems really dirty in a movie.
[1:23:38]
I'm like, oh, man, I don't want to deal with that. And all their stuff. Yeah. I the thing that I
[1:23:44]
don't know if this is the one, but the thing that came to mind is in Raising Arizona when they come
[1:23:48]
out there, I actually have to. I mean, it's much like the Shawshank scene. Yeah.
[1:23:54]
Same level of heroism. I think for I also similarly have had that thought of like, oh,
[1:24:00]
it's going to feel so good when they wash off all that stuff. Usually think about the actors.
[1:24:04]
But the end of Jurassic Park, I got I remember getting that feeling even as a kid watching how
[1:24:09]
the kids in that are like dirty from their adventure and just like, oh, it's going to be
[1:24:14]
that moment when they're like eating ice cream in the before they're attacked, I guess it's like,
[1:24:19]
oh, if only like if only they could like bathe and clean off, then this would be they'd really
[1:24:24]
be able to recover from being chased by dinosaurs and electrocuted by by. Yeah, no, that's I mean,
[1:24:31]
I feel like that's such a like a natural human thing. The problem is when the movie shows
[1:24:35]
somebody getting to wash off, you're like, when's the other shoe going to drop? Yeah,
[1:24:39]
the dinosaur going to pop into the shower and eat them. Yeah, it's always a it's a bad moment
[1:24:44]
when you get to see it. Yeah. Oh, it's like the at the end of Gremlins when Billy is he when he's
[1:24:50]
fighting with he's got that baseball bat and Stripe has the has the chainsaw and all those
[1:24:55]
wood chips are flying onto him and sticking to his blood from the cuts on him. That's another
[1:25:00]
one where I'm like, oh, it's going to feel good to wash all that off for sure. And but then you
[1:25:04]
don't want the gremlin again, as you're saying, Stuart, to get into the shower with you because
[1:25:06]
he'll get wet. Multiply. Then you got a bigger problem. Yeah. Then you have to drop your your
[1:25:13]
shower radio into the shower to electrocute the gremlin. But you're that kills you as well. Yeah.
[1:25:17]
Yeah. Yeah. Our only hope is that you're going to come back like Ernest and more problems. Yeah.
[1:25:24]
Have electric problems. Yeah. Electric problems. That's not a good title.
[1:25:29]
OK, this is from that. That's a great either band or new wave album.
[1:25:33]
Yeah. Electric Problems was a discarded Philip K. Dick.
[1:25:41]
That was his that was his placeholder title for a lot of his books.
[1:25:46]
Just sort of generally what I have.
[1:25:50]
Pete, last name withheld, says, hey, Flopsters, I was listening to your Rebel Moon episodes and
[1:25:55]
thinking about something Elliot said regarding about regarding how fun is the factor that
[1:26:01]
makes Star Wars work? And I was thinking that a lot of franchise stuff goes the ways of seriousness
[1:26:06]
and remakes with mixed results like that. Batman and Ninja Turtles kind of oscillate between serious
[1:26:11]
and less so. Transformers and Ghostbusters seem to have gotten a little more sincere.
[1:26:15]
The Robocop remake was less goofy. Superman got more serious. The mummy with Tom Cruise
[1:26:19]
is a lot more dour than the Brendan Fraser one. It's crazy that the Robocop remake got
[1:26:24]
both less goofy and also had less to say. Yeah, I see this a lot in comics.
[1:26:30]
Previously, silly character storyline that someone adapts to be less comedic,
[1:26:33]
although Elliot Spider-Man, the X-Men was fun and had sincere moments. And I loved it.
[1:26:38]
Still see it memed. And you can find more of that in the Harley Quinn series currently in DC.
[1:26:44]
There's some exceptions that come to mind. Fury Road is definitely sillier than Mad Max.
[1:26:50]
Rocky IV is the silliest Rocky movie, but not the last.
[1:26:54]
But as a fan of silly things, I'm mildly alarmed that things are often made less fun.
[1:26:59]
What do you think it is about remaking things that causes people to take it down that road,
[1:27:02]
as opposed to making things that were serious before more wacky, like a wacky John Wick,
[1:27:08]
John Wack? Thanks. John Wack is a series of movies that were kind of outside the purview
[1:27:16]
of the flophouse. Outside the purview of the flophouse. Thanks. I've had so many laughs
[1:27:20]
and good times listening, sorry, that I'm going to need you all to take really good
[1:27:25]
care of yourselves. So it goes on forever. Last name withheld. I have a lot of I think
[1:27:31]
everyone has a lot of thoughts on this. I just want to say that I what comes to me immediately
[1:27:36]
is like sequels in a row tend to get wackier and wackier and wackier most of the time.
[1:27:44]
And then when you reboot something, it tends to be serious. So there are a lot of things that
[1:27:49]
are going on here, including like cultural shifts. But I think that part of it is,
[1:27:55]
it's often like a reboot of like, oh, that franchise got so wacky by the end,
[1:27:58]
we have to take it back to basics. And by doing that, they like make it even
[1:28:01]
grittier than and more joyless than the original was. That's definitely been the Batman storyline
[1:28:06]
going back to the West Batman series, which is wacky. So Tim Burton's Batman is less wacky.
[1:28:11]
But by the time it gets the Joel Schumacher sequels, it's very wacky. They reboot it with
[1:28:15]
the Christopher Nolan movies, which Dark Knight Rises is fairly wacky at times. And so they reboot
[1:28:20]
it again and make it joyless. Yeah. So it's I think you're exactly right, Dan. You've anatomized
[1:28:24]
that really well. But I mean, I feel like shifts, too. And I feel like there's a thing where,
[1:28:31]
especially when you're talking about bigger properties that like the sillier you make it,
[1:28:36]
the more likely people are going to audience are going to struggle with how to
[1:28:41]
accept it. Like they're going to be like, is this a comedy now? And especially with certain things
[1:28:46]
like people like to to put things into very specific genre boxes. And when they become
[1:28:52]
a certain thing, it's I don't know. Yeah, I don't want to sound like an old man, but I
[1:28:58]
do have this sort of general feeling that people were more accepting that multiple tones could
[1:29:05]
exist in something at a point. And it's become harder for people to parse that somehow. I don't
[1:29:12]
know. I think that is true. I would I would call that if I was being if I was coming up with a
[1:29:18]
theory off the top of my head based on very little, I would say that is a combination of
[1:29:24]
the thing, the people who make the decisions about what is being made,
[1:29:28]
being people who themselves have less of a sense of aesthetic understanding in that way.
[1:29:33]
And so the things that get made, that audiences learn how to watch things from,
[1:29:37]
especially young audiences, don't have that experience of watching something that has
[1:29:41]
multiple tones in it. Even The Godfather has jokes in it. You know, the good like Goodfellas is a
[1:29:47]
very just talk about gangster movies. Goodfellas is a like super funny movie, but also a really
[1:29:51]
hard hitting and meaningful movie and emotionally rough at times. And but those are both movies
[1:29:56]
that are made by master artists. And I feel like.
[1:30:00]
In the old days, there was often a better mix,
[1:30:03]
often not a better mix,
[1:30:04]
but there would be more of a mix of tones,
[1:30:08]
whereas now it feels like the best you can hope for
[1:30:11]
is a really, in mainstream entertainment,
[1:30:13]
seems like a really gritty thing
[1:30:14]
that has some one-liners in it,
[1:30:16]
or something that's super goofy,
[1:30:18]
where at the very end, they throw in a scene
[1:30:20]
of an attempt at high emotion,
[1:30:22]
you know, to get a character arc in there.
[1:30:24]
And I think that's a, I think you could put more,
[1:30:28]
the onus of that, I think, is more on the,
[1:30:31]
I think, the economics of what gets made and what doesn't,
[1:30:33]
and how it gets made,
[1:30:34]
more than any individual creative choice
[1:30:37]
that anyone is making.
[1:30:38]
But that's a more complicated thing
[1:30:40]
than I know how to talk about.
[1:30:42]
But it's a, but it does-
[1:30:43]
For the love of us.
[1:30:44]
For the love of us, I've been Ellie Galen.
[1:30:47]
But it is frustrating sometimes
[1:30:48]
when something is unrelentingly dour, or not having fun,
[1:30:52]
or I think there's a misunderstanding sometimes
[1:30:55]
about what audiences want
[1:30:58]
out of the things that they're watching,
[1:31:00]
and what they're going to enjoy from it.
[1:31:02]
But there's also the negative pressure
[1:31:04]
that we've seen so often in the past 15, 20 years,
[1:31:07]
I feel like, of people who enjoy a thing
[1:31:10]
that is essentially a, this is talking very broadly,
[1:31:13]
now I'm gonna sound like Alan Moore,
[1:31:14]
who enjoy a thing from their childhood,
[1:31:17]
and they want to continue to enjoy it,
[1:31:18]
and they want it to grow up with them.
[1:31:20]
And maybe that thing is not really a good fit
[1:31:23]
for the kind of mature storytelling
[1:31:25]
that they really should be getting at this age.
[1:31:27]
And also when a lot of things are catered
[1:31:29]
toward an existing audience for that thing,
[1:31:31]
that the people making that product are nervous,
[1:31:34]
that content, are worried that they are going to,
[1:31:38]
by making it silly, that they're being disrespectful for it.
[1:31:41]
It's similar to the way that a certain,
[1:31:44]
let's say vocal, faction amongst Marvel fans
[1:31:48]
were complaining about the She-Hulk TV show
[1:31:50]
as being a comedy, and it's like,
[1:31:52]
you never read fucking She-Hulk then, did you?
[1:31:55]
That was a funny comic book.
[1:31:56]
She-Hulk has been a comedy comic for 40 years now,
[1:31:59]
35 years, like yeah, it's a, but they, yeah,
[1:32:03]
I think there's a sense of defensiveness about it
[1:32:08]
that makes it harder for them to have fun,
[1:32:09]
harder for creators to have fun with it
[1:32:11]
because the fans are defensively open
[1:32:14]
to feeling like they're being ridiculed.
[1:32:16]
There was a theory I read years ago,
[1:32:18]
not years ago, like a year ago,
[1:32:20]
and I wonder if it's like, that there's a kind of person
[1:32:22]
who is a fan of these things who feels like
[1:32:24]
they have very little control over their lives,
[1:32:27]
either politically, economically, any of that stuff,
[1:32:30]
but this is one thing they feel like
[1:32:31]
they can have control over, and they can feel
[1:32:33]
they can have possession or ownership of,
[1:32:34]
and it creates a kind of a negative fan base
[1:32:38]
for superhero content specifically, or genre content,
[1:32:41]
that the people making the new stuff
[1:32:44]
feel like they have to cater to, certainly,
[1:32:45]
and that's a, it's a, but I think,
[1:32:48]
to go back to the original question in the thing,
[1:32:51]
it is disappointing sometimes that you can't have,
[1:32:54]
that they feel like they can't have fun
[1:32:55]
with some of this stuff because it's gotta be,
[1:32:58]
it's gotta be serious enough that people feel,
[1:33:01]
that people can feel like it's being taken seriously, yeah.
[1:33:03]
I mean, occasionally, I think it can swing backwards,
[1:33:05]
but it has to be something where it probably
[1:33:08]
should have been a goofier tone in the first place anyway.
[1:33:12]
I'm thinking about how the terrible Michael Bay
[1:33:16]
either made or produced Turtles movies,
[1:33:19]
and then they made the Mutant Mayhem cartoon.
[1:33:22]
Which is great.
[1:33:23]
Which swung back goofy correctly.
[1:33:25]
I mean, like, oh, you know what?
[1:33:27]
Like, I think that this is the world this works best in,
[1:33:31]
a little lighter than what you came up with.
[1:33:34]
I mean, for the reasons that-
[1:33:35]
No, we have to tell this story
[1:33:36]
about mutant ninja teenagers.
[1:33:38]
And look, don't-
[1:33:38]
Who are turtles.
[1:33:39]
Who are turtles.
[1:33:40]
I understand.
[1:33:41]
Whose dad is a rat, you know?
[1:33:43]
I understand that the listeners out there are thinking,
[1:33:46]
oh, but the Eastman and Laird comics, right?
[1:33:47]
I know, but like, that was also kind of-
[1:33:50]
That was a pretty good straw man impression.
[1:33:51]
It was a parody of, oh, I absolutely guarantee you
[1:33:55]
someone was thinking, oh, the Eastman and Laird comics.
[1:33:58]
But when Ceramis showed up, those were,
[1:34:01]
started at least as kind of a parody
[1:34:03]
of that sort of Frank Miller stuff
[1:34:05]
before taking themselves seriously.
[1:34:07]
But those are also fun comics.
[1:34:08]
Like, as much as they're like more serious
[1:34:10]
than mutant mayhem, like, the thing that I always loved
[1:34:14]
about the Eastman and Laird comics was the characters,
[1:34:17]
they were basically like prototypes in some ways.
[1:34:19]
I don't know that Mike Minola would say this,
[1:34:21]
but prototypes for Hellboy,
[1:34:22]
as characters who like would go on adventures
[1:34:24]
and then just be like, oh, that sucks.
[1:34:26]
Anyway, let's go have a drink.
[1:34:27]
Let's have a beer.
[1:34:28]
Great, cool, dude.
[1:34:29]
Like, they spent a lot of time hanging out,
[1:34:31]
you know, and things like that.
[1:34:31]
And so they felt, there was a lighter element
[1:34:34]
that ran through that still,
[1:34:36]
even as they were stabbing people.
[1:34:38]
So let's recommend some like silly ones.
[1:34:41]
Let's do a couple of silly ones.
[1:34:42]
I know mine is a silly one.
[1:34:43]
Do you have to be a silly one?
[1:34:44]
No, you can do whatever you want.
[1:34:46]
Because I'd like to recommend Last Stop in Yuma County.
[1:34:51]
A silly one?
[1:34:52]
Are we doing recommendations now?
[1:34:53]
Yeah, we're doing recommendations.
[1:34:54]
Okay.
[1:34:55]
Is that okay, Elliot?
[1:34:56]
Yeah, no, it's fine.
[1:34:57]
We're all on board?
[1:34:58]
It was a very natural segue,
[1:34:58]
but I wasn't, I was not quite sure we were-
[1:35:00]
So we had to gum up the works.
[1:35:00]
That's because you were driving the segue.
[1:35:02]
We had to gum up the works by asking about it.
[1:35:05]
Yeah, no, I saw this, it's returned to movies.
[1:35:08]
Dan saw it on a plane.
[1:35:09]
I saw it on a plane.
[1:35:11]
It's a-
[1:35:12]
A continuing series of screenings, yeah.
[1:35:13]
Very small.
[1:35:14]
See, some people do extra flights
[1:35:16]
so they can get like miles or points or whatever.
[1:35:18]
Dan does it so he can watch more flicks.
[1:35:20]
Optimal viewing conditions.
[1:35:21]
Live flicks is what he calls them.
[1:35:24]
No, this is a small little contained noir.
[1:35:29]
Stuff goes wrong at a diner.
[1:35:32]
There's a tense standoff over an afternoon.
[1:35:39]
I don't want to get too much into it
[1:35:40]
because the twists and turns are the fun of it,
[1:35:44]
but it is directed beautifully.
[1:35:48]
Sam Raimi, I think, tapped this director
[1:35:50]
to be a future Evil Dead director off of this picture.
[1:35:54]
It has a small part for our friend of the show,
[1:35:57]
Barbara Crampton is in it.
[1:35:59]
Barbara Crampton.
[1:36:00]
Can't go wrong.
[1:36:01]
And, you know, it has some of the flavor
[1:36:03]
of like an early Coen Brothers movie.
[1:36:06]
I mean, not quite to that level,
[1:36:07]
but it's, you know, it's in the conversation.
[1:36:10]
Or like a Red Rock West type.
[1:36:11]
Yeah, yeah.
[1:36:12]
Cool.
[1:36:13]
So what do you got, Stu?
[1:36:14]
I'm going to recommend a movie
[1:36:17]
that fits within the silly theme.
[1:36:19]
I'm going to recommend The Monkey,
[1:36:22]
Osgood Perkins horror comedy.
[1:36:25]
What was that, Dan?
[1:36:26]
That's right.
[1:36:27]
I just started buttering,
[1:36:27]
I can't stop doing The Monkey.
[1:36:32]
I think I just watched that episode of The Simpsons,
[1:36:34]
by the way.
[1:36:35]
Yeah.
[1:36:35]
Go, go, Ray.
[1:36:37]
Yeah, that was funny.
[1:36:38]
So, yeah, the other night, the night before my birthday,
[1:36:42]
I went to a pre-birthday screening of The Monkey.
[1:36:46]
I dragged my buddy, Dan,
[1:36:47]
as well as a couple of my other Brooklyn movie bros
[1:36:51]
to go see this thing.
[1:36:52]
I got incredibly wasted,
[1:36:54]
but I was not too drunk during the movie.
[1:36:56]
So you're going to get a full-on normal Stuart review.
[1:36:59]
So let's continue reviewing The Monkey, shall we?
[1:37:03]
The Monkey is-
[1:37:04]
That was the mid-review pause,
[1:37:07]
a traditional intermission.
[1:37:09]
So this is an adaptation
[1:37:12]
of the Stephen King short story, The Monkey,
[1:37:15]
that was also adapted as Monkey Shines at one point.
[1:37:18]
But this is a movie about twin brothers
[1:37:22]
who encounter a toy monkey
[1:37:25]
that is some kind of death elemental
[1:37:29]
that can cause the death of anything it wants
[1:37:31]
when its key is turned.
[1:37:34]
And the movie is,
[1:37:38]
it's an interesting,
[1:37:39]
this is a director whose previous movies
[1:37:41]
have all been very, like, grim-faced horror pictures.
[1:37:47]
And this is much sillier.
[1:37:49]
It's still shot with a lot of style,
[1:37:51]
and it is incredibly gory,
[1:37:52]
but it's very fun,
[1:37:54]
almost like,
[1:37:55]
it has kind of the same sense of fun
[1:37:57]
as like a Final Destination movie.
[1:37:59]
And the performances are all good.
[1:38:01]
It manages to make Theo James not an incredibly sexy man,
[1:38:04]
which is a challenge.
[1:38:06]
Like, that's some heavy lifting.
[1:38:09]
I think the one outfit kind of helps.
[1:38:10]
But it, and Tatiana Maslany's in it, and she's great.
[1:38:15]
I think it's like,
[1:38:16]
it felt like a very kind of fresh take on a horror comedy,
[1:38:21]
and I had a really good time.
[1:38:23]
Yeah, so if you're looking for kind of a silly one
[1:38:26]
that I'm sure has been probably misinterpreted
[1:38:29]
by people who are like,
[1:38:30]
oh, why isn't this scary movie just scary?
[1:38:33]
Like, well, it's a silly movie.
[1:38:34]
It's fun.
[1:38:35]
Just chill out.
[1:38:36]
Also, I'm sorry.
[1:38:37]
I apologize for playing Flophouse Piedmont
[1:38:39]
just for a moment,
[1:38:40]
but I believe Monkey Shines is unconnected
[1:38:42]
because that's a movie about a man who had a-
[1:38:44]
With a helper monkey, right?
[1:38:45]
Actual monkey that's a helper because he's paralyzed.
[1:38:47]
I messed it up, okay?
[1:38:49]
I just, you know.
[1:38:51]
I'm shielding you from angry listeners now.
[1:38:53]
Okay, I mean, they're just gonna email-
[1:38:54]
Because our listeners are furious all the time.
[1:38:56]
They're just gonna email, yeah, they're gonna email you.
[1:38:58]
Dan and the straw man, the new CBS show
[1:39:03]
where he tries to stop the straw man.
[1:39:04]
They're gonna email Dan, they'll be like,
[1:39:04]
tell Stewardy's wrong,
[1:39:06]
and Dan's like, I tell Stewardy's wrong all the time.
[1:39:08]
He doesn't listen to me.
[1:39:09]
I'd like to let you guys know on this occasion
[1:39:13]
so you can thank me,
[1:39:14]
that if I get any emails like that, I delete them.
[1:39:16]
Oh, good, thank you.
[1:39:18]
Thank you, Dan, for doing that.
[1:39:19]
I'd also like to recommend a movie,
[1:39:20]
and I'm also gonna recommend a silly one
[1:39:22]
that's also kind of a horror movie, but also pretty silly.
[1:39:25]
And I'm recommending, of course,
[1:39:27]
Mr. Vampire from 1985, directed by Ricky Lau
[1:39:31]
and starring, let me look at the names,
[1:39:33]
starring Lam Ching-Ying, Ricky Hui, and Chin Sui-Ho.
[1:39:37]
And this is the first
[1:39:38]
of the Mr. Vampire horror comedy series from Hong Kong.
[1:39:41]
That's awesome.
[1:39:43]
It's set in the kind of early 20th century China,
[1:39:48]
and there's a bunch of kind of battle priests
[1:39:52]
whose job is to just keep-
[1:39:54]
Battle priests grow into an army.
[1:39:56]
You don't have to tell me what a fucking battle priest does.
[1:39:58]
I know all about this shit.
[1:40:00]
is very specific to keeping vampires under control and these are your classic Chinese
[1:40:05]
hopping undead vampires and a vampire gets loose, unrelated to the vampire getting loose,
[1:40:12]
a ghost falls in love with one of the apprentices and is trying to take him away.
[1:40:17]
Now are they on the loose, is the vampire on the loose when you remove the piece of
[1:40:20]
paper from their forehead or does that, is that, or when the piece of paper is placed
[1:40:25]
on their forehead?
[1:40:26]
It's a piece of paper where there's like a bit of wax that goes on their forehead and
[1:40:30]
the paper is stuck to that and this is, it was produced by Sammo Hung, it's a very Sammo
[1:40:36]
Hung style comedy kind of action movie and it's just super fun and it's one of these
[1:40:42]
movies, it's very silly at times and the action is, and the martial arts are great.
[1:40:48]
Some of the comedy is of the very broad comedy that you get in especially 80s Hong Kong movies
[1:40:55]
but it's super fun.
[1:40:56]
So if you want to see a horror comedy that really is not taking itself seriously to the
[1:41:00]
point where it's not really scary so much as it is a comedy about people fighting vampires
[1:41:05]
then I would highly recommend Mr. Vampire.
[1:41:09]
Was Mr. Baseball a vampire?
[1:41:11]
No, he was a baseball, Dan.
[1:41:14]
Oh, okay.
[1:41:15]
Hey, I think we're almost at the end here.
[1:41:17]
Elliot, is there any final thought you want to share with our audience?
[1:41:21]
There is a final thought that I'd like to share with the audience.
[1:41:23]
You know, I'm just going to talk briefly because the show is ending and it's time to
[1:41:26]
pack up the old circus tent and wipe off the grease paint and sweep up the spotlight, sweep
[1:41:31]
up and put it in our caps, take off my makeup, but I put his wig back on the shelf, suddenly
[1:41:39]
I'm doing a MaxFun Pledge Drive donor spot and I'm telling you that if, again, this is
[1:41:47]
the MaxFun Pledge Drive, this is the time of year when we talk to you about this.
[1:41:50]
We're going to do three episodes where we're talking to you about this and then that's
[1:41:53]
it for the year.
[1:41:54]
You don't have to hear about it again.
[1:41:55]
If you've never been a MaxFun member, please, we ask you try it out for just $5 a month.
[1:41:59]
Again, that's the cost of one comic book a month.
[1:42:02]
If you don't buy comic books, that's great.
[1:42:05]
You've got that $5 sitting in your pocket and you can just do it for a month.
[1:42:09]
It's like judo, you switch it around.
[1:42:11]
And enjoy that bonus content.
[1:42:13]
If you're already a member and you'd like to support a little more, we'd really appreciate
[1:42:16]
you upgrading your membership to a higher level or just boosting it by a few dollars
[1:42:20]
per month or so.
[1:42:21]
If you support multiple shows on MaxFun, and if you do, thank you.
[1:42:25]
If you support multiple shows, the amount you pledge gets split between those shows.
[1:42:28]
So boosting by just a couple dollars means everyone just gets a little bit more, which
[1:42:32]
is wonderful.
[1:42:33]
Please do it now.
[1:42:34]
Go into MaximumFun.org.join before you forget and you can look at what kinds of thank you
[1:42:40]
gifts you get at the different levels.
[1:42:41]
You can check out the bonus content once you've signed up.
[1:42:44]
There's a lot of great stuff on there.
[1:42:46]
That's MaximumFun.org.join.
[1:42:47]
And I said at the top that this is the time of year when we celebrate our members.
[1:42:51]
And I know you're like, where's the celebration?
[1:42:53]
I've heard a lot about what you need.
[1:42:54]
What about what I need in terms of praise and recognition?
[1:42:58]
Let me tell you, it means so much to us that you are pledging and becoming members.
[1:43:04]
It means so much to us that you are supporting us as we do this show because we really couldn't
[1:43:08]
do it without you.
[1:43:10]
And especially during these times when life is uncertain, the world is in chaos, there's
[1:43:15]
nothing that I feel like I need more than an outlet for my nonsense.
[1:43:20]
There's nothing I feel like I need more than to hear the nonsense of other people to help
[1:43:24]
me remember that there is laughter and enjoyment in the world.
[1:43:28]
And we really appreciate your support in doing that.
[1:43:31]
We've been part of Maximum Fun for many years now and I've always been really amazed and
[1:43:36]
really impressed and really touched by the support that we get from our members and from
[1:43:40]
our listeners.
[1:43:41]
And it just helps keep us going.
[1:43:43]
It means that we can do this show for you.
[1:43:45]
It means we can do this show for others.
[1:43:47]
It means that people who, as Dan mentioned earlier, cannot afford to be members right
[1:43:52]
now on their own, that they still get to enjoy this show.
[1:43:54]
You can gift a membership to someone or just by supporting us, you make the show available.
[1:43:59]
We want to keep this show free to listen to aside from the bonus content, which you get
[1:44:03]
if you join at $5 a month or more.
[1:44:05]
And we can do that because of your support.
[1:44:08]
We don't have to charge for tickets and we're not beholden to sponsors.
[1:44:12]
I'm sure you've had some kind of TV show or movie or something canceled or pulled off
[1:44:17]
the market or just removed from your access in the past year because some business was
[1:44:23]
like, well, we're not making enough money off of this to justify you enjoying it.
[1:44:28]
And your support of us means that you don't have to worry about that happening.
[1:44:32]
We're our own bosses thanks to your support.
[1:44:34]
We make the decisions thanks to your support and we're going to keep doing this as long
[1:44:37]
as we can.
[1:44:38]
As long as we have your support.
[1:44:39]
We only do it with your help and we're so grateful and we're so thankful that you've
[1:44:43]
been giving us that help all this time and that we hope you will continue to.
[1:44:47]
If this is the year that you feel like you can afford to help us, please do.
[1:44:51]
If it's not the year you can afford to help us, then please consider it in the future.
[1:44:54]
But we ask you to go to maximumfund.org slash join and give us your support for as little
[1:44:58]
as $5 a month or boost or upgrade your membership if you feel like you can right now.
[1:45:03]
And we're just really thankful for it.
[1:45:04]
I would thank you all individually, but I think it would make the episode go long.
[1:45:08]
So instead, I'll just say thank you very much.
[1:45:11]
We're so grateful.
[1:45:12]
Insert your name here.
[1:45:13]
Thank you.
[1:45:14]
Thank you, Dan.
[1:45:15]
Actually, that's what I should have done.
[1:45:18]
And I did want to take this moment to celebrate you, the listeners, and especially the members
[1:45:22]
for keeping this show alive.
[1:45:23]
We really couldn't do it without you.
[1:45:24]
So thank you.
[1:45:25]
Go to maximumfund.org slash join if you aren't a member and if you are, then you get to take
[1:45:29]
part in that.
[1:45:30]
Thank you.
[1:45:31]
Otherwise, please put the thank you down.
[1:45:33]
It is only for members right now.
[1:45:36]
And yeah, I think that's all we got to say except to say thank you also to Alex Smith,
[1:45:42]
our producer.
[1:45:43]
You can find him under the name HowlDotty in various corners of the internet.
[1:45:48]
He does great work for us.
[1:45:49]
And he gets paid because you pay us.
[1:45:52]
Yeah, I was just on his Twitch channel this week watching a crazy Abel Ferrara movie.
[1:45:58]
Oh, nice.
[1:45:59]
For The Flophouse, I've been Dan McCoy.
[1:46:02]
I'm Stuart Wellington.
[1:46:04]
And I'm Elliott Kaelin reminding you to go to maximumfund.org slash join to join.
[1:46:08]
Thank you.
[1:46:09]
Bye.
[1:46:10]
On this episode, we discuss Kraven, the Hunter.
[1:46:23]
It's a tight adaptation of Kraven's Last Hunt, my favorite comic book.
[1:46:27]
I don't think so.
[1:46:29]
It's not accurate.
[1:46:30]
How about, Dan?
[1:46:31]
Hey, I am putting energy out of the universe.
[1:46:36]
Maybe I'll get what I want.
[1:46:38]
Manifesting is what it's called.
[1:46:39]
You should have heard about it.
[1:46:40]
You live in Los Angeles.
[1:46:41]
Yeah, people talk about manifesting a lot.
[1:46:43]
Can I try one?
[1:46:44]
Can I try one?
[1:46:45]
Sure.
[1:46:46]
Yeah.
[1:46:47]
Maximum fun.
[1:46:48]
A worker owned network of artists owned shows supported directly by you.
Description
We start out our special "Films Without Spider-Man" theme month (in honor of Max Fun Drive -- please consider supporting our show!) with one of the more ostentatiously-Spider-Man-free films of last year: Kraven the Hunter. C'mon, Kraven, we KNOW you guys know one another--remember that last hunt? Just swallow your pride and phone Spidey to drop by! We're cravin' it!
We're doing a ton of extra stuff for Max Fun Drive this year -- check out our event calendar!
Wikipedia page for Kraven the Hunter
Recommended in this episode:
Dan: Last Stop in Yuma County (2023)
Stuart: The Monkey (2025)
Elliott: Mr. Vampire (1985)
Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinflop